SlideShare ist ein Scribd-Unternehmen logo
1 von 20
Analysis of ‘To Kill A King - Behind The
Scenes of Funeral (Ralph’s Singalong
Sessions)’
http://www.youtube.com/watch?v=jEBrcdzHTPg
(0:00-4:00)
The first few shots of the video are close-ups of
particular items that help to set the scene. Firstly,
the To Kill A King logo on a piece of equipment,
and then on their drum kit, telling the audience
that this is who the video is of/about. There is then
a shot of ‘Funeral – Mass Band’ written on a piece
of paper, which will later become clear to the
viewer to mean that the video they’re filming is a
mass band version of the To Kill A King track
‘Funeral’. There is also a close-up of a card with
the name of the venue in which the video is being
recorded. The start of the track in question begins
at the start of the video too.
There is a shot from the top of a set of stairs looking down, showing people (musicians)
walking up the stairs. The lighting and pictures hanging on the wall suggest that they’re in a
pub of some sort. After this shot there is an over the shoulder shot showing the lead singer
of the band, Ralph, who seems to be giving instructions to some others. Behind him you can
see a few people with brass instruments and it’s the first moment where you start to see
how many people are there. There is no speech through this, the track continues playing.
The song fades into the background and there is a mid-shot of Ralph and Ian in an
interview scenario at the outside of the venue, beginning to explain what it is exactly that
they’re filming. In this way the members of the band act almost as commentators to the
viewers which is often the case in such ‘behind the scenes’ videos. The clip alternates
between another shot of the stairs, and then back to this shot of Ralph and Ian.
The song changes from the studio recording to a live version, which is then
shown as it happens, through a close-up of Ralph. You can hear lots of people
singing and get the community feel that the group are trying to get across.
This clip is only fairly short, and acts as a taster of what is happening before
the next shot in which Ian starts to explain what is happening. For this clip
the song goes back to the studio recording.
After Ian says “we thought we’d get loads of other musicians, loads of other
bands along” there is fittingly a close-up of Ralph which zooms out to show a
bunch of these musicians playing and singing along with the band.
After this Ralph and Ian list some of the musicians that are there on the day, and a shot of each
of these is show as they are mentioned. The shots are fairly natural ones of them, not as if
they’ve posed for the purpose of this video, and also it’s clear that everybody there is having a
lot of fun on the day.
After showing a few people particularly, there is
first a shot of Ralph and Ian talking, and then one
which pans around showing the amount of
musicians there, and also the array of instruments
is noticeable.
Ralph explains that the musicians there are people that
they’ve met through doing music and they thought it’d be
nice for them to all play a song together, and the studio
version of the track continues to play in the background.
There are then a few shots of some of these musicians in
the venue between recording.. again, the shots are casual
and you can tell it is behind the scenes, and not a staged
video.
Once again the song changes from the studio
recording to the track being performed live,
firstly shown through an over the shoulder shot
where the main focus is Ralph as the lead singer
of To Kill A King, but with many of the other
musicians around him. After this shot there is a
close-up of one of the musicians taking part in
the singalong, and then this pans sideways to
some more of the musicians.
There is then another shot of Ralph and
a few of the musicians around him still
singing the same part of the song.
The live version of the song continues in the
background as Ralph and Ian are shown once
again and Ralph explains how the song is relevant
to the video that they’re filming considering the
lyric “I must make more friends”. This shot is
followed by relevant shots of a couple of
members of the band hugging other musicians
which reiterates the feeling that the band give
that they’ve got lots of friends through their
mutual love of music.
There is an over the shoulder shot showing
some of the musicians playing - fly on the wall
again. There is then a mid-long shot of four
musicians practicing for when they record.
They all seem happy and supportive towards
each other, have a unity/friendship through
music - positive representation. No song for
either of these shots, instead the diegetic
sound of the instruments being played.
The music carries on using a sound bridge to the
next shot, and fades. There is a mid shot of the
band’s bassist explaining what is happening to the
group of musicians. Fact he he isn’t looking
directly at the camera emphasises that its a
documentary and not set up. He’s holding his
bass guitar and in terms of mise en scene this
puts emphasis on the focus of the clip. When he
mentions the guitarist, there is a shot of him, and
the same for the drummer. Such shots help the
audience to further understand the clip. He jokes
that they’ll “call that the drop” - being comical is
good and representatives him/the band in a
positive light.
“When we drop - communally” - subtle
mention of the fact that that particular group
of musicians is like a community brought
together by music.
Similarly to on the previous slide where shots of
the guitarist/drummer were shown when they
were mentioned, a shot of Ralph handing out the
“written out part” is used when the bassist
mentions this to everyone. Through this scene
there is no music in the background, leaving the
focus is on what he is talking about.
After the bassist says “Let’s give it a go!” there are shots of
a host of the different musicians there on the day, that can
be seen and heard anticipating the start of recording, asking
one another if they’re ready etc. There is still no track
playing in the background for this part of the clip - the focus
will be on the song when they start performing. There are
over the shoulder shots emphasising that it is behind the
scenes and not part of it.
The focus is about to be on the drummer as he
opens the song, and there is a shot of him talking.
He has to raise his voice over the other
musicians, again clear it’s not staged. There is a
shot of him giving the thumbs up as he’s ready,
which is taken over the cymbal - quite
aesthetically interesting. Focused on the cymbal
but as the camera moves closer to him, the focus
changes gradually. In a sort of response shot
Ralph is shown responding that he’s ready too.
Again this is taken from an interesting angle.
You can clearly hear “Ready?!” and then there is a close-up shot of the
guitarist’s feet, as he presses something on an effects pedal. The camera
then pans upwards to a low angle shot showing him playing the guitar. The
low angle often makes things seem superior and this could be seen to be
the case with this shot as at this point in the song the guitarist of the band
is the most prominent amongst all the other musicians there.
This shot of Ralph is used again, and is this time
focused particularly on the microphone, such
close-ups of musical equipment are very common
within music documentaries, I have found. The
audio on this shot is the start of the performance
- the guitar riff. There is a shot of another person
filming, making it clear that this video itself is
behind the scenes as a shot of a camera would
otherwise probably be avoided. A shot from
behind some of the other musicians shows Ian
playing guitar, and he makes a mistake, to which
they all have a laugh about - they’re not taking
themselves too seriously which is good.
A close-up shot of a microphone which is focused
on this zooms outwards and blurs, whilst the
guitar riff starts again in the background. This shot
almost gives the audience the perspective of the
musicians themselves.
Similar to before, but recorded closer to Ian,
there is a shot of him playing the opening riff once
more. The person recording for the actual video
(not the behind the scenes) is clearly visible.
As the drummer starts playing, there is a shot of him, and he
is heard counting the other musicians in. After this moment
the music picks up and there is a mixture of voices, clapping
and string as well as the drums and guitar. Shots of those
performing are used and there is a lot of focus on the
communion of them all and the sheer number of them.

Weitere ähnliche Inhalte

Was ist angesagt?

Gold steps analysis
Gold steps analysisGold steps analysis
Gold steps analysisDavidKelly_
 
Analysis of similar music videos lucas sneddon
Analysis of similar music videos lucas sneddonAnalysis of similar music videos lucas sneddon
Analysis of similar music videos lucas sneddonwhslaura
 
Music video gold steps
Music video  gold stepsMusic video  gold steps
Music video gold stepsDavidKelly_
 
Rap music videos in the 80
Rap music videos in the 80Rap music videos in the 80
Rap music videos in the 80Pedz97
 
Research: Johnny Cash
Research: Johnny CashResearch: Johnny Cash
Research: Johnny Cashalicemutton
 
Evaluation (urtz jefe)
Evaluation (urtz jefe)Evaluation (urtz jefe)
Evaluation (urtz jefe)francocolumbu
 
Andrew Goodwin theory
Andrew Goodwin theory Andrew Goodwin theory
Andrew Goodwin theory Leah Aston
 
Off the radar-group_treatment!!!
Off the radar-group_treatment!!!Off the radar-group_treatment!!!
Off the radar-group_treatment!!!Beckyboo4
 
Video and technique influences
Video and technique influencesVideo and technique influences
Video and technique influencesjoewilson1997
 
5SOS She Looks So Perfect Performance Video Analysis
5SOS She Looks So Perfect Performance Video Analysis 5SOS She Looks So Perfect Performance Video Analysis
5SOS She Looks So Perfect Performance Video Analysis gabbyfabrizio
 
Music video analyses
Music video analysesMusic video analyses
Music video analysesAlveenus
 
music video analysis
music video analysismusic video analysis
music video analysisjessaf_
 
Music video analysis work sheet (3)
Music video analysis work sheet (3)Music video analysis work sheet (3)
Music video analysis work sheet (3)Sadie Bailey
 
Textual analysis 3
Textual analysis 3Textual analysis 3
Textual analysis 3051497
 
Editing
EditingEditing
Editing06ah2
 
Music video case study 2
Music video case study 2Music video case study 2
Music video case study 2khalidinho96
 
Textual analysis 2
Textual analysis 2Textual analysis 2
Textual analysis 2051497
 

Was ist angesagt? (20)

Gold steps analysis
Gold steps analysisGold steps analysis
Gold steps analysis
 
Analysis of similar music videos lucas sneddon
Analysis of similar music videos lucas sneddonAnalysis of similar music videos lucas sneddon
Analysis of similar music videos lucas sneddon
 
Music video gold steps
Music video  gold stepsMusic video  gold steps
Music video gold steps
 
Rap music videos in the 80
Rap music videos in the 80Rap music videos in the 80
Rap music videos in the 80
 
Research: Johnny Cash
Research: Johnny CashResearch: Johnny Cash
Research: Johnny Cash
 
Evaluation (urtz jefe)
Evaluation (urtz jefe)Evaluation (urtz jefe)
Evaluation (urtz jefe)
 
Andrew Goodwin theory
Andrew Goodwin theory Andrew Goodwin theory
Andrew Goodwin theory
 
Off the radar-group_treatment!!!
Off the radar-group_treatment!!!Off the radar-group_treatment!!!
Off the radar-group_treatment!!!
 
Video and technique influences
Video and technique influencesVideo and technique influences
Video and technique influences
 
Shot Count
Shot CountShot Count
Shot Count
 
5SOS She Looks So Perfect Performance Video Analysis
5SOS She Looks So Perfect Performance Video Analysis 5SOS She Looks So Perfect Performance Video Analysis
5SOS She Looks So Perfect Performance Video Analysis
 
Music video analyses
Music video analysesMusic video analyses
Music video analyses
 
Video essay – andrew goodwin's rules
Video essay – andrew goodwin's rulesVideo essay – andrew goodwin's rules
Video essay – andrew goodwin's rules
 
music video analysis
music video analysismusic video analysis
music video analysis
 
Music video analysis work sheet (3)
Music video analysis work sheet (3)Music video analysis work sheet (3)
Music video analysis work sheet (3)
 
Detailed analysis
Detailed analysis Detailed analysis
Detailed analysis
 
Textual analysis 3
Textual analysis 3Textual analysis 3
Textual analysis 3
 
Editing
EditingEditing
Editing
 
Music video case study 2
Music video case study 2Music video case study 2
Music video case study 2
 
Textual analysis 2
Textual analysis 2Textual analysis 2
Textual analysis 2
 

Andere mochten auch

Analysis of second Dawes video
Analysis of second Dawes videoAnalysis of second Dawes video
Analysis of second Dawes videomeg_seekings
 
Analysis of Mumford & Sons video
Analysis of Mumford & Sons videoAnalysis of Mumford & Sons video
Analysis of Mumford & Sons videomeg_seekings
 
Analysis of Sam Beeton video
Analysis of Sam Beeton videoAnalysis of Sam Beeton video
Analysis of Sam Beeton videomeg_seekings
 
Analysis of Vampire Weekend video
Analysis of Vampire Weekend videoAnalysis of Vampire Weekend video
Analysis of Vampire Weekend videomeg_seekings
 

Andere mochten auch (6)

Analysis of second Dawes video
Analysis of second Dawes videoAnalysis of second Dawes video
Analysis of second Dawes video
 
ALEXANDRIE MA ROSE
ALEXANDRIE MA ROSEALEXANDRIE MA ROSE
ALEXANDRIE MA ROSE
 
Analysis of Mumford & Sons video
Analysis of Mumford & Sons videoAnalysis of Mumford & Sons video
Analysis of Mumford & Sons video
 
El gust
El gustEl gust
El gust
 
Analysis of Sam Beeton video
Analysis of Sam Beeton videoAnalysis of Sam Beeton video
Analysis of Sam Beeton video
 
Analysis of Vampire Weekend video
Analysis of Vampire Weekend videoAnalysis of Vampire Weekend video
Analysis of Vampire Weekend video
 

Ähnlich wie Analysis of To Kill A King video

Kol speech
Kol speechKol speech
Kol speechhassan
 
Music Video Analysis for Foo Fighters The Pretender
Music Video Analysis for Foo Fighters The PretenderMusic Video Analysis for Foo Fighters The Pretender
Music Video Analysis for Foo Fighters The Pretendertlcurtis
 
Gold steps analysis
Gold steps analysisGold steps analysis
Gold steps analysisDavidKelly_
 
Gold steps analysis
Gold steps analysisGold steps analysis
Gold steps analysisDavidKelly_
 
task 1 presentation
task 1 presentation task 1 presentation
task 1 presentation hamda221
 
Analysis of existing music videos
Analysis of existing music videos Analysis of existing music videos
Analysis of existing music videos ChloeBakerMedia
 
A2 pre production media coursework
A2 pre production media courseworkA2 pre production media coursework
A2 pre production media coursework06roconnor
 
A2Media_TA
A2Media_TAA2Media_TA
A2Media_TANikachu
 
Music Video Analysis - Fall Out Boy
Music Video Analysis - Fall Out Boy Music Video Analysis - Fall Out Boy
Music Video Analysis - Fall Out Boy electricdreams1
 
3 Daft Punk Music Video Analyses by Thomas Griffiths - 0601
3 Daft Punk Music Video Analyses by Thomas Griffiths - 06013 Daft Punk Music Video Analyses by Thomas Griffiths - 0601
3 Daft Punk Music Video Analyses by Thomas Griffiths - 0601Thomas Griffiths
 
Textual analysis
Textual analysisTextual analysis
Textual analysisKaris Hays
 
Analysis of Dawes video
Analysis of Dawes videoAnalysis of Dawes video
Analysis of Dawes videomeg_seekings
 
Music video analysis
Music video analysisMusic video analysis
Music video analysisSanNahar
 
Textual Analysis Document
Textual Analysis DocumentTextual Analysis Document
Textual Analysis Documentjmasmedia
 
Music videos kings of leon
Music videos kings of leonMusic videos kings of leon
Music videos kings of leon07smerchant
 
3 Music Video Analyses by Thomas Griffiths - 0601
3 Music Video Analyses by Thomas Griffiths - 06013 Music Video Analyses by Thomas Griffiths - 0601
3 Music Video Analyses by Thomas Griffiths - 0601Thomas Griffiths
 

Ähnlich wie Analysis of To Kill A King video (20)

Kol speech
Kol speechKol speech
Kol speech
 
Music Video Analysis for Foo Fighters The Pretender
Music Video Analysis for Foo Fighters The PretenderMusic Video Analysis for Foo Fighters The Pretender
Music Video Analysis for Foo Fighters The Pretender
 
Gold steps analysis
Gold steps analysisGold steps analysis
Gold steps analysis
 
Gold steps analysis
Gold steps analysisGold steps analysis
Gold steps analysis
 
task 1 presentation
task 1 presentation task 1 presentation
task 1 presentation
 
Music video analysis
Music video analysisMusic video analysis
Music video analysis
 
Analysis of existing music videos
Analysis of existing music videos Analysis of existing music videos
Analysis of existing music videos
 
Video analysis
Video analysisVideo analysis
Video analysis
 
A2 pre production media coursework
A2 pre production media courseworkA2 pre production media coursework
A2 pre production media coursework
 
A2Media_TA
A2Media_TAA2Media_TA
A2Media_TA
 
Music Video Analysis - Fall Out Boy
Music Video Analysis - Fall Out Boy Music Video Analysis - Fall Out Boy
Music Video Analysis - Fall Out Boy
 
3 Daft Punk Music Video Analyses by Thomas Griffiths - 0601
3 Daft Punk Music Video Analyses by Thomas Griffiths - 06013 Daft Punk Music Video Analyses by Thomas Griffiths - 0601
3 Daft Punk Music Video Analyses by Thomas Griffiths - 0601
 
Textual Analysis 3
Textual Analysis 3Textual Analysis 3
Textual Analysis 3
 
Textual analysis
Textual analysisTextual analysis
Textual analysis
 
Analysis of Dawes video
Analysis of Dawes videoAnalysis of Dawes video
Analysis of Dawes video
 
Music video analysis
Music video analysisMusic video analysis
Music video analysis
 
Media work
Media workMedia work
Media work
 
Textual Analysis Document
Textual Analysis DocumentTextual Analysis Document
Textual Analysis Document
 
Music videos kings of leon
Music videos kings of leonMusic videos kings of leon
Music videos kings of leon
 
3 Music Video Analyses by Thomas Griffiths - 0601
3 Music Video Analyses by Thomas Griffiths - 06013 Music Video Analyses by Thomas Griffiths - 0601
3 Music Video Analyses by Thomas Griffiths - 0601
 

Kürzlich hochgeladen

Behala ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sexy Bhabi Ready ...
Behala ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sexy Bhabi Ready ...Behala ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sexy Bhabi Ready ...
Behala ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sexy Bhabi Ready ...ritikasharma
 
Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448ont65320
 
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
Call Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls GoaCall Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls Goa
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goasexy call girls service in goa
 
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...noor ahmed
 
Call Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service NashikCall Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service NashikCall Girls in Nagpur High Profile
 
VIP Call Girl Kolhapur Aashi 8250192130 Independent Escort Service Kolhapur
VIP Call Girl Kolhapur Aashi 8250192130 Independent Escort Service KolhapurVIP Call Girl Kolhapur Aashi 8250192130 Independent Escort Service Kolhapur
VIP Call Girl Kolhapur Aashi 8250192130 Independent Escort Service KolhapurRiya Pathan
 
Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...
Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...
Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...anamikaraghav4
 
Independent Joka Escorts ✔ 8250192130 ✔ Full Night With Room Online Booking 2...
Independent Joka Escorts ✔ 8250192130 ✔ Full Night With Room Online Booking 2...Independent Joka Escorts ✔ 8250192130 ✔ Full Night With Room Online Booking 2...
Independent Joka Escorts ✔ 8250192130 ✔ Full Night With Room Online Booking 2...noor ahmed
 
Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...
Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...
Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...anamikaraghav4
 
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girls in Nagpur High Profile
 
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near MeBook Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Meanamikaraghav4
 
Private Call Girls Durgapur - 8250192130 Escorts Service with Real Photos and...
Private Call Girls Durgapur - 8250192130 Escorts Service with Real Photos and...Private Call Girls Durgapur - 8250192130 Escorts Service with Real Photos and...
Private Call Girls Durgapur - 8250192130 Escorts Service with Real Photos and...Riya Pathan
 
Beyond Bar & Club Udaipur CaLL GiRLS 09602870969
Beyond Bar & Club Udaipur CaLL GiRLS 09602870969Beyond Bar & Club Udaipur CaLL GiRLS 09602870969
Beyond Bar & Club Udaipur CaLL GiRLS 09602870969Apsara Of India
 
👙 Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Serviceanamikaraghav4
 
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...Apsara Of India
 
GV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICE
GV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICEGV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICE
GV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICEApsara Of India
 
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...noor ahmed
 
Jinx Manga-Season 1 - Chapters Summary.docx
Jinx Manga-Season 1 - Chapters Summary.docxJinx Manga-Season 1 - Chapters Summary.docx
Jinx Manga-Season 1 - Chapters Summary.docxJinx Manga
 

Kürzlich hochgeladen (20)

Behala ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sexy Bhabi Ready ...
Behala ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sexy Bhabi Ready ...Behala ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sexy Bhabi Ready ...
Behala ( Call Girls ) Kolkata ✔ 6297143586 ✔ Hot Model With Sexy Bhabi Ready ...
 
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort GoaDesi Bhabhi Call Girls  In Goa  💃 730 02 72 001💃desi Bhabhi Escort Goa
Desi Bhabhi Call Girls In Goa 💃 730 02 72 001💃desi Bhabhi Escort Goa
 
Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448Beautiful 😋 Call girls in Lahore 03210033448
Beautiful 😋 Call girls in Lahore 03210033448
 
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
Call Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls GoaCall Girls In Goa  9316020077 Goa  Call Girl By Indian Call Girls Goa
Call Girls In Goa 9316020077 Goa Call Girl By Indian Call Girls Goa
 
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
↑Top Model (Kolkata) Call Girls Behala ⟟ 8250192130 ⟟ High Class Call Girl In...
 
Call Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service NashikCall Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
Call Girl Nashik Amaira 7001305949 Independent Escort Service Nashik
 
VIP Call Girl Kolhapur Aashi 8250192130 Independent Escort Service Kolhapur
VIP Call Girl Kolhapur Aashi 8250192130 Independent Escort Service KolhapurVIP Call Girl Kolhapur Aashi 8250192130 Independent Escort Service Kolhapur
VIP Call Girl Kolhapur Aashi 8250192130 Independent Escort Service Kolhapur
 
Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...
Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...
Russian Call Girl South End Park - Call 8250192130 Rs-3500 with A/C Room Cash...
 
Independent Joka Escorts ✔ 8250192130 ✔ Full Night With Room Online Booking 2...
Independent Joka Escorts ✔ 8250192130 ✔ Full Night With Room Online Booking 2...Independent Joka Escorts ✔ 8250192130 ✔ Full Night With Room Online Booking 2...
Independent Joka Escorts ✔ 8250192130 ✔ Full Night With Room Online Booking 2...
 
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICECHEAP Call Girls in  Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
CHEAP Call Girls in Malviya Nagar, (-DELHI )🔝 9953056974🔝(=)/CALL GIRLS SERVICE
 
Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...
Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...
Call Girls Service Bantala - Call 8250192130 Rs-3500 with A/C Room Cash on De...
 
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur EscortsCall Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
Call Girl Nagpur Roshni Call 7001035870 Meet With Nagpur Escorts
 
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near MeBook Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
Book Call Girls in Panchpota - 8250192130 | 24x7 Service Available Near Me
 
Private Call Girls Durgapur - 8250192130 Escorts Service with Real Photos and...
Private Call Girls Durgapur - 8250192130 Escorts Service with Real Photos and...Private Call Girls Durgapur - 8250192130 Escorts Service with Real Photos and...
Private Call Girls Durgapur - 8250192130 Escorts Service with Real Photos and...
 
Beyond Bar & Club Udaipur CaLL GiRLS 09602870969
Beyond Bar & Club Udaipur CaLL GiRLS 09602870969Beyond Bar & Club Udaipur CaLL GiRLS 09602870969
Beyond Bar & Club Udaipur CaLL GiRLS 09602870969
 
👙 Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
👙  Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service👙  Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
👙 Kolkata Call Girls Sonagachi 💫💫7001035870 Model escorts Service
 
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
Karnal Call Girls 8860008073 Dyal Singh Colony Call Girls Service in Karnal E...
 
GV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICE
GV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICEGV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICE
GV'S 24 CLUB & BAR CONTACT 09602870969 CALL GIRLS IN UDAIPUR ESCORT SERVICE
 
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
↑Top Model (Kolkata) Call Girls Sonagachi ⟟ 8250192130 ⟟ High Class Call Girl...
 
Jinx Manga-Season 1 - Chapters Summary.docx
Jinx Manga-Season 1 - Chapters Summary.docxJinx Manga-Season 1 - Chapters Summary.docx
Jinx Manga-Season 1 - Chapters Summary.docx
 

Analysis of To Kill A King video

  • 1. Analysis of ‘To Kill A King - Behind The Scenes of Funeral (Ralph’s Singalong Sessions)’ http://www.youtube.com/watch?v=jEBrcdzHTPg (0:00-4:00)
  • 2. The first few shots of the video are close-ups of particular items that help to set the scene. Firstly, the To Kill A King logo on a piece of equipment, and then on their drum kit, telling the audience that this is who the video is of/about. There is then a shot of ‘Funeral – Mass Band’ written on a piece of paper, which will later become clear to the viewer to mean that the video they’re filming is a mass band version of the To Kill A King track ‘Funeral’. There is also a close-up of a card with the name of the venue in which the video is being recorded. The start of the track in question begins at the start of the video too.
  • 3. There is a shot from the top of a set of stairs looking down, showing people (musicians) walking up the stairs. The lighting and pictures hanging on the wall suggest that they’re in a pub of some sort. After this shot there is an over the shoulder shot showing the lead singer of the band, Ralph, who seems to be giving instructions to some others. Behind him you can see a few people with brass instruments and it’s the first moment where you start to see how many people are there. There is no speech through this, the track continues playing.
  • 4. The song fades into the background and there is a mid-shot of Ralph and Ian in an interview scenario at the outside of the venue, beginning to explain what it is exactly that they’re filming. In this way the members of the band act almost as commentators to the viewers which is often the case in such ‘behind the scenes’ videos. The clip alternates between another shot of the stairs, and then back to this shot of Ralph and Ian.
  • 5. The song changes from the studio recording to a live version, which is then shown as it happens, through a close-up of Ralph. You can hear lots of people singing and get the community feel that the group are trying to get across. This clip is only fairly short, and acts as a taster of what is happening before the next shot in which Ian starts to explain what is happening. For this clip the song goes back to the studio recording.
  • 6. After Ian says “we thought we’d get loads of other musicians, loads of other bands along” there is fittingly a close-up of Ralph which zooms out to show a bunch of these musicians playing and singing along with the band.
  • 7. After this Ralph and Ian list some of the musicians that are there on the day, and a shot of each of these is show as they are mentioned. The shots are fairly natural ones of them, not as if they’ve posed for the purpose of this video, and also it’s clear that everybody there is having a lot of fun on the day.
  • 8. After showing a few people particularly, there is first a shot of Ralph and Ian talking, and then one which pans around showing the amount of musicians there, and also the array of instruments is noticeable.
  • 9. Ralph explains that the musicians there are people that they’ve met through doing music and they thought it’d be nice for them to all play a song together, and the studio version of the track continues to play in the background. There are then a few shots of some of these musicians in the venue between recording.. again, the shots are casual and you can tell it is behind the scenes, and not a staged video.
  • 10. Once again the song changes from the studio recording to the track being performed live, firstly shown through an over the shoulder shot where the main focus is Ralph as the lead singer of To Kill A King, but with many of the other musicians around him. After this shot there is a close-up of one of the musicians taking part in the singalong, and then this pans sideways to some more of the musicians. There is then another shot of Ralph and a few of the musicians around him still singing the same part of the song.
  • 11. The live version of the song continues in the background as Ralph and Ian are shown once again and Ralph explains how the song is relevant to the video that they’re filming considering the lyric “I must make more friends”. This shot is followed by relevant shots of a couple of members of the band hugging other musicians which reiterates the feeling that the band give that they’ve got lots of friends through their mutual love of music.
  • 12. There is an over the shoulder shot showing some of the musicians playing - fly on the wall again. There is then a mid-long shot of four musicians practicing for when they record. They all seem happy and supportive towards each other, have a unity/friendship through music - positive representation. No song for either of these shots, instead the diegetic sound of the instruments being played.
  • 13. The music carries on using a sound bridge to the next shot, and fades. There is a mid shot of the band’s bassist explaining what is happening to the group of musicians. Fact he he isn’t looking directly at the camera emphasises that its a documentary and not set up. He’s holding his bass guitar and in terms of mise en scene this puts emphasis on the focus of the clip. When he mentions the guitarist, there is a shot of him, and the same for the drummer. Such shots help the audience to further understand the clip. He jokes that they’ll “call that the drop” - being comical is good and representatives him/the band in a positive light.
  • 14. “When we drop - communally” - subtle mention of the fact that that particular group of musicians is like a community brought together by music. Similarly to on the previous slide where shots of the guitarist/drummer were shown when they were mentioned, a shot of Ralph handing out the “written out part” is used when the bassist mentions this to everyone. Through this scene there is no music in the background, leaving the focus is on what he is talking about.
  • 15. After the bassist says “Let’s give it a go!” there are shots of a host of the different musicians there on the day, that can be seen and heard anticipating the start of recording, asking one another if they’re ready etc. There is still no track playing in the background for this part of the clip - the focus will be on the song when they start performing. There are over the shoulder shots emphasising that it is behind the scenes and not part of it.
  • 16. The focus is about to be on the drummer as he opens the song, and there is a shot of him talking. He has to raise his voice over the other musicians, again clear it’s not staged. There is a shot of him giving the thumbs up as he’s ready, which is taken over the cymbal - quite aesthetically interesting. Focused on the cymbal but as the camera moves closer to him, the focus changes gradually. In a sort of response shot Ralph is shown responding that he’s ready too. Again this is taken from an interesting angle.
  • 17. You can clearly hear “Ready?!” and then there is a close-up shot of the guitarist’s feet, as he presses something on an effects pedal. The camera then pans upwards to a low angle shot showing him playing the guitar. The low angle often makes things seem superior and this could be seen to be the case with this shot as at this point in the song the guitarist of the band is the most prominent amongst all the other musicians there.
  • 18. This shot of Ralph is used again, and is this time focused particularly on the microphone, such close-ups of musical equipment are very common within music documentaries, I have found. The audio on this shot is the start of the performance - the guitar riff. There is a shot of another person filming, making it clear that this video itself is behind the scenes as a shot of a camera would otherwise probably be avoided. A shot from behind some of the other musicians shows Ian playing guitar, and he makes a mistake, to which they all have a laugh about - they’re not taking themselves too seriously which is good.
  • 19. A close-up shot of a microphone which is focused on this zooms outwards and blurs, whilst the guitar riff starts again in the background. This shot almost gives the audience the perspective of the musicians themselves. Similar to before, but recorded closer to Ian, there is a shot of him playing the opening riff once more. The person recording for the actual video (not the behind the scenes) is clearly visible.
  • 20. As the drummer starts playing, there is a shot of him, and he is heard counting the other musicians in. After this moment the music picks up and there is a mixture of voices, clapping and string as well as the drums and guitar. Shots of those performing are used and there is a lot of focus on the communion of them all and the sheer number of them.