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FS6  Critical Studies
FS6 – Critical Studies ,[object Object],[object Object],[object Object],[object Object]
It is important to note that this is a synoptic module – this means that you need to incorporate learning that has been done in previous modules (AS and A2)
Assessment Tasks ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Timings ,[object Object],[object Object],[object Object]
Shocking Cinema  ,[object Object],[object Object],[object Object],[object Object]
The Films we have covered  ,[object Object],[object Object],[object Object],[object Object],[object Object]
Natural Born Killers  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
You need to be able to engage in debate about these films.  You should make sure that you know them well (or know a range of films that you will be able to use as examples) and that you are able to apply this knowledge to a range of questions
Films to use  ,[object Object],[object Object]
What films are you going to use  ,[object Object]
Approaching Exam Questions ,[object Object]
Approaching Exam Questions 2 ,[object Object],[object Object],[object Object],[object Object],[object Object]
This film is shocking in both presentation and topic and why Natural Born Killers was made more shocking by the presentation of the violence rather than the violence itself  Reservoir Dogs was considered shocking but a lot of the violence was off screen  The amount of deaths and injuries in Kill Bill Volume 1 could have made it shocking but the blood spurting out etc made it less shocking
What do you think?
Does the DVD extras make something less shocking? ,[object Object],[object Object],[object Object],[object Object],[object Object]
What do you think?
We know that Team America is not real as it uses puppets but it is still shocking  The Blair Witch Project was more shocking as people thought that it was real Seeing Leonardo Dicaprio treading water on the Titanic extras ruined it for me Reception Theory – being in the cinema/caught in the moment and believing in what you see creates shocks  Some films appeal/ play on emotions which shocks us
Shocking Cinema  Shocks can be created for a variety of different reasons: subject matter; cinematic devices; reception; personal experiences  If your full attention is given to a film then it would be easier to produce shocks in an audience Directions and film makers are constantly coming up with different/new ways to shock Extreme violence is not the only way to shock  When directors make films outside of their field this can produce shocks as can actors  Know This !
Know This  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Know this  ,[object Object],[object Object],[object Object],[object Object],[object Object]
Regulation and Censorship ,[object Object],[object Object],[object Object]
Some of the issues raised by the changes in certification ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Some of the issues raised by the changes in technology ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The emphasis in this module is not on institutional histories ( Although some of this knowledge will help)  It is on critical debate  – be prepared to apply what you know to a range of situations Practise exam questions coming soon!
Further Reading  ,[object Object],[object Object]
Approaching Exam Questions  ,[object Object]
Approaching Exam questions 2 ,[object Object]
I think that  I also think that
Know This! ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Know This  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Video Recordings Act (1984) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The Video Recordings Act (1984) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Genre and Authorship Studies  ,[object Object],[object Object],[object Object]
Obviously many of you have extensive knowledge about autuerism with an in depth knowledge of one auteur and all of us have knowledge of three, this knowledge will be tested in debate discussion and timed essays
The Coen Brothers ,[object Object],[object Object],[object Object]
Shane Meadows  ,[object Object],[object Object],[object Object]
Steven Spielberg  ,[object Object],[object Object],[object Object]
BUT!
Auteurs  Do they exist
What is an auteur? ,[object Object]
When Auteurs Began ,[object Object],[object Object],[object Object],[object Object]
Who knows – you decide  ,[object Object],[object Object],[object Object],[object Object]
Some Auteurs?
Ridley Scott  ,[object Object],[object Object],[object Object],[object Object]
Ridley Scott  ,[object Object],[object Object],[object Object],[object Object]
Ridley Scott ,[object Object],[object Object],[object Object]
Tim Burton?  ,[object Object],[object Object],[object Object],[object Object],[object Object]
Tim Burton  ,[object Object],[object Object],[object Object]
Joel and Ethan Coen? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Joel and Ethan Coen? ,[object Object],[object Object],[object Object]
Mel Brooks ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Mel Brooks  ,[object Object],[object Object],[object Object]
David Cronenberg ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
David Cronenberg  ,[object Object],[object Object],[object Object]
Quentin Tarantino  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Quentin Tarantino ,[object Object],[object Object],[object Object]
Approaching Exam Questions  ,[object Object]
Approaching Exam questions 2 ,[object Object]
I think that  I also think that
Know This!  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Know This  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Steven Spielberg ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Steven Spielberg ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Steven Spielberg ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The Coen Brothers ,[object Object]
The Coen Brothers ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Lets have another look at some questions
Shocking Cinema  ,[object Object]
Regulation and Censorship  ,[object Object]
Genre and Authorship ,[object Object]

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  • 1. FS6 Critical Studies
  • 2.
  • 3. It is important to note that this is a synoptic module – this means that you need to incorporate learning that has been done in previous modules (AS and A2)
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9. You need to be able to engage in debate about these films. You should make sure that you know them well (or know a range of films that you will be able to use as examples) and that you are able to apply this knowledge to a range of questions
  • 10.
  • 11.
  • 12.
  • 13.
  • 14. This film is shocking in both presentation and topic and why Natural Born Killers was made more shocking by the presentation of the violence rather than the violence itself Reservoir Dogs was considered shocking but a lot of the violence was off screen The amount of deaths and injuries in Kill Bill Volume 1 could have made it shocking but the blood spurting out etc made it less shocking
  • 15. What do you think?
  • 16.
  • 17. What do you think?
  • 18. We know that Team America is not real as it uses puppets but it is still shocking The Blair Witch Project was more shocking as people thought that it was real Seeing Leonardo Dicaprio treading water on the Titanic extras ruined it for me Reception Theory – being in the cinema/caught in the moment and believing in what you see creates shocks Some films appeal/ play on emotions which shocks us
  • 19. Shocking Cinema Shocks can be created for a variety of different reasons: subject matter; cinematic devices; reception; personal experiences If your full attention is given to a film then it would be easier to produce shocks in an audience Directions and film makers are constantly coming up with different/new ways to shock Extreme violence is not the only way to shock When directors make films outside of their field this can produce shocks as can actors Know This !
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25. The emphasis in this module is not on institutional histories ( Although some of this knowledge will help) It is on critical debate – be prepared to apply what you know to a range of situations Practise exam questions coming soon!
  • 26.
  • 27.
  • 28.
  • 29. I think that I also think that
  • 30.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35. Obviously many of you have extensive knowledge about autuerism with an in depth knowledge of one auteur and all of us have knowledge of three, this knowledge will be tested in debate discussion and timed essays
  • 36.
  • 37.
  • 38.
  • 39. BUT!
  • 40. Auteurs Do they exist
  • 41.
  • 42.
  • 43.
  • 45.
  • 46.
  • 47.
  • 48.
  • 49.
  • 50.
  • 51.
  • 52.
  • 53.
  • 54.
  • 55.
  • 56.
  • 57.
  • 58.
  • 59.
  • 60. I think that I also think that
  • 61.
  • 62.
  • 63.
  • 64.
  • 65.
  • 66.
  • 67.
  • 68. Lets have another look at some questions
  • 69.
  • 70.
  • 71.