3. Hi! I am Mario. This is my fifth assignment
for “Introduction and Music Production”
at Coursera.org
4. Hi! I am Mario. This is my fifth assignment
for “Introduction and Music Production”
at Coursera.org
I will be teaching about “Compare and
contrast an algorithmic and convolution
reverb. Demonstrate the difference and
the important features in both types of
reverb.”
5.
6. Reverberation is the persistence of sound
in a particular space after the original
sound is produced.
7. Reverberation is the persistence of sound
in a particular space after the original
sound is produced.
A reverberation is created when a sound
is produced in an enclosed space
causing a large number of echoes to
build up and then slowly decay as the
sound is absorbed by the walls and air.
8.
9. Reverb is an important effect because it
brings a space-feeling to our mix.
10. Reverb is an important effect because it
brings a space-feeling to our mix.
Depending on the kind of
feeling/impression we’re looking, we’ll
choose a specific type of reverb.
11.
12. If you don’t want to record your song in
a natural reverberated place, you will
need to choose in your DAW what kind
of reverb is better for your work
13. If you don’t want to record your song in
a natural reverberated place, you will
need to choose in your DAW what kind
of reverb is better for your work
You will have the choice between two
main types : algorithmic and convolution
reverb.
14.
15.
16. They are both created through
mathematical calculations
17.
18. There is one
mathematical
algorithm for each
reverb: room, hall,
etc…
19. There is one
mathematical
algorithm for each
reverb: room, hall,
etc…
This reverb is
recreating a reverb
effect of a non-
existent place
20. There is one Convolution reverb is
mathematical going to recreate
algorithm for each the reverb of a real
reverb: room, hall, existing place, for
etc… example, Royal
This reverb is Albert Hall in London
recreating a reverb
effect of a non-
existent place
21. There is one To create this
mathematical mathematical
algorithm for each calculation, first of
reverb: room, hall, all, sound engineers
etc… have to study the
This reverb is reverb behavior of
recreating a reverb the place
effect of a non-
existent place
22. There is one Convolution reverbs
mathematical use real sound
algorithm for each samples, recorded
reverb: room, hall, from real rooms (or
etc… modified but based
This reverb is on real recordings in
recreating a reverb some cases) known
effect of a non- as “Impulse
existent place Responses”
25. Algorithmic: Convolution reverb:
You adjust a lot of
parameters
26. Algorithmic: Convolution reverb:
You adjust a lot of
parameters
Needs much less
CPU power
27. Algorithmic: Convolution reverb:
You adjust a lot of
parameters
Needs much less
CPU power
But if its misused the
result will be
disappointing
28. Algorithmic: Convolution reverb:
You adjust a lot of Recreates the reverb
parameters of a real place
Needs much less
CPU power
But if its misused the
result will be
disappointing
29. Algorithmic: Convolution reverb:
You adjust a lot of Recreates the reverb
parameters of a real place
Needs much less Sounds more natural
CPU power
But if its misused the
result will be
disappointing
30. Algorithmic: Convolution reverb:
You adjust a lot of Recreates the reverb
parameters of a real place
Needs much less Sounds more natural
CPU power But needs a lot of
But if its misused the CPU power& you onli
result will be can choose from a
disappointing limited number of
pre-studied places
31.
32. I think both concepts are very
complicated. I tried to explain them in a
very basic and simple way
33. I think both concepts are very
complicated. I tried to explain them in a
very basic and simple way
A choose to do a short lesson because I
want the reader to remember the main
principles when the lesson is over
34.
35. Thank you for taking the time to read my
lesson
36. Thank you for taking the time to read my
lesson
I hope I was clear and the work I’ve
done could be useful for people without
this knowledge
