Performance art as posthumanist means of expression - performing the liminal stages of self
•
3 likes•1,697 views
Recommended
Recommended
More Related Content
What's hot
What's hot (20)
Viewers also liked
Viewers also liked (13)
Similar to Performance art as posthumanist means of expression - performing the liminal stages of self
Similar to Performance art as posthumanist means of expression - performing the liminal stages of self (20)
Recently uploaded
Recently uploaded (20)
Performance art as posthumanist means of expression - performing the liminal stages of self
- 1. POSTHUMAN TENDENCIES IN PERFORMANCE ART PERFORMANCE ART AS TECHNO-CULTURAL AVANT-GARDE
- 2. POSTHUMANISM IS A MOVEMENT ON THE BORDER BETWEEN SERIOUS SCIENTIFIC DISCOURSE AND FICTION: BASED ON THE MATHEMATICAL THEORY OF COMMUNICATION, AS WELL AS THE LEGACY OF CYBERPUNK DYSTOPIA, IT OFFERS A VISION OF A TRANSITION FROM HUMAN TO THE SO CALLED POSTHUMAN. THE POSTHUMAN IS SEEN AS AN OFFSPRING OF TECHNOCULTURE, THE SYNTHESIS OF LIVING AND ARTIFICIAL, A LOOSELY EVOLVING ENTITY WITHOUT FIXED ONTOLOGICAL BOUNDARIES. THE EXISTENCE OF THE POSTHUMAN LIES BEYOND DUALISTIC CATEGORIZATION, HAS A PROCESSUAL CHARACTER AND REFUSES ANY ESSENTIALIST APPROACH. CORPOREALITY – IDENTITY – TECHNOLOGY - INFORMATION IT IS AN ATTRACTIVE SUBJECT OF SCIENCE-FICTION STORIES AND A SEXY POSTMODERN SLOGAN, BUT ALSO A SYMBOL OF A TRANSGRESSION OF ACTUAL PREDESTINATING CATEGORIES SUCH AS RACE, GENDER OR SOCIAL STATUS. MORE THAN ANYTHING ELSE, POSTHUMAN IS PRIMARILY A METAPHOR, ADOPTED BY A VARIETY OF NARRATIVES FOCUSED ON THE POTENTIAL ASPECTS OF TECHNOLOGICALLY EXTENDED LIFE: FROM SERIOUS SCIENTIFIC INVESTIGATIONS, THROUGH SCIENCE-FICTION, UP TO ITS NUMEROUS APPROPRIATIONS BY THE ART WORLD. FROM THIS PERSPECTIVE, POSTHUMANISM CAN BE APPROACHED AS A LIMINAL TRANSDISCIPLINARY FIELD, LOCATED ON THE BOUNDARY BETWEEN SCIENCE, TECHNOLOGY AND ART.
- 4. HUMACHINE AN INTIMATE MIXING OF HUMAN AND MACHINE…OUTSIDE THE SUBJECT/OBJECT BINARY
- 5. 1940th 1960th 1970th 1980th 1990th 2000 2010 1950th INDUSTRIAL REVOLUTION SHANNONS DISEMBODIED INFORMATION BODY AS INFORMATION CIRQUIT CYBERNETICS INFORMATION SCIENCE MACY CONFERENCIES TURING TEST INFORMATION REVOLUTION AI CELLULAR AUTOMATON CYBORG HUMAN GENOME PROJECT BIOPUNK BIOTECH REVOLUTION DIGITAL REVOLUTION CYBERPUNK BIOHACKING HACKERPSPACES HACKERS SCI-FI TRANSGENICS DTC GENOMICS QUANTIFIED SELF SYSTEM THEORY VR PC COMPUTER - MAN OF THE YEAR 1982 NBIC INFORMATION SOCIETY SMARTPHONES WWW CYBERCULTURE SOCIAL NETWORKING NANOTECHNOLOGY DNA COMPUTING DIGITAL SUPERHIGHWAY WEB 2.0 DIYBIO WEARABLES GENE THERAPY IN VITRO FERTILIZATION ADVANCED PROSTHETIC MOLECULAR BIOLOGY ARDUINO OPEN SOURCE
- 6. 1940th 1950th 1960th 1970th 1980th 1990th 2000 2010 POSTMODERNISM SECOND WAVE FEMINISM LGBTI PEACE MOVEMENT CRITICAL RACE THEORY CYBERFEMINISM HIPPIES ANIMAL STUDIES GREEN MOVEMENT CYBORG MANIFESTO RHIZOMATIC PHILOSPHY ANT DECONSTRUCTION CRITICAL THEORY ENDANGERED EARTH – PLANET OF THE YEAR 1988 POST-STRUCTURALISM ANTI-RACISM CIVIL RIGHTS MOVEMENT SEXUAL REVOLUTION POST-INDUSTRIALISM QUEER THEORY LESBIAN AND GAY STUDIES ANIMAL RIGHTS MOVEMENT TECHNOBIOPOWER PARTICIPATORY CULTURE AUTOPOIETIC SYSTEMS CITIZEN SCIENCE TRANSHUMANISM MASS COLABORATION SHARING OPENESS PEER PRODUCTION PROSUMERDELEUZIAN BECOMING DIWO
- 7. POSTHUMAN IS AN ATTRACTIVE SUBJECT OF SCIENCE-FICTION STORIES AND A SEXY POSTMODERN SLOGAN, BUT ALSO A SYMBOL OF A TRANSGRESSION OF ACTUAL PREDESTINATING CATEGORIES SUCH AS RACE, GENDER OR SOCIAL STATUS... PERFORMATIVE SELF-CREATION, OPENESS, FLUID IDENTITIES, PLURALITY, UNCERTAINTY, VAGUENESS, HYBRIDITY, MONSTROZITY …HOWEVER, POSTHUMAN IS PRIMARILY A CRITICAL METAPHOR ADOPTED BY A VARIETY OF NARRATIVES FOCUSED ON THE POTENTIAL ASPECTS OF TECHNOLOGICALLY EXTENDED LIFE… …POSTHUMANISM CAN BE APPROACHED AS A LIMINAL TRANSDISCIPLINARY FIELD, LOCATED ON THE BOUNDARY BETWEEN SCIENCE, TECHNOLOGY AND ART… …POSTHUMANISM DEALS WITH TOPICS OF IDENTITY, TECHNOLOGY, POWER & CONTROL..
- 9. PERFORMANCE ART AS TECHNO- CULTURAL AVANT-GARDE
- 10. ENVIRONMENTALISM
- 11. POSTHUMANISM & PERFORMANCE ART CORPOREALITY SOCIAL CONTEXT BODY AS A CENTRAL TOOL LOOSE BOUNDARIES HERE & NOW INTERACTIVITY VAGUENESS TRANSDISCIPLINARITY
- 12. TECHNOLOGY AND PERFORMATIVE ASPECTS OF FEMALE BODY PERFORMING A FEMINIST PRAXIS
- 13. Orlan, La réincarnation de Sainte-Orlan (1990–1993)
- 14. VNS Matrix, All New Gen (1994)
- 15. Avatar Body Collision, Screen Save Her (2002)
- 17. SubRosa, SmartMom (1997) U-Gen-A-Chix: Why are Women like Chicken? (2008)
- 18. QUEER-TECH PERFORMANCE GENDERFUCKING IN (CYBER)SPACE
- 19. Micha Cárdenas, Becoming Dragon (2008)
- 20. Genesis Breyer P-Orridge, Breaking Sex (1999–2007)
- 21. Suka Off, tranSfera 1.2 (2011)
- 22. Darina Alster, Bianca Braselli (2009)
- 23. ETHNO-TECHNO PERFORMANCE Guillermo Gómez-Peña, Mexterminator (1997-1999) ETHNOCYBORGS
- 24. La Pocha Nostra, Corpo/Ilicito the posthuman society 6.9 (2009)
- 25. PERFORMANCE OF COMPANION SPECIES NATURE-CULTURE INTERFACE
- 26. Art Orienté Objet, May the horse live in me (2011)
- 27. Christa Sommerer & Laurent Mignonneau, Interactive Plant Growing (1992–97)
- 29. Critical Art Ensemble, Cult of the New Eve (2000)
- 30. MANIPULATED BODIES PERFORMING THE TECHNO(BIO)POWER Institute of Artificial Art, Arthur and the Solenoids (1997)
- 31. The Centre for Metahuman Exploration (CME), Absentee Ballot (1996).
- 34. Marcel-lí Antúnez Roca, Epizoo (1994)
- 35. Wafaa Bilal, Domestic Tension (2007)
- 36. Wafaa Bilal, 3rdi(2010–2011) BODIES UNDER SURVEILLANCE
- 38. Paul Vanouse, Items 1-2,000: A Corpus of Knowledge on the Rationalized Subject (1996)
- 40. Paul Vanouse & Kerry Sheehan, Suspect Inversion Center (2011)
- 42. Stelarc, Ear on Arm (1996 - 2012)
- 43. Stahl Stenslie Sensless (1996)