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Introduction
 Bharatnayam originated in Southern India in state of
  Tamilnadu.
 2000 years ago it started as a temple dance tradition
  called ‘DASIYATTAM’.(dance performed by Devdasi’s.)
 In ancient times local kings often invited devdasis in their
  courts.This created a new category of dancers called
  Rajnartaki’s.
 Devadasis had to surrendered themselves to the lord
  while rajnartaki’s dance was meant to be an
  entertainment.
 The Tamil country Tanjore, has always been the centre of
  learning culture.
 The four brothers Chinnayya, Ponnian, Sivanandam &
  Vadivelu made a rich contribution to Bharatnatyam.
 It has its inspiration from the sculptures of the ancient
  temple of ‘CHINDAMBARAM’.

 It is considered to be a Fire Dance having two aspects :
   1.Lasya(Graceful moments)
   2.Tandava (The dance of Lord Shiva)

 In Hindu mythology the whole universe is the dance of the
  supreme dancer NATARAJA(Name of Lord Shiva).

 Bharatnatyam is the act of devotion to Nataraja.

 It is the traditional dance form known for its grace, purity &
  sculpture poses.

 It is one of the most popular & widely performed dance style
  practiced by Female as well as Male dancers.(Male dancers
  known as Natuvanars)
The Meaning Of the Bharatnayam:
 The name Bharatnatyam is a simple derivation from the
  three most important aspects of dance.
 In Sanskrit these are

  BHA from BHAVA,
  RA from RAGA(music or melody),
  TA from TALA(rhythm & natyam) meaning dance.
 Thus Bharatnatyam is the dance that encompasses
  music,rhythm & expressional dance or Abhinaya.
 Bharatnatyam has three distinct elements:
  1.Nritta(Rhythmic dance moments)
  2.Nattya(mime or dance with dramatic aspect)
  3.Nritya(combination of Nritta & Natty)
Techniques In Bharatnatyam:
  HASTAS:
 The feature of Bharatnatyam is the use of expressive hand
  gestures as a way of communication.
 It refers to the hand symbol that a dancer can use.
 There are two types of Hastas:
  1.Samayukta Hastas (combination
                      of two hastas)
  2.Asamayukta Hastas (Single hasta)
Asamayukta
Hastas       Samayukta Hastas
Adavus:
Series of steps known as Adavus. In short Leg Moments.
The execution of adavus varies from style to style.
Bhedas & Eye Moments:
Bharatnatyam includes many other elements, such as Neck
moments & Eye moments. Which are used extensively
throughout the dance.

1.HEAD MOMENTS known as SHIROBHED.
2.NECK MOMENTS known as GRIVABHED.
3.EYE MOMENTS known as DRISHTIBHED.
Dance Items In Bharatnatyam:
 Alarippu: It is sort of invocation to the Gods to bless the
  performance.
 Ganesh Vandana:A traditional opening prayer to the Hindu
  God Ganesha.
 Jatiswaram:An abstract dance where the drums sets the
  beats.
 Shabdam:It tells the story of Lord Krishna.
 Varnam:It is the most difficult & complex dance
  form.Positionsm of the hands & body tells the story of love.

  When a dancer has mastered all the elements of dance he or
  she generally performs ‘ARANGETRAM’ i.e. debut to his or
  her Guru.
Other Aspects
    Jewellery:
     Bharatnatyam dancers wear a unique set of jewellery
      known as ‘Temple Jewelry’ during the performance.
     It is made up of diamonds, pearls or combination of
      diamonds & pearls.Ghungroos.
COSTUME:
 In ancient time from the sculptures, we can see that original
  costume did not cover the dancers bodies.
 But after some decades devdasi’s used to wear a
  special, heavy saris that severely restricted the dance
  moments.
 Now a days the modern costumes are deeply symbolic.
  Dancer’s used to wear Kanjiwarm Saris. It may be draped or
  readymade.
Music:
It is the Karnataki style music of South India.
Instruments:
Instruments used are
Mridangam(drum),Nagaswaram(long pipe horn made
from a black wood),flute, violin & veena.
Languages:
Tamil,Telgu,Kannada & Sanskrit are traditionally used
in Bharatnatyam.
Institutes Of Bharatnatyam:
 Learning Bharatnatyam normally takes many years before the
  Arangetram.
 There are academic & commercialized dance institutes in many
  countries.
 NRITYAGYAN is a program of ‘Dance Education’ set up by the
  Nrityagram for popularizing classical arts & to import dance
  education to young people, for keeping our philosophy of
  preserving Indian Classical Dance.
 At present not only the Hindus but also many Christians & Muslims
  learn it, bringing it beyond the rigid forms of religious boundaries.
 Now a days Bharatnatyam recitals are not performed in temples
  but outside it like in many festivals, in many events.
 Popular culture adapted or semi classical Bharatnatyam has been
  exposed largely in popular movies & TV programs.
THANK YOU……!!!!!!!

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Indian classical danc style

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  • 2. Introduction  Bharatnayam originated in Southern India in state of Tamilnadu.  2000 years ago it started as a temple dance tradition called ‘DASIYATTAM’.(dance performed by Devdasi’s.)  In ancient times local kings often invited devdasis in their courts.This created a new category of dancers called Rajnartaki’s.  Devadasis had to surrendered themselves to the lord while rajnartaki’s dance was meant to be an entertainment.  The Tamil country Tanjore, has always been the centre of learning culture.  The four brothers Chinnayya, Ponnian, Sivanandam & Vadivelu made a rich contribution to Bharatnatyam.
  • 3.  It has its inspiration from the sculptures of the ancient temple of ‘CHINDAMBARAM’.  It is considered to be a Fire Dance having two aspects : 1.Lasya(Graceful moments) 2.Tandava (The dance of Lord Shiva)  In Hindu mythology the whole universe is the dance of the supreme dancer NATARAJA(Name of Lord Shiva).  Bharatnatyam is the act of devotion to Nataraja.  It is the traditional dance form known for its grace, purity & sculpture poses.  It is one of the most popular & widely performed dance style practiced by Female as well as Male dancers.(Male dancers known as Natuvanars)
  • 4. The Meaning Of the Bharatnayam:  The name Bharatnatyam is a simple derivation from the three most important aspects of dance.  In Sanskrit these are BHA from BHAVA, RA from RAGA(music or melody), TA from TALA(rhythm & natyam) meaning dance.  Thus Bharatnatyam is the dance that encompasses music,rhythm & expressional dance or Abhinaya.  Bharatnatyam has three distinct elements: 1.Nritta(Rhythmic dance moments) 2.Nattya(mime or dance with dramatic aspect) 3.Nritya(combination of Nritta & Natty)
  • 5. Techniques In Bharatnatyam: HASTAS:  The feature of Bharatnatyam is the use of expressive hand gestures as a way of communication.  It refers to the hand symbol that a dancer can use.  There are two types of Hastas: 1.Samayukta Hastas (combination of two hastas) 2.Asamayukta Hastas (Single hasta)
  • 6. Asamayukta Hastas Samayukta Hastas
  • 7. Adavus: Series of steps known as Adavus. In short Leg Moments. The execution of adavus varies from style to style. Bhedas & Eye Moments: Bharatnatyam includes many other elements, such as Neck moments & Eye moments. Which are used extensively throughout the dance. 1.HEAD MOMENTS known as SHIROBHED. 2.NECK MOMENTS known as GRIVABHED. 3.EYE MOMENTS known as DRISHTIBHED.
  • 8. Dance Items In Bharatnatyam:  Alarippu: It is sort of invocation to the Gods to bless the performance.  Ganesh Vandana:A traditional opening prayer to the Hindu God Ganesha.  Jatiswaram:An abstract dance where the drums sets the beats.  Shabdam:It tells the story of Lord Krishna.  Varnam:It is the most difficult & complex dance form.Positionsm of the hands & body tells the story of love. When a dancer has mastered all the elements of dance he or she generally performs ‘ARANGETRAM’ i.e. debut to his or her Guru.
  • 9. Other Aspects Jewellery:  Bharatnatyam dancers wear a unique set of jewellery known as ‘Temple Jewelry’ during the performance.  It is made up of diamonds, pearls or combination of diamonds & pearls.Ghungroos.
  • 10. COSTUME:  In ancient time from the sculptures, we can see that original costume did not cover the dancers bodies.  But after some decades devdasi’s used to wear a special, heavy saris that severely restricted the dance moments.  Now a days the modern costumes are deeply symbolic. Dancer’s used to wear Kanjiwarm Saris. It may be draped or readymade.
  • 11. Music: It is the Karnataki style music of South India. Instruments: Instruments used are Mridangam(drum),Nagaswaram(long pipe horn made from a black wood),flute, violin & veena. Languages: Tamil,Telgu,Kannada & Sanskrit are traditionally used in Bharatnatyam.
  • 12. Institutes Of Bharatnatyam:  Learning Bharatnatyam normally takes many years before the Arangetram.  There are academic & commercialized dance institutes in many countries.  NRITYAGYAN is a program of ‘Dance Education’ set up by the Nrityagram for popularizing classical arts & to import dance education to young people, for keeping our philosophy of preserving Indian Classical Dance.  At present not only the Hindus but also many Christians & Muslims learn it, bringing it beyond the rigid forms of religious boundaries.  Now a days Bharatnatyam recitals are not performed in temples but outside it like in many festivals, in many events.  Popular culture adapted or semi classical Bharatnatyam has been exposed largely in popular movies & TV programs.
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