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SALVADOR
  DALÍ




           1
Salvador Domingo Feli-
pe Jacinto Dalí i Domè-
nech, Marquis of Dalí
de Púbol (May 11, 1904
– January 23, 1989),
commonly known as
Salvador Dalí was a
prominent Spanish Ca-
talan surrealist painter
born in Figueres.
Dalí was a skilled drafts-
man, best known for          my passion for luxury
the striking and bizarre     and my love of oriental
images in his surrealist     clothes to a self-styled
work. His painterly ski-     “Arab lineage,” claiming
lls are often attributed     that his ancestors were
to the influence of Re-       descended from the Mo-
naissance masters. His       ors.
best-known work, The         Dalí was highly imagi-
Persistence of Memory,       native, and also had an
was completed in 1931.       affinity for partaking in
Dalí’s expansive artistic    unusual and grandiose
repertoire includes film,     behavior. His eccentric
sculpture, and photogra-     manner and attention-
phy, in collaboration with   grabbing public actions
a range of artists in a      sometimes drew more
variety of media.            attention than his art-
Dalí attributed his “love    work to the dismay of
of everything that is        those who held his work
gilded and excessive,        in high esteem and to
                                               2
and to the irritation of
his critics.

Early life
Salvador Doménec
Felip Jacint Dalí i Do-
mènech was born on
May 11, 1904 at 8:45
a.m. in the town of
Figueres, in the Em-
pordà region, close
to the French border
in Catalonia, Spain.
Dalí’s older brother,
also named Salva-
dor (born October 12,
1901), had died of
gastroenteritis nine
months earlier, on
August 1, 1903. His
father, Salvador Dalí
i Cusí, was a middle-
class lawyer and no-
tary whose strict disci-   his brother’s grave and
plinary approach was       told by his parents that he
tempered by his wife,      was his brother’s reincar-
Felipa Domenech Fe-        nation, a concept which
rrés, who encouraged       he came to believe.Of his
her son’s artistic en-     brother, Dalí said, “... re-
deavors. When he was       sembled each other like
five, Dalí was taken to     two drops of water, but
                                                  3
we had different reflec-      nized an exhibition of
tions. He “was probably      his charcoal drawings
a first version of myself     in their family home. He
but conceived too much       had his first public exhi-
in the absolute.”            bition at the Municipal
Dalí also had a sister,      Theater in Figueres in
Ana María, who was           1919.
three years younger. In      In February 1921, Dalí’s
1949, she published a        mother died of breast
book about her brother,      cancer. Dalí was sixteen
Dalí As Seen By His          years old; he later said
Sister. His childhood        his mother’s death “was
friends included future      the greatest blow I had
FC Barcelona footba-         experienced in my life. I
llers Sagibarba and          worshipped her... I could
Josep Samitier. During       not resign myself to the
holidays at the Catalan      loss of a being on whom
resort of Cadaqués, the      I counted to make invisi-
trio played football toge-
ther.

Dalí attended drawing
school. In 1916, Dalí
also discovered modern
painting on a summer
vacation trip to Cada-
qués with the family of
Ramon Pichot, a local
artist who made regular
trips to Paris. The next
year, Dalí’s father orga-
                                                4
ble the unavoidable ble-      Wild-eyed antics of Dalí
mishes of my soul.”After      (left) and fellow surrea-
her death, Dalí’s father      list artist Man Ray in
married his deceased          Paris on June 16, 1934,
wife’s sister. Dalí did not   photographed by Carl
resent this marriage,         Van Vechten.
because he had a great        In 1922, Dalí moved
love and respect for his      into the Residencia de
aunt.                         Estudiantes (Students’
Madrid and Paris              Residence) in Madrid
                              and studied at the Aca-




                                                 5
demia de San Fernando        with Lorca had a strong
(School of Fine Arts). A     element of mutual pas-
lean 1.72 m (5 ft. 7¾ in.)   sion, but Dalí rejected
tall, Dalí already drew      the poet’s sexual advan-
attention as an eccen-       ces.
tric and dandy man. He       However, it was his
wore long hair and side-     paintings, in which he
burns, coat, stockings,      experimented with Cu-
and knee breeches in         bism, that earned him
the style of English aes-    the most attention from
thetes of the late 19th      his fellow students. At
century.                     the time of these early
At the Residencia, he        works, Dalí probably did
became close friends         not completely unders-
with (among others) Pe-      tand the Cubist move-
pín Bello, Luis Buñuel,      ment. His only informa-
and Federico García          tion on Cubist art came
Lorca. The friendship        from magazine articles




                                               6
and a catalog given to      work throughout his life.
him by Pichot, since the-
re were no Cubist artists   Dalí was expelled from
in Madrid at the time. In   the Academia in 1926,
1924, the still-unknown     shortly before his final
Salvador Dalí illustrated   exams, when he sta-
a book for the first time.   ted that no one on the
It was a publication of     faculty was competent
the Catalan poem “Les       enough to examine him.
bruixes de Llers” (“The     His mastery of painting
Witches of Llers”) by his   skills was evidenced
friend and schoolmate,      by his realistic Basket
poet Carles Fages de        of Bread, painted in
Climent. Dalí also ex-      1926. That same year,
perimented with Dada,       he made his first visit
which influenced his         to Paris, where he met




                                               7
with Pablo Picasso,        in Barcelona attracted
whom the young Dalí        much attention along
revered. Picasso had       with mixtures of prai-
already heard favorable    se and puzzled debate
reports about Dalí from    from critics.
Joan Miró. As he deve-     Dalí grew a flamboyant
loped his own style over   moustache, influenced
the next few years, Dalí   by seventeenth-century
made a number of wor-      Spanish master painter
ks heavily influenced by    Diego Velázquez. The
Picasso and Miró.          moustache became an
Some trends in Dalí’s      iconic trademark of his
work that would conti-     appearance for the rest
nue throughout his life    of his life.
were already evident in
the 1920s.
Exhibitions of his works




                                             8

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T4 e6 ribatallada

  • 2. Salvador Domingo Feli- pe Jacinto Dalí i Domè- nech, Marquis of Dalí de Púbol (May 11, 1904 – January 23, 1989), commonly known as Salvador Dalí was a prominent Spanish Ca- talan surrealist painter born in Figueres. Dalí was a skilled drafts- man, best known for my passion for luxury the striking and bizarre and my love of oriental images in his surrealist clothes to a self-styled work. His painterly ski- “Arab lineage,” claiming lls are often attributed that his ancestors were to the influence of Re- descended from the Mo- naissance masters. His ors. best-known work, The Dalí was highly imagi- Persistence of Memory, native, and also had an was completed in 1931. affinity for partaking in Dalí’s expansive artistic unusual and grandiose repertoire includes film, behavior. His eccentric sculpture, and photogra- manner and attention- phy, in collaboration with grabbing public actions a range of artists in a sometimes drew more variety of media. attention than his art- Dalí attributed his “love work to the dismay of of everything that is those who held his work gilded and excessive, in high esteem and to 2
  • 3. and to the irritation of his critics. Early life Salvador Doménec Felip Jacint Dalí i Do- mènech was born on May 11, 1904 at 8:45 a.m. in the town of Figueres, in the Em- pordà region, close to the French border in Catalonia, Spain. Dalí’s older brother, also named Salva- dor (born October 12, 1901), had died of gastroenteritis nine months earlier, on August 1, 1903. His father, Salvador Dalí i Cusí, was a middle- class lawyer and no- tary whose strict disci- his brother’s grave and plinary approach was told by his parents that he tempered by his wife, was his brother’s reincar- Felipa Domenech Fe- nation, a concept which rrés, who encouraged he came to believe.Of his her son’s artistic en- brother, Dalí said, “... re- deavors. When he was sembled each other like five, Dalí was taken to two drops of water, but 3
  • 4. we had different reflec- nized an exhibition of tions. He “was probably his charcoal drawings a first version of myself in their family home. He but conceived too much had his first public exhi- in the absolute.” bition at the Municipal Dalí also had a sister, Theater in Figueres in Ana María, who was 1919. three years younger. In In February 1921, Dalí’s 1949, she published a mother died of breast book about her brother, cancer. Dalí was sixteen Dalí As Seen By His years old; he later said Sister. His childhood his mother’s death “was friends included future the greatest blow I had FC Barcelona footba- experienced in my life. I llers Sagibarba and worshipped her... I could Josep Samitier. During not resign myself to the holidays at the Catalan loss of a being on whom resort of Cadaqués, the I counted to make invisi- trio played football toge- ther. Dalí attended drawing school. In 1916, Dalí also discovered modern painting on a summer vacation trip to Cada- qués with the family of Ramon Pichot, a local artist who made regular trips to Paris. The next year, Dalí’s father orga- 4
  • 5. ble the unavoidable ble- Wild-eyed antics of Dalí mishes of my soul.”After (left) and fellow surrea- her death, Dalí’s father list artist Man Ray in married his deceased Paris on June 16, 1934, wife’s sister. Dalí did not photographed by Carl resent this marriage, Van Vechten. because he had a great In 1922, Dalí moved love and respect for his into the Residencia de aunt. Estudiantes (Students’ Madrid and Paris Residence) in Madrid and studied at the Aca- 5
  • 6. demia de San Fernando with Lorca had a strong (School of Fine Arts). A element of mutual pas- lean 1.72 m (5 ft. 7¾ in.) sion, but Dalí rejected tall, Dalí already drew the poet’s sexual advan- attention as an eccen- ces. tric and dandy man. He However, it was his wore long hair and side- paintings, in which he burns, coat, stockings, experimented with Cu- and knee breeches in bism, that earned him the style of English aes- the most attention from thetes of the late 19th his fellow students. At century. the time of these early At the Residencia, he works, Dalí probably did became close friends not completely unders- with (among others) Pe- tand the Cubist move- pín Bello, Luis Buñuel, ment. His only informa- and Federico García tion on Cubist art came Lorca. The friendship from magazine articles 6
  • 7. and a catalog given to work throughout his life. him by Pichot, since the- re were no Cubist artists Dalí was expelled from in Madrid at the time. In the Academia in 1926, 1924, the still-unknown shortly before his final Salvador Dalí illustrated exams, when he sta- a book for the first time. ted that no one on the It was a publication of faculty was competent the Catalan poem “Les enough to examine him. bruixes de Llers” (“The His mastery of painting Witches of Llers”) by his skills was evidenced friend and schoolmate, by his realistic Basket poet Carles Fages de of Bread, painted in Climent. Dalí also ex- 1926. That same year, perimented with Dada, he made his first visit which influenced his to Paris, where he met 7
  • 8. with Pablo Picasso, in Barcelona attracted whom the young Dalí much attention along revered. Picasso had with mixtures of prai- already heard favorable se and puzzled debate reports about Dalí from from critics. Joan Miró. As he deve- Dalí grew a flamboyant loped his own style over moustache, influenced the next few years, Dalí by seventeenth-century made a number of wor- Spanish master painter ks heavily influenced by Diego Velázquez. The Picasso and Miró. moustache became an Some trends in Dalí’s iconic trademark of his work that would conti- appearance for the rest nue throughout his life of his life. were already evident in the 1920s. Exhibitions of his works 8