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Provenance, Original Order 
and Respect des Fonds 
Prepared by: Roxanne Peña 
Dr. Juan C. Buenrostro, Jr. 
1
Provenance 
• Origin or source of 
something, or as the 
person, agency or 
office of origin that 
created, acquired, 
used and retained a 
body of records in 
the course of their 
work or life. 
2
Principle of 
Provenance 
Do not put 
together archival 
materials that 
have come from 
different creators 
or origins 
Do not reorganize 
by subject, 
chronology, 
geographic 
division, etc. 
Respect the 
individual, family, 
or organization 
that created or 
received the items 
3
Original Order 
• Organization 
and sequence 
of records 
established by 
the creator of 
the records.
Principle of Original Order 
Maintain 
records in the 
order in which 
those records 
were created, 
received, filed 
or used. 
Look for 
evidence of a 
pre-existing 
arrangement, 
devised by the 
creator. 
Preserving 
relationships 
among the 
records and to 
respect 
context in 
which the 
records came 
to be. 
5
Principle of Original Order 
Retaining existing 
filing systems and 
saving the archivist 
from having to 
decide upon and 
apply a new and 
artificial structure. 
Researchers who 
often tend to think 
more about 
subjects and dates 
than creating 
agencies 
6
Respect des Fonds 
• Respect for the creator of the archives. 
7
Principle of 
Provenance 
Principle of 
Original 
Order 
Principle 
of 
Respect 
des Fonds 
8
Protecting the 
external 
integrity 
(Provenance) 
Protecting the 
internal 
integrity 
(Original 
Order) 
Protection of the 
content, structure 
and context of 
archives, serving 
as authentic and 
reliable 
documentary 
evidence 
9
Concept of Fonds 
• Conceptual 
container that holds 
the materials of a 
particular creator. 
• Example: Leonardo 
da Vinci fonds, 
Albert Einstein fonds 
10
Challenges to the Principles of Respect des 
Fonds, Provenance and Original Order 
Absence of a whole 
Importance of items 
Reality of multiple provenances 
Overlap between archives and collections 
Original order and the last resting place 
Focusing on function 
Making order out of chaos 
11
Absence of a whole 
• It is highly unlikely that 
an archival institution 
will ever have in its 
possession, the ‘whole’ 
of the documents of any 
individual, family or 
corporate body. 
12
Importance of items 
13 
• When managing individual items or small 
units of materials, the archivist needs to 
focus even more attention not just on 
provenance, but also on custodial history. 
• Some items does not have contextual 
information or custodial history.
Reality of multiple provenances 
• Archival materials passed 
down from generation to 
generation. 
14
Overlap between archives 
and collections 
• Artificial collections = 
groups of archival 
materials brought 
together according to 
some unifying 
characteristic. 
• Example: Maureen 
Lee’s shoebox full of 
old postcards 
15
Original order and 
the last resting place 
• Location of the archival 
material is in the hands of 
someone other than its 
author and the structure of 
the documents with cryptic 
references to missing 
pages. 
16
Focusing on function 
• Functional provenance = The origin of a 
group of materials as determined by the 
activities that produce the materials (the 
function), rather than organizational unit. 
• Example: Department of Mines, Energy, 
Petroleum and Gas = Department of 
Mines, Department of Energy, Department 
of Petroleum 
17
Making order out of chaos 
• Archives that is 
badly disorganized. 
• Example: Several 
boxes of archival 
materials of a 
deceased local 
author who had no 
family or close 
friends to help sort 
out. 
18
Absence of provenance 
and original order 
• Archival materials 
that come with no 
provenance and 
so has lost its 
archival value. 
19
Assigning Names 
Name and categorize archival materials so that 
they may be appraised and arranged, 
described and made available. 
Some archivists may see merit in using the 
term fonds to identify archives; others may 
prefer terms such as archive, papers or group. 
20
Americans 
• Archives => public sector materials 
• Manuscripts/Papers => private/personal materials 
English 
• Archive/Archives => collection, papers, correspondence, 
papers and correspondence 
Canadians 
• Records/Archives/Archives Group => public and 
organizational materials 
• Manuscripts/Manuscript Group => private and personal 
materials 
21
Assigning Names 
The challenge is to define those 
terms within the particular 
context in question and then 
use those terms within the 
particular context in question 
and then use those terms 
consistently so that they remain 
meaningful and logical. 
22
Reference 
• Millar, L. (2010). Archives: Principles and 
practices. New York: Neal-Schuman 
Publishers. 
23

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Archival Science - Provenance, Original Order and Respect des Fonds

  • 1. Provenance, Original Order and Respect des Fonds Prepared by: Roxanne Peña Dr. Juan C. Buenrostro, Jr. 1
  • 2. Provenance • Origin or source of something, or as the person, agency or office of origin that created, acquired, used and retained a body of records in the course of their work or life. 2
  • 3. Principle of Provenance Do not put together archival materials that have come from different creators or origins Do not reorganize by subject, chronology, geographic division, etc. Respect the individual, family, or organization that created or received the items 3
  • 4. Original Order • Organization and sequence of records established by the creator of the records.
  • 5. Principle of Original Order Maintain records in the order in which those records were created, received, filed or used. Look for evidence of a pre-existing arrangement, devised by the creator. Preserving relationships among the records and to respect context in which the records came to be. 5
  • 6. Principle of Original Order Retaining existing filing systems and saving the archivist from having to decide upon and apply a new and artificial structure. Researchers who often tend to think more about subjects and dates than creating agencies 6
  • 7. Respect des Fonds • Respect for the creator of the archives. 7
  • 8. Principle of Provenance Principle of Original Order Principle of Respect des Fonds 8
  • 9. Protecting the external integrity (Provenance) Protecting the internal integrity (Original Order) Protection of the content, structure and context of archives, serving as authentic and reliable documentary evidence 9
  • 10. Concept of Fonds • Conceptual container that holds the materials of a particular creator. • Example: Leonardo da Vinci fonds, Albert Einstein fonds 10
  • 11. Challenges to the Principles of Respect des Fonds, Provenance and Original Order Absence of a whole Importance of items Reality of multiple provenances Overlap between archives and collections Original order and the last resting place Focusing on function Making order out of chaos 11
  • 12. Absence of a whole • It is highly unlikely that an archival institution will ever have in its possession, the ‘whole’ of the documents of any individual, family or corporate body. 12
  • 13. Importance of items 13 • When managing individual items or small units of materials, the archivist needs to focus even more attention not just on provenance, but also on custodial history. • Some items does not have contextual information or custodial history.
  • 14. Reality of multiple provenances • Archival materials passed down from generation to generation. 14
  • 15. Overlap between archives and collections • Artificial collections = groups of archival materials brought together according to some unifying characteristic. • Example: Maureen Lee’s shoebox full of old postcards 15
  • 16. Original order and the last resting place • Location of the archival material is in the hands of someone other than its author and the structure of the documents with cryptic references to missing pages. 16
  • 17. Focusing on function • Functional provenance = The origin of a group of materials as determined by the activities that produce the materials (the function), rather than organizational unit. • Example: Department of Mines, Energy, Petroleum and Gas = Department of Mines, Department of Energy, Department of Petroleum 17
  • 18. Making order out of chaos • Archives that is badly disorganized. • Example: Several boxes of archival materials of a deceased local author who had no family or close friends to help sort out. 18
  • 19. Absence of provenance and original order • Archival materials that come with no provenance and so has lost its archival value. 19
  • 20. Assigning Names Name and categorize archival materials so that they may be appraised and arranged, described and made available. Some archivists may see merit in using the term fonds to identify archives; others may prefer terms such as archive, papers or group. 20
  • 21. Americans • Archives => public sector materials • Manuscripts/Papers => private/personal materials English • Archive/Archives => collection, papers, correspondence, papers and correspondence Canadians • Records/Archives/Archives Group => public and organizational materials • Manuscripts/Manuscript Group => private and personal materials 21
  • 22. Assigning Names The challenge is to define those terms within the particular context in question and then use those terms within the particular context in question and then use those terms consistently so that they remain meaningful and logical. 22
  • 23. Reference • Millar, L. (2010). Archives: Principles and practices. New York: Neal-Schuman Publishers. 23