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Writing For Children:
     E-Portfolio




 Written and Designed by:
     Kristie Sheridan
Writing For Children E-Portfolio ©2011. All poems and stories
contained within are original works of Kristie Sheridan. All rights are
reserved. No part may be copied without express permission of the
author.

All images used for educational purpose of this class and rights
remain reserved to the companies who have produced them.
Sun Picture courtesy of Free ClipArt Pictures .net.
Waterfall and Phone Pictures courtesy of ClipArt Of.com.

765 Fox Avenue, Glendale Heights, IL 60139
Made in the USA. Published by Penn State University
In dedication to all my friends and family who
   help me find happy moments every day to
 Celebrate. Through the good and the bad, we
     will always find an answer together.
Table of Contents

       Part One: Written Works
             Children’s Poems
              Oh, Sunlit Day
                  Credo
               The Waterfall
                  Poetry

              Short Stories
        The Laughter in Your Voice



           Part Two: Feedback
        Peer Critiques Given to Me
       Peer Critiques given to Peers
Philosophy of Children’s Literature (Revised)
Part Three: Appendix

    Author’s Note
     Biography
       Blurbs
Part One: Children’s Poems and Stories


Oh, Sunlit Day
Oh sunlit day
that wakes my mind
go away and give me time
to cuddle in my cozy sheets
and burrow in my comforter
back to deep and peaceful sleep
full of dreams of toys and play

Oh sunlit day
so bright, so curt
just go away until dessert!




                       Credo
                       I, have a chance.
                       I, have a choice.
                       I, have the ability...
                       To dream.
Metaphor Poems:

The Waterfall
Watch the flowing water,
Rushing round the rigid rocks
Jumping up and splashing down
Faster to the end of space
Never stopping, only falling
Pooling at the base.

Watch the flowing water,
A silent pass and sway
Wrinkling plots of sand
Till it drifts away


                       Poetry
                       A short song.
                       Playful.
                       Upbeat. Sweet smooth sounds.

                       A step and a hop.

                       Hear its tune,
                       Feel its words,
                       creating a picture
                              inside you.
Short Stories:

The Laughter in Your Voice
As I hear the ringtone I wait. Part of me wonders if you'll
have the time to talk. I hear the Brrrrrrrr.....Brrrrrrrrr....
Brrrrrrrrr....... I ponder, "Will you pick up?" "Will I get your
voicemail?" "I hope I'm not bothering you." I wait, listen-
ing to the hum of the ring, hoping, but not daring to hope at
the same time that you’re available. And then, suddenly,
click! "Hello there."

I can hear the smile behind the phone as you ask how my
day has been. Playful, with a hint of tease to your words, I
can't help but smile hearing your tone. You know how my
day has been going. It's only been a few hours since we last
talked. He starts the conversation with a question, "Where
will you be when I come pick you up this weekend?" He
tells me about his new job, and I try to remember every-
thing that he's saying even though I have been working on
creating a website for my 11th Grade design class for four
and half hours. My head hurts, my body aches in my wrists
and my neck, but my heart feels light as a feather. He talks
to me so easily, "Ok, you need to stop right now. You're
gorgeous and you already know how to bake, and you're
telling me you're teaching yourself how to make chocolate
from scratch? I'll have no prayer. I will end up taking you."
A thought my mother would be scared to death of, but one
that makes me curl my toes in anticipation. Again, he
teases, and it makes me feel like I could fly. My smile
broadens to the edges of my face. My heart starts beating
faster. I can feel my body aching in a sensational way to be
touched. The more we talk, the more I want to talk, telling
him everything I care about and everything that makes me
Me. He kids around about how wonderful I
am and how tempting it is to show me how
exhilarated I have made him. But instead,
he tells me that the more he talks to me the
more he repeats to himself, "She's in love
with my best friend. She's in love with my
best friend," attempting to calm the tempta-
tion. His best friend of childhood, Joe, hap-
pens to be the person I have been best
friends with for the past 7 years, not to
mention on-again/off-again boyfriend and
girlfriend since high school started. Joe
doesn’t like that we talk.

The call gets dropped. I call him back. "Do
you know how tempting it is to just bend
you over and grab your hair and give you
something to smile about?" he says. His
tone starts to send a shiver down my spine.
I start to imagine him touching me and how
good it would feel to be craved again. I
want it so badly I could grab him through
the phone. And then, the thought goes
through my head as I tease back, "I can just
imagine how Joe would squirm if he knew
how easily we could embrace each other."
And it dawns on me why that embrace will
never happen.
Part Two: Feedback and Reflection

Peer-to-Me Comments:
Post 3.7– Cheyenna Eversoll Duggan:
“This poem describes poems as short songs that paint pic-
tures and provide happiness. I think it is beautiful in its' flow
and strong in how concise it is. I think it could be reworked
to get rid of some cliche's like "silver lining" and I also think
you could replace "creating" with a more specific verb for a
picture. I am confused by the description of a poem as "short,
upbeat and playful" as not all are, but I think this could be
fixed by choosing a more specific title. Overall, it is very
sweet! “
Although a silver lining never seems cliché to me since there
are so many situations that can been seen as both positive
and negative, I can understand that when you write some-
thing you want it to feel brand new yet still connect to the
reader. Because of this, I changed silver lining to something
contrasting the even flow of the smooth and sweet so that it
showed another aspect of how poems can be. The reason I
chose to portray a poem as a positive song is because, even
the most deep of poems that may seem dark or even negative,
can bring out positive affirmation. To me, any kind of poem
is a play on sounds telling a story, like music, toying with
your emotions to help bring you to a new understanding.
And, anything that helps us learn more about ourselves or
life is a positive process. This aspect came out a lot in my
writing this semester.
Post 11.2– Linda Neville

“Kristie,

I like the alliteration in the second line of your poem. "
Rushing round the rigid rocks."

If you replace "it" with they it is better agreement if "it" re-
fers to the plots of sand.

Your poem brings a pleasant image with the use of personi-
fication. The water is rushing, jumping up and wrinkling all
suggests human qualities.

Really like this poem.

Linda”

This was a poem that I had rewritten several times. Linda’s
comments may not have been something I specifically used
for the final product, but they were comments that helped
me to trust my use of descriptors to bring about images for
my audience. It can be hard to tell if something brings out a
picture for someone else the way it does for me, and she
was able to give details of how I met my goal. This was
very helpful.
Part Two: Feedback and Reflection

Me-to-Peer Comments:
Post 1.6 to Cheyenna Eversoll Duggan:
Cheyenna wrote- Honestly, as cliché as it is, the biggest
obstacle that affects my stories is time. My 15 month old
daughter keeps me darting back and forth, finding sippy cups,
finding binkies, finding new ways to induce napping and I
rarely am able to shower solo let alone write and write long
enough for the ideas to find their way into my mind already
bursting like a piece of luggage that no matter how long you
sit on it, your undies and sleeves of shirts still spill out the
sides. A lot of times after I have finished my school work it is a
battle between write, sleep, write, sleep. Usually, sleep wins by
a landslide. Sometimes I get a few silent moments while my
little girl is jamming away to “The Wiggles.” Love it—the few
moments and the jamming away. I should really be more pro-
active with these moments instead of laying on the floor with
my feet up on the wall and my pupils dialated as I zone out.
I guess I have stories I would like to tell, but won’t allow
myself. I would like to tell a story about a little girl who spends
most of her time in the closet, behind her clothes, sitting on a
bucket of stuffed animals and daydreaming. That’s about as far
as I have gotten with it. I have the image, but where she is
going with this act and how it affects her everyday life, not
sure yet. I will have to ask her more about her life later, when
writing finally wins over sleep.

I responded: “Write down little ideas about the girl. Why does
she hide? What gets in her way when she wants to day dream?
Think about small questions at a time. It might take longer to
make a story, but small parts add up to big ideas.”
To me, time cane be a horrible thing to fight when wanting to
write. Most of my best work seems to come to me when I can’t
sleep at five in the morning. I will have a complete children’s
books pop out of my head, rhyme and all and my response from
people is phenomenal. I think the worst thing we can do when we
have an idea for a story we’ve gotten some inspiration for is to
give up just because it’s hard to get started. I wanted to assure
Cheyenna that every lit bit counts. She later was able to write out
a good start to her story so I feel like my words helped.

 Post 3.7 to Christine Herbert:
 Christine wrote:
 “A poem is....
 A short rope.
 Entwined with meaning,
 Filled with fibers,
 A beginning and an end,
 Attached to being.”

 I responded: “I like it. It might flow a little better if the
 period after rope is a comma. It seemed to create a deep stop.
 I don't know if you did that to create a feeling of how short it
 could be, but if it is attached to being you may want it to
 have a little bit more of a lasting feeling to it.”

 Sometimes the slightest change to a poem can make it flow
 better. I try hard to pay attention to my punctuation so it adds
 meaning to a poem. Paying attention to this factor in the
 work of others helped me pay more attention to it in my own
 work. Overall, reading the work of my classmates made me
 inspired and sometimes left me in awe. They have some real
 talent.
Philosophy of Children’s Literature-

When I started out the semester, I had a love for reading
and writing and language in general. I had very specific
reasons for loving Children’s Literature. However, through-
out the semester I have found myself broadening my under-
standing of Children’s Literature and its uses. Previously, I
had mentioned that writing something down on a piece of
paper gave me the chance to write and rewrite until I got to
say exactly what I wanted to say in the way I wanted to say
it. This is a blessing sometimes because there are a lot of
situations in life that you don’t get to handle in the way you
first wish to. But that is the special thing about books for
kids. We will all make mistakes in life, some of which we
will live to regret, but books give us a chance to experience
things as children in a way where we can get to know our-
selves without making the kind of mistakes you can’t take
back.

My philosophy of Children’s Literature still includes the
fact that books are a very special way of connecting to peo-
ple, but initially, I only thought of those stories that were
completely positive in nature. By positive, I mean stories
that included happy endings, or happy events in general.
However, my perspective has changed. A child can connect
to any story that breathes truth into their lives. It doesn’t
have to be about something happy-go-lucky to be fit for
children. It just needs to speak of something a child can
wonder about or have trouble getting through in order to be
meaningful. Children’s Literature is literally a window to
the soul and I feel blessed to be part of it in any way I can.
Part Three: More About the Author

Author’s Note
Most of the time, my writing is inspired by children. For
this collection, I found myself considering some of the
more challenging parts of childhood. My poems center
around problems like getting out of bed, understanding
the ability to grow, and how fleeting childhood can be.
My short story is a reflection on what it is like to have a
first love at a young age. There are many hiccups in life
as we grow up, and so I find that, although my favorite
parts of childhood are the giggles and smiles, there are a
lot of hard parts too that deserve to be described in a
way a child might be able to connect to.

Biography
Kristie Sheridan was born in Glendale Heights, Illinois
in 1981. She lived there for most of her life where she
was the middle child of three. Although she was blessed
with many talents, she found that she loved playing with
language at a young age. As she grew, she found a love
for teaching children as well. As an adult, she combined
her two biggest passions to create literature for children.
After teaching at risk children in Chicago for the first
four years of her career, she grew to have a soft spot for
children that felt misunderstood and needed a reason to
dream. It is because of this that she continues to write
stories and poems that connect to the feelings children
often feel like they need to hide. With her work, she
strives to show all children that they deserve to have a
voice.
Reviews

“I really like Oh, Sunlit Day. I think it describes all of us. So
cute!”
                                   ~Janet Sheridan
                                   IBCLC Nurse and Mom


             “A talent to be shared with the world.”
                           ~ Joseph DePaola
                            IT Technician and Dad


“Nice story. Flows very nicely. It’s brave to share real life
situations with people.”
                   ~Danielle DePaola
                    Nurse Technician and Mom



                    “The start of a great collection.”
                                 ~Mike Schneagas
                                 Salesman and Kid at Heart


“Always so creative! You’ll go far!”
                  ~Sherry Bowers
                   Teacher and Mom

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Kristie Sheridan Eportfolio

  • 1. Writing For Children: E-Portfolio Written and Designed by: Kristie Sheridan
  • 2. Writing For Children E-Portfolio ©2011. All poems and stories contained within are original works of Kristie Sheridan. All rights are reserved. No part may be copied without express permission of the author. All images used for educational purpose of this class and rights remain reserved to the companies who have produced them. Sun Picture courtesy of Free ClipArt Pictures .net. Waterfall and Phone Pictures courtesy of ClipArt Of.com. 765 Fox Avenue, Glendale Heights, IL 60139 Made in the USA. Published by Penn State University
  • 3. In dedication to all my friends and family who help me find happy moments every day to Celebrate. Through the good and the bad, we will always find an answer together.
  • 4. Table of Contents Part One: Written Works Children’s Poems Oh, Sunlit Day Credo The Waterfall Poetry Short Stories The Laughter in Your Voice Part Two: Feedback Peer Critiques Given to Me Peer Critiques given to Peers Philosophy of Children’s Literature (Revised)
  • 5. Part Three: Appendix Author’s Note Biography Blurbs
  • 6. Part One: Children’s Poems and Stories Oh, Sunlit Day Oh sunlit day that wakes my mind go away and give me time to cuddle in my cozy sheets and burrow in my comforter back to deep and peaceful sleep full of dreams of toys and play Oh sunlit day so bright, so curt just go away until dessert! Credo I, have a chance. I, have a choice. I, have the ability... To dream.
  • 7. Metaphor Poems: The Waterfall Watch the flowing water, Rushing round the rigid rocks Jumping up and splashing down Faster to the end of space Never stopping, only falling Pooling at the base. Watch the flowing water, A silent pass and sway Wrinkling plots of sand Till it drifts away Poetry A short song. Playful. Upbeat. Sweet smooth sounds. A step and a hop. Hear its tune, Feel its words, creating a picture inside you.
  • 8. Short Stories: The Laughter in Your Voice As I hear the ringtone I wait. Part of me wonders if you'll have the time to talk. I hear the Brrrrrrrr.....Brrrrrrrrr.... Brrrrrrrrr....... I ponder, "Will you pick up?" "Will I get your voicemail?" "I hope I'm not bothering you." I wait, listen- ing to the hum of the ring, hoping, but not daring to hope at the same time that you’re available. And then, suddenly, click! "Hello there." I can hear the smile behind the phone as you ask how my day has been. Playful, with a hint of tease to your words, I can't help but smile hearing your tone. You know how my day has been going. It's only been a few hours since we last talked. He starts the conversation with a question, "Where will you be when I come pick you up this weekend?" He tells me about his new job, and I try to remember every- thing that he's saying even though I have been working on creating a website for my 11th Grade design class for four and half hours. My head hurts, my body aches in my wrists and my neck, but my heart feels light as a feather. He talks to me so easily, "Ok, you need to stop right now. You're gorgeous and you already know how to bake, and you're telling me you're teaching yourself how to make chocolate from scratch? I'll have no prayer. I will end up taking you." A thought my mother would be scared to death of, but one that makes me curl my toes in anticipation. Again, he teases, and it makes me feel like I could fly. My smile broadens to the edges of my face. My heart starts beating faster. I can feel my body aching in a sensational way to be touched. The more we talk, the more I want to talk, telling him everything I care about and everything that makes me
  • 9. Me. He kids around about how wonderful I am and how tempting it is to show me how exhilarated I have made him. But instead, he tells me that the more he talks to me the more he repeats to himself, "She's in love with my best friend. She's in love with my best friend," attempting to calm the tempta- tion. His best friend of childhood, Joe, hap- pens to be the person I have been best friends with for the past 7 years, not to mention on-again/off-again boyfriend and girlfriend since high school started. Joe doesn’t like that we talk. The call gets dropped. I call him back. "Do you know how tempting it is to just bend you over and grab your hair and give you something to smile about?" he says. His tone starts to send a shiver down my spine. I start to imagine him touching me and how good it would feel to be craved again. I want it so badly I could grab him through the phone. And then, the thought goes through my head as I tease back, "I can just imagine how Joe would squirm if he knew how easily we could embrace each other." And it dawns on me why that embrace will never happen.
  • 10. Part Two: Feedback and Reflection Peer-to-Me Comments: Post 3.7– Cheyenna Eversoll Duggan: “This poem describes poems as short songs that paint pic- tures and provide happiness. I think it is beautiful in its' flow and strong in how concise it is. I think it could be reworked to get rid of some cliche's like "silver lining" and I also think you could replace "creating" with a more specific verb for a picture. I am confused by the description of a poem as "short, upbeat and playful" as not all are, but I think this could be fixed by choosing a more specific title. Overall, it is very sweet! “ Although a silver lining never seems cliché to me since there are so many situations that can been seen as both positive and negative, I can understand that when you write some- thing you want it to feel brand new yet still connect to the reader. Because of this, I changed silver lining to something contrasting the even flow of the smooth and sweet so that it showed another aspect of how poems can be. The reason I chose to portray a poem as a positive song is because, even the most deep of poems that may seem dark or even negative, can bring out positive affirmation. To me, any kind of poem is a play on sounds telling a story, like music, toying with your emotions to help bring you to a new understanding. And, anything that helps us learn more about ourselves or life is a positive process. This aspect came out a lot in my writing this semester.
  • 11. Post 11.2– Linda Neville “Kristie, I like the alliteration in the second line of your poem. " Rushing round the rigid rocks." If you replace "it" with they it is better agreement if "it" re- fers to the plots of sand. Your poem brings a pleasant image with the use of personi- fication. The water is rushing, jumping up and wrinkling all suggests human qualities. Really like this poem. Linda” This was a poem that I had rewritten several times. Linda’s comments may not have been something I specifically used for the final product, but they were comments that helped me to trust my use of descriptors to bring about images for my audience. It can be hard to tell if something brings out a picture for someone else the way it does for me, and she was able to give details of how I met my goal. This was very helpful.
  • 12. Part Two: Feedback and Reflection Me-to-Peer Comments: Post 1.6 to Cheyenna Eversoll Duggan: Cheyenna wrote- Honestly, as cliché as it is, the biggest obstacle that affects my stories is time. My 15 month old daughter keeps me darting back and forth, finding sippy cups, finding binkies, finding new ways to induce napping and I rarely am able to shower solo let alone write and write long enough for the ideas to find their way into my mind already bursting like a piece of luggage that no matter how long you sit on it, your undies and sleeves of shirts still spill out the sides. A lot of times after I have finished my school work it is a battle between write, sleep, write, sleep. Usually, sleep wins by a landslide. Sometimes I get a few silent moments while my little girl is jamming away to “The Wiggles.” Love it—the few moments and the jamming away. I should really be more pro- active with these moments instead of laying on the floor with my feet up on the wall and my pupils dialated as I zone out. I guess I have stories I would like to tell, but won’t allow myself. I would like to tell a story about a little girl who spends most of her time in the closet, behind her clothes, sitting on a bucket of stuffed animals and daydreaming. That’s about as far as I have gotten with it. I have the image, but where she is going with this act and how it affects her everyday life, not sure yet. I will have to ask her more about her life later, when writing finally wins over sleep. I responded: “Write down little ideas about the girl. Why does she hide? What gets in her way when she wants to day dream? Think about small questions at a time. It might take longer to make a story, but small parts add up to big ideas.”
  • 13. To me, time cane be a horrible thing to fight when wanting to write. Most of my best work seems to come to me when I can’t sleep at five in the morning. I will have a complete children’s books pop out of my head, rhyme and all and my response from people is phenomenal. I think the worst thing we can do when we have an idea for a story we’ve gotten some inspiration for is to give up just because it’s hard to get started. I wanted to assure Cheyenna that every lit bit counts. She later was able to write out a good start to her story so I feel like my words helped. Post 3.7 to Christine Herbert: Christine wrote: “A poem is.... A short rope. Entwined with meaning, Filled with fibers, A beginning and an end, Attached to being.” I responded: “I like it. It might flow a little better if the period after rope is a comma. It seemed to create a deep stop. I don't know if you did that to create a feeling of how short it could be, but if it is attached to being you may want it to have a little bit more of a lasting feeling to it.” Sometimes the slightest change to a poem can make it flow better. I try hard to pay attention to my punctuation so it adds meaning to a poem. Paying attention to this factor in the work of others helped me pay more attention to it in my own work. Overall, reading the work of my classmates made me inspired and sometimes left me in awe. They have some real talent.
  • 14. Philosophy of Children’s Literature- When I started out the semester, I had a love for reading and writing and language in general. I had very specific reasons for loving Children’s Literature. However, through- out the semester I have found myself broadening my under- standing of Children’s Literature and its uses. Previously, I had mentioned that writing something down on a piece of paper gave me the chance to write and rewrite until I got to say exactly what I wanted to say in the way I wanted to say it. This is a blessing sometimes because there are a lot of situations in life that you don’t get to handle in the way you first wish to. But that is the special thing about books for kids. We will all make mistakes in life, some of which we will live to regret, but books give us a chance to experience things as children in a way where we can get to know our- selves without making the kind of mistakes you can’t take back. My philosophy of Children’s Literature still includes the fact that books are a very special way of connecting to peo- ple, but initially, I only thought of those stories that were completely positive in nature. By positive, I mean stories that included happy endings, or happy events in general. However, my perspective has changed. A child can connect to any story that breathes truth into their lives. It doesn’t have to be about something happy-go-lucky to be fit for children. It just needs to speak of something a child can wonder about or have trouble getting through in order to be meaningful. Children’s Literature is literally a window to the soul and I feel blessed to be part of it in any way I can.
  • 15. Part Three: More About the Author Author’s Note Most of the time, my writing is inspired by children. For this collection, I found myself considering some of the more challenging parts of childhood. My poems center around problems like getting out of bed, understanding the ability to grow, and how fleeting childhood can be. My short story is a reflection on what it is like to have a first love at a young age. There are many hiccups in life as we grow up, and so I find that, although my favorite parts of childhood are the giggles and smiles, there are a lot of hard parts too that deserve to be described in a way a child might be able to connect to. Biography Kristie Sheridan was born in Glendale Heights, Illinois in 1981. She lived there for most of her life where she was the middle child of three. Although she was blessed with many talents, she found that she loved playing with language at a young age. As she grew, she found a love for teaching children as well. As an adult, she combined her two biggest passions to create literature for children. After teaching at risk children in Chicago for the first four years of her career, she grew to have a soft spot for children that felt misunderstood and needed a reason to dream. It is because of this that she continues to write stories and poems that connect to the feelings children often feel like they need to hide. With her work, she strives to show all children that they deserve to have a voice.
  • 16. Reviews “I really like Oh, Sunlit Day. I think it describes all of us. So cute!” ~Janet Sheridan IBCLC Nurse and Mom “A talent to be shared with the world.” ~ Joseph DePaola IT Technician and Dad “Nice story. Flows very nicely. It’s brave to share real life situations with people.” ~Danielle DePaola Nurse Technician and Mom “The start of a great collection.” ~Mike Schneagas Salesman and Kid at Heart “Always so creative! You’ll go far!” ~Sherry Bowers Teacher and Mom