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design for

learning
i n t h e d i g i ta l a g e



karin storm wood
mfa candidacy review
pop quiz # 1



               subject : lesson plan : :
               content :
“   If you are a member of
    that vanishing tribe,
    the amateurs of fine vintages,
    you will choose the crystal...
“   ...because everything about it
    is calculated to reveal
    rather than hide
    the beautiful thing which
    it was meant to contain.
    				
                            ”
“   ...because everything about it
    is calculated to reveal
    rather than hide
    the beautiful thing which
    it was meant to contain.
    									 — b e a t r i c e
                                       ”
                                  wa r d e
free time




            age
free time

motivation




             age
transformation design studio
hello, you look like a teacher
on henry jenkins

                   Education should explicitly support
                   participatory media because it mobilizes
                   young people to take action on issues
                   they are passionate about.
on ellen lupton
& g. abbott miller

                     Like frames, words themselves
                     are subjective: they evoke
                     different meanings for different people.
on michael rock

                  It’s true that bad form creates noise.
                  But good form can also be the main
                  inducement to engage with content.
visual language studio
good morning
technology studio
bartlbe
on marshall mcluhan

                      As McLuhan argued back in 1960:
                      for 500 years, our thoughts have been
                      shaped through the solitary, even passive
                      study of books.
technology studio
advent of digital media:
accessible tools + expanding audience
marshall mcluhan:

                    “New patterns of perception and sensibility…
                     are subliminally imposed on us all by
                     new structures for codifying and moving
                     information that re-create our sense of...
                     teaching and learning.”
louise sandhaus:

                   Cognitive perception is “like a device…
                   filtering and framing my vision and therefore
                   shaping my knowledge and experience.
                   How we think is what we think.”
visual language studio
make more
on liz sanders

                 Co-creation empowers users
                 and harnesses their sense of ownership,
                 which seems more sustainable to me—
                 and more likely to yield results.
transformation design studio
play phone
Cross-Disclinary Studio
Unseen
premises & definitions




the way in which content is presented or engaged is its form.
premises & definitions




the way in which content is presented or engaged is its form.

the form must adapt to existing noise, and it must not create its own noise.
premises & definitions




the way in which content is presented or engaged is its form.

the form must adapt to existing noise, and it must not create its own noise.

the successful transmission of a signal to a learner is a complex function
of form, noise, and audience.
richard saul wurman

                      “When you approach a problem, you must go
                       backward to find the beginning...
                       Only then can you ask yourself the questions
                       that will lead to productive solutions.”
andrew blauvelt

                  “Relational design is preoccupied with
                   design’s effects... in the realm of behavior.
                  [It] value[s] the experiential and the
                   participatory... Dewey over Derrida.”
more premises & definitions




learning is an internal process. it requires internal motivation.
more premises & definitions




learning is an internal process. it requires internal motivation.

learning requires engagement with the content.
more premises & definitions




learning is an internal process. it requires internal motivation.

learning requires engagement with the content.

in the absence of motivating content, form itself can be a motivator.
Hypothesis
rules of [student] engagement




                                unmotivating   content   motivating




                                noisy          signal         clear


                         form
                                passive        mode          active
Hypothesis
rules of [student] engagement




                                unmotivating   content   motivating




                                noisy          signal         clear


                         form
                                passive        mode          active
Hypothesis
rules of [student] engagement




                                unmotivating   content   motivating




                                noisy          signal         clear


                         form
                                passive        mode          active
Hypothesis
rules of [student] engagement




                                unmotivating   content   motivating




                                noisy          signal         clear


                         form
                                passive        mode          active
pop quiz #2

              Andrew Blauvelt: “The history of design
              can viewed in three successive phases,
              moving from form to content
              to 												 .”
karin storm wood

                   It’s not about Shakespeare, or mitochondria,
                   or numerators, or the causes of the Civil War.
karin storm wood

                   It’s not about Shakespeare, or mitochondria,
                   or numerators, or the causes of the Civil War.
                   It’s about context:
                   The experience of the learners come first.
karin storm wood

                   It’s not about Shakespeare, or mitochondria,
                   or numerators, or the causes of the Civil War.
                   It’s about context:
                   The learners’ experience comes first.
                   Content and form follow.
karin storm wood



                   thank you.

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Candidacy Review Presentation: Design for Learning in the Digital Age

  • 1. design for learning i n t h e d i g i ta l a g e karin storm wood mfa candidacy review
  • 2. pop quiz # 1 subject : lesson plan : : content :
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  • 8. If you are a member of that vanishing tribe, the amateurs of fine vintages, you will choose the crystal...
  • 9. ...because everything about it is calculated to reveal rather than hide the beautiful thing which it was meant to contain. ”
  • 10. ...because everything about it is calculated to reveal rather than hide the beautiful thing which it was meant to contain. — b e a t r i c e ” wa r d e
  • 11.
  • 12. free time age
  • 14. transformation design studio hello, you look like a teacher
  • 15. on henry jenkins Education should explicitly support participatory media because it mobilizes young people to take action on issues they are passionate about.
  • 16. on ellen lupton & g. abbott miller Like frames, words themselves are subjective: they evoke different meanings for different people.
  • 17. on michael rock It’s true that bad form creates noise. But good form can also be the main inducement to engage with content.
  • 20. on marshall mcluhan As McLuhan argued back in 1960: for 500 years, our thoughts have been shaped through the solitary, even passive study of books.
  • 21. technology studio advent of digital media: accessible tools + expanding audience
  • 22. marshall mcluhan: “New patterns of perception and sensibility… are subliminally imposed on us all by new structures for codifying and moving information that re-create our sense of... teaching and learning.”
  • 23. louise sandhaus: Cognitive perception is “like a device… filtering and framing my vision and therefore shaping my knowledge and experience. How we think is what we think.”
  • 25. on liz sanders Co-creation empowers users and harnesses their sense of ownership, which seems more sustainable to me— and more likely to yield results.
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  • 30. premises & definitions the way in which content is presented or engaged is its form.
  • 31. premises & definitions the way in which content is presented or engaged is its form. the form must adapt to existing noise, and it must not create its own noise.
  • 32. premises & definitions the way in which content is presented or engaged is its form. the form must adapt to existing noise, and it must not create its own noise. the successful transmission of a signal to a learner is a complex function of form, noise, and audience.
  • 33. richard saul wurman “When you approach a problem, you must go backward to find the beginning... Only then can you ask yourself the questions that will lead to productive solutions.”
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  • 35. andrew blauvelt “Relational design is preoccupied with design’s effects... in the realm of behavior. [It] value[s] the experiential and the participatory... Dewey over Derrida.”
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  • 38. more premises & definitions learning is an internal process. it requires internal motivation.
  • 39. more premises & definitions learning is an internal process. it requires internal motivation. learning requires engagement with the content.
  • 40. more premises & definitions learning is an internal process. it requires internal motivation. learning requires engagement with the content. in the absence of motivating content, form itself can be a motivator.
  • 41. Hypothesis rules of [student] engagement unmotivating content motivating noisy signal clear form passive mode active
  • 42. Hypothesis rules of [student] engagement unmotivating content motivating noisy signal clear form passive mode active
  • 43. Hypothesis rules of [student] engagement unmotivating content motivating noisy signal clear form passive mode active
  • 44. Hypothesis rules of [student] engagement unmotivating content motivating noisy signal clear form passive mode active
  • 45. pop quiz #2 Andrew Blauvelt: “The history of design can viewed in three successive phases, moving from form to content to .”
  • 46. karin storm wood It’s not about Shakespeare, or mitochondria, or numerators, or the causes of the Civil War.
  • 47. karin storm wood It’s not about Shakespeare, or mitochondria, or numerators, or the causes of the Civil War. It’s about context: The experience of the learners come first.
  • 48. karin storm wood It’s not about Shakespeare, or mitochondria, or numerators, or the causes of the Civil War. It’s about context: The learners’ experience comes first. Content and form follow.
  • 49. karin storm wood thank you.