2. ⢠Housekeeping
⢠Kultur II Group meeting and
project updates
⢠Sustainability workshop:
â Inspiration
â Community
â Sustainability debate/discussion
Description: St. Giles-in-the-Fields parish church
and HEFCE/Centre Point fire/evacuation assembly
point
Available from: http://www.stgilesonline.org/
30th September 2011 JISC Kultivate workshop 2
3. Kultur II Group update
⢠Name
⢠Role
⢠Institution
⢠Repository development
Amal Ghosh, 1993, Catching the Sun
Collection/Rights: South Asian Diaspora Literature and Arts
Archive
Available from: http://vads.ac.uk/large.php?uid=47821
30th September 2011 JISC Kultivate workshop 3
9. Kultivate progress
⢠Environmental Assessment â
Ariadne Issue 68 October 2011
⢠Fifth of six workshops, next
and final one on linked data,
Monday 12th December 2011,
HEFCE, London
⢠Kultivate blog
⢠Forthcoming: reports, publicity
Waymarker, 1999 Location: Wells, Somerset
Collection/Rights: Public Monuments and Sculpture Association
Available from: http://vads.ac.uk/large.php?uid=68059
30th September 2011 JISC Kultivate workshop 9
12. Kultivate project conference, 15th July 2011, RIBA, London
⢠âI am new to the field of creative arts/arts
research/repositories and this conference was invaluable
for me and provided an excellent overview of themes,
topics, and challenges for this community.â
⢠â...I feel I learned a lot of relevance to my entire Library
service.â
⢠âhelped influence our advocacy campaignâ
⢠âReally interesting, informative and relevant speakers
with plenty of opportunity to ask questionsâ
⢠â...it would be useful to look at ways to apply Kultur
principles to platforms other than eprints.â
30th September 2011 Kultivate Workshop 12
14. Technical enhancements â
progress report
⢠EPrints Services
⢠EPrints 3.3
⢠IRStats
⢠Project containers
⢠ARTSUK demonstrator
⢠EPrints Bazaar Effigy conch shell (terracotta), 300-899, Mexico
Rights: Sainsbury Centre for Visual Arts, UEA, Norwich,
2002. All Rights reserved
Available from: http://vads.ac.uk/large.php?uid=671
30th September 2011 JISC Kultivate workshop 14
15. KAPTUR project
JISC Managing Research Data
1st October 2011 â 31st March 2013
30th September 2011 JISC Kultivate workshop 15
16. âIt is very difficult to explain the process of creating an
artwork. The first thing that the artist has is an idea, a
series of flashes that are imprinted on the soul and
which gradually take root. While this intuition is
developing, the artist tries to capture it on canvas
together with his or her energy, passion, sensitivity,
emotion, instinct, intellect and knowledge. Obviously,
the result will be to want to achieve the representation
of what is absent. The idea is represented intuitively,
eternally, because it cannot be explained through
reason. The viewer will perceive this idea through
their own intuition: which will try to represent this idea
with associations from their own experiences,
according to their own perceptual intellectual capacity.
All of this will awaken something sublime inside. If this
is achieved, the work of art assumes the internal
representation of each person in his or her own space
and time, always keeping the work alive.â
Adriana Zapisek, 08.09.2004
Translated from the original Spanish by Joanne Harwood
Adriana Zapisek, 1991, Gema X Piscis
Collection/Rights: University of Essex Collection of Latin American Art
Available from: http://vads.ac.uk/large.php?uid=6520 16
17. KAPTUR â brief overview
⢠Four partners: Glasgow
School of Art, Goldsmiths,
University for the Creative
Arts, University of the Arts
London
⢠What is arts research data?
(sketchbooks etc)
⢠Data models + sustainability
⢠Forthcoming: environmental
The Bonnie and Clyde Style- the talk of 1968
analysis, workshops Rights: London College of Fashion/The Woolmark Company
Available from: http://vads.ac.uk/large.php?uid=77651
30th September 2011 JISC Kultivate workshop 17