The etruscans and the roman empire
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The etruscans and the roman empire
- 1. The Etruscans and The Roman Empire
- 2. ETRUSCAN ART (separated in the periods of Greek art) 7th century- trade with Mesopotamia inspires monsters and other Orientalizing motifs in funerary art 700 ORIENTALIZING 600 â˘Constructed temples of mud brick and wood â˘Tombs have frescos depicting funerary games and banquets â˘They really liked Greek banquet vases and imported a lot to put in their tombs ARCHAIC 480 Bronze casting, engraved mirrors and cistae (casket to hold precious materials ) and stone sarcophagi CLASSICAL & HELLENISTIC â˘600-480 â˘700-600 â˘Peak of their power â˘Emerged as a distinct culture â˘Etruscan Kings rule Rome â˘Wealthy because they mined iron, â˘Powerful and wealthy city-states tin, copper, and silver â˘Skilled in wood, mud brick, and terracotta temple â˘Traded with Mesopotamia construction â˘Their metals for foreign â˘Most surviving artworks come from tomb chambers goods â˘Some stylistic aspects in artwork are similar to Greek â˘Made jewelry and other â˘Depictions of people reclining while eating precious objects with designs influenced by Mesopotamia for homes and tombs Fibula 89 â˘480-89 â˘Decline of Etruria â˘474 defeated by Greek â˘Ended Etruscan domination sea â˘Rome destroyed Veii in 396 â˘City-states taken over by Roman military force â˘Etruscan culture becomes assimilated into Roman Culture â˘Number of grandiose Etruscan tombs decreases â˘Etruscan metalworkers create artworks to glorify Rome â˘All of Italy became Romanized by 89 BCE â˘Somber mood in Etruscan art
- 3. â˘Territory between the Arno and Tiber rivers of central Italy â˘Region was centered around Florence â˘Divided into city-states â˘Were originally called the Rasenna â˘Were likely a result of a gradual fusion of native and immigrant populations â˘Contemporary to the Geometric Period in Greece â˘Art producing culture related to but distinct from Italian and Greek peoples
- 4. THE ROMAN REPUBLIC â˘Trajan extends Roman Empire â˘Pantheon is built â˘Hellenization of architecture â˘Veristic portraiture â˘1st and 2nd styles of Pompeii painting â˘Late antique style â˘Portraits of soldier Emperors â˘Constantine founds a NEW ROME at Constantinople â˘Revival of Classical Style in art and architecture â˘3rd and 4th style of Pompeii painting â˘Concrete Construction MONARCHY & 753 REPUBLIC BCE 27 AD EARLY EMPIRE 96 AD HIGH EMPIRE LATE 192 AD EMPIRE 337 AD
- 5. â˘Inspired by and copied Greek art â˘Emphasis on individuality through portraiture, veristic portraiture (ie. Showed wrinkles to illustrate wisdom and importance) â˘First Emperor Octavian/Augustus ⢠used art effectively as political tool â˘Trajan, Romeâs greatest general â˘Spanned three continents
- 6. ⢠part of a scene of Apollo and Herakles battle ⢠finest surviving Etruscan temple statue ⢠Energy and excited characteristic of Archaic ⢠Was at the rooftop of the Portonaccio sanctuary in Veii ⢠One of a group of four terracotta figures ⢠The statues depicted one of the 12 labors of Herakles ⢠Garment in similar to Kore garments ⢠Distinctky Etruscan qualities: striding motion, rippling drapery Apollo of Veii, ca. 525-500 BCE
- 7. Terracotta sarcophagus from Caere, 520 BCE
- 8. â˘Bronze statue of the magistrate Aule Metele (orator) â˘Raises his arm to address an assembly â˘Life size â˘Made during Etruscan decline â˘His name is inscribe on his garment â˘Wears toga and high laced boots of Roman magistrate â˘Short hair and aged face Aule Metele, Cortona, Italy, early 1st century BCE
- 9. Gardenscape, from Villa of Livia, Primaporta, Italy, 30 BCE â˘Gardening was a highly characteristic Roman art, by its very nature bringing order and harmony out of chaos Diving and Fishing, from Tomb of Hunting and Fishing. Tarquinia, Italy, 530 BCE â˘The remains of gardens recovered by excavation at Pompeii and elsewhere give an idea of the planning â˘Hunters aim sling shots at birds, enjoying nature â˘Roman ideal of myriad plants with foliage of â˘Water running along bottom distinct tones and flowers of different colours. â˘Etruscan ideas of afterlife, watery afterlife? â˘Dolphins leaping-belief that the souls of sailors that had diedBirds of several varieties inhabit this grove, at once artificial and natural. in shipwrecks â˘Engaging in activities in the afterlife â˘Reminiscent of Spring Fresco from Thera
- 10. Head of an old man, Osimo, mid 1st century BCE, Marble, life size http://www.youtube.com/watch?v=T0fq3XFfxrY Portrait of Roman General, from Sanctuary of Hercules, Tivoli, Italy, 50 BCE