This document discusses the OpenGLAM initiative to make cultural heritage openly accessible online. It outlines Europeana's vision of a cultural commons where heritage is freely available. Key obstacles to openness include concerns over lost revenue, misuse of content, technical challenges, and legal issues. However, opening content can fulfill institutions' public missions by reaching a larger audience and connecting collections. The document explores how standards like Europeana's rights statements and tools help address obstacles by clarifying what users can do with digital objects and metadata. The conclusion states that cultural institutions stand to gain an enormous new audience and richer context for their collections by embracing the open digital future.
Python Notes for mca i year students osmania university.docx
OpenGLAM Poland: Building a Cultural Commons togeter
1. OpenGLAM: Building a Cultural
Commons - Together
Reasons, obstacles and how we try to overcome them
@jpekel
Saturday 12 October 2013(w)
Warsaw, 12-10/2013
2. Content
à
à
à
à
About Europeana and the OpenGLAM initiative
Why Open?
What are the obstacles?
How are we trying to solve this?
@jpekel
Saturday 12 October 2013(w)
3. Europeana’s vision and mission
à Europeana is a catalyst for change in the
à
à
@jpekel
Saturday 12 October 2013(w)
world of cultural heritage.
Our mission: The Europeana
Foundation and its Network create new
ways for people to engage with their
cultural history, whether it’s for work,
learning or pleasure.
Our vision: We believe in making
cultural heritage openly accessible in a
digital way, to promote the exchange of
ideas and information. This helps us all
to understand our cultural diversity better
and contributes to a thriving knowledge
economy.
4. Europe’s cultural heritage portal
à 29m records from 2,200
à
à
à
à
à
à
Saturday 12 October 2013(w)
European galleries,
museums, archives and
libraries
Books, newspapers,
journals, letters, diaries,
archival papers
Paintings, maps,
drawings, photographs
Music, spoken word,
radio broadcasts
Film, newsreels,
television
Curated exhibitions
31 languages
5. OpenGLAM initiative
An initiative of the Open Knowledge
Foundation
Supported by a network of organisations
and local initiatives working to open up
content and data held by GLAMs which
includes the likes of Europeana, the Digital
Public Library of America, Creative
Commons and Wikimedia
A provider of expertise to GLAMs on open
issues
A growing network of open culture
evangelists in various countries
@jpekel
Saturday 12 October 2013(w)
7. Open Definition
“A piece of data or content is open if anyone is free to
use, reuse, and redistribute it — subject only, at most,
to the requirement to attribute and/or share-alike.”
@jpekel
Saturday 12 October 2013(w)
10. Why Open?
à Public Mission
à Larger Audience
à Connect and contextualise collections
à The digital dream
@jpekel
Saturday 12 October 2013(w)
11. Public Mission
"Enable access to everyone who wants to do research"
- British Library, Our Mission and 2020 Vision
"Our core values are: accessibility, sustainability, innovation and cooperation."
-National Library of the Netherlands, Our Mission and Vision
"To provide diverse audiences with the best quality experience and optimum
access to our collections, physically and digitally."
- the Victoria & Albert Museum, Mission and Objectives
"The Federal Archives have the legal responsibility of permanently preserving
the federal archival documents and making them available for use."
- German Federal Archives - Responsibilities
The National Gallery of Denmark is Denmark’s premier museum of art. Through
Accessibility, education, and exhibition
- Danish National Gallery - Mission
@jpekel
Saturday 12 October 2013(w)
12. Why Open?
à Public Mission
à Larger Audience
à Connect and contextualise collections
à The digital dream
@jpekel
Saturday 12 October 2013(w)
13. Larger Audience
à Put your material where the users are
@jpekel
Saturday 12 October 2013(w)
14. Why Open?
à Public Mission
à Larger Audience
à Connect and contextualise collections
à The digital dream
@jpekel
Saturday 12 October 2013(w)
16. Why Open?
à Public Mission
à Larger Audience
à Connect and contextualise collections
à The digital dream
@jpekel
Saturday 12 October 2013(w)
17. The Digital Dream
A world in which our shared cultural heritage, the map of
humanity, is open to all regardless of their background
A world in which people are no longer passive consumers
of cultural content created by an elite, but contribute,
participate, create and share
@jpekel
Saturday 12 October 2013(w)
18. What are the obstacles? And how
are we trying to overcome them?
Saturday 12 October 2013(w)
19. Obstacles
à
à
à
à
Concerns over lost revenue stream
Worries about misuse of data and content
Technical challenges: Standards and tools
Legal uncertainties
@jpekel
Saturday 12 October 2013(w)
20. Obstacles
à Concerns over lost revenue stream
à Worries about misuse of data and content
à Technical challenges: Standards and tools
à Legal uncertainties
@jpekel
Saturday 12 October 2013(w)
22. Obstacles
à Concerns over lost revenue stream
à Worries about misuse of data and content
à Technical challenges: Standards and tools
à Legal uncertainties
@jpekel
Saturday 12 October 2013(w)
23. Fear of loss of control
à Linking always back to your original file
à Europeana as trusted source for cultural data
à ‘Problem of the Yellow Milkmaid’
à
(http://pro.europeana.eu/documents/858566/2cbf1f78-e036-4088-af25-94684ff90dc5)
Expertise much requested online
@jpekel
Saturday 12 October 2013(w)
24. What makes up a Europeana record?
Saturday 12 October 2013(w)
25. What makes up a Europeana record?
Thumbnail/preview
Saturday 12 October 2013(w)
26. What makes up a Europeana record?
Thumbnail/preview
Metadata
Saturday 12 October 2013(w)
27. Obstacles
à Concerns over lost revenue stream
à Worries about misuse of data and content
à Technical challenges: Standards and tools
à Legal uncertainties
@jpekel
Saturday 12 October 2013(w)
28. Technical standards and tools
à The Europeana Data Model (EDM)
Compatibility with different levels of description
1. Allow different levels of granularity
2. Allow the specification of domain-specific application profiles
3. Enable the re-use of existing standards
@jpekel
Saturday 12 October 2013(w)
29. Obstacles
à Concerns over lost revenue stream
à Worries about misuse of data and content
à Technical challenges
à Legal uncertainties
@jpekel
Saturday 12 October 2013(w)
36. Preview & Digital Objects are licensed as
described in EDM: rights
!
CCO
!
Layer #3: Metadata (descriptive object information)
Layer #2: Previews (lower quality versions of #1)
!
!
EDM:rights
Layer #1: Digital objects (on the site of the provider)
!
@jpekel
34
Saturday 12 October 2013(w)
!
41. Rights Statements & Issues
!
• We have our own licensing policy
• Our collection is very complex
• Europeana Rights Statements don t apply to our collection
• We don t need to provide a Rights Statement, that information
is clear from our website
• We don t know which Rights Statements applies
@jpekel
39
Saturday 12 October 2013(w)
42. Rights Statements & Solutions
!
• Europeana have clearly defined Rights Statements;
• Published at www.europeana.eu/portal/rights/terms-and-policies
• Europeana provide tools for determining the Rights Statement;
• Public Domain Calculator
• EDM Rights Selection Tool
• Europeana deliver workshops and bespoke advice
• Europeana advocate via publications such as The Public Domain Charter
• Europeana monitor the usage and appropriateness of the Rights
Statements
@jpekel
40
Saturday 12 October 2013(w)
44. The 21st century GLAM
It remains:
The key preserver of our shared cultural heritage
An authoritative source of information and expertise about your
collections
You curate, contextualise and tell stories about your collections
@jpekel
Saturday 12 October 2013(w)
45. The 21st century GLAM
It stands to gain:
An audience far beyond the wildest dreams of its first founders
Connections to other collections that contextualise stories about
its objects
A closer connection to its audience (and the improvements to its
digital collections that come with that)
@jpekel
Saturday 12 October 2013(w)