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THE IMPORTANCE OF BEING EARNEST By OSCAR WILDE 1895
Key Facts ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SUMMARY ,[object Object],[object Object],[object Object],[object Object],[object Object]
THEMES, MOTIFS & SYMBOLS ,[object Object],[object Object],[object Object]
LANGUAGE & STRUCTURAL DEVICES ,[object Object],[object Object],[object Object],[object Object]
LANGUAGE & STRUCTURAL DEVICES cont ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
LANGUAGE & STRUCTURAL DEVICES cont: ,[object Object],[object Object],[object Object]
THEMES AND EXPLEMPLIFICATION FROM THE TEXT. ,[object Object],[object Object],[object Object],[object Object],[object Object]
THEMES AND EXPLEMPLIFICATION FROM THE TEXT MARRIAGE – cont The play is actually an ongoing debate about the nature of marriage and whether it is “pleasant or unpleasant.” Lane remarks casually that he believes it to be “a very pleasant state,” before admitting that his own marriage, now presumably ended, was the result of “a misunderstanding between myself and a young person.” Algernon regards Lane's views on marriage as “somewhat lax.” His own views are relentlessly cynical until he meets and falls in love with Cecily. Jack, by contrast, speaks in the voice of the true romantic. He tells Algernon, however, that the truth “isn't quite the sort of thing one tells to a nice, sweet, refined girl.” At the end of the play, Jack apologizes to Gwendolen when he realizes he had been telling the truth all his life. She forgives him, she says, on the grounds that she thinks he's sure to change, which suggests Gwendolen's own rather cynical view of the nature of men and marriage.
THEMES AND EXPLEMPLIFICATION FROM THE TEXT cont ,[object Object],[object Object],[object Object]
THEMES AND EXPLEMPLIFICATION FROM THE TEXT cont ,[object Object],[object Object],[object Object]
THEMES AND EXPLEMPLIFICATION FROM THE TEXT cont ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
MOTIFS –  motifs are reoccurring structures, contrasts or literacy devices that can help to develop and inform the text’s major themes ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
MOTIFS - cont ,[object Object],[object Object],[object Object]
MOTIFS - cont ,[object Object],[object Object],[object Object],[object Object]
MOTIFS - cont ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SYMBOLS –  are objects, characters figures or colours used to represent abstract ideas or concepts ,[object Object],[object Object],[object Object]
SYMBOLS - cont ,[object Object],[object Object],[object Object],[object Object]
SYMBOLS - cont ,[object Object],[object Object],[object Object]
 

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Importance of being earnest

  • 1. THE IMPORTANCE OF BEING EARNEST By OSCAR WILDE 1895
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  • 9. THEMES AND EXPLEMPLIFICATION FROM THE TEXT MARRIAGE – cont The play is actually an ongoing debate about the nature of marriage and whether it is “pleasant or unpleasant.” Lane remarks casually that he believes it to be “a very pleasant state,” before admitting that his own marriage, now presumably ended, was the result of “a misunderstanding between myself and a young person.” Algernon regards Lane's views on marriage as “somewhat lax.” His own views are relentlessly cynical until he meets and falls in love with Cecily. Jack, by contrast, speaks in the voice of the true romantic. He tells Algernon, however, that the truth “isn't quite the sort of thing one tells to a nice, sweet, refined girl.” At the end of the play, Jack apologizes to Gwendolen when he realizes he had been telling the truth all his life. She forgives him, she says, on the grounds that she thinks he's sure to change, which suggests Gwendolen's own rather cynical view of the nature of men and marriage.
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