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Chapter 7: Early Christian, and Byzantine Art Magister Ricard Art History
Questions to Consider What are the architectural elements of a basilica plan church and a central plan church? How does the dome of the Hagia Sophia differ from that of the Parthenon? How does the mosaic Justinian and His Attendants display the Byzantine Style?
Christian Art Chapter 7
Christian Art: Life of Jesus For Christians, Jesus is the Son of God, the Messiah foretold in the Old Testament Incarnation and childhood: the birth, infancy, and childhood of Jesus Public ministry: Critical events like the 12 apostles, performing miracles, and sermons Passion: Events of his arrest, trial, crucifixion, resurrection and ascension
Christian Literary Sources Art is drawn from New Testament 4 evangelists: Matthew, Mark, Luke, and John (four gospels) Art that draws on Old Testament prefigure the coming of the Messiah Draws on the book of Revelation and images of the Last Judgment
Christian Underground Throughout its young history during the Roman empire, Christianity had to go underground to escape persecution This lead to the creation of the catacombs This is where Christian imagery was developed, founded on classical imagery
Byzantine Art Chapter 7
Byzantine Art Extends from Constantinople  Based in the eastern portion of Roman empire Western Rome ruled by Germanic tribes in 476 Eastern Rome continues on until 1453 with invasion of Ottoman Turks Influenced predominantly by Christian themes and imagery Not focused on realism and naturalism Concerned with religion and teaching
Byzantine Art: Characteristics Flat – figures appear flat, lacking volume Floating – figures appear to hover, appear weightless Frontal – oriented toward the viewer in a planar format, in same picture plane as viewer Gold – interest is in central figures, little detail in backgrounds, depthless, but full of gold
Byzantine Art: Chronology
Justinian I Besides Constantine, important Byzantine ruler His rule (527-565 AD) typified the early Byzantine era Reclaims large portions of former western Roman empire Ravenna is administrative capital in the west Suppresses all other religions, proclaims Orthodox Christianity official religion Creates a theocratic state in which emperor was head of the church and state
Byzantine Art: Devotional Objects Workshops in Constantinople produced excellent works of gold, carved ivory, and textiles Scriptoria (a scriptorium) were sponsored by Byzantine elites for the production of manuscripts
Byzantine Art: Devotional Objects Vienna Genesis Page from book of Genesis In codex form Written in Greek Illuminated due to use of color Vellum dyed purple
Icons and Iconoclasm Christians were more open towards the religious use of icons when compared to Jews and Muslims Church doctrine was ambivalent Used to help when praying and aid in meditation In 726 Emperor Leo III launched campaign against use of icons – iconoclasm Byzantine figural art ceases until 843 when icon production is resumed Abstraction of religious symbols was used instead
Icon: Virgin of Vladmir Medium: Tempera – egg yolk mixed with pigment 11th-12th century, Moscow Stylized – adheres to set features of Byzantine style Flat appearance, golden background Mary’s thin nose, yet expressive Believed to have miraculous powers of protection
Conclusion Christian art would develop upon the Classical images it inherited and would eventually rescue that imagery from oblivion Byzantine art, although heavily stylized, would also have a heavy influence on European art What it lacks in realism it makes up for by portraying matters of the spirit and establishes a recognizable art style
Questions to Consider What are the architectural elements of a basilica plan church and a central plan church? How does the dome of the Hagia Sophia differ from that of the Parthenon? How does the mosaic Justinian and His Attendants display the Byzantine Style?

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Ch 7 Arh

  • 1. Chapter 7: Early Christian, and Byzantine Art Magister Ricard Art History
  • 2. Questions to Consider What are the architectural elements of a basilica plan church and a central plan church? How does the dome of the Hagia Sophia differ from that of the Parthenon? How does the mosaic Justinian and His Attendants display the Byzantine Style?
  • 4. Christian Art: Life of Jesus For Christians, Jesus is the Son of God, the Messiah foretold in the Old Testament Incarnation and childhood: the birth, infancy, and childhood of Jesus Public ministry: Critical events like the 12 apostles, performing miracles, and sermons Passion: Events of his arrest, trial, crucifixion, resurrection and ascension
  • 5. Christian Literary Sources Art is drawn from New Testament 4 evangelists: Matthew, Mark, Luke, and John (four gospels) Art that draws on Old Testament prefigure the coming of the Messiah Draws on the book of Revelation and images of the Last Judgment
  • 6. Christian Underground Throughout its young history during the Roman empire, Christianity had to go underground to escape persecution This lead to the creation of the catacombs This is where Christian imagery was developed, founded on classical imagery
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 17. Byzantine Art Extends from Constantinople Based in the eastern portion of Roman empire Western Rome ruled by Germanic tribes in 476 Eastern Rome continues on until 1453 with invasion of Ottoman Turks Influenced predominantly by Christian themes and imagery Not focused on realism and naturalism Concerned with religion and teaching
  • 18. Byzantine Art: Characteristics Flat – figures appear flat, lacking volume Floating – figures appear to hover, appear weightless Frontal – oriented toward the viewer in a planar format, in same picture plane as viewer Gold – interest is in central figures, little detail in backgrounds, depthless, but full of gold
  • 20. Justinian I Besides Constantine, important Byzantine ruler His rule (527-565 AD) typified the early Byzantine era Reclaims large portions of former western Roman empire Ravenna is administrative capital in the west Suppresses all other religions, proclaims Orthodox Christianity official religion Creates a theocratic state in which emperor was head of the church and state
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29.
  • 30. Byzantine Art: Devotional Objects Workshops in Constantinople produced excellent works of gold, carved ivory, and textiles Scriptoria (a scriptorium) were sponsored by Byzantine elites for the production of manuscripts
  • 31. Byzantine Art: Devotional Objects Vienna Genesis Page from book of Genesis In codex form Written in Greek Illuminated due to use of color Vellum dyed purple
  • 32. Icons and Iconoclasm Christians were more open towards the religious use of icons when compared to Jews and Muslims Church doctrine was ambivalent Used to help when praying and aid in meditation In 726 Emperor Leo III launched campaign against use of icons – iconoclasm Byzantine figural art ceases until 843 when icon production is resumed Abstraction of religious symbols was used instead
  • 33. Icon: Virgin of Vladmir Medium: Tempera – egg yolk mixed with pigment 11th-12th century, Moscow Stylized – adheres to set features of Byzantine style Flat appearance, golden background Mary’s thin nose, yet expressive Believed to have miraculous powers of protection
  • 34. Conclusion Christian art would develop upon the Classical images it inherited and would eventually rescue that imagery from oblivion Byzantine art, although heavily stylized, would also have a heavy influence on European art What it lacks in realism it makes up for by portraying matters of the spirit and establishes a recognizable art style
  • 35. Questions to Consider What are the architectural elements of a basilica plan church and a central plan church? How does the dome of the Hagia Sophia differ from that of the Parthenon? How does the mosaic Justinian and His Attendants display the Byzantine Style?

Editor's Notes

  1. Artist:n/aTitle:Cubiculum of Leonis, Catacomb of CommodillaMedium: n/aSize: n/aDate:Late 4th centurySource/ Museum: Near Rome
  2. Artist:n/aTitle:Synagogue FloorMedium: MosaicSize: n/aDate:c. 530Source/ Museum: Maon (ancient Menois) / The Israel Museum, Jerusalem
  3. Artist:n/aTitle:Good Shepherd, Orants, and Story of JonahMedium: Painted ceilingSize: n/aDate:Late 3rd–early 4th centurySource/ Museum: Catacomb of Saints Peter and Marcellinus, Rome
  4. Artist:n/aTitle:The Good ShepherdMedium: Marble Size: height 19¾" (50.2 cm), width 16" (15.9 cm)Date:Second half of the 3rd centurySource/ Museum: Eastern Mediterranean, probably Anatolia (Turkey) / The Cleveland Museum of Art. John L. Severance Fund, 1965.241
  5. Artist:n/aTitle:Sarcophagus of JuniusBassusMedium: Marble Size: 4 X 8' (1.2 X 2.4 m)Date:c. 359Source/ Museum: Grottoes of Saint Peter, Vatican, Rome
  6. Artist:n/aTitle:Elements of Architecture: Basilica-Plan and Central-Plan ChurchesMedium: n/aSize: n/aDate:n/aSource/ Museum: n/a
  7. Artist:n/aTitle: Reconstruction drawing of Old St. Peter's Basilica, RomeMedium: n/aSize: approx. 394' (120 m) long and 210' (64 m) wideDate:c. 320–27; Atrium added in later 4th centurySource/ Museum: n/a
  8. Artist:n/aTitle:Old St. Peter’s (interior)Medium: PaintingSize: n/aDate:16th centurySource/ Museum: San Martino ai Monte, Rome
  9. Artist:n/aTitle:Parting of Lot and AbrahamMedium: MosaicSize: Panel approx. 4'11" X 6'8" (1.2 X 2 m)Date:432–40Source/ Museum: Nave arcade of the Church of Santa Maria Maggiore, Rome