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CLASSICAL GREECE
      i-Origins
CLASSICAL GREECE
      i-Origins
CLASSICAL GREECE
                   i-Origins




  Achilles tending the wounded Patroclus

        (Attic red-figure kylix, ca. 500 BC)
εἶς µία ἔν ά

Τό Πρῶτον Μάθηµα
session i will look
 at these periods
sessions ii-viii will
look at these periods
PRINCIPAL TOPICS



I. Reasons to study ancient Greece

II. έν ἀρχῇ (ěn archē=in the beginning)

III. Homer

IV. The Gods

V. The Greek Dark Ages
I. WHY STUDY
ANCIENT GREECE?
I. WHY STUDY
ANCIENT GREECE?
DONALD KAGAN’S ANSWERS


subjectively, it’s amazingly interesting

objectively, the Greek experience is the starting point of Western Civilization

Western Civ has created the most envied and sought after human condition in
history

   political and legal institutions which have created unprecedented freedom

   scientific and technological discoveries which have created health and prosperity
   unknown outside of the West and regions which have influenced by the West

   reason and objectivity, essential to the above, make their appearance with the Greeks
“The civilization of the West, however, was not the result of some inevitable process,
through which other cultures will automatically pass. It emerged from a unique
history in which chance and accident often played a vital part. The institutions and
ideas, therefore, that provide for freedom and improvement in the material
conditions of life cannot take root and flourish without an understanding of how
they came about and what challenges they have had to surmount. Non-western
peoples who wish to share in the things which characterize modernity will need to
study the ideas and history of Western Civilization to achieve what they want. And
Westerners, I would argue, who wish to preserve these things, must do the same.




                   Donald Kagan, Introduction to Ancient Greek History, iTunes University. 12/31/00


                             or: http://academicearth.org/lectures/kagan-intro-ancient-greek-history
“The many [non-Western] civilizations adopted by the human race have shared
basic characteristics. Most have tended toward cultural uniformity and stability.
Reason, although it was employed for all sorts of practical and intellectual purposes
in some of these cultures, still lacked independence from religion, and it lacked the
high status to challenge the most basic received ideas.

Standard form of government has been monarchy. Outside the West, republics have
been unknown. Rulers have been thought to be divine or appointed spokesmen for
divinity. Religious and political institutions and beliefs have been thoroughly
intertwined as a mutually supportive unified structure. Government has not been
subjected to secular reasoned analysis. It has rested on religious authority, tradition
and power. The concept of individual freedom has had no importance in the great
majority of cultures in human history.

                                                                          Kagan, loc. cit.
“The first and the sharpest break with this common human experience came in
ancient Greece. The Greek city states (called poleis) were republics. Differences in
wealth among their citizens were relatively small. There were no kings with the
wealth to hire mercenary soldiers, so the citizens had to do their own fighting and to
decide when to fight. As independent defenders of the common safety...they
demanded a role in the most important political decisions. In this way for the first
time political life was invented (observe that the word “political” derives from the
Greek word “polis”). Before that, no word was needed because there was no such
thing. This political life came to be shared by a relatively large proportion of the
people and participation in political life was highly valued by the Greeks.”

                                                                                  Ibid.
Hence it is evident that man is a
   political animal (ἂνθρωπος
 φύσει πολιτικόν ζωόν). And he
who by nature and not by mere
  accident is without a state, is
   either a bad man or above
humanity...he who is unable to
live in society...must be either a
         beast or a god….




               Aristotle, Politics, bk I, 2
                                              Aristotle (Greek: Ἀριστοτέλης,
                                              Aristotélēs) (384 BC – 322 BC)
DELPHI
                 γνόθι σεαυτόν
      (GNO•thi say•au•TAWN)
             know thyself-Thales
                   µῆ δὲν ἄγαν
              (may den A•gan)
         nothing in excess-Solon
“...this was the manner of philosophy among the ancients, a
       kind of laconic brevity.”--Socrates (470?-399 BC)
the most famous of many Greek
and barbarian (βαρβαρ-) oracles


Pythia, priests, omphalos, gasses?


intelligence gathering
It was [in Classical Greece, between the late eighth and the early fourth centuries,
BC] democracy was invented and argued about, achieved and attacked. Romans
disapproved of democracy, and after the conquest of Greece by the Macedonian
kings and the Roman Republic, democracy was suppressed in favor of domination
of the upper class. Other basic questions were discussed in works of [Greek]
literature which have survived the centuries. Is slavery wrong? (against nature)
What is the ultimate source of law, human or divine? Should the family be abolished
in favor of the state? (Plato abolished it in theory, and the Spartans [had gone] a
long way toward abolishing it in fact) Is civil disobedience sometimes right?
(Antigone) What is the right relation of the sexes? What justifies a state in ruling
other states, or is there no such justification, but only the ruthless logic of power?
What is the role of heredity and what of education in the formation of character?

Jasper Griffin, Greece and the Hellenistic World, in the Oxford History of the Classical World, 1988. pp. 1-2
HUMANISM is a maddeningly slippery term, but in the context of fourteenth-
century Italy, where the movement was born, it has a very specific meaning: it
describes a surge of interest in the works of the ancient Greeks and Romans, the
development of a new kind of critical method for studying those works, and the
gradual emergence of a program of education and cultural renewal based on
classical thought. [classical or secular humanism stood in contradistinction to Church
teaching. This provoked Christian humanism which tried to reconcile the two
approaches.--jbp]

                                         Toby Lester, The Fourth Part of the World, 2009. p. 118
II. ΕΝ ΑΡΧΗ
 IN THE BEGINNING
II. ΕΝ ΑΡΧΗ
                    Head from the figure
                    of a woman, Spedos
                    type, Early Cycladic II
                    (2700 BC–2300 BC),
 IN THE BEGINNING   Keros culture.
Archaeology-(from Greek ἀρχαιολογία, archaiologia – ἀρχαῖος, arkhaios,
"ancient"; and -λογία, -logia, "-logy"), is the study of human society, primarily
through the recovery and analysis of the material culture and environmental data
that they have left behind.
PREHISTORIC TIMES




literally, this refers to the period before written texts appear

our knowledge of events and conditions then is, necessarily, imprecise

it depends on archaeology

2900 BC/BCE-for Greece, our prehistory begins with the remains of Bronze Age
civilization in the Aegean area at approximately this date
Prehistoric times
Poliochnē; settled in Late Chalcolithic or Early Bronze Age
                  “The Oldest City in Europe”




                              Poliochni
                          Lemnos
WHAT’S THIS BC VS BCE?


BC=before Christ

BCE=before the common era

guess which is more politically correct

;-) For those uncomfortable with Before Christ, just imagine BC stands for
“backward chronology”

guess which most universities use today

so fifth century, the “Golden Age” of Classical Greece=the 400s BC, and
early fifth century=the 490s, the 480s and so on; the time of the Persian Wars
ATHENIAN YEAR DATES


when a year date is given for an event in Athens it will appear as 411/10

I puzzled over that for some time. Even Mr. Google was mute

finally an appendix in Song of Wrath explained the mystery

Athenian year dates were given by the name of the Eponymous Archon

for example, “in the year of Cleisthenes,” whose year of office ran July 411-July 410

so when the source dates something with the archon’s name, that’s as close as we
can come! At least students don’t have to learn day and month!
THE LITMUS TEST FOR “CIVILIZATION”



most archaeologists distinguish the arrival of “civilization” with the appearance
of cities

there were Greek agricultural villages in Neolithic times but Greek cities are first
found in the Aegean area on the island of Crete

the Bronze Age civilization there was first uncovered at the beginning of the 20th
century by the archaeologist Sir Arthur Evans

he called it Minoan after the legendary king Minos
THE LITMUS TEST FOR “CIVILIZATION”



most archaeologists distinguish the arrival of “civilization” with the appearance
of cities

there were Greek agricultural villages in Neolithic times but Greek cities are first
found in the Aegean area on the island of Crete

the Bronze Age civilization there was first uncovered at the beginning of the 20th
century by the archaeologist Sir Arthur Evans

he called it Minoan after the legendary king Minos

Evans uncovered the impressive palace ruins at Knossos
The Minoan civilization...was the first major Mediterranean civilization, the first
wealthy, literate, city-based culture with a vibrant artistic culture to emerge within the
Mediterranean world.

                                                        David Abulafia, The Great Sea, 2011, p. 22
THE SO-CALLED THRONE ROOM
THE BULL-LEAPING FRESCO
  !om the Middle Minoan III to Late Minoan B period
             (17th-15th centuries BC)
beside that fresco, bronzes and carved
gems portray the ritual of bull grappling
in Minoan Crete


the bull was an object of reverence,
perhaps associated with the sea,
earthquakes?


on the wall is a painting of the Labrys
(double-bladed axe), a royal symbol


this + the many chambers of the palace
of Knossos-->labyrinth?
beside that fresco, bronzes and carved
gems portray the ritual of bull grappling
in Minoan Crete


the bull was an object of reverence,
perhaps associated with the sea,
earthquakes?


on the wall is a painting of the Labrys
(double-bladed axe), a royal symbol


this + the many chambers of the palace
of Knossos-->labyrinth?
beside that fresco, bronzes and carved
gems portray the ritual of bull grappling
in Minoan Crete


the bull was an object of reverence,
perhaps associated with the sea,
earthquakes?


on the wall is a painting of the Labrys
(double-bladed axe), a royal symbol


this + the many chambers of the palace
of Knossos-->labyrinth?


the bull grappling-->Minotaur
MINOAN CRETE
The Discus of Phaistos
The Discus of Phaistos
WHO WERE THE
GREEKS?

 Those who were native speakers (that is from birth, not a
later learned speech) of some variety of the Greek language.
A cultural definition. We no longer speak of a Greek race, as
    if it were a matter of DNA. That was the style in the
 nineteenth century. But the Nazis and other racists have
         thoroughly discredited race as a concept.
The earliest speakers of what would develop
into the Greek language seem to have arrived
in the Balkans during the third millennium.
The earliest speakers of what would develop
into the Greek language seem to have arrived
in the Balkans during the third millennium.
Mycenean sites (ca 1600-1100 BC)
the shaft
the Lion
                    graves
  Gate


    a reconstruction of Mycenae at the time of its height
THE FOUNDER OF MYCENAEAN
ARCHAEOLOGY

son of a Protestant minister--early education

an amazing business career which included
the California gold rush, cornering the indigo
market in St Petersburg, speculating

he learned languages easily:

   English, French, Dutch, Spanish, Portuguese, Swedish,
   Polish, Italian, Greek, Latin, Russian, Arabic, and Turkish
   as well as German


as a self-made millionaire, he indulged his
ambition since adolescence---to search for
Troy                                                             Heinrich Schliemann
                                                                     1822 – 1890
“PRIAM’S TREASURE”


                       1871-he began digging for Troy at a Turkish site
                       called Hissarlik

                       later, more professional archaeologists, would
                       curse the way he “bulldozed” an area which they
                       called “Schliemann’s trench”




   Sophia Schliemann
      1852 – 1932
“PRIAM’S TREASURE”


                       1871-he began digging for Troy at a Turkish site
                       called Hissarlik

                       later, more professional archaeologists, would
                       curse the way he “bulldozed” an area which they
                       called “Schliemann’s trench”




   Sophia Schliemann
      1852 – 1932
“PRIAM’S TREASURE”


                       1871-he began digging for Troy at a Turkish site
                       called Hissarlik

                       later, more professional archaeologists, would
                       curse the way he “bulldozed” an area which they
                       called “Schliemann’s trench”

                       1873-under suspicious circumstances, he
                       discovered the gold, shown here, on his Greek
                       wife


                       this publicity astounded the academic
                       community which had long regarded Homer’s
   Sophia Schliemann
                       epics as mere legends
      1852 – 1932
MYCENAE



1841- Greek archaeologist Kiriakos Pittakis
found and restored the Lion Gate

1874-after his success at Troy, Schliemann
undertook a complete excavation of Mycenae

he found the shaft graves with their rich burial
goods

he also uncovered the tholos or beehive tombs
outside the acropolis

                                                     “Clytemnestra’s Tomb”
                                                   interior view of the tholos tomb
Exterior view of a tholos tomb
MYCENAE



1841- Greek archaeologist Kiriakos Pittakis
found and restored the Lion Gate

1874-after his success at Troy, Schliemann
undertook a complete excavation of Mycenae

he found the shaft graves with their rich burial
goods

he also uncovered the tholos or beehive tombs
outside the acropolis

                                                     “Clytemnestra’s Tomb”
                                                   interior view of the tholos tomb
MYCENEAN GRAVE GOODS
   on the right, replicas are pictured”
           “Mycenae, rich in gold…”--Homer
Schliemann stated “I have
     gazed upon the face of
          Agamemnon!”




discovered at Mycenae in 1878, found
over the face of a body in burial shaft V
Linear B is a syllabic script that
was used for writing
Mycenaean Greek, an early
form of Greek. It pre-dated the
Greek alphabet by several
centuries (ca. 13th but perhaps
as early as 17th century BC)
and seems to have died out
with the fall of Mycenaean
civilization. Most clay tablets
inscribed in Linear B were
found in Knossos, Cydonia,
Pylos, Thebes and Mycenae.
The succeeding period, known
as the Greek Dark Ages,
provides no evidence of the use
of writing.
Mycenaean culture resembled other Bronze Age states: Egypt, Babylonia


   monarchy, monumental architecture, centralized bureaucracy, widespread trade


   governments powerful enough to direct such enterprises



   wealth



   stratified societies
III. HOMER
Idealized portrayal
              of Homer dating
              to the Hellenistic

III. HOMER      period. British
                   Museum.
“ALL MEN MUST SUFFER, THAT IS THE WAY THE
     GODS PLAN HUMAN LIFE” (ILIAD, 24.531)
THE HOMERIC QUESTION



was there a real Homer?

when did he live?

how did he describe events from four or five centuries previously?

how did the praise songs of ἀοιδοί (aoidoí-creators ) or ῤαψῳδοί (rhapsōdoi-
performers) come to be a written text?

how do the texts of the two epics provide historic information about the Bronze
Age? the Greek Dark Ages?
Homeric studies are today confronted with a paradox. The Homeric poems we
read are the result of a double transmission: a mainly oral transmission until the
sixth century BCE and then, more and more, a written transmission leading to the
modern editions. If documents and materials are lacking to compare different
stages and variants of the oral evolution of the poems, we have many textual
variants that can teach us a lot about both oral and written transmission. A deeper
comprehension of oral composition in ancient Greece requires—somewhat
paradoxically—a close examination of these textual variants. Consider an
example: Plato quotes Homer many times and his quotations often differ from the
Homeric vulgate. How should we interpret these differences? Most interesting are
the instances that allow us to understand how Plato memorized Homer (when he
was not reading a variant). Did he use the rhythmical structure of the hexameter
or not?
                        David Bouvier, The Homeric Question; An Issue for the Ancients?, p.3


                             PDF at muse.jhu.edu/demo/oral_tradition/v018/18.1bouvier.pdf
Various considerations of language, archaeology and history suggest that it was
about 725 BC, somewhere on the coast of Asia Minor or on one of the Aegean
islands, that a great poet conceived the plan of the Iliad, and perhaps a generation
later, that the second poet created the Odyssey, setting out to create a poem which
in scale and inclusiveness should rival the Iliad.
  Once in existence, the two poems never went out of fashion and were never lost
sight of…. In this they differ from all the literature of the period except the Old
Testament; the writings of the Egyptians, the Sumerians, the Babylonians and all
the rest were lost to the world for many centuries and have only recently been
deciphered by the labours of Western scholars.


                                                       Jasper Griffin, Homer, 1980, p. 6
The Iliad


  15,693 lines, ≐ 26 hours to recite (aoidoi and rhapsodoi)


  contests, beginning in the 6th century


  5,500 combats (µάχια)


  the most famous, between “man-killing Hektor” and “fleet-footed
  Achilles” (Homeric epithets)


  describes forty-one days during the ninth year of the ten-year Trojan
  War
http://cerhas.uc.edu/troy/map.html
Those who believe that the stories of the Trojan
War are derived from a specific historical conflict
usually date it to the 12th or 11th centuries BC,
often preferring the dates given by Eratosthenes,
1194–1184 BC, which roughly corresponds with
archaeological evidence of a catastrophic burning
of Troy VIIa




                                        http://cerhas.uc.edu/troy/map.html
The impact of Troy on the history of the Mediterranean is twofold. On the one
hand Troy functioned from the beginning of the Bronze Age as a staging-post
linking the Aegean to Anatolia and the Black Sea [for the trade in tin and copper];
on the other, the tale of Troy lay at the heart of the historical consciousness not
merely of the Greeks who claimed to have destroyed the city, but of the Romans
who claimed to have descended from its refugees. The real Troy and the mythical
Troy have been hard to disentangle since 1868 when Heinrich Schliemann...


                                               David Abulafia, The Great Sea, 2011, p. 18
Troy VIIa
born in Minneapolis to Norwegian immigrant parents


1907-after U of MN began graduate studies at Yale


1911-13-fellow at American School of Classical
Studies at Athens (ASCSA)


1920-26--after WW I, became Assistant Dir. ASCSA


1927-57-Univ of Cinti, prof of classical archaeology


1932-38-Troy
                                                       Carl William Blegen
                                                           1887 – 1971
1939-Pylos begins. After WW II, Linear B
decipherment in 1952. UC at Pylos continues to the
present
born in Minneapolis to Norwegian immigrant parents


1907-after U of MN began graduate studies at Yale


1911-13-fellow at American School of Classical
Studies at Athens (ASCSA)
                                       The Blegen
                                         Library
1920-26--after WW I, became Assistant Dir. ASCSA


1927-57-Univ of Cinti, prof of classical archaeology


1932-38-Troy
                                                       Carl William Blegen
                                                           1887 – 1971
1939-Pylos begins. After WW II, Linear B
decipherment in 1952. UC at Pylos continues to the
present
Μηνιν αειδε Θεα, Πηληιαδεω Αχιληος               Μaynin aede Thea, Paylayyadeo Achilayos
ουλοµενην, η µυρι Αχαιοις αλγε εθηκε,            oolowmenayn hay moori Acha•iois algay ethehke,
πολλας δ’ιφθιµους ψυχας ‘Αïδι προιαψεν           pullas d’ifthemoos psoochas Haëde proyapsen
ηρωων, αυτους δε ελωρια τευχε κυνεσσιν           heh•row•on*,ow•toos deh el•ow•ria toohay koonessin
οιωνοισι τε πασι, Διος δ’ετελειετο βουλη,        oyonoisee tay posse Deeaws dehtelayehtow boolay
εξ ου δη τα πρωτα διαστητην ερισαντε             ex hoo day ta prota dyastay•tayn ehrisanteh
‘Ατρειδης τε αναξ ανδρων και διος Αχιλλευς       Ahtraydeis tay ahnax androne kay dios Achilayos


                  Sing Goddess of the wrath, of Peleus’ son Achilles,
                  that baneful wrath which brought countless woes
                 upon the Achaeans, that sent many heroes’ souls to
                 Hades, and made their bodies food for dogs and all
                manner of birds; and thus the will of Zeus was being
                 fulfilled when first there parted that leader of men,
                            Atreus’ son and godlike Achilles


           * heroes the Homeric Greek word for men at war, which has had such fatal consequences
ΑΧΙΛΛΕΥΣ ΟΧΥΣ ΠΟΔΑΣ
FLEET FOOTED ACHILLES

“Sing Goddess of the wrath of Peleus’ son Achilles,”

“...the best of the Achaeans”


ἀρετἦ (aretē [manly] excellence)


either to live a long, comfortable life of inactivity or
to die young and have an immortal memory (κλεός
ἄφθιτον)


῟Ον οί θεοὶ φιλοῦσιν ἀπο-θνῃσκει νέος (those whom
the gods love die young--Menander, Mon. 425)

                                                           The Wrath of Achilles, by François-Léon
                                                           Benouville (1821–1859) (Musée Fabre)
MĒTĒR GAR TE ME FĒSI THEA THETIS ARGUROPEDZA

μήτηρ γάρ τέ μέ φησι θεὰ Θέτις ἀργυρόπεζα (410)       For my mother Thetis the goddess of silver feet tells me
διχθαδίας κῆρας φερέμεν θανάτοιο τέλος δέ.            I carry two sorts of destiny toward the day of my death. Either,
εἰ μέν κ’ αὖθι μένων Τρώων πόλιν ἀμφιμάχωμαι,         if I stay here and fight beside the city of the Trojans,
ὤλετο μέν μοι νόστος, ἀτὰρ κλέος ἄφθιτον ἔσται        my return home is gone, but my glory shall be everlasting;
εἰ δέ κεν οἴκαδ’ ἵκωμι φίλην ἐς πατρίδα γαῖαν,        but if I return home to the beloved land of my fathers,
ὤλετό μοι κλέος ἐσθλόν, ἐπὶ δηρὸν δέ μοι αἰὼν (415)   the excellence of my glory is gone, but there will be a long life
ἔσσεται, οὐδέ κέ μ’ ὦκα τέλος θανάτοιο κιχείη.        left for me, and my end in death will not come to me quickly

                                                                                  book ix, Latimore translation
“The rage of Achilles,” Gian Battista Tiepolo, fresco, 1757
Following this confrontation Achilles storms off to his tent in book i. he
will not rejoin the Achaeans in battle, despite their pleas, until book xix.
But he appeals to his mother, Thetis, a sea nymph demigoddess. She
intercedes with Zeus
Following this confrontation Achilles storms off to his tent in book i. he
will not rejoin the Achaeans in battle, despite their pleas, until book xix.
But he appeals to his mother, Thetis, a sea nymph demigoddess. She
intercedes with Zeus
Jupiter and Thetis,
Jean Auguste Dominique
Ingres, 1811:


"She sank to the
ground beside him,
put her left arm
round his knees,
raised her right hand
to touch his chin,
and so made her
petition to the Royal
Son of Cronos"
       (book i, 500-502)
ἦ καὶ κυανέῃσιν ἐπ' ὀφρύσι
                                    νεῦσε Κρονίων
                                    ἀμβρόσιαι δ' ἄρα χαῖται
                                    ἐπερρώσαντο ἄνακτος
                                    κρατὸς ἀπ' ἀθανάτοιο μέγαν
                                    δ' ἐλέλιξεν Ὄλυμπον.

                                    He spoke, the son of Kronos,
                                    and nodded his head with the
                                    dark brows,
                                    and the immortally anointed
                                    hair of the great god
                                    swept from his divine head, and
                                    all Olympos was shaken
                                                      (book i, 528-530)



                                              One of the
                                           “seven wonders”
     Roman copy of Phidias’
Chryselephantine at Olympia (532)
OF KING EDWARD II
   OF ENGLAND
Napoleon I
J.A.D. Ingres
   (1804)
Daniel Chester French
        (1920)
Daniel Chester French
        (1920)
Homeric simile


  Achilles rushed to meet him like a lion, a ravaging lion, whom men are resolved to
 slay, the whole village uniting: at first he goes on, heedless, but when some fighting
man wounds him with a spear, he gathers himself open-mouthed; there is foam about
his teeth, his fighting spirit groans in his heart, and with his tail he lashes his flanks on
either side, goading himself to fight, then comes straight on with glaring eyes, either to
kill a man or be killed himself in the first onset: even so was Achilles driven on by his
       anger and his brave spirit to confront great-hearted Aeneas (20.164-75).

                                                                                   Griffin, p.11
ΠΟΛΥΤΡΟΠΟΣ ΟΔΥΣΣΕΥΣ
ODYSSEUS OF THE MANY TURNINGS

“wily Odysseus” His heroic trait is µητις
(mētis) “cunning intelligence”

“...his patron goddess Athena congratulates
him on being ‘practiced in deceits’ beyond all
men”--Griffin, p. 50

“ Much suffering did he endure on the deep,
struggling for his own life and the return of
his comrades. But even so he could not save
his comrades, although he desired it: they
perished through their own wantonness, the
fools; they devoured the cattle of the god of
the Sun, and he took away their home-
coming.” (i. 4-9)
The Odyssey

12,110 lines of dactylic hexameter


non-linear plot, “flashbacks” develop details of the fall of Troy and
Odysseus’ many adventures


influence on the plot by the choices of women and serfs


although most scholars believe it is the work of a second author,
“one influential opinion was that the Iliad was the work of the poet’s
youth, the Odyssey that of his old age”--Griffin, p. 47


“The simple narrative of the return home of a hero has been greatly
expanded”--Ibid.
Homeric simile




“So they mocked, but Odysseus, mastermind in action, once he's handled the great
bow and scanned every inch, then, like an expert singer, skilled at lyre and song--who
strains a string to a new peg with ease, making the pliant sheep-gut fast at either end--
so with virtuoso ease Odysseus strung his mighty bow."

                                                                               xxi. 451-454
The ancient Greeks regarded the Iliad as the greater of the Homeric
poems, and the writer of this book shares that view. It is the Iliad
which is quoted more, which was the subject of the greater volume of
scholarly work, and which did more to form the Greek conception of
the world and man. It is a tragic work whereas the Odyssey is an
adventure story which ends happily, with the good rewarded and the
wicked punished. The tragic view of human life is, alas, more deeply
true than the view which sees straightforward poetic justice in the
working out of events…

                                                  Griffin, Homer, p. 46
“A Reading from Homer,” Lawrence Alma-Tadema, oil on canvas, 1885
Here, a young poet crowned with a laurel wreath reads from Homer to an audience dressed for a festival.
The setting is probably Greece toward the end of the seventh century BCE. The Greek letters in the upper
right indicate that the place is dedicated to the poet.

Through attention to details such as architecture and dress, Alma-Tadema evokes scenes of everyday life in
ancient Greece and Rome. However, his pictures are rarely entirely archaeologically accurate. For example,
while he accurately rendered the ancient musical instrument on the left, a cithara, he also included a type
of rose that did not exist before the nineteenth century.
"Homer receiving homage from all the great men of Greece, Rome and modern times. The Universe
         crowns him, Herodotus burns incense. The Iliad and Odyssey sit at his feet."
Herodotus




"Homer receiving homage from all the great men of Greece, Rome and modern times. The Universe
         crowns him, Herodotus burns incense. The Iliad and Odyssey sit at his feet."
Raphael




          Apelles of Kos




                           ΙΛΙΑΣ   ΟΔΥΣΣΕΙΑ
Raphael
                                                   Pindar
Vergil
                                                            Pheidias
                   Apelles of Kos

Dante

                                    ΙΛΙΑΣ   ΟΔΥΣΣΕΙΑ
Raphael
                                                    Pindar
Vergil
                                                                       Pheidias
                                                                                  Alexander
                    Apelles of Kos

Dante

                                     ΙΛΙΑΣ   ΟΔΥΣΣΕΙΑ


          Poussin                                            Moliere
                                                                             Longinus
V. THE GODS
V. THE GODS
Giulio Romano
              "The Gods of Olympus”

     V. THE GODS  trompe l'oeil ceiling

                from the Sala dei Giganti




"...(thousands of baroque ceilings with paintings of the gods
        derive ultimately from the Iliad)” --Griffin, p. 21
To understand the place of religion in Greek society we must think away the
central religious institution of our own experience, the Church. In Greece
power in religious matters lay with those who had secular power: in the
household with the father, in the early communities with the king, in
developed city-states with the magistrates or even with the citizen assembly….

There was, therefore, no religious organization that could spread moral
teaching, develop doctrine, or impose orthodoxy. In such a context a creed
would have been unthinkable. In a famous passage Herodotus casts two poets
as the theologians of Greece: Homer and Hesiod


        Robert Parker, “Greek Religion; Gods and Men,” in Greece and the Hellenistic World,
                                                                               pp. 253-254
ΗΣΙΟΔΟΣ (HESIOD)


                                                           flourished 750-650 BC

                                                           his Theogony collected the myths
                                                           concerning the origins of the gods


                                                           this “retelling of the old stories
                                                           became, according to the fifth-century
                                                           historian, Herodotus, the accepted
                                                           version that linked all Hellenes”


Ancient bronze bust, the so-called Pseudo-Seneca
now conjectured to be an imaginative portrait of Hesiod.
ΜΥΘΟΣ (MYTHOS,MYTH)

meant “story,” not “falsehood”

required no more credulity
than many Biblical tales

were viewed as conveying
moral truths for edifying
youths and adults

inspired cultic observance
                                 Athena fights Enkelados
                                 Attic red figure--525 bc
ROBERT
    VON RANKE
     GRAVES
(1895 – 1985) - an English poet,
translator and novelist. During his long
life he produced more than 140 works.
Graves' poems—together with his
translations and innovative
interpretations of the Greek myths, his
memoir of his early life, including his role
in the First World War, Goodbye to All
That, and his historical study of poetic
DODEKATHEON
Δωδεκάθεον < δώδεκα, dōdeka, "twelve"+ θεοί, theoi, "gods"




                              the principal deities of the Greek pantheon, resided atop
                              Mount Olympus

                              Zeus, Hera, Poseidon, Demeter, Hestia, and Hades were
                              siblings

                              Ares, Hermes, Hephaestus, Athena, Apollo, and Artemis
                              were children of Zeus

                              when the Twelve were codified in 5th century Athens,
                              Hades was “out,” Aphrodite was “in”
 The Twelve Olympians
  by Monsiau, late 18th c
from Homer’s time, until the rise of philosophical and scientific
thinking among the educated few, Greeks regarded religion as the
foundation of morality


each of the Twelve personified the virtues which they wished to
transmit to their children


the deities were to be praised, thanked, supplicated and propitiated
in public ceremonies


certain places came to be considered as sacred, associated with
particular gods, demigods or heroes


such was Delphi, sacred to Apollo, the masculine embodiment of
reason
V. THE GREEK
 DARK AGES
V. THE GREEK
               DARK AGES


A finely decorated geometric vase
     dating to around 750 BC
Let me say a little bit, first of all, about the way scholars have categorized the history
of Greece. Typically, we speak of the Bronze Age, the Mycenaean Period and so on,
followed by the Dark Ages, but after that, you started having refined terms which
derive actually from the world of the history of art. That is because in the Dark Ages
we don't have any writing. So, if you want to designate anything it has to be by
tangible things like pottery, particularly painted pottery, because it's easier to
categorize. It's from that most of our terms show up. So, for instance, you will see
references to words like proto-geometric. They'll be sort of post-Mycenaean then
proto-geometric. These would be the very earliest kinds of pots that have geometric
designs on them, then comes the geometric period
                                                                                Kagan, op. cit.
The Greek Dark Age or Ages also known as Geometric or Homeric Age (ca. 1200
BC–800 BC) are terms which have regularly been used to refer to the period of Greek
history from the presumed Dorian invasion and end of the Mycenaean Palatial
civilization around 1200 BC, to the first signs of the Greek city-states in the 9th
century BC. These terms are gradually going out of use, since the former lack of
archaeological evidence in a period that was mute in its lack of inscriptions (thus
"dark") has been shown to be an accident of discovery rather than a fact of history.[1]

                                                                              Wikipedia
WHAT ENDED THE BRONZE AGE?




climatic or environmental catastrophe?

invasion by Dorians or “Sea Peoples”?

the widespread availability of edged weapons of iron?

“no single explanation fits the available archaeological evidence”--Wikipedia
MEDITERRANEAN WARFARE
AND THE SEA PEOPLES

Around this time large-scale revolts took place in several parts of the Eastern
Mediterranean, and attempts to overthrow existing kingdoms were made as a
result of economic and political instability by surrounding people who were
already plagued with famine and hardship. Part of the Hittite kingdom was
invaded and conquered by the so-called Sea Peoples whose origins - perhaps
from different parts of the Mediterranean, such as the Black Sea, the Aegean
and Anatolian regions - remain obscure. The thirteenth and twelfth-century
inscriptions and carvings at Karnak and Luxor are the only sources for "Sea
Peoples", a term invented by the Egyptians themselves and recorded in the
boastful accounts of Egyptian military successes.
                                                                      Wikipedia
Aeolian
settlements

   Ionian
settlements

Mycenaean
settlements
Archaeological evidence shows that during the “Dark Ages” Greek-speaking
Mycenaeans, Aeolians and Ionians spread from the Greek mainland and
settled the islands and the western coast of Asia Minor
The Aeolians (Greek: Αἰολεῖς) were one of the four major ancient Greek tribes
comprising Ancient Greeks. Their name derives from Aeolus, the mythical ancestor
of the Aeolic branch and son of Hellen*, the mythical patriarch of the Greek
nation. The dialect of ancient Greek they spoke is referred to as Aeolic.
Originating in Thessaly, a part of which was called Aeolis, the Aeolians often appear
as the most numerous amongst the other Hellenic tribes of early times. The
Boeotians, a subgroup of the Aeolians, were driven from Thessaly by the
Thessalians and moved their location to Boeotia (bee•O•sha). Aeolian peoples were
spread in many other parts of Greece such as Aetolia, Locris, Corinth, Elis and
Messenia. During the Dorian invasion, Aeolians from Thessaly fled across the
Aegean Sea to the island of Lesbos and the region of Aeolis, called as such after
them, in Asia Minor.
________
* note the double l! The Greek name for themselves is Hellenes



                                                                            Wikipedia
Originating in Thessaly, a part of which was called Aeolis, the Aeolians often appear as
the most numerous amongst the other Hellenic tribes of early times. The Boeotians, a
subgroup of the Aeolians, were driven from Thessaly by the Thessalians and moved their
location to Boeotia (bee•O•sha). Aeolian peoples were spread in many other parts of
Greece such as Aetolia, Locris, Corinth, Elis and Messenia. During the Dorian
invasion, Aeolians from Thessaly fled across the Aegean Sea to the island of Lesbos and
the region of Aeolis, called as such after them, in Asia Minor
The Ionians (Greek: Ἴωνες, Íōnes, singular Ἴων, Íōn) were one of the four major
tribes into which the Classical Greeks considered the population of Hellenes to have
been divided (along with the Dorians, Aeolians and Achaeans). The Ionian dialect
was one of the three major linguistic divisions of the Hellenic world, together with
the Dorian and Aeolian.
"Ionian" with reference to populations had several senses in Classical Greece. In the
narrowest sense, it was used of the region of Ionia in Asia Minor. In a more broad
sense, it could be used to describe all speakers of the Ionic dialect, which also
included the populations of Euboea, the Cyclades and many colonies founded by
Ionian colonists. Finally, in the broadest sense, it could be used to describe all those
who spoke languages of the East Greek group, which included Attic.
The foundation myth which was current in the Classical period suggested that the
Ionians were named after Ion, son of Xuthus, and lived in the north Peloponnesian
region of Aegilaus. When the Dorians invaded the Peloponnese and expelled the
Achaeans from the Argolid and Lacedaemonia, the Achaeans moved into Aegilaus
(henceforth known as Achaea), and the Ionians were in turn expelled. The Ionians
went to Attica and mingled with the population there, before many people finally
emigrated to the coast of Asia Minor, founding the historical region of Ionia.

                                                                               Wikipedia
the region of Ionia in Asia Minor. In a more broad sense, it could be used to describe all
speakers of the Ionic dialect, which also included the populations of Euboea (u•BEE•uh),
the Cyclades and many colonies founded by Ionian colonists. Finally, in the broadest
sense, it could be used to describe all those who spoke languages of the East Greek group,
which included Attic [Attica-the area around Athens]
Greek Dialects
The Doric dialect was spoken in northwest Greece, Peloponnese, Crete,
southwest Asia Minor, the southernmost islands in the Aegean Sea, and various
cities of Southern Italy and Sicily. After the classical period it was mainly
replaced by the Attic, upon which the Koine or common Greek language of the
Hellenistic period was based. The main characteristic of Doric was the
preservation of Indo-European [aː], long ‹α›, which in Attic-Ionic became [ɛː],
‹η›; as an example, the famous last farewell before the battle by Spartan mothers
to their warrior sons giving them their shields "Ἤ τὰν ἤ ἐπὶ τὰς" (E tan e epi tas:
either with it or on it - either you return with the shield or you are carried back
dead on it) would have been "Ἤ τήν ἤ ἐπὶ τῆς" (E ten e epi tes) if it had been
uttered by an Attic-Ionic speaker, such as an Athenian mother. Tsakonian Greek,
a descendant of Doric Greek is still spoken in some regions of the Southern
Argolid coast of the Peloponnese, on the coast of the modern prefecture of
Arcadia.
DARK AGE CULTURE


 With the collapse of the palatial centres, no more monumental stone
 buildings were built and the practice of wall painting may have ceased;
 writing in the Linear B script ceased, vital trade links were lost, and
 towns and villages were abandoned. The population of Greece was
 reduced, and the world of organized state armies, kings, officials, and
 redistributive systems that offered security to individuals disappeared.
 Most of the information about the period comes from burial sites and
 the grave goods contained within them. To what extent the earliest
 Greek literary sources, Homeric epics (8th-7th century) and Hesiod's
 Works and Days (7th century) describe life in the 9th-8th centuries
 remains a matter of considerable debate.
                                                                  Wikipedia
The Lelantine War was a long-remembered military conflict between the two
ancient Greek city states Chalkis and Eretria in Euboea which took place in the
early Archaic period, at some time between ca 710 and 650 BC. The reason for
war was, according to tradition, the struggle for the fertile Lelantine Plain on the
island of Euboea. Due to the economic importance of the two participating poleis,
the conflict spread considerably, with many further city states joining either side,
resulting in much of Greece being at war. The historian Thucydides describes the
Lelantine War as exceptional, the only war in Greece between the mythical Trojan
War and the Persian Wars of the early fifth century BC in which allied cities rather
than single ones were involved.


                                                                          Wikipedia
Chalkis and
Eretria on the
Lelantine Plain.
Ägäisches Meer =
Aegean Sea;
Euböa = Euboea;
Lelantische Ebene =
Lelantine Plain;
Golf von Euböa = Gulf
of Euboea;
Attika = Attica.
Lefkandi's contribution to archaeology
The site's importance is due to a number of factors. First,
substantial occupation strata of the Late Helladic IIIC period
(ca. 1200-1100/1075 BCE) excavated in the 1960s allowed
the establishment of a ceramic sequence for this period, at
that time insufficiently attested. The IIIC settlement
furthermore stands in contrast to sites in the other parts of
Greece, such as the Peloponnese, where many sites were
abandoned at the end of LHIIIB (i.e. the end of the
Mycenaean palatial period). This situation places Lefkandi
within a group of sites in Central Greece with important
post-palatial occupation, such as Mitrou (settlement),
Kalapodi (sanctuary), and Elateia (cemetery).
                                                      Wikipedia
Heroon
The archaeological significance of the site was revealed in 1980[1] when a large mound was
discovered to contain the remains of a man and a woman within a large structure called by
some a heroön, or "hero's grave." There is some dispute as to whether the structure was in
fact a heroön built to commemorate a hero or whether it was instead the grave of a couple
who were locally important for other reasons. This monumental building, built c 950 BC,
50 meters long and 13.8 meters wide, with a wooden verandah, foreshadows the temple
architecture that started to appear with regularity some two centuries later.
One of the bodies in the grave had been cremated, the ashes being wrapped in a fringed
linen cloth then stored in a bronze amphora from Cyprus. The amphora was engraved with
a hunting scene and placed within a still larger bronze bowl. A sword and other grave goods
were nearby. It is believed that the ashes were those of a man.
The woman's body was not cremated. Instead, she was buried alongside a wall and adorned
with jewelry, including a ring of electrum, a Bronze braziere, and a gorget believed to have
come from Babylonia and already a thousand years old when it was buried. An iron knife
with an ivory handle was found near her shoulder. It is unknown whether this woman was
buried contemporaneously with the man's remains, or at a later date. Scholars have
suggested that the woman was slaughtered to be buried with the man, possibly her
husband, in a practice reminiscent of the Indian custom of sati. Other scholars have
pointed to the lack of conclusive evidence for sati in this instance, suggesting instead that
this woman may have been an important person in the community in her own right, who
was interred with the man's ashes after her own death.
Four horses appear to have been sacrificed and were included in the grave. Some of them
were wearing iron bits in their mouths.

                                                                                   Wikipedia
Heroon
The archaeological significance of the site was revealed in 1980[1] when a large mound was
discovered to contain the remains of a man and a woman within a large structure called by
some a heroön, or "hero's grave." There is some dispute as to whether the structure was in
fact a heroön built to commemorate a hero or whether it was instead the grave of a couple
who were locally important for other reasons. This monumental building, built c 950 BC,
50 meters long and 13.8 meters wide, with a wooden verandah, foreshadows the temple
architecture that started to appear with regularity some two centuries later.
One of the bodies in the grave had been cremated, the ashes being wrapped in a fringed
linen cloth then stored in a bronze amphora from Cyprus. The amphora was engraved with
a hunting scene and placed within a still larger bronze bowl. A sword and other grave goods
were nearby. It is believed that the ashes were those of a man.
The woman's body was not cremated. Instead, she was buried alongside a wall and adorned
with jewelry, including a ring of electrum, a Bronze braziere, and a gorget believed to have
come from Babylonia and already a thousand years old when it was buried. An iron knife
with an ivory handle was found near her shoulder. It is unknown whether this woman was
buried contemporaneously with the man's remains, or at a later date. Scholars have
suggested that the woman was slaughtered to be buried with the man, possibly her
husband, in a practice reminiscent of the Indian custom of sati. Other scholars have
pointed to the lack of conclusive evidence for sati in this instance, suggesting instead that
this woman may have been an important person in the community in her own right, who
was interred with the man's ashes after her own death.
Four horses appear to have been sacrificed and were included in the grave. Some of them
were wearing iron bits in their mouths.

                                                                                   Wikipedia
Heroon of Lefkandi, as seen from the main door.
By the mid- to late eighth century [750-710 BC] a new alphabet
system was adopted from the Phoenicians by a Greek with
first-hand experience of it. The Greeks adapted the Phoenician
writing system, notably introducing characters for vowel
sounds and thereby creating the first truly alphabetic writing
system. The new alphabet quickly spread throughout the
Mediterranean and was used to write not only the Greek
language, but also Phrygian and other languages in the eastern
Mediterranean. As Greece sent out colonies west towards Sicily
and Italy (Pithekoussae, Cumae), the influence of their new
alphabet extended further. The ceramic Euboean artifact
inscribed with a few lines written in the Greek alphabet
referring to "Nestor's cup", discovered in a grave at
Pithekoussae (Ischia) dates from c. 730 BC; it seems to be the
oldest written reference to the Iliad.

                                                  Wikipedia
"Nestor's Cup" inscription, Cumae alphabet, 8th century BC from a Greek
vase from Pithikoussai, the older Greek colony in Magna Graecia and Sicily,
related to, and often confused with, Cumae.

upper half: drawing of the state of the original inscription; lower half:
restoration
Society
It is likely that Greece during this period was divided into
independent regions organized by kinship groups and the oikoi
or households, the origins of the later poleis.
                                                          Wikipedia




          But the rise of the Polis is another story...

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19 c Europe, session 2.7; France: The Second Empire
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19 c Europe, session 2.8; The Unification of Italy
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19 c Europe, session 2.9; The German Question, 1850-66
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19 c Europe, session 2.10; The Reorganization of Europe, 1866-1871
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19 c Europe, Part 3; General Observations
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19 c Europe, session 3.12; capitalism and socialism
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Origins of Classical Greece

  • 1. CLASSICAL GREECE i-Origins
  • 2. CLASSICAL GREECE i-Origins
  • 3. CLASSICAL GREECE i-Origins Achilles tending the wounded Patroclus (Attic red-figure kylix, ca. 500 BC)
  • 4. εἶς µία ἔν ά Τό Πρῶτον Μάθηµα
  • 5.
  • 6. session i will look at these periods
  • 7. sessions ii-viii will look at these periods
  • 8. PRINCIPAL TOPICS I. Reasons to study ancient Greece II. έν ἀρχῇ (ěn archē=in the beginning) III. Homer IV. The Gods V. The Greek Dark Ages
  • 11. DONALD KAGAN’S ANSWERS subjectively, it’s amazingly interesting objectively, the Greek experience is the starting point of Western Civilization Western Civ has created the most envied and sought after human condition in history political and legal institutions which have created unprecedented freedom scientific and technological discoveries which have created health and prosperity unknown outside of the West and regions which have influenced by the West reason and objectivity, essential to the above, make their appearance with the Greeks
  • 12. “The civilization of the West, however, was not the result of some inevitable process, through which other cultures will automatically pass. It emerged from a unique history in which chance and accident often played a vital part. The institutions and ideas, therefore, that provide for freedom and improvement in the material conditions of life cannot take root and flourish without an understanding of how they came about and what challenges they have had to surmount. Non-western peoples who wish to share in the things which characterize modernity will need to study the ideas and history of Western Civilization to achieve what they want. And Westerners, I would argue, who wish to preserve these things, must do the same. Donald Kagan, Introduction to Ancient Greek History, iTunes University. 12/31/00 or: http://academicearth.org/lectures/kagan-intro-ancient-greek-history
  • 13. “The many [non-Western] civilizations adopted by the human race have shared basic characteristics. Most have tended toward cultural uniformity and stability. Reason, although it was employed for all sorts of practical and intellectual purposes in some of these cultures, still lacked independence from religion, and it lacked the high status to challenge the most basic received ideas. Standard form of government has been monarchy. Outside the West, republics have been unknown. Rulers have been thought to be divine or appointed spokesmen for divinity. Religious and political institutions and beliefs have been thoroughly intertwined as a mutually supportive unified structure. Government has not been subjected to secular reasoned analysis. It has rested on religious authority, tradition and power. The concept of individual freedom has had no importance in the great majority of cultures in human history. Kagan, loc. cit.
  • 14. “The first and the sharpest break with this common human experience came in ancient Greece. The Greek city states (called poleis) were republics. Differences in wealth among their citizens were relatively small. There were no kings with the wealth to hire mercenary soldiers, so the citizens had to do their own fighting and to decide when to fight. As independent defenders of the common safety...they demanded a role in the most important political decisions. In this way for the first time political life was invented (observe that the word “political” derives from the Greek word “polis”). Before that, no word was needed because there was no such thing. This political life came to be shared by a relatively large proportion of the people and participation in political life was highly valued by the Greeks.” Ibid.
  • 15. Hence it is evident that man is a political animal (ἂνθρωπος φύσει πολιτικόν ζωόν). And he who by nature and not by mere accident is without a state, is either a bad man or above humanity...he who is unable to live in society...must be either a beast or a god…. Aristotle, Politics, bk I, 2 Aristotle (Greek: Ἀριστοτέλης, Aristotélēs) (384 BC – 322 BC)
  • 16. DELPHI γνόθι σεαυτόν (GNO•thi say•au•TAWN) know thyself-Thales µῆ δὲν ἄγαν (may den A•gan) nothing in excess-Solon “...this was the manner of philosophy among the ancients, a kind of laconic brevity.”--Socrates (470?-399 BC)
  • 17. the most famous of many Greek and barbarian (βαρβαρ-) oracles Pythia, priests, omphalos, gasses? intelligence gathering
  • 18. It was [in Classical Greece, between the late eighth and the early fourth centuries, BC] democracy was invented and argued about, achieved and attacked. Romans disapproved of democracy, and after the conquest of Greece by the Macedonian kings and the Roman Republic, democracy was suppressed in favor of domination of the upper class. Other basic questions were discussed in works of [Greek] literature which have survived the centuries. Is slavery wrong? (against nature) What is the ultimate source of law, human or divine? Should the family be abolished in favor of the state? (Plato abolished it in theory, and the Spartans [had gone] a long way toward abolishing it in fact) Is civil disobedience sometimes right? (Antigone) What is the right relation of the sexes? What justifies a state in ruling other states, or is there no such justification, but only the ruthless logic of power? What is the role of heredity and what of education in the formation of character? Jasper Griffin, Greece and the Hellenistic World, in the Oxford History of the Classical World, 1988. pp. 1-2
  • 19. HUMANISM is a maddeningly slippery term, but in the context of fourteenth- century Italy, where the movement was born, it has a very specific meaning: it describes a surge of interest in the works of the ancient Greeks and Romans, the development of a new kind of critical method for studying those works, and the gradual emergence of a program of education and cultural renewal based on classical thought. [classical or secular humanism stood in contradistinction to Church teaching. This provoked Christian humanism which tried to reconcile the two approaches.--jbp] Toby Lester, The Fourth Part of the World, 2009. p. 118
  • 20. II. ΕΝ ΑΡΧΗ IN THE BEGINNING
  • 21. II. ΕΝ ΑΡΧΗ Head from the figure of a woman, Spedos type, Early Cycladic II (2700 BC–2300 BC), IN THE BEGINNING Keros culture.
  • 22. Archaeology-(from Greek ἀρχαιολογία, archaiologia – ἀρχαῖος, arkhaios, "ancient"; and -λογία, -logia, "-logy"), is the study of human society, primarily through the recovery and analysis of the material culture and environmental data that they have left behind.
  • 23. PREHISTORIC TIMES literally, this refers to the period before written texts appear our knowledge of events and conditions then is, necessarily, imprecise it depends on archaeology 2900 BC/BCE-for Greece, our prehistory begins with the remains of Bronze Age civilization in the Aegean area at approximately this date
  • 24.
  • 26. Poliochnē; settled in Late Chalcolithic or Early Bronze Age “The Oldest City in Europe” Poliochni Lemnos
  • 27. WHAT’S THIS BC VS BCE? BC=before Christ BCE=before the common era guess which is more politically correct ;-) For those uncomfortable with Before Christ, just imagine BC stands for “backward chronology” guess which most universities use today so fifth century, the “Golden Age” of Classical Greece=the 400s BC, and early fifth century=the 490s, the 480s and so on; the time of the Persian Wars
  • 28. ATHENIAN YEAR DATES when a year date is given for an event in Athens it will appear as 411/10 I puzzled over that for some time. Even Mr. Google was mute finally an appendix in Song of Wrath explained the mystery Athenian year dates were given by the name of the Eponymous Archon for example, “in the year of Cleisthenes,” whose year of office ran July 411-July 410 so when the source dates something with the archon’s name, that’s as close as we can come! At least students don’t have to learn day and month!
  • 29. THE LITMUS TEST FOR “CIVILIZATION” most archaeologists distinguish the arrival of “civilization” with the appearance of cities there were Greek agricultural villages in Neolithic times but Greek cities are first found in the Aegean area on the island of Crete the Bronze Age civilization there was first uncovered at the beginning of the 20th century by the archaeologist Sir Arthur Evans he called it Minoan after the legendary king Minos
  • 30. THE LITMUS TEST FOR “CIVILIZATION” most archaeologists distinguish the arrival of “civilization” with the appearance of cities there were Greek agricultural villages in Neolithic times but Greek cities are first found in the Aegean area on the island of Crete the Bronze Age civilization there was first uncovered at the beginning of the 20th century by the archaeologist Sir Arthur Evans he called it Minoan after the legendary king Minos Evans uncovered the impressive palace ruins at Knossos
  • 31.
  • 32. The Minoan civilization...was the first major Mediterranean civilization, the first wealthy, literate, city-based culture with a vibrant artistic culture to emerge within the Mediterranean world. David Abulafia, The Great Sea, 2011, p. 22
  • 34. THE BULL-LEAPING FRESCO !om the Middle Minoan III to Late Minoan B period (17th-15th centuries BC)
  • 35. beside that fresco, bronzes and carved gems portray the ritual of bull grappling in Minoan Crete the bull was an object of reverence, perhaps associated with the sea, earthquakes? on the wall is a painting of the Labrys (double-bladed axe), a royal symbol this + the many chambers of the palace of Knossos-->labyrinth?
  • 36. beside that fresco, bronzes and carved gems portray the ritual of bull grappling in Minoan Crete the bull was an object of reverence, perhaps associated with the sea, earthquakes? on the wall is a painting of the Labrys (double-bladed axe), a royal symbol this + the many chambers of the palace of Knossos-->labyrinth?
  • 37. beside that fresco, bronzes and carved gems portray the ritual of bull grappling in Minoan Crete the bull was an object of reverence, perhaps associated with the sea, earthquakes? on the wall is a painting of the Labrys (double-bladed axe), a royal symbol this + the many chambers of the palace of Knossos-->labyrinth? the bull grappling-->Minotaur
  • 39. The Discus of Phaistos
  • 40. The Discus of Phaistos
  • 41. WHO WERE THE GREEKS? Those who were native speakers (that is from birth, not a later learned speech) of some variety of the Greek language. A cultural definition. We no longer speak of a Greek race, as if it were a matter of DNA. That was the style in the nineteenth century. But the Nazis and other racists have thoroughly discredited race as a concept.
  • 42. The earliest speakers of what would develop into the Greek language seem to have arrived in the Balkans during the third millennium.
  • 43. The earliest speakers of what would develop into the Greek language seem to have arrived in the Balkans during the third millennium.
  • 44.
  • 45. Mycenean sites (ca 1600-1100 BC)
  • 46. the shaft the Lion graves Gate a reconstruction of Mycenae at the time of its height
  • 47.
  • 48. THE FOUNDER OF MYCENAEAN ARCHAEOLOGY son of a Protestant minister--early education an amazing business career which included the California gold rush, cornering the indigo market in St Petersburg, speculating he learned languages easily: English, French, Dutch, Spanish, Portuguese, Swedish, Polish, Italian, Greek, Latin, Russian, Arabic, and Turkish as well as German as a self-made millionaire, he indulged his ambition since adolescence---to search for Troy Heinrich Schliemann 1822 – 1890
  • 49. “PRIAM’S TREASURE” 1871-he began digging for Troy at a Turkish site called Hissarlik later, more professional archaeologists, would curse the way he “bulldozed” an area which they called “Schliemann’s trench” Sophia Schliemann 1852 – 1932
  • 50. “PRIAM’S TREASURE” 1871-he began digging for Troy at a Turkish site called Hissarlik later, more professional archaeologists, would curse the way he “bulldozed” an area which they called “Schliemann’s trench” Sophia Schliemann 1852 – 1932
  • 51. “PRIAM’S TREASURE” 1871-he began digging for Troy at a Turkish site called Hissarlik later, more professional archaeologists, would curse the way he “bulldozed” an area which they called “Schliemann’s trench” 1873-under suspicious circumstances, he discovered the gold, shown here, on his Greek wife this publicity astounded the academic community which had long regarded Homer’s Sophia Schliemann epics as mere legends 1852 – 1932
  • 52. MYCENAE 1841- Greek archaeologist Kiriakos Pittakis found and restored the Lion Gate 1874-after his success at Troy, Schliemann undertook a complete excavation of Mycenae he found the shaft graves with their rich burial goods he also uncovered the tholos or beehive tombs outside the acropolis “Clytemnestra’s Tomb” interior view of the tholos tomb
  • 53. Exterior view of a tholos tomb MYCENAE 1841- Greek archaeologist Kiriakos Pittakis found and restored the Lion Gate 1874-after his success at Troy, Schliemann undertook a complete excavation of Mycenae he found the shaft graves with their rich burial goods he also uncovered the tholos or beehive tombs outside the acropolis “Clytemnestra’s Tomb” interior view of the tholos tomb
  • 54. MYCENEAN GRAVE GOODS on the right, replicas are pictured” “Mycenae, rich in gold…”--Homer
  • 55. Schliemann stated “I have gazed upon the face of Agamemnon!” discovered at Mycenae in 1878, found over the face of a body in burial shaft V
  • 56. Linear B is a syllabic script that was used for writing Mycenaean Greek, an early form of Greek. It pre-dated the Greek alphabet by several centuries (ca. 13th but perhaps as early as 17th century BC) and seems to have died out with the fall of Mycenaean civilization. Most clay tablets inscribed in Linear B were found in Knossos, Cydonia, Pylos, Thebes and Mycenae. The succeeding period, known as the Greek Dark Ages, provides no evidence of the use of writing.
  • 57. Mycenaean culture resembled other Bronze Age states: Egypt, Babylonia monarchy, monumental architecture, centralized bureaucracy, widespread trade governments powerful enough to direct such enterprises wealth stratified societies
  • 59. Idealized portrayal of Homer dating to the Hellenistic III. HOMER period. British Museum.
  • 60. “ALL MEN MUST SUFFER, THAT IS THE WAY THE GODS PLAN HUMAN LIFE” (ILIAD, 24.531)
  • 61. THE HOMERIC QUESTION was there a real Homer? when did he live? how did he describe events from four or five centuries previously? how did the praise songs of ἀοιδοί (aoidoí-creators ) or ῤαψῳδοί (rhapsōdoi- performers) come to be a written text? how do the texts of the two epics provide historic information about the Bronze Age? the Greek Dark Ages?
  • 62. Homeric studies are today confronted with a paradox. The Homeric poems we read are the result of a double transmission: a mainly oral transmission until the sixth century BCE and then, more and more, a written transmission leading to the modern editions. If documents and materials are lacking to compare different stages and variants of the oral evolution of the poems, we have many textual variants that can teach us a lot about both oral and written transmission. A deeper comprehension of oral composition in ancient Greece requires—somewhat paradoxically—a close examination of these textual variants. Consider an example: Plato quotes Homer many times and his quotations often differ from the Homeric vulgate. How should we interpret these differences? Most interesting are the instances that allow us to understand how Plato memorized Homer (when he was not reading a variant). Did he use the rhythmical structure of the hexameter or not? David Bouvier, The Homeric Question; An Issue for the Ancients?, p.3 PDF at muse.jhu.edu/demo/oral_tradition/v018/18.1bouvier.pdf
  • 63. Various considerations of language, archaeology and history suggest that it was about 725 BC, somewhere on the coast of Asia Minor or on one of the Aegean islands, that a great poet conceived the plan of the Iliad, and perhaps a generation later, that the second poet created the Odyssey, setting out to create a poem which in scale and inclusiveness should rival the Iliad. Once in existence, the two poems never went out of fashion and were never lost sight of…. In this they differ from all the literature of the period except the Old Testament; the writings of the Egyptians, the Sumerians, the Babylonians and all the rest were lost to the world for many centuries and have only recently been deciphered by the labours of Western scholars. Jasper Griffin, Homer, 1980, p. 6
  • 64. The Iliad 15,693 lines, ≐ 26 hours to recite (aoidoi and rhapsodoi) contests, beginning in the 6th century 5,500 combats (µάχια) the most famous, between “man-killing Hektor” and “fleet-footed Achilles” (Homeric epithets) describes forty-one days during the ninth year of the ten-year Trojan War
  • 66. Those who believe that the stories of the Trojan War are derived from a specific historical conflict usually date it to the 12th or 11th centuries BC, often preferring the dates given by Eratosthenes, 1194–1184 BC, which roughly corresponds with archaeological evidence of a catastrophic burning of Troy VIIa http://cerhas.uc.edu/troy/map.html
  • 67. The impact of Troy on the history of the Mediterranean is twofold. On the one hand Troy functioned from the beginning of the Bronze Age as a staging-post linking the Aegean to Anatolia and the Black Sea [for the trade in tin and copper]; on the other, the tale of Troy lay at the heart of the historical consciousness not merely of the Greeks who claimed to have destroyed the city, but of the Romans who claimed to have descended from its refugees. The real Troy and the mythical Troy have been hard to disentangle since 1868 when Heinrich Schliemann... David Abulafia, The Great Sea, 2011, p. 18
  • 69.
  • 70. born in Minneapolis to Norwegian immigrant parents 1907-after U of MN began graduate studies at Yale 1911-13-fellow at American School of Classical Studies at Athens (ASCSA) 1920-26--after WW I, became Assistant Dir. ASCSA 1927-57-Univ of Cinti, prof of classical archaeology 1932-38-Troy Carl William Blegen 1887 – 1971 1939-Pylos begins. After WW II, Linear B decipherment in 1952. UC at Pylos continues to the present
  • 71. born in Minneapolis to Norwegian immigrant parents 1907-after U of MN began graduate studies at Yale 1911-13-fellow at American School of Classical Studies at Athens (ASCSA) The Blegen Library 1920-26--after WW I, became Assistant Dir. ASCSA 1927-57-Univ of Cinti, prof of classical archaeology 1932-38-Troy Carl William Blegen 1887 – 1971 1939-Pylos begins. After WW II, Linear B decipherment in 1952. UC at Pylos continues to the present
  • 72. Μηνιν αειδε Θεα, Πηληιαδεω Αχιληος Μaynin aede Thea, Paylayyadeo Achilayos ουλοµενην, η µυρι Αχαιοις αλγε εθηκε, oolowmenayn hay moori Acha•iois algay ethehke, πολλας δ’ιφθιµους ψυχας ‘Αïδι προιαψεν pullas d’ifthemoos psoochas Haëde proyapsen ηρωων, αυτους δε ελωρια τευχε κυνεσσιν heh•row•on*,ow•toos deh el•ow•ria toohay koonessin οιωνοισι τε πασι, Διος δ’ετελειετο βουλη, oyonoisee tay posse Deeaws dehtelayehtow boolay εξ ου δη τα πρωτα διαστητην ερισαντε ex hoo day ta prota dyastay•tayn ehrisanteh ‘Ατρειδης τε αναξ ανδρων και διος Αχιλλευς Ahtraydeis tay ahnax androne kay dios Achilayos Sing Goddess of the wrath, of Peleus’ son Achilles, that baneful wrath which brought countless woes upon the Achaeans, that sent many heroes’ souls to Hades, and made their bodies food for dogs and all manner of birds; and thus the will of Zeus was being fulfilled when first there parted that leader of men, Atreus’ son and godlike Achilles * heroes the Homeric Greek word for men at war, which has had such fatal consequences
  • 73. ΑΧΙΛΛΕΥΣ ΟΧΥΣ ΠΟΔΑΣ FLEET FOOTED ACHILLES “Sing Goddess of the wrath of Peleus’ son Achilles,” “...the best of the Achaeans” ἀρετἦ (aretē [manly] excellence) either to live a long, comfortable life of inactivity or to die young and have an immortal memory (κλεός ἄφθιτον) ῟Ον οί θεοὶ φιλοῦσιν ἀπο-θνῃσκει νέος (those whom the gods love die young--Menander, Mon. 425) The Wrath of Achilles, by François-Léon Benouville (1821–1859) (Musée Fabre)
  • 74. MĒTĒR GAR TE ME FĒSI THEA THETIS ARGUROPEDZA μήτηρ γάρ τέ μέ φησι θεὰ Θέτις ἀργυρόπεζα (410) For my mother Thetis the goddess of silver feet tells me διχθαδίας κῆρας φερέμεν θανάτοιο τέλος δέ. I carry two sorts of destiny toward the day of my death. Either, εἰ μέν κ’ αὖθι μένων Τρώων πόλιν ἀμφιμάχωμαι, if I stay here and fight beside the city of the Trojans, ὤλετο μέν μοι νόστος, ἀτὰρ κλέος ἄφθιτον ἔσται my return home is gone, but my glory shall be everlasting; εἰ δέ κεν οἴκαδ’ ἵκωμι φίλην ἐς πατρίδα γαῖαν, but if I return home to the beloved land of my fathers, ὤλετό μοι κλέος ἐσθλόν, ἐπὶ δηρὸν δέ μοι αἰὼν (415) the excellence of my glory is gone, but there will be a long life ἔσσεται, οὐδέ κέ μ’ ὦκα τέλος θανάτοιο κιχείη. left for me, and my end in death will not come to me quickly book ix, Latimore translation
  • 75.
  • 76. “The rage of Achilles,” Gian Battista Tiepolo, fresco, 1757
  • 77. Following this confrontation Achilles storms off to his tent in book i. he will not rejoin the Achaeans in battle, despite their pleas, until book xix. But he appeals to his mother, Thetis, a sea nymph demigoddess. She intercedes with Zeus
  • 78. Following this confrontation Achilles storms off to his tent in book i. he will not rejoin the Achaeans in battle, despite their pleas, until book xix. But he appeals to his mother, Thetis, a sea nymph demigoddess. She intercedes with Zeus
  • 79. Jupiter and Thetis, Jean Auguste Dominique Ingres, 1811: "She sank to the ground beside him, put her left arm round his knees, raised her right hand to touch his chin, and so made her petition to the Royal Son of Cronos" (book i, 500-502)
  • 80. ἦ καὶ κυανέῃσιν ἐπ' ὀφρύσι νεῦσε Κρονίων ἀμβρόσιαι δ' ἄρα χαῖται ἐπερρώσαντο ἄνακτος κρατὸς ἀπ' ἀθανάτοιο μέγαν δ' ἐλέλιξεν Ὄλυμπον. He spoke, the son of Kronos, and nodded his head with the dark brows, and the immortally anointed hair of the great god swept from his divine head, and all Olympos was shaken (book i, 528-530) One of the “seven wonders” Roman copy of Phidias’ Chryselephantine at Olympia (532)
  • 81. OF KING EDWARD II OF ENGLAND
  • 82.
  • 86. Homeric simile Achilles rushed to meet him like a lion, a ravaging lion, whom men are resolved to slay, the whole village uniting: at first he goes on, heedless, but when some fighting man wounds him with a spear, he gathers himself open-mouthed; there is foam about his teeth, his fighting spirit groans in his heart, and with his tail he lashes his flanks on either side, goading himself to fight, then comes straight on with glaring eyes, either to kill a man or be killed himself in the first onset: even so was Achilles driven on by his anger and his brave spirit to confront great-hearted Aeneas (20.164-75). Griffin, p.11
  • 87.
  • 88.
  • 89.
  • 90. ΠΟΛΥΤΡΟΠΟΣ ΟΔΥΣΣΕΥΣ ODYSSEUS OF THE MANY TURNINGS “wily Odysseus” His heroic trait is µητις (mētis) “cunning intelligence” “...his patron goddess Athena congratulates him on being ‘practiced in deceits’ beyond all men”--Griffin, p. 50 “ Much suffering did he endure on the deep, struggling for his own life and the return of his comrades. But even so he could not save his comrades, although he desired it: they perished through their own wantonness, the fools; they devoured the cattle of the god of the Sun, and he took away their home- coming.” (i. 4-9)
  • 91. The Odyssey 12,110 lines of dactylic hexameter non-linear plot, “flashbacks” develop details of the fall of Troy and Odysseus’ many adventures influence on the plot by the choices of women and serfs although most scholars believe it is the work of a second author, “one influential opinion was that the Iliad was the work of the poet’s youth, the Odyssey that of his old age”--Griffin, p. 47 “The simple narrative of the return home of a hero has been greatly expanded”--Ibid.
  • 92. Homeric simile “So they mocked, but Odysseus, mastermind in action, once he's handled the great bow and scanned every inch, then, like an expert singer, skilled at lyre and song--who strains a string to a new peg with ease, making the pliant sheep-gut fast at either end-- so with virtuoso ease Odysseus strung his mighty bow." xxi. 451-454
  • 93. The ancient Greeks regarded the Iliad as the greater of the Homeric poems, and the writer of this book shares that view. It is the Iliad which is quoted more, which was the subject of the greater volume of scholarly work, and which did more to form the Greek conception of the world and man. It is a tragic work whereas the Odyssey is an adventure story which ends happily, with the good rewarded and the wicked punished. The tragic view of human life is, alas, more deeply true than the view which sees straightforward poetic justice in the working out of events… Griffin, Homer, p. 46
  • 94. “A Reading from Homer,” Lawrence Alma-Tadema, oil on canvas, 1885 Here, a young poet crowned with a laurel wreath reads from Homer to an audience dressed for a festival. The setting is probably Greece toward the end of the seventh century BCE. The Greek letters in the upper right indicate that the place is dedicated to the poet. Through attention to details such as architecture and dress, Alma-Tadema evokes scenes of everyday life in ancient Greece and Rome. However, his pictures are rarely entirely archaeologically accurate. For example, while he accurately rendered the ancient musical instrument on the left, a cithara, he also included a type of rose that did not exist before the nineteenth century.
  • 95. "Homer receiving homage from all the great men of Greece, Rome and modern times. The Universe crowns him, Herodotus burns incense. The Iliad and Odyssey sit at his feet."
  • 96. Herodotus "Homer receiving homage from all the great men of Greece, Rome and modern times. The Universe crowns him, Herodotus burns incense. The Iliad and Odyssey sit at his feet."
  • 97. Raphael Apelles of Kos ΙΛΙΑΣ ΟΔΥΣΣΕΙΑ
  • 98. Raphael Pindar Vergil Pheidias Apelles of Kos Dante ΙΛΙΑΣ ΟΔΥΣΣΕΙΑ
  • 99. Raphael Pindar Vergil Pheidias Alexander Apelles of Kos Dante ΙΛΙΑΣ ΟΔΥΣΣΕΙΑ Poussin Moliere Longinus
  • 102. Giulio Romano "The Gods of Olympus” V. THE GODS trompe l'oeil ceiling from the Sala dei Giganti "...(thousands of baroque ceilings with paintings of the gods derive ultimately from the Iliad)” --Griffin, p. 21
  • 103. To understand the place of religion in Greek society we must think away the central religious institution of our own experience, the Church. In Greece power in religious matters lay with those who had secular power: in the household with the father, in the early communities with the king, in developed city-states with the magistrates or even with the citizen assembly…. There was, therefore, no religious organization that could spread moral teaching, develop doctrine, or impose orthodoxy. In such a context a creed would have been unthinkable. In a famous passage Herodotus casts two poets as the theologians of Greece: Homer and Hesiod Robert Parker, “Greek Religion; Gods and Men,” in Greece and the Hellenistic World, pp. 253-254
  • 104. ΗΣΙΟΔΟΣ (HESIOD) flourished 750-650 BC his Theogony collected the myths concerning the origins of the gods this “retelling of the old stories became, according to the fifth-century historian, Herodotus, the accepted version that linked all Hellenes” Ancient bronze bust, the so-called Pseudo-Seneca now conjectured to be an imaginative portrait of Hesiod.
  • 105. ΜΥΘΟΣ (MYTHOS,MYTH) meant “story,” not “falsehood” required no more credulity than many Biblical tales were viewed as conveying moral truths for edifying youths and adults inspired cultic observance Athena fights Enkelados Attic red figure--525 bc
  • 106. ROBERT VON RANKE GRAVES (1895 – 1985) - an English poet, translator and novelist. During his long life he produced more than 140 works. Graves' poems—together with his translations and innovative interpretations of the Greek myths, his memoir of his early life, including his role in the First World War, Goodbye to All That, and his historical study of poetic
  • 107. DODEKATHEON Δωδεκάθεον < δώδεκα, dōdeka, "twelve"+ θεοί, theoi, "gods" the principal deities of the Greek pantheon, resided atop Mount Olympus Zeus, Hera, Poseidon, Demeter, Hestia, and Hades were siblings Ares, Hermes, Hephaestus, Athena, Apollo, and Artemis were children of Zeus when the Twelve were codified in 5th century Athens, Hades was “out,” Aphrodite was “in” The Twelve Olympians by Monsiau, late 18th c
  • 108. from Homer’s time, until the rise of philosophical and scientific thinking among the educated few, Greeks regarded religion as the foundation of morality each of the Twelve personified the virtues which they wished to transmit to their children the deities were to be praised, thanked, supplicated and propitiated in public ceremonies certain places came to be considered as sacred, associated with particular gods, demigods or heroes such was Delphi, sacred to Apollo, the masculine embodiment of reason
  • 109. V. THE GREEK DARK AGES
  • 110. V. THE GREEK DARK AGES A finely decorated geometric vase dating to around 750 BC
  • 111. Let me say a little bit, first of all, about the way scholars have categorized the history of Greece. Typically, we speak of the Bronze Age, the Mycenaean Period and so on, followed by the Dark Ages, but after that, you started having refined terms which derive actually from the world of the history of art. That is because in the Dark Ages we don't have any writing. So, if you want to designate anything it has to be by tangible things like pottery, particularly painted pottery, because it's easier to categorize. It's from that most of our terms show up. So, for instance, you will see references to words like proto-geometric. They'll be sort of post-Mycenaean then proto-geometric. These would be the very earliest kinds of pots that have geometric designs on them, then comes the geometric period Kagan, op. cit.
  • 112. The Greek Dark Age or Ages also known as Geometric or Homeric Age (ca. 1200 BC–800 BC) are terms which have regularly been used to refer to the period of Greek history from the presumed Dorian invasion and end of the Mycenaean Palatial civilization around 1200 BC, to the first signs of the Greek city-states in the 9th century BC. These terms are gradually going out of use, since the former lack of archaeological evidence in a period that was mute in its lack of inscriptions (thus "dark") has been shown to be an accident of discovery rather than a fact of history.[1] Wikipedia
  • 113. WHAT ENDED THE BRONZE AGE? climatic or environmental catastrophe? invasion by Dorians or “Sea Peoples”? the widespread availability of edged weapons of iron? “no single explanation fits the available archaeological evidence”--Wikipedia
  • 114. MEDITERRANEAN WARFARE AND THE SEA PEOPLES Around this time large-scale revolts took place in several parts of the Eastern Mediterranean, and attempts to overthrow existing kingdoms were made as a result of economic and political instability by surrounding people who were already plagued with famine and hardship. Part of the Hittite kingdom was invaded and conquered by the so-called Sea Peoples whose origins - perhaps from different parts of the Mediterranean, such as the Black Sea, the Aegean and Anatolian regions - remain obscure. The thirteenth and twelfth-century inscriptions and carvings at Karnak and Luxor are the only sources for "Sea Peoples", a term invented by the Egyptians themselves and recorded in the boastful accounts of Egyptian military successes. Wikipedia
  • 115. Aeolian settlements Ionian settlements Mycenaean settlements
  • 116. Archaeological evidence shows that during the “Dark Ages” Greek-speaking Mycenaeans, Aeolians and Ionians spread from the Greek mainland and settled the islands and the western coast of Asia Minor
  • 117. The Aeolians (Greek: Αἰολεῖς) were one of the four major ancient Greek tribes comprising Ancient Greeks. Their name derives from Aeolus, the mythical ancestor of the Aeolic branch and son of Hellen*, the mythical patriarch of the Greek nation. The dialect of ancient Greek they spoke is referred to as Aeolic. Originating in Thessaly, a part of which was called Aeolis, the Aeolians often appear as the most numerous amongst the other Hellenic tribes of early times. The Boeotians, a subgroup of the Aeolians, were driven from Thessaly by the Thessalians and moved their location to Boeotia (bee•O•sha). Aeolian peoples were spread in many other parts of Greece such as Aetolia, Locris, Corinth, Elis and Messenia. During the Dorian invasion, Aeolians from Thessaly fled across the Aegean Sea to the island of Lesbos and the region of Aeolis, called as such after them, in Asia Minor. ________ * note the double l! The Greek name for themselves is Hellenes Wikipedia
  • 118. Originating in Thessaly, a part of which was called Aeolis, the Aeolians often appear as the most numerous amongst the other Hellenic tribes of early times. The Boeotians, a subgroup of the Aeolians, were driven from Thessaly by the Thessalians and moved their location to Boeotia (bee•O•sha). Aeolian peoples were spread in many other parts of Greece such as Aetolia, Locris, Corinth, Elis and Messenia. During the Dorian invasion, Aeolians from Thessaly fled across the Aegean Sea to the island of Lesbos and the region of Aeolis, called as such after them, in Asia Minor
  • 119. The Ionians (Greek: Ἴωνες, Íōnes, singular Ἴων, Íōn) were one of the four major tribes into which the Classical Greeks considered the population of Hellenes to have been divided (along with the Dorians, Aeolians and Achaeans). The Ionian dialect was one of the three major linguistic divisions of the Hellenic world, together with the Dorian and Aeolian. "Ionian" with reference to populations had several senses in Classical Greece. In the narrowest sense, it was used of the region of Ionia in Asia Minor. In a more broad sense, it could be used to describe all speakers of the Ionic dialect, which also included the populations of Euboea, the Cyclades and many colonies founded by Ionian colonists. Finally, in the broadest sense, it could be used to describe all those who spoke languages of the East Greek group, which included Attic. The foundation myth which was current in the Classical period suggested that the Ionians were named after Ion, son of Xuthus, and lived in the north Peloponnesian region of Aegilaus. When the Dorians invaded the Peloponnese and expelled the Achaeans from the Argolid and Lacedaemonia, the Achaeans moved into Aegilaus (henceforth known as Achaea), and the Ionians were in turn expelled. The Ionians went to Attica and mingled with the population there, before many people finally emigrated to the coast of Asia Minor, founding the historical region of Ionia. Wikipedia
  • 120. the region of Ionia in Asia Minor. In a more broad sense, it could be used to describe all speakers of the Ionic dialect, which also included the populations of Euboea (u•BEE•uh), the Cyclades and many colonies founded by Ionian colonists. Finally, in the broadest sense, it could be used to describe all those who spoke languages of the East Greek group, which included Attic [Attica-the area around Athens]
  • 121.
  • 123. The Doric dialect was spoken in northwest Greece, Peloponnese, Crete, southwest Asia Minor, the southernmost islands in the Aegean Sea, and various cities of Southern Italy and Sicily. After the classical period it was mainly replaced by the Attic, upon which the Koine or common Greek language of the Hellenistic period was based. The main characteristic of Doric was the preservation of Indo-European [aː], long ‹α›, which in Attic-Ionic became [ɛː], ‹η›; as an example, the famous last farewell before the battle by Spartan mothers to their warrior sons giving them their shields "Ἤ τὰν ἤ ἐπὶ τὰς" (E tan e epi tas: either with it or on it - either you return with the shield or you are carried back dead on it) would have been "Ἤ τήν ἤ ἐπὶ τῆς" (E ten e epi tes) if it had been uttered by an Attic-Ionic speaker, such as an Athenian mother. Tsakonian Greek, a descendant of Doric Greek is still spoken in some regions of the Southern Argolid coast of the Peloponnese, on the coast of the modern prefecture of Arcadia.
  • 124. DARK AGE CULTURE With the collapse of the palatial centres, no more monumental stone buildings were built and the practice of wall painting may have ceased; writing in the Linear B script ceased, vital trade links were lost, and towns and villages were abandoned. The population of Greece was reduced, and the world of organized state armies, kings, officials, and redistributive systems that offered security to individuals disappeared. Most of the information about the period comes from burial sites and the grave goods contained within them. To what extent the earliest Greek literary sources, Homeric epics (8th-7th century) and Hesiod's Works and Days (7th century) describe life in the 9th-8th centuries remains a matter of considerable debate. Wikipedia
  • 125. The Lelantine War was a long-remembered military conflict between the two ancient Greek city states Chalkis and Eretria in Euboea which took place in the early Archaic period, at some time between ca 710 and 650 BC. The reason for war was, according to tradition, the struggle for the fertile Lelantine Plain on the island of Euboea. Due to the economic importance of the two participating poleis, the conflict spread considerably, with many further city states joining either side, resulting in much of Greece being at war. The historian Thucydides describes the Lelantine War as exceptional, the only war in Greece between the mythical Trojan War and the Persian Wars of the early fifth century BC in which allied cities rather than single ones were involved. Wikipedia
  • 126. Chalkis and Eretria on the Lelantine Plain. Ägäisches Meer = Aegean Sea; Euböa = Euboea; Lelantische Ebene = Lelantine Plain; Golf von Euböa = Gulf of Euboea; Attika = Attica.
  • 127. Lefkandi's contribution to archaeology The site's importance is due to a number of factors. First, substantial occupation strata of the Late Helladic IIIC period (ca. 1200-1100/1075 BCE) excavated in the 1960s allowed the establishment of a ceramic sequence for this period, at that time insufficiently attested. The IIIC settlement furthermore stands in contrast to sites in the other parts of Greece, such as the Peloponnese, where many sites were abandoned at the end of LHIIIB (i.e. the end of the Mycenaean palatial period). This situation places Lefkandi within a group of sites in Central Greece with important post-palatial occupation, such as Mitrou (settlement), Kalapodi (sanctuary), and Elateia (cemetery). Wikipedia
  • 128. Heroon The archaeological significance of the site was revealed in 1980[1] when a large mound was discovered to contain the remains of a man and a woman within a large structure called by some a heroön, or "hero's grave." There is some dispute as to whether the structure was in fact a heroön built to commemorate a hero or whether it was instead the grave of a couple who were locally important for other reasons. This monumental building, built c 950 BC, 50 meters long and 13.8 meters wide, with a wooden verandah, foreshadows the temple architecture that started to appear with regularity some two centuries later. One of the bodies in the grave had been cremated, the ashes being wrapped in a fringed linen cloth then stored in a bronze amphora from Cyprus. The amphora was engraved with a hunting scene and placed within a still larger bronze bowl. A sword and other grave goods were nearby. It is believed that the ashes were those of a man. The woman's body was not cremated. Instead, she was buried alongside a wall and adorned with jewelry, including a ring of electrum, a Bronze braziere, and a gorget believed to have come from Babylonia and already a thousand years old when it was buried. An iron knife with an ivory handle was found near her shoulder. It is unknown whether this woman was buried contemporaneously with the man's remains, or at a later date. Scholars have suggested that the woman was slaughtered to be buried with the man, possibly her husband, in a practice reminiscent of the Indian custom of sati. Other scholars have pointed to the lack of conclusive evidence for sati in this instance, suggesting instead that this woman may have been an important person in the community in her own right, who was interred with the man's ashes after her own death. Four horses appear to have been sacrificed and were included in the grave. Some of them were wearing iron bits in their mouths. Wikipedia
  • 129. Heroon The archaeological significance of the site was revealed in 1980[1] when a large mound was discovered to contain the remains of a man and a woman within a large structure called by some a heroön, or "hero's grave." There is some dispute as to whether the structure was in fact a heroön built to commemorate a hero or whether it was instead the grave of a couple who were locally important for other reasons. This monumental building, built c 950 BC, 50 meters long and 13.8 meters wide, with a wooden verandah, foreshadows the temple architecture that started to appear with regularity some two centuries later. One of the bodies in the grave had been cremated, the ashes being wrapped in a fringed linen cloth then stored in a bronze amphora from Cyprus. The amphora was engraved with a hunting scene and placed within a still larger bronze bowl. A sword and other grave goods were nearby. It is believed that the ashes were those of a man. The woman's body was not cremated. Instead, she was buried alongside a wall and adorned with jewelry, including a ring of electrum, a Bronze braziere, and a gorget believed to have come from Babylonia and already a thousand years old when it was buried. An iron knife with an ivory handle was found near her shoulder. It is unknown whether this woman was buried contemporaneously with the man's remains, or at a later date. Scholars have suggested that the woman was slaughtered to be buried with the man, possibly her husband, in a practice reminiscent of the Indian custom of sati. Other scholars have pointed to the lack of conclusive evidence for sati in this instance, suggesting instead that this woman may have been an important person in the community in her own right, who was interred with the man's ashes after her own death. Four horses appear to have been sacrificed and were included in the grave. Some of them were wearing iron bits in their mouths. Wikipedia
  • 130. Heroon of Lefkandi, as seen from the main door.
  • 131. By the mid- to late eighth century [750-710 BC] a new alphabet system was adopted from the Phoenicians by a Greek with first-hand experience of it. The Greeks adapted the Phoenician writing system, notably introducing characters for vowel sounds and thereby creating the first truly alphabetic writing system. The new alphabet quickly spread throughout the Mediterranean and was used to write not only the Greek language, but also Phrygian and other languages in the eastern Mediterranean. As Greece sent out colonies west towards Sicily and Italy (Pithekoussae, Cumae), the influence of their new alphabet extended further. The ceramic Euboean artifact inscribed with a few lines written in the Greek alphabet referring to "Nestor's cup", discovered in a grave at Pithekoussae (Ischia) dates from c. 730 BC; it seems to be the oldest written reference to the Iliad. Wikipedia
  • 132. "Nestor's Cup" inscription, Cumae alphabet, 8th century BC from a Greek vase from Pithikoussai, the older Greek colony in Magna Graecia and Sicily, related to, and often confused with, Cumae. upper half: drawing of the state of the original inscription; lower half: restoration
  • 133. Society It is likely that Greece during this period was divided into independent regions organized by kinship groups and the oikoi or households, the origins of the later poleis. Wikipedia But the rise of the Polis is another story...