1. Dra.
Ivani
Santana
INDICATE
Final
Conference
i.santana@qub.ac.uk,
ivani@u4a.br
Ankara/Turkey
15th,16th
October
2012
Post
Doctorate
Sonic
Arts
Research
Centre
Queen’s
Univesity
Belfast
(auspices
CAPES,Brazil)
Networked
Art:
Federal
University
of
Bahia
Master
and
Ph.D.
Program
of
Scenic
Arts
Brazilian
experiences
of
the
InsMtute
of
HumaniMes,
Arts
and
Sciences
Technological
Poe;cs
Research
Group
of
Technological
PoeMcs:
Research
Group
corpoaudiovisual
www.poeMcatecnologica.u4a.br
Map
and
Program
of
Digital
Dance
www.mapad2.u4a.br
choreographer,
dancer,
researcher
in
dance
-­‐technology
Master
and
Ph.D
CommunicaMon
and
SemioMcs
(Catolic
Univerity,
PUC
SP,
Brazil)

2. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Research
Group
of
Technological
PoeMcs
University
of
Bahia
Brazil
www.poeMcatecnologica.u4a.br
{please
play
the
video}

3. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Julio
Plaza
(apud
Prado,
2003):
CommunicaMon-­‐Art:
AestheMcal
of
CommunicaMon.
“it
doesn’t
produce
objects;
it
themaMzes
the
space-­‐Mme”.
{automa2c
transi2on}

4. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
“The
in2mate
space
of
the
subject
has
been
invaded
in
various
ways
in
the
digital
culture.
Globaliza2on,
through
telecommunica2on
devices,
has
promoted
telema2cs
exchanges
in
many
spheres:
the
ar2s2c,
the
social,
the
economic
and
the
personal.
Binary
data
are
exchanged
through
robust
routes
on
the
informa2on
superhighway,
whether
monetary,
medical,
theore2cal
or
conceptual
informa2on
in
the
various
areas
of
knowledge,
entertainment,
art
or
of
a
strictly
personal
and
in2mate
nature
(which
may
also
be
for
monetary
and
professional
purposes).
The
reconfigured
in2macy
of
the
subject
fosters
a
new
understanding
of
presence,
proximity,
and
interpersonal
rela2onships.
Telema2cs
is
directly
responsible
for
this
reconfigura2on,
since
it
promotes
technological
media2on
of
a
remote
presence.”
(Santana,
2010)
{automa2c
transi2on}

5. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
"I
think
there
is
something
expansive
about
this
term,
this
metaphor
for
an
imaginary
space
that
exists
in,
on
and
between
‘computa2onal
devices’.
I
like
to
corral
all
kinds
of
things
together
in
cyberspace;
not
just
computers
and
soMware,
but
also
digital
devices
such
as
MP3
players,
or
BlackBerrys,
or
new
medical
imaging
technologies,
cyberpets,
digital
anima2ons
and
simula2ons
of
all
kinds
–
and
so
the
list
goes
on.
All
these
things,
and
many
more
besides,
are
connected
together,
in
some
way
or
another."
(David
Bell,
2007)
{automa2c
transi2on}

6. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Technological
PoeMcs
at/into
the
Network
Cyberspace.
A
consensual
hallucina2on
experienced
Different
names
used
in
Art
field:
daily
by
millions
of
legi2-­‐
mate
operators.
...
A
• TelemaMc
Art;
graphic
representa2on
of
• TelemaMc
Dance;
data
abstracted
from
the
banks
of
every
computer
in
• Telepresence
Art;
the
human
system.
• ComunicaMon
Art;
Unthinkable
complexity.
• CyberArt;
Lines
of
light
ranged
in
the
• Net
Art;
nonspace
of
the
mind,
• Networked
Art;
clusters
and
constella2ons
• Networked
Performance;
of
data.
Like
city
lights,
• Web
Dance;
receding.
• etc.
(Gibson
1984:
67)
{automa2c
transi2on}

7. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Network
and
the
Tecnologies
of
informaMon
and
communicaMon
give
new
potenMality
for
arMsMs
interested
in
the
arMculaMon
of
art
and
technology.
My
trajectory...
{wait
un2l
request}

8. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Corpo
Aberto
Open
Body
2002
8
{automa2c
transi2on}

9. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
“Close-­‐circuit”
-­‐
circuito
fechado
de
câmera
{automa2c
transi2on}

10. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
{automa2c
transi2on}

11. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Casa
de
Nina
(2004)
Ivani
Santana
11
{automa2c
transi2on}

12. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
12
{automa2c
transi2on}

13. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
e
fez
o
homem
sua
diferença
(2005)
Ivani
Santana
/
GDC
{automa2c
transi2on}

14. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
“Break” with italian theater.
Stage as “environment” for dancers and audience.
{automa2c
transi2on}

15. 15
{automa2c
transi2on}
e
fez
o
homem
sua
diferença
(2005)
Ivani
Santana
/
GDC

16. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
2001
The
first
contact
with
TelemaMc
Performance
in
USA,
ADaPT:
the
Associa;on
for
Dance
and
Performance
Telema;cs
In
2005
the
Brazilian
Network
–
RNP
–
invited
me
to
create
a
telemaMc
dance
piece
to
open
the
Ipê
Network
{wait
my
request}

17. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
This
backbone
is
designed
to
ensure
not
only
the
bandwidth
required
for
usual
internet
traffic
(web
Ipê
Network
is
browsing,
email,
file
the
first
transfer)
but
also
the
use
naMonal
opMcal
of
advanced
applicaMons
and
services
and
network
experimentaMon.
The
academic
LaMn
infrastructure
America,
encompasses
27
Points
of
inaugurated
in
Presence
(PoPs),
one
in
2005
by
RNP.
each
state,
plus
branches
to
serve
more
than
500
educaMonal
and
research
insMtuMons
across
the
country,
benefiMng
more
than
3.5
million
users.
{automa2c
transi2on}

18. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
In
2010,
the
Ipê
network
has
undergone
a
qualitaMve
leap,
reaching
the
aggregate
capacity
of
233.2
Gbps,
an
increase
of
280%
compared
to
the
previous
aggregate
capacity.
This
new
network,
which
is
the
sixth
generaMon
of
backbone
operated
by
RNP,
mulMgigabits
speeds
(up
to
1
Gbps)
are
available
for
24
of
the
27
PoPs.
This
is
a
cooperaMon
between
RNP
and
"Oi”
telecommunicaMons
company
for
non-­‐
commercial
use
and
Research
&
Development
projects
(R
&
D)
of
common
interest.
{automa2c
transi2on}

19. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Brasília
Universidade ligada
a rede GIGA
Fluxo HDTV
Fluxo SDTV
RNP
REDE GIGA Audio e Vídeo Multicast
SDTV
João Pessoa
26 Megabits UDP
20 Megabits UDP
Fluxo dos dançarinos
6 Megabits UDP
Salvador 12 Megabits UDP (Multicast)
{automa2c
transi2on}

20. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
{automa2c
transi2on}
VERSUS - 2005

21. VERSUS
(2005)
Brasília/Salvador
João
Pessoa
First
TelemaMc
Dance
piece
in
Brazil
through
academin
network
-­‐
RNP
21
{automa2c
transi2on}

22. VERSUS
(2005)
22
{automa2c
transi2on}

23. INDICATE
Final
Conference
Ankara/Turkey,
15th,16th
October
2012
Networked
Art:
Brazilian
experiences
of
th
e
Technological
Poe;cs
Research
Group
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
VERSUS
(2005)
23
{automa2c
transi2on}

24. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
VERSUS
(2005)
24
{automa2c
transi2on}

25. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
“Close-­‐circuit”
-­‐
circuito
fechado
de
câmera
{automa2c
transi2on}

26. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
{wait
my
request}

27. INDICATE
Final
Conference
Ankara/Turkey,
15th,16th
October
2012
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
USA
3 simultaneous
Spain
images
Brazil
2006/2007
Proyecto Paso
Nukonen, Paso ao Chile
Brasil, Chile, EUA, Espanha
{automa2c
transi2on}

28. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Proyecto Paso
Nukonen, Paso ao Chile
Brazil, Chile, EUA, Spain
Layout
and
web
design
explora;on
{automa2c
transi2on}

29. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Interaction Simultaneity
Salvador
Brasíia
VERSUS
Proyecto
Paso
(2005)
(2006)
29
{wait
my
request}

30. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Por Onde Cruzam Alamedas (2006)
Space 1
Layer 2
Dancers in foreground
Layer 1
Videoscenography
Dancer in background
Space 2
Layer 3
Dancer on stage
{automa2c
transi2on}

31. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Por Onde Cruzam Alamedas (2006)
Space 1
Internet
Space 2
{automa2c
transi2on}

32. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Space 1
Layer 1 - videoscenography
Layer 2 – dancer background
Layer 3 – dancer foreground
Space 2
layer 4 – dancer on stage
Por Onde Cruzam Alamedas
{automa2c
transi2on}

33. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
(In)TOQue – 2008
Telematic Dance between São Paulo, Rio de Janeiro and Salvador
Body as screen!
{automa2c
transi2on}

34. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
TelemaMc
experience
(re)
transfered
to
stage
Le
moi,
Le
cristal
et
L’eau
(2007)
Centre
NaMonal
Choreografica
Aix-­‐en
Provence,
France
{automa2c
transi2on}

35. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
35
{automa2c
transi2on}

36. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
TelemaMc
experience
(re)
transfered
to
stage.
“EU”(2008)
International Theater Festival, Salvador, Brazil
36
{automa2c
transi2on}

37. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
TelemaMc
experience
(re)
transfered
to
stage.
“EU”(2008)
International Theater
Festival, Salvador, Brazil
37
{automa2c
transi2on}

38. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
WORK
GROUP
ARTHRON
OF
DIGITAL
MEDIA
AND
ARTS
Support
RNP
Using
Arthron
for
managing
networked
dance
performances
{wait
my
request}

39. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
• Facilitate
the
set
up
of
the
infrastructure
needed
for
supporMng
distributed
performances;
– Set
up
of
connecMons
between
video
sources
and
projectors;
– Support
for
dynamic
change
of
infrastructure
Arthron
configuraMon,
that
is,
live
change
of
video
sources
and
desMnaMons;
– Monitoring
the
components
of
the
infrastructure;
-­‐
Adapt
video
formats
and
rates
for
different
network
condiMonsSupport
for
dynamic
change
of
infrastructure
configuraMon,
that
is,
live
change
of
video
sources
and
desMnaMons;
– We
developed
a
tool
called
"scenario
maker"
that
allows
the
definiMon
of
the
scenarios
transiMon
graph;
– Arthron
runs
the
graph
in
the
sense
it
shows
what
is
happening
and
triggers
the
scene
transiMons
for
changing
the
infrastructure
configuraMon
in
an
automaMc
or
manual
way.
39
{wait
my
request}

40. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
“PELE”
(2002)
Ferramenta computacional “ARTHRON” (GTMDA/RNP, 2009-10)
40
{wait
my
request}

41. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
41
{wait
my
request}

42. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
42
{automa2c
transi2on}

43. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Technical
Support:
RNP,
i2Cat
43
{automa2c
transi2on}

44. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
44
{automa2c
transi2on}

45. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
Presence
Body
Space-­‐Mme
“e_Pormundos Afeto” (2009,10,11)
45
{automa2c
transi2on}

46. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
e_Pormundos
Afeto
(2010,
ArgenMna/Spain)
46
{automa2c
transi2on}

47. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
FRAGIL
Laboratorium
MAPA
D2
(2011)
TelemaMc
Dance
with
Dance
Theater
Music
Robot
Visual
Arts
InteracMvity
Urban
intervenMon
Sensors
Tele
Dramaturgy
47
{wait
my
request}

48. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
FRAGIL
–
Laboratorium
MAPA
D2
(2011)
48
{automa2c
transi2on}

49. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
FRAGIL
–
Laboratorium
MAPA
D2
(2011)
49
{automa2c
transi2on}

50. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
LABORATORIUM
MAPA
D2
DE
ARTE
TELEMÁTICA
50
{automa2c
transi2on}

51. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
TELE
SONOROUS
BODY
• The goal: investigate
the possible
relationships between
“sonoridades” produced
by remote bodies – the
tele-sonorous bodies –
into sensible
environments in order to
construct a Telematic
Dramaturgy.
51
{wait
my
request}

52. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
TELE
SONOROUS
BODY
Targets:
• To find Telematic Dramaturgies
through sonorities generated by the
remote bodies (at rather than work
with the body image).
• The idea is not to see, but to hear
the other body in the other space.
• Promote an “aural dance” through
networked performance (sound
visualization, at rather than body
visualization)
52
{wait
my
request}

53. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
TELEMATIC
DRAMATURGY
“(In)TOQue” (2008)
• Other
corporaliMes;
• Other
Mme-­‐space
experiences;
“Por Onde Cruzam Alamedas (2006)
• Layers
as
components
• of
the
creaMon.
53
{wait
my
request}

54. INDICATE
Final
Conference
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ankara/Turkey,
15th,16th
October
2012
Ivani
Santana
SARC
(Support
CAPES
9495-­‐11)
TELEMATIC
DRAMATURGY
FRAGIL
(2011)
54
{wait
my
request}

55. INDICATE
Final
Conference
Ankara/Turkey
15th,16th
October
2012
Networked
Art:
Brazilian
experiences
of
the
Technological
Poe;cs
Research
Group
Ivani
Santana
UFBA/SARC
(Support
CAPES
9495-­‐11)
CONCLUSION:
_
Art
promotes
new
demands,
give
new
ideas;
_
The
networked
performance
has
a
specifi
way
to
create
narra;ves,
dramaturgies;
_
It’s
important
to
understand
Art
not
just
an
aesthe;cal
product
by
new
technology,
but
a
knowledge
in
itself
that
can
contribute
to
improve
the
technology
(Art
or
Ar;sts
as
not
a
“final
users”);
_
We
need
more
interdisciplinary
project
to
promote
new
possibili;es
of
art-­‐science-­‐technology,
but
understanding
the
poten;al
of
each
area.
{wait
my
request}

56. INDICATE
Final
Conference
Ankara/Turkey
15th,16th
October
2012
Thank
You!
Ivani
Santana
i.santana@qub.ac.uk
Technological
Poe;cs
Research
Group
UFBA/SARC
(Support
CAPES
9495-­‐11)