What is the purpose of using an alternative photography process? Should the process enhance the content or the content enhance the process? Is it beneficial for the art work or not?
A lesson for photography students with examples.
The Potential Use of Alternative Photographic Processes
1. The Potential
Use of Alternative
Photographic
Processes
Lessons for
Photography
Students
2. What are Alternative
Photographic Processes?
Photographic processes that are not in massive use, (such as digital
photography, iPhoneography, etc).
Historical photographic processes ,contemporary variations of
historical processes and new inventive (DIY) processes, are
considered to be alternative photographic processes .
3. Examples of historical
photographic processes
Heliography
Physautotype
Photogenic Drawing (Photograms)
Daguerreotype
Albumen & Salt Prints
Cyanotype
Wet Plate Collodion (Ambrotypes & Tintypes)
Crystoleum / American Ivorytype / Chrysotype / Ivorytype /
Opalotype
Kallitype & Van Dyke Brown
Stereo photography
4. Examples of contemporary
photographic processes
35mm Ambrotype
3D Anaglyph Photography & Lenticular Analog Print
Acrylic gel lift and transfer
Becquerel Daguerreotype
Caffenol Photography
Cross Processing
Liquid Light Emulsion
Lith Print
Pinhole Photography
X-Ray (Radiology) Art Photography
5. The Alternative
Photography Trend
Historical processes are practiced by many throughout the years.
Adventurers usually practice historical print techniques.
At the same time, artists looking for a unique way of expressing
themselves, developed new contemporary ways of presenting their
works.
The hype of alternative photography began more or less by Sally
Mann.
6. Sally Mann
Mann became world wide
known when publishing the
controversial book
Immediate Family, portraying
her young children, not just
as playful,
ephemeral things, but as
fragile, even sexual human
beings. Virginia at Four, Sally Mann (1989)
7. By using the wet collodion
process, in an old bellows
view camera with 8x10 glass
negatives, she creates a
beautiful Victorian feel
that is almost painterly.
Her photographs pulls you
into them, as if you are part
of the landscape. The strong
romantic feeling adds a
dimension to the content
of the photographs. The Flesh and The Spirit - Sally Mann
8. Reasons for using
Alternative Photography
There are many reasons photographers use alternative
photographic processes to communicate with, among them:
• Adding a feeling to the photograph
• Being unique
• Exploring creative possibilities
• Making a statement
• Adding content to the photograph by using a specific
technique
• The process or equipment as part of the art
Lets look at some examples…
16. Silver and Water - Lauren Bon
with The Optics Division Team,
The Metabolic Studio
17. First Concept, Then
Alternative Photography!
To use alternative photographic processes in harmony with
your
photographic creation, be aware of the reason you are
using a alternative photographic process , determine if you
want the technique to enhance the content or the content to
enhance the technique, look for the right content-technique
combination and see if using a specific technique is
accessible to you.
18. Learn from the
photography pioneers…
Joseph Nicéphore Niépce
William Henry Fox Talbot
Louis-Jacques Mandé Daguerre
Hippolyte Bayard
Frederick Scott Archer
The process; not the results is what matters…
Lumière brothers
Louis Désiré Blanquart-Evrard
Sir John Herschel
Anna Atkins
Steven Sasson
19. Read Books…
The Book of Alternative Photographic Processes, by Christopher James
Primitive Photography: A Guide to Making Cameras, Lenses, and Calotypes by Alan Greene
The History of Photography: From 1839 to the Present by Beaumont Newhall
A Guide to Early Photographic Processes by Brian Coe and Mark Haworth-Booth
Photographs of the Past, Process and Preservation by Bertrand Lavédrine
Photo-Imaging: A Complete Visual Guide to Alternative Techniques and Processes by Jill
Enfield
Photography Beyond Technique by Tom Persinger
From pinhole to print by Malin Fabbri, Gary Fabbri and Peter Wiklund
Coming Into Focus: A Step-by-Step Guide to Alternative Photographic Printing Processes by
John Barnie
Digital Negatives: Using Photoshop to Create Digital Negatives for Silver and Alternative
Process Printing
by Brad Hinkel and Ron Reeder
Handbook of Non-Toxic Intaglio by Henrik Bøegh