SlideShare ist ein Scribd-Unternehmen logo
1 von 13
Thoughts on the origin of drama or the essence of drama ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
The ancient Greeks thought that  the poets were inspired by gods  and they had a mission,  the mission of teaching society. They taught  ethic principles : balance, moderation, self-control... Winnig in a musical competition gave the poets  fame, renown .
[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
 
Here, there is no truth, there is no lie.   It depends on  the perspective. If you   look at the draw   as a whole, you’ll probably see a spiral. And if you look at only one curve line, you’ll probably see a circle . Which is usually our perspective ?
 
Humans usually look at a reality from the perspective of our own  life experiences . And this is Relativism. Relativism  supposes that a unique reality can be perceived in different ways by different people. So,  we must learn to  look at a reality from another point of view and speak up our opinions. …  And the ancient poets took this an account.
The ancient poets changed the old lyric poems into a new literary form,  tragedy. They borrowed the heroes from epic poems and they showed them  facing big fundamental problem, and having doubts, making mistakes, messing up, suffering and causing sufferings to others. They showed their souls. What was this for ?
The tragic poets showed this for us to able to walk a mile  in someone else ’s  shoes, to able to look at a reality from another person ’ s  point of view. Sorrow or death are only instruments. The essence of  tragedy is that you can find out about  important, fundamental subjects through the main character ’  s experience and find your own answers. There is no dogmatism. This is the essence of  tragedy and the gist of my talk today.
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Finally,  In my opinion, the ancient  tragedy has three highlighted  features. It is a  lyrical, philosophical and popular  genre. Nowadays, you can also find an art form with these three features: it’s the soul of the ancient drama, but at the cinema.

Weitere ähnliche Inhalte

Was ist angesagt?

Drama its origin: growth & development by Suhail Ahmed Solangi
Drama its origin: growth & development by Suhail Ahmed SolangiDrama its origin: growth & development by Suhail Ahmed Solangi
Drama its origin: growth & development by Suhail Ahmed SolangiSohail Ahmed Solangi
 
Influence of ‘Theatre of Absurd’ on play ‘The Birthday Party’
Influence of ‘Theatre of Absurd’ on  play    ‘The Birthday Party’Influence of ‘Theatre of Absurd’ on  play    ‘The Birthday Party’
Influence of ‘Theatre of Absurd’ on play ‘The Birthday Party’RaviBhaliya
 
History of the theatre lesson 4 modern theatre
History of the theatre  lesson 4 modern theatreHistory of the theatre  lesson 4 modern theatre
History of the theatre lesson 4 modern theatreguest4443895
 
From the Anxiety of Influence, Harold Bloom
From the Anxiety of Influence, Harold BloomFrom the Anxiety of Influence, Harold Bloom
From the Anxiety of Influence, Harold Bloomhatimabdu
 
Sheridan's art of characterization in ‘The Rival’
Sheridan's art of characterization in ‘The                     Rival’Sheridan's art of characterization in ‘The                     Rival’
Sheridan's art of characterization in ‘The Rival’LaljiBaraiya1
 
An Essay of Dramatic Poesy -John dryden
An Essay of Dramatic Poesy -John drydenAn Essay of Dramatic Poesy -John dryden
An Essay of Dramatic Poesy -John drydenMilindBedse
 
Ode to Adversity by Thomas Gray
Ode to Adversity by Thomas GrayOde to Adversity by Thomas Gray
Ode to Adversity by Thomas GrayAhmad Sobhy Rakhia
 
THE WAY OF THE WORLD: WILLIAM CONGREVE
THE WAY OF THE WORLD: WILLIAM CONGREVETHE WAY OF THE WORLD: WILLIAM CONGREVE
THE WAY OF THE WORLD: WILLIAM CONGREVETIYASHAROY
 
History of english drama
History of english dramaHistory of english drama
History of english dramamora-deyanira
 
Characteristics and structure of comedy
Characteristics and structure of comedyCharacteristics and structure of comedy
Characteristics and structure of comedyLearning Academy
 
Plot , as first important part of Tragedy
Plot , as first important  part of Tragedy Plot , as first important  part of Tragedy
Plot , as first important part of Tragedy Komal Shahedadpuri
 
The age of shakespeare
The age of shakespeareThe age of shakespeare
The age of shakespearevijichola
 
Origin and development of drama athens to medieval
Origin and development of drama  athens to medievalOrigin and development of drama  athens to medieval
Origin and development of drama athens to medievalAbdel-Fattah Adel
 

Was ist angesagt? (20)

Drama its origin: growth & development by Suhail Ahmed Solangi
Drama its origin: growth & development by Suhail Ahmed SolangiDrama its origin: growth & development by Suhail Ahmed Solangi
Drama its origin: growth & development by Suhail Ahmed Solangi
 
The rise of the novel
The rise of the novelThe rise of the novel
The rise of the novel
 
Influence of ‘Theatre of Absurd’ on play ‘The Birthday Party’
Influence of ‘Theatre of Absurd’ on  play    ‘The Birthday Party’Influence of ‘Theatre of Absurd’ on  play    ‘The Birthday Party’
Influence of ‘Theatre of Absurd’ on play ‘The Birthday Party’
 
The Age of Chaucer
The Age of ChaucerThe Age of Chaucer
The Age of Chaucer
 
Restoration Drama
Restoration Drama Restoration Drama
Restoration Drama
 
Restoration drama
Restoration dramaRestoration drama
Restoration drama
 
History of the theatre lesson 4 modern theatre
History of the theatre  lesson 4 modern theatreHistory of the theatre  lesson 4 modern theatre
History of the theatre lesson 4 modern theatre
 
From the Anxiety of Influence, Harold Bloom
From the Anxiety of Influence, Harold BloomFrom the Anxiety of Influence, Harold Bloom
From the Anxiety of Influence, Harold Bloom
 
Elements of Comedy
Elements of Comedy Elements of Comedy
Elements of Comedy
 
Sheridan's art of characterization in ‘The Rival’
Sheridan's art of characterization in ‘The                     Rival’Sheridan's art of characterization in ‘The                     Rival’
Sheridan's art of characterization in ‘The Rival’
 
Nagamandala
Nagamandala Nagamandala
Nagamandala
 
An Essay of Dramatic Poesy -John dryden
An Essay of Dramatic Poesy -John drydenAn Essay of Dramatic Poesy -John dryden
An Essay of Dramatic Poesy -John dryden
 
Ode to Adversity by Thomas Gray
Ode to Adversity by Thomas GrayOde to Adversity by Thomas Gray
Ode to Adversity by Thomas Gray
 
THE WAY OF THE WORLD: WILLIAM CONGREVE
THE WAY OF THE WORLD: WILLIAM CONGREVETHE WAY OF THE WORLD: WILLIAM CONGREVE
THE WAY OF THE WORLD: WILLIAM CONGREVE
 
History of english drama
History of english dramaHistory of english drama
History of english drama
 
Characteristics and structure of comedy
Characteristics and structure of comedyCharacteristics and structure of comedy
Characteristics and structure of comedy
 
Plot , as first important part of Tragedy
Plot , as first important  part of Tragedy Plot , as first important  part of Tragedy
Plot , as first important part of Tragedy
 
The Renaissance Age
The Renaissance Age The Renaissance Age
The Renaissance Age
 
The age of shakespeare
The age of shakespeareThe age of shakespeare
The age of shakespeare
 
Origin and development of drama athens to medieval
Origin and development of drama  athens to medievalOrigin and development of drama  athens to medieval
Origin and development of drama athens to medieval
 

Ähnlich wie Thoughts On The Origin Of Drama Or The

Ähnlich wie Thoughts On The Origin Of Drama Or The (13)

Romanticism Essay
Romanticism EssayRomanticism Essay
Romanticism Essay
 
Humanities Subject
Humanities SubjectHumanities Subject
Humanities Subject
 
Poetry By Marianne Moore
Poetry By Marianne MoorePoetry By Marianne Moore
Poetry By Marianne Moore
 
Introduction to Protest Poetry
Introduction to Protest PoetryIntroduction to Protest Poetry
Introduction to Protest Poetry
 
Short And Long Term Memory Essay. Online assignment writing service.
Short And Long Term Memory Essay. Online assignment writing service.Short And Long Term Memory Essay. Online assignment writing service.
Short And Long Term Memory Essay. Online assignment writing service.
 
Literary Essay Topics
Literary Essay TopicsLiterary Essay Topics
Literary Essay Topics
 
Literature Essay
Literature EssayLiterature Essay
Literature Essay
 
21st Century Lit PPT [Autosaved].pptx
21st Century Lit PPT [Autosaved].pptx21st Century Lit PPT [Autosaved].pptx
21st Century Lit PPT [Autosaved].pptx
 
Classical criticism in eng lit. presentation
Classical criticism in eng lit. presentationClassical criticism in eng lit. presentation
Classical criticism in eng lit. presentation
 
Aristotle's Poetics
Aristotle's PoeticsAristotle's Poetics
Aristotle's Poetics
 
MBA Essay Sample
MBA Essay SampleMBA Essay Sample
MBA Essay Sample
 
A Narrative Essay Sample.pdf
A Narrative Essay Sample.pdfA Narrative Essay Sample.pdf
A Narrative Essay Sample.pdf
 
Poetry & Drama YA: 2007 version
Poetry & Drama YA: 2007 versionPoetry & Drama YA: 2007 version
Poetry & Drama YA: 2007 version
 

Mehr von iessantodomingo

El arte romano. mosaico y templos
El arte romano. mosaico y templosEl arte romano. mosaico y templos
El arte romano. mosaico y templosiessantodomingo
 
La biblioteca de Alejandría
La biblioteca de AlejandríaLa biblioteca de Alejandría
La biblioteca de Alejandríaiessantodomingo
 
Vida cotidiana en la Antigua Roma
Vida cotidiana  en la Antigua RomaVida cotidiana  en la Antigua Roma
Vida cotidiana en la Antigua Romaiessantodomingo
 
Alejandro Magno, por Israel Pauyata
Alejandro Magno, por Israel PauyataAlejandro Magno, por Israel Pauyata
Alejandro Magno, por Israel Pauyataiessantodomingo
 
La religión romana Mª Jesús
La religión romana  Mª JesúsLa religión romana  Mª Jesús
La religión romana Mª Jesúsiessantodomingo
 
La piqueta de un chiflado
La piqueta de un chifladoLa piqueta de un chiflado
La piqueta de un chifladoiessantodomingo
 
Titus Livius, por Álvaro Rojas
Titus Livius, por Álvaro RojasTitus Livius, por Álvaro Rojas
Titus Livius, por Álvaro Rojasiessantodomingo
 
Troya ardiendo, nos legó el verbo de Homero
Troya ardiendo, nos legó el verbo de HomeroTroya ardiendo, nos legó el verbo de Homero
Troya ardiendo, nos legó el verbo de Homeroiessantodomingo
 
Los edificios privados en la Antigua Roma Laura
Los edificios privados en la Antigua Roma LauraLos edificios privados en la Antigua Roma Laura
Los edificios privados en la Antigua Roma Lauraiessantodomingo
 
Los edificios públicos en la Antigua Roma Cris
Los edificios públicos en la Antigua Roma CrisLos edificios públicos en la Antigua Roma Cris
Los edificios públicos en la Antigua Roma Crisiessantodomingo
 

Mehr von iessantodomingo (20)

Quintiliano y Lucano
Quintiliano y LucanoQuintiliano y Lucano
Quintiliano y Lucano
 
El arte romano. mosaico y templos
El arte romano. mosaico y templosEl arte romano. mosaico y templos
El arte romano. mosaico y templos
 
Ovidio
OvidioOvidio
Ovidio
 
La biblioteca de Alejandría
La biblioteca de AlejandríaLa biblioteca de Alejandría
La biblioteca de Alejandría
 
Arte romano
Arte romanoArte romano
Arte romano
 
Edipo
EdipoEdipo
Edipo
 
Vida cotidiana en la Antigua Roma
Vida cotidiana  en la Antigua RomaVida cotidiana  en la Antigua Roma
Vida cotidiana en la Antigua Roma
 
Alejandro Magno, por Israel Pauyata
Alejandro Magno, por Israel PauyataAlejandro Magno, por Israel Pauyata
Alejandro Magno, por Israel Pauyata
 
La religión romana Mª Jesús
La religión romana  Mª JesúsLa religión romana  Mª Jesús
La religión romana Mª Jesús
 
La piqueta de un chiflado
La piqueta de un chifladoLa piqueta de un chiflado
La piqueta de un chiflado
 
Catulo por Violeta
Catulo por VioletaCatulo por Violeta
Catulo por Violeta
 
El ejercito romano rosa
El ejercito romano rosaEl ejercito romano rosa
El ejercito romano rosa
 
Alejandro Magno
 Alejandro Magno Alejandro Magno
Alejandro Magno
 
Titus Livius, por Álvaro Rojas
Titus Livius, por Álvaro RojasTitus Livius, por Álvaro Rojas
Titus Livius, por Álvaro Rojas
 
Troya ardiendo, nos legó el verbo de Homero
Troya ardiendo, nos legó el verbo de HomeroTroya ardiendo, nos legó el verbo de Homero
Troya ardiendo, nos legó el verbo de Homero
 
Minotauro
MinotauroMinotauro
Minotauro
 
Minotauro
MinotauroMinotauro
Minotauro
 
Los edificios privados en la Antigua Roma Laura
Los edificios privados en la Antigua Roma LauraLos edificios privados en la Antigua Roma Laura
Los edificios privados en la Antigua Roma Laura
 
Los edificios públicos en la Antigua Roma Cris
Los edificios públicos en la Antigua Roma CrisLos edificios públicos en la Antigua Roma Cris
Los edificios públicos en la Antigua Roma Cris
 
La guerra de Troya
La guerra de Troya La guerra de Troya
La guerra de Troya
 

Thoughts On The Origin Of Drama Or The

  • 1.
  • 2.
  • 3. The ancient Greeks thought that the poets were inspired by gods and they had a mission, the mission of teaching society. They taught ethic principles : balance, moderation, self-control... Winnig in a musical competition gave the poets fame, renown .
  • 4.
  • 5.
  • 6.  
  • 7. Here, there is no truth, there is no lie. It depends on the perspective. If you look at the draw as a whole, you’ll probably see a spiral. And if you look at only one curve line, you’ll probably see a circle . Which is usually our perspective ?
  • 8.  
  • 9. Humans usually look at a reality from the perspective of our own life experiences . And this is Relativism. Relativism supposes that a unique reality can be perceived in different ways by different people. So, we must learn to look at a reality from another point of view and speak up our opinions. … And the ancient poets took this an account.
  • 10. The ancient poets changed the old lyric poems into a new literary form, tragedy. They borrowed the heroes from epic poems and they showed them facing big fundamental problem, and having doubts, making mistakes, messing up, suffering and causing sufferings to others. They showed their souls. What was this for ?
  • 11. The tragic poets showed this for us to able to walk a mile in someone else ’s shoes, to able to look at a reality from another person ’ s point of view. Sorrow or death are only instruments. The essence of tragedy is that you can find out about important, fundamental subjects through the main character ’ s experience and find your own answers. There is no dogmatism. This is the essence of tragedy and the gist of my talk today.
  • 12.
  • 13. Finally, In my opinion, the ancient tragedy has three highlighted features. It is a lyrical, philosophical and popular genre. Nowadays, you can also find an art form with these three features: it’s the soul of the ancient drama, but at the cinema.