1. SURREALISM

2. P r e c e d e n t s
• In t h e fu n d a t io n o f D a d a is m g o t t o g e t h e r t h e
d e s e s p e ra t io n , a b o v e a ll t h e w o r ld s it u a t io n , t h e
p e r s o n a l d e c e p t io n o f t h e p a in t e r s le s s
c o n s id e ra t e d a n d t h e w is h o f ta k e t h e d ra w t h e
d e s t r u c t io n t h a t fo r t h e s e t im e p u n is h E u r o p e .
• T h e y u s e d w a y s t h a t s h o w a n e n d le s s
im a g in a t io n .
• F o r e x a m p le , P ic a b ia a n d h is m a c h in e s o r
D u c h a m p a n d t h e m o u s ta c h e o f t h e M o n a L is a .

3. A n d r é B r e to n
• T h a n k s t o A n d r é B re t o n , t h e D a d a is m w a s
b e tt e r. H e t h o u g h t t h e p o s s ib ilit y o f t a k e t h e
s y s t e m o f t h e p s y c o a n a lis m t o t h e a r t .
• T h is w a s t h e c o n c lu s io n : t h e s u r re a lis m w a n t s
t o s h o w t h e d r e a m s w o r ld .

4. S o m e a r t is t s
P a u l D e lv a u x
M a rc e l D u c h a m p
P a u l K le e
K a n d in s k y

5. OTHERS
PERSPECTIVES
OF SURREALISM

6. CHAGALL

7. DE CHIRICO

8. MAGRITTE