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Light as a Model for Fourier Analysis of

                Complex Sound Waves
                          Heather M. Whitney, Ph.D.
                            Wheaton College (IL)




Email: heathermwhitney@gmail.com Twitter: @hbarw   Web: heathermwhitney.com
The Scenario


∗ Physics of Music course (PHYS205)
∗ Targeted towards conservatory students (but many
  other students, including a few physics majors!)
∗ Course description: Physics of Music. Basic concepts of
  sound and acoustics; vibrations, waves, fundamentals
  and overtones, musical scales, harmony, noise, physical
  and physiological production, and detection of sound
  waves; acoustical properties of materials and
  enclosures.
Major learning objective


∗ Students should understand and be able to describe
  the principles of
  ∗ Pitch ( frequency)
  ∗ Loudness ( amplitude)
  ∗ Timbre ( waveform)
Objective



                                                         To help
                                                         students
                                                         understand
                                                         this…

Image credit: http://method-behind-the-music.com/mechanics/physics
Objective



                                                         …and this…




Image credit: Johan Sundberg, The Acoustics of the Singing Voice
Objective



            …and this…
without knowing the math behind this…




Image credit: http://www.revisemri.com/questions/creating_an_image/fourier_transform
…and hopefully without this
     misconception.




        IMAGE CREDIT:
        HTTP://XKCD.COM/26/
How?


∗ Help non-majors understand the Fourier transform
  process using the analogy of light.
Fourier’s Theorem (1822)
  Any periodic wave can be synthesized by the sum of a
    fundamental and its harmonics.


Observed waves can be made up of unseen
components that can be identified using tools
appropriate to the phenomena. These tools separate
the waves into their components, and their different
amplitudes and frequencies can then be observed.
Strategy: (1) use examples from light to
introduce students to the function of the
             Fourier transform

 ∗ Prisms
 ∗ Emission Spectra
Prisms




Image credit: Flickr user williamcromar
Emission Spectra




Image credit: http://www.microscopy.olympus.eu/microscopes/39_9171.htm
Emission Spectra




Image credit: Andrew M. C. Dawes   Image credit: Flickr user kudesai1971
Strategy: (2) Follow up by having
       students construct waves


∗ Use the PhET simulation
  http://phet.colorado.edu/en/simulation/fourier
∗ Activity available online at
  http://heathermwhitney.com/resources/
Conclusion


∗ A course on the physics of music can utilize ways of
  knowing about waves from other fields, such as optics, as
  well as activities associated with that discipline, to help
  students better understand the function of the Fourier
  transform, which contributes to the understanding of
  waveforms (and timbre.)
Thank you!



  Heather M. Whitney, Ph.D.
    Wheaton College (IL)
   Heathermwhitney.com
heathermwhitney@gmail.com
          @hbarw

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Light as a Model for Fourier Analysis of Complex Sound Waves

  • 1. Light as a Model for Fourier Analysis of Complex Sound Waves Heather M. Whitney, Ph.D. Wheaton College (IL) Email: heathermwhitney@gmail.com Twitter: @hbarw Web: heathermwhitney.com
  • 2. The Scenario ∗ Physics of Music course (PHYS205) ∗ Targeted towards conservatory students (but many other students, including a few physics majors!) ∗ Course description: Physics of Music. Basic concepts of sound and acoustics; vibrations, waves, fundamentals and overtones, musical scales, harmony, noise, physical and physiological production, and detection of sound waves; acoustical properties of materials and enclosures.
  • 3. Major learning objective ∗ Students should understand and be able to describe the principles of ∗ Pitch ( frequency) ∗ Loudness ( amplitude) ∗ Timbre ( waveform)
  • 4. Objective To help students understand this… Image credit: http://method-behind-the-music.com/mechanics/physics
  • 5. Objective …and this… Image credit: Johan Sundberg, The Acoustics of the Singing Voice
  • 6. Objective …and this…
  • 7. without knowing the math behind this… Image credit: http://www.revisemri.com/questions/creating_an_image/fourier_transform
  • 8. …and hopefully without this misconception. IMAGE CREDIT: HTTP://XKCD.COM/26/
  • 9. How? ∗ Help non-majors understand the Fourier transform process using the analogy of light.
  • 10. Fourier’s Theorem (1822) Any periodic wave can be synthesized by the sum of a fundamental and its harmonics. Observed waves can be made up of unseen components that can be identified using tools appropriate to the phenomena. These tools separate the waves into their components, and their different amplitudes and frequencies can then be observed.
  • 11. Strategy: (1) use examples from light to introduce students to the function of the Fourier transform ∗ Prisms ∗ Emission Spectra
  • 12. Prisms Image credit: Flickr user williamcromar
  • 13. Emission Spectra Image credit: http://www.microscopy.olympus.eu/microscopes/39_9171.htm
  • 14. Emission Spectra Image credit: Andrew M. C. Dawes Image credit: Flickr user kudesai1971
  • 15. Strategy: (2) Follow up by having students construct waves ∗ Use the PhET simulation http://phet.colorado.edu/en/simulation/fourier ∗ Activity available online at http://heathermwhitney.com/resources/
  • 16.
  • 17.
  • 18. Conclusion ∗ A course on the physics of music can utilize ways of knowing about waves from other fields, such as optics, as well as activities associated with that discipline, to help students better understand the function of the Fourier transform, which contributes to the understanding of waveforms (and timbre.)
  • 19. Thank you! Heather M. Whitney, Ph.D. Wheaton College (IL) Heathermwhitney.com heathermwhitney@gmail.com @hbarw