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American
Social Realism
     Nicole Fude
  Lindsay Magaldi
   Grant Mckinney
What is it?
Mainly focuses on lower-class Americans in urban
settings, and on their hardships and
surroundings


Attempts to create art that is truly American in
subject and style (rather than copying European
innovations and movements)


Rejects the abstract styles that many modern art
movements utilized


Mediums include, but not limited to,
photography, prints, etchings, and of course,
different methods of painting like oil and
Social Realism was developed as a reaction
against idealism and the exaggerated ego
encouraged by Romanticism. Consequences of
the Industrial Revolution became apparent;
urban centers grew, slums proliferated on a
new scale contrasting with the display of
wealth of the upper classes. With a new
sense of social consciousness, the Social
Realists pledged to “fight the beautiful
art”, any style which appealed to the eye
or emotions.
●   They focused on the ugly realities of
●   contemporary life and sympathized with
●   working-class people, particularly the
●   poor. They recorded what they saw (“as it
●   existed”) in a dispassionate manner. The
●   public was outraged by Social Realism, in
●   part, because they didn't know how to look
●   at it or what to do with it
Two American
   Realist Movements
Social Realism        Scene Painting/Regionalism
Focuses on lower-
classes, particularly Focuses on settings and
those of New York     objects distinctly
Immigrants and        identifiable as American
laborers are common
subjects
                      Often depicts farmers and
Draws attention to    their work
poor living
conditions
                      Champions values such as
Often promoted
communist
                      hard work and independence
sentiment
                      Promotes American patriotism and
Compare/Contrast
          Social Realism                Regionalism




Dorothea Lange, Migrant Mother   Grant Wood, American Gothic
             (1936)                       (1930)
Influences on Social
        Realism
Robert Henri and his Ashcan Artists hold
the "Independent Exhibit of Artists" in
1910, with many paintings depicting New
York City and the lower classes.


The Progressive Era brought "muckrakers",
journalists who went to great lengths to
find the truth and to spread awareness of
social problems.


Finally, the Great Depression convinced
many that capitalism had failed. It also
inspired some artists to portray the
hardship around them.
Diego Rivera
Born in Mexico in 1886, died in 1957

Helped found the Communist Party in Mexico

Mainly a painter of murals that portrayed
the everyday life and work of the lower
class

One famous mural displayed in the Detroit
Institute of Art is Detroit Industry (1933)
Detroit Industry, 1933
The Arsenal, 1928
Edward Hopper
Born in 1882, died in 1967

One of Robert Henri's students,
 but he considered himself
 separate from the "Ashcans"

Preferred to paint scenes with
very few people depicted
Girl at Sewing Machine, 1921
Automat 1927
Dorothea Lange
Born in 1895, died in 1965

Worked as a photographer during
 the Depression, documenting the
 plight of the poor and homeless
Migrant Mother, 1936
The White Angel Breadline, 1933
Ben Shahn
Born in Lithuania in 1898, died in 1969.


As such, he had a lot of sympathy for
 immigrants, demonstrated by his series of
 paintings known as The Passion of Sacco
 and Vanzetti


Worked with Dorothea Lange during the
 Depression, taking photos to document the
 poverty
The Passion of Sacco and Vanzetti, 1932
Lest We Forget, 1937
Reginald Marsh
Born in France in 1898, died in 1954

Portrayed lots of New York street
 life

Also had a fondness for portraying
 women in provocative positions
●   Usherette, 1939
The Park Bench, 1932
Jacob Lawrence
Born in 1917, died in 2000.


Lawrence's paintings are less "realistic"
 than that of other social realists


He created "sets" of paintings, almost like
 a comic strip


He based many paintings on his experiences
 and his observations in Harlem
Carpenters, 1977
The Migration of the Negro, panel 1, 1941

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Copyof socialrealism.pptx

  • 1. American Social Realism Nicole Fude Lindsay Magaldi Grant Mckinney
  • 2. What is it? Mainly focuses on lower-class Americans in urban settings, and on their hardships and surroundings Attempts to create art that is truly American in subject and style (rather than copying European innovations and movements) Rejects the abstract styles that many modern art movements utilized Mediums include, but not limited to, photography, prints, etchings, and of course, different methods of painting like oil and
  • 3. Social Realism was developed as a reaction against idealism and the exaggerated ego encouraged by Romanticism. Consequences of the Industrial Revolution became apparent; urban centers grew, slums proliferated on a new scale contrasting with the display of wealth of the upper classes. With a new sense of social consciousness, the Social Realists pledged to “fight the beautiful art”, any style which appealed to the eye or emotions.
  • 4. They focused on the ugly realities of ● contemporary life and sympathized with ● working-class people, particularly the ● poor. They recorded what they saw (“as it ● existed”) in a dispassionate manner. The ● public was outraged by Social Realism, in ● part, because they didn't know how to look ● at it or what to do with it
  • 5. Two American Realist Movements Social Realism Scene Painting/Regionalism Focuses on lower- classes, particularly Focuses on settings and those of New York objects distinctly Immigrants and identifiable as American laborers are common subjects Often depicts farmers and Draws attention to their work poor living conditions Champions values such as Often promoted communist hard work and independence sentiment Promotes American patriotism and
  • 6. Compare/Contrast Social Realism Regionalism Dorothea Lange, Migrant Mother Grant Wood, American Gothic (1936) (1930)
  • 7. Influences on Social Realism Robert Henri and his Ashcan Artists hold the "Independent Exhibit of Artists" in 1910, with many paintings depicting New York City and the lower classes. The Progressive Era brought "muckrakers", journalists who went to great lengths to find the truth and to spread awareness of social problems. Finally, the Great Depression convinced many that capitalism had failed. It also inspired some artists to portray the hardship around them.
  • 8. Diego Rivera Born in Mexico in 1886, died in 1957 Helped found the Communist Party in Mexico Mainly a painter of murals that portrayed the everyday life and work of the lower class One famous mural displayed in the Detroit Institute of Art is Detroit Industry (1933)
  • 11. Edward Hopper Born in 1882, died in 1967 One of Robert Henri's students, but he considered himself separate from the "Ashcans" Preferred to paint scenes with very few people depicted
  • 12. Girl at Sewing Machine, 1921
  • 14. Dorothea Lange Born in 1895, died in 1965 Worked as a photographer during the Depression, documenting the plight of the poor and homeless
  • 16. The White Angel Breadline, 1933
  • 17. Ben Shahn Born in Lithuania in 1898, died in 1969. As such, he had a lot of sympathy for immigrants, demonstrated by his series of paintings known as The Passion of Sacco and Vanzetti Worked with Dorothea Lange during the Depression, taking photos to document the poverty
  • 18. The Passion of Sacco and Vanzetti, 1932
  • 20. Reginald Marsh Born in France in 1898, died in 1954 Portrayed lots of New York street life Also had a fondness for portraying women in provocative positions
  • 21. Usherette, 1939
  • 23. Jacob Lawrence Born in 1917, died in 2000. Lawrence's paintings are less "realistic" than that of other social realists He created "sets" of paintings, almost like a comic strip He based many paintings on his experiences and his observations in Harlem
  • 25. The Migration of the Negro, panel 1, 1941