9. You can use SPACEBAR
and + -
SPACEBAR
1.Repeat "make path" and
Command + -
"pull back"
” path” “ ”
Making the whole thing up
to the starting point
6. ” path” “ ”
13. ³ visit http://www.flickr.com/creativecommons/
and search vintage background or background...
²
d
x ture an n
e r the te olor whe
Consid ility of c
b
t he suita ackground
b
se lecting
¦
1. Download background
14. ²
1. File/ New
²¼ W$Y O
Ð OZ]^
8 Ð
K
3.
Width: 210
Height: 297
Resolution:150
2. Create new page
15. ¦
1.Select poster
2. Select Place
3. background
Ð M
¼O
:V
K
3. Placing background
16.
1. Hold
Option+Shift
2. Double
Click to
confirm
4. Enlarge background
17. × 3.Click 4.Click the image and
1.Select
move tools drag to background
B01_cliped.psd
2. back to
the portrait
5.Transfer portrait to the background
18. 1.the image has been
placed on background
canvas
2. Edit / Free
Transform
6. Free transform
19. ! 1. reduce the 2. Double click to
image size to fit confirm
background
Hold
Shift
7. change size to fit background
20. "
1.Download file u can search
Yo
(ai) or use
you r own !
provided
ackgro und!
“newspaper.ai” b
8. visit http://www.vecteezy.com/gallery
21. #
2. Select
“newspaper.ai”
1. File/ Place
3. Click “OK”
9. place newspaper.ai
22. ³¾
2. Change the
newspaper under
layer 1
1. enlarge it to fit
the background
3. Layer/ Rasterize
(newspaper layer)
10. place newspaper at the back
23. ³³
1. Image /
Adjustment /
Invert
2. it changes to
white
11. Invert background
24. ³²
1. change the
opacity to 34%
12. Change the opacity
25. ³¦
3. Change
Saturation to
“-50”
5. Option+click
2. Select “Hue/ this line to make
Saturation” the adjustment
layer apply to
Layer 1 only
1. Click
“adjustment 4. Click layers
Layer”
13. Change image saturation
26. ³
3. Click brush
5. Paint her
1. Select this face
layer 4. Make sure
the
foreground
color is black
2. add layer
mask
14. remove head
27. ³×
2. Select cup.ai
1. File / Place
3. Place
15. Place “cup.ai”
28. ³
1. Click “OK” 2. adjust size
and position
16. Place the cup in front of her head
54. PORTFOLIO PART A
• Introduce yourself • Digital image I
ex01 2% ex07 5%
• Photography composition • Community Photography
ex02 3% ex08 10%
• Light and shadow • Digital image II
ex03 10% ex09 5%
• Pinhole photo • Night Photography
ex04 10% ex10 5%
• Landscape / portraits • Digital image III
ex05 10% ex11 5%
• Events
ex06 5%
55. PORTFOLIO PART B
• Artistic investigation, • A4 digital print
experimental works, idea
development, critical • Color photograph (8x10)
reflection, evaluation of
works produced and • Back/ white photograph
photography activities in (8x10)
secondary school
57. Portrait
• Laden with ambiguity and uncertainty
• Contemporary artists to explore issues of
identity – national, personal or sexual
• the questioning or exploration of self and
identity through a literal representation
of what somebody looks like
58. Using the formulaic appearance of certain types of photographs
continuously questioned the construction of femininity in contemporary society.
Cindy Sherman
http://www.cindysherman.com/
61. Devon Aoki
Nick knight
http://www.nickknight.com/main.html
62. Landscape
• Coinciding with voyages, colonization,
exploration and settlement
• the camera enabled travelers to control
the unknown visually so that sense could
be made of it within terms of reference
that were more easily understood.
64. capturing the intersection between landscape and the city in this untamed oasis hidden away and unknown to most.
Joel Sternfeld
65. Object
• Is a thing to be treasured, looked at,
cared for or even fetishized.
• The very act of photographing something
makes it special and indeed its
significance and our understanding of it
can change dramatically once it is turned
into a subject.
66. reverberate with the traditions of seventeenth-century Dutch painting but
remain resoundingly photographic because of the distinctive angles at which
the images are taken.
Laura Letinsky
67. Captures the beauty of ordinary moments which we often ignore.
Rinko Kawauchi
68. uses photographs as art works in their own right and also to document his
interventionist sculptures and performances.
Gabriel Orozco
69. The use of long exposures and strict compositional rules makes his
photographic process slow and meditative.
Hiroshi Sugimoto
70. his images are titled generically this history is not given to the viewer. Playing
with the traditional understanding of a photograph as a faithful transcription of
the world, demand creates a tension between the artificial and the real.
Thomas Demand
71. City
• the camera was the perfect medium for
urban spaces, allowing the photographer
to walk the streets choosing what to
capture and what to leave, slowing the
world down by purposely stopping and
clicking as the world rushed byx
72. They show his admiration for the unexpected
natural beauty found in urban spaces but also the
sense of strangeness or alienation that the act of
photographing a scene can produce.
Naoya Hatakeyama
74. Front Page
• Name:
• Student No.
• Mobile No.
• Date.
75. Content Page
• Part A Class
Work
• Part B Thematic
Work
76. Photography /
Part A (Class work)
• Class Work
name
• Put your class
work here (less
than A4 size)
• provide some
caption here
77. Photography /
Part B /
Artistic investigation
• Rough ideas
Sketching
• Images on
Magazine
• Photocopies of
old book images
• Images on visual
diary
78. Photography /
Part B /
Experimental works
• more process
variables (or
factors) in order
to observe the
effect the
changes have
on one or more
response
variables.
79. Photography /
Part B /
Idea development
• Mind Mapping
• BrainStorming
• Convergent
Thinking
• SCAMPER
82. Photography /
Part B /
bigger
Final Work
•
could be
Digital Print
use photoshop for
composition or color
correction
Size may
• Color Print
directly output from
film or digital file
• Black and White
Print
output from film and
using darkroom
