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What Have You Learned?
Watercolor Fundamentals
Glenn Hirsch, Instructor
www.glennhirsch.com
Andrew Wyeth
What does
‘glazing’ mean?
Andrew Wyeth, watercolor
Kevin Dame, student
What does ‘reserving the white’ mean?
Work from light to dark, reserving the white paper where you want white color
Andrew Wyeth, watercolor
J.M.W. Turner, 1840
What does ‘aerial
perspective’ mean?
John Singer Sargent, 1900
How have you learned
to use the brush this
semester?
Stamping
Rolling
Scratching
Dry Brush
Wet-in-Wet
Wet-over-dry
Square watercolor
brush
Tiny ‘script’ brush
Spikey bamboo Sumi
brush
Claude Lorraine, ink, 1630
Georgia O’Keeffe, watercolor, 1920
What about light and
shadow?
Joseph Raphael, 1980
Louise Stanley, watercolor 1996
Student study of Winslow Homer
Why care about warm and
cool versions of the same
color?
Greenish blues?
Purplish blues?
Duller? Brighter?
Raoul Dufy, watercolor, 1920
Elizabeth Peyton, watercolor, 1995
Claes
Oldenberg,
watercolor
study for a
monumental
sculpture
Emile Nolde, watercolor 1930
Emile Nolde, watercolor 1930
Emile Nolde, 1920
Charles Demuth, 1920
Robert Bechtel, watercolor, 1985
How patient are you?
How good is your
drawing?
Robert Bechtel, watercolor, 1985
Oh my god!
Gustav Moreau, watercolor, 1885
Make/believe.
You make it.
You believe in it.
Do you have to
follow the
photograph?
think with watercolor
Eugene
Delacroix,
1835
Study for a
large oil
painting
Berthe
Morisot,
watercolor
study, 1885
Field study,
watercolor, 1850
Raoul Dufy, watercolor, 1910
How
spontaneous are
you?
Oskar Kokoschka, watercolor, 1930
John Singer Sargent, watercolor, 1910
Mark Rothko
Fred Martin
Fred Martin

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