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Interactive Narratives:  Creating the Future Of Storytelling SXSW Interactive | March 14, 2011
Hashtag:@rivernarratives Page 2Developedby: Robert Pratten, TransmediaStoryteller.com
Contents Introduction: Defining and Creating an Interactive Narrative…………..4 Andrew Lewellen – Content Strategist, Razorfish “The Three Little Pigs”: Authoring an iPadApp…………………………10 Josh Koppel – Founder, ScrollMotion The Role of Social Media in Interactive Storytelling……………………28 Esther Lim - Founder, The Estuary, LLC Participation: Why, What & How…….……………………………………38 Robert Pratten – CEO, TransmediaStoryteller.com Summary…….………………………………………………………………56
Introduction:        Defining and Creating an Interactive Narrative Andrew Lewellen Content Strategist, Razorfish
What Is An Interactive Narrative? Page 5Developedby: Andrew Lewellen, Razorfish
What Is An Interactive Narrative? An Interactive Narrative ,[object Object]
This could be a mobile app, a print book, a web site.  Or nothing more than a sheet of paper with a Central Dramatic Question, story arc, plot, and character sketches.Page 6Developedby: Andrew Lewellen, Razorfish
What Is An Interactive Narrative? An Interactive Narrative ,[object Object]
This could be a mobile app, a print book, a web site.  Or nothing more than a sheet of paper with a Central Dramatic Question, story arc, plot, and character sketches.
Has a social narrative
The lives of the characters expand into a shared social space where the audience can learn more about them and become more engaged with the story.Page 7Developedby: Andrew Lewellen, Razorfish
What Is An Interactive Narrative? An Interactive Narrative ,[object Object]
This could be a mobile app, a print book, a web site.  Or nothing more than a sheet of paper with a Central Dramatic Question, story arc, plot, and character sketches.
Has a social narrative
The lives of the characters expand into a shared social space where the audience can learn more about them and become more engaged with the story.
Integrates and encourages audience participation
The plot moves outside of the core story and utilizes a social dialogue to engage readers with the story and its outcome. Page 8Developedby: Andrew Lewellen, Razorfish
What Is An Interactive Narrative? A dynamic story that allows for personalized engagement and narrows the gap between writer and reader.  Page 9Developedby: Andrew Lewellen, Razorfish
“The Three Little Pigs”        Authoring an iPad App Josh Koppel  Founder, ScrollMotion
The Original Experience Page 11Developedby: Josh Koppel, ScrollMotion
Page 12Developedby: Josh Koppel, ScrollMotion
Page 13Developedby: Josh Koppel, ScrollMotion
Page 14Developedby: Josh Koppel, ScrollMotion
Page 15Developedby: Josh Koppel, ScrollMotion
Page 16Developedby: Josh Koppel, ScrollMotion
Page 17Developedby: Josh Koppel, ScrollMotion
Page 18Developedby: Josh Koppel, ScrollMotion
Revising the Story Assets ,[object Object],Page 19Developedby: Josh Koppel, ScrollMotion
Step 1: Asset Assessment Image Characteristics ,[object Object]
450 x 420
Vertical Orientation
Public Domain ContentPage 20Developedby: Josh Koppel, ScrollMotion
Step 1: Asset Assessment Text Characteristics ,[object Object]
One paragraph per pageAudio Characteristics ,[object Object]
MP3 FilesPage 21Developedby: Josh Koppel, ScrollMotion
Step 2: Visual Layout Page 22Developedby: Josh Koppel, ScrollMotion
Step 2: Visual Layout Page 23Developedby: Josh Koppel, ScrollMotion
Step 2: Visual Layout Page 24Developedby: Josh Koppel, ScrollMotion
Step 2: Visual Layout Page 25Developedby: Josh Koppel, ScrollMotion
Step 2: Visual Layout Page 26Developedby: Josh Koppel, ScrollMotion
Step 3:  Extra Features Encourage Personalized Engagement ,[object Object]
Record Your Own AudioPage 27Developedby: Josh Koppel, ScrollMotion
The Role of Social Media  in Interactive Storytelling  Esther Lim Founder, The Estuary, LLC
The Role of Social Media in Interactive Storytelling  Esther Lim Founder, The Estuary, LLC
Social Media as a narrative/engagement platform Summary Social Media is a content layering tool to provide extra content to fans When used as an alternate narrative platform, Social Media can: ,[object Object]
Extend the primary story through exploration of additional standalone yet related story universes
Engage audiences by bringing the fictional world into the real world through social interaction, shared experiences and co-authorshipPage 30Developed by: The Estuary, LLC
How do you use social media as a narrative platform? Character/Scene development with social profiles/blogs ,[object Object],Page 31Developed by: The Estuary, LLC
How do you use social media as a narrative platform? Character/Scene development with social profiles/blogs ,[object Object],Page 32Developed by: The Estuary, LLC
How do you use social media as a narrative platform? Character/Scene development with social profiles/blogs ,[object Object],Page 33Developed by: The Estuary, LLC
How do you use social media as a narrative platform? Character/Scene development with social profiles/blogs ,[object Object],Page 34Developed by: The Estuary, LLC
How do you use social media as a narrative platform? Activate audience participation ,[object Object]
Use social mobile media to drive readers to specific locations for more content discoveryPage 35Developed by: The Estuary, LLC
Benefits of using social media in your narrative Audience Connection and Engagement ,[object Object]
Community Building: Friendships and community forms around shared experiences
Engagement/Co-Authorship: Opportunity for readers to share ideas about the story that can later be integrated into future story developmentPage 36Developed by: The Estuary, LLC
Benefits of using social media in your narrative Marketing and Promotion ,[object Object]
Content syndication/sharing: Good stories create social cache and are shared across friend/fan networks
Improves search engine discoverability: More mentions, hyperlinks, tags and discussions drives better search engine visibility
Audience acquisition: Multiple storytelling platforms create more entry points for entering and engaging with the story and its community of readersPage 37Developed by: The Estuary, LLC
Getting started with social media narrative How do I know if social media is right for my story? Understand your audience and how they consume content Design the level of reader participation you want to build  Identify the best social media platforms for your story/character Build natural entry points (“rabbit holes”) in the story that lead to alternate supporting narratives Leverage platform features to augment story experience Write the experience for all three tiers of content consumers:  ,[object Object]

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Sxsw 2011 interactive_narratives_creating_the_future_of_storytelling

  • 1. Interactive Narratives: Creating the Future Of Storytelling SXSW Interactive | March 14, 2011
  • 2. Hashtag:@rivernarratives Page 2Developedby: Robert Pratten, TransmediaStoryteller.com
  • 3. Contents Introduction: Defining and Creating an Interactive Narrative…………..4 Andrew Lewellen – Content Strategist, Razorfish “The Three Little Pigs”: Authoring an iPadApp…………………………10 Josh Koppel – Founder, ScrollMotion The Role of Social Media in Interactive Storytelling……………………28 Esther Lim - Founder, The Estuary, LLC Participation: Why, What & How…….……………………………………38 Robert Pratten – CEO, TransmediaStoryteller.com Summary…….………………………………………………………………56
  • 4. Introduction: Defining and Creating an Interactive Narrative Andrew Lewellen Content Strategist, Razorfish
  • 5. What Is An Interactive Narrative? Page 5Developedby: Andrew Lewellen, Razorfish
  • 6.
  • 7. This could be a mobile app, a print book, a web site. Or nothing more than a sheet of paper with a Central Dramatic Question, story arc, plot, and character sketches.Page 6Developedby: Andrew Lewellen, Razorfish
  • 8.
  • 9. This could be a mobile app, a print book, a web site. Or nothing more than a sheet of paper with a Central Dramatic Question, story arc, plot, and character sketches.
  • 10. Has a social narrative
  • 11. The lives of the characters expand into a shared social space where the audience can learn more about them and become more engaged with the story.Page 7Developedby: Andrew Lewellen, Razorfish
  • 12.
  • 13. This could be a mobile app, a print book, a web site. Or nothing more than a sheet of paper with a Central Dramatic Question, story arc, plot, and character sketches.
  • 14. Has a social narrative
  • 15. The lives of the characters expand into a shared social space where the audience can learn more about them and become more engaged with the story.
  • 16. Integrates and encourages audience participation
  • 17. The plot moves outside of the core story and utilizes a social dialogue to engage readers with the story and its outcome. Page 8Developedby: Andrew Lewellen, Razorfish
  • 18. What Is An Interactive Narrative? A dynamic story that allows for personalized engagement and narrows the gap between writer and reader. Page 9Developedby: Andrew Lewellen, Razorfish
  • 19. “The Three Little Pigs” Authoring an iPad App Josh Koppel Founder, ScrollMotion
  • 20. The Original Experience Page 11Developedby: Josh Koppel, ScrollMotion
  • 21. Page 12Developedby: Josh Koppel, ScrollMotion
  • 22. Page 13Developedby: Josh Koppel, ScrollMotion
  • 23. Page 14Developedby: Josh Koppel, ScrollMotion
  • 24. Page 15Developedby: Josh Koppel, ScrollMotion
  • 25. Page 16Developedby: Josh Koppel, ScrollMotion
  • 26. Page 17Developedby: Josh Koppel, ScrollMotion
  • 27. Page 18Developedby: Josh Koppel, ScrollMotion
  • 28.
  • 29.
  • 32. Public Domain ContentPage 20Developedby: Josh Koppel, ScrollMotion
  • 33.
  • 34.
  • 35. MP3 FilesPage 21Developedby: Josh Koppel, ScrollMotion
  • 36. Step 2: Visual Layout Page 22Developedby: Josh Koppel, ScrollMotion
  • 37. Step 2: Visual Layout Page 23Developedby: Josh Koppel, ScrollMotion
  • 38. Step 2: Visual Layout Page 24Developedby: Josh Koppel, ScrollMotion
  • 39. Step 2: Visual Layout Page 25Developedby: Josh Koppel, ScrollMotion
  • 40. Step 2: Visual Layout Page 26Developedby: Josh Koppel, ScrollMotion
  • 41.
  • 42. Record Your Own AudioPage 27Developedby: Josh Koppel, ScrollMotion
  • 43. The Role of Social Media in Interactive Storytelling Esther Lim Founder, The Estuary, LLC
  • 44. The Role of Social Media in Interactive Storytelling Esther Lim Founder, The Estuary, LLC
  • 45.
  • 46. Extend the primary story through exploration of additional standalone yet related story universes
  • 47. Engage audiences by bringing the fictional world into the real world through social interaction, shared experiences and co-authorshipPage 30Developed by: The Estuary, LLC
  • 48.
  • 49.
  • 50.
  • 51.
  • 52.
  • 53. Use social mobile media to drive readers to specific locations for more content discoveryPage 35Developed by: The Estuary, LLC
  • 54.
  • 55. Community Building: Friendships and community forms around shared experiences
  • 56. Engagement/Co-Authorship: Opportunity for readers to share ideas about the story that can later be integrated into future story developmentPage 36Developed by: The Estuary, LLC
  • 57.
  • 58. Content syndication/sharing: Good stories create social cache and are shared across friend/fan networks
  • 59. Improves search engine discoverability: More mentions, hyperlinks, tags and discussions drives better search engine visibility
  • 60. Audience acquisition: Multiple storytelling platforms create more entry points for entering and engaging with the story and its community of readersPage 37Developed by: The Estuary, LLC
  • 61.
  • 63. Die Hard FanAllow enough ramp up time (4-6 weeks) for character integration into a community. Relationships are not built overnight. Page 38Developed by: The Estuary, LLC
  • 64. Esther LimFounder, The Estuary, LLC esther@theestuarysf.com www.theestuarysf.com @geekgrl or @theestuarysf Page 39Developed by: The Estuary, LLC
  • 65. Participation: Why, What & How Robert Pratten CEO, Transmedia Storyteller.com
  • 66. Summary Leave a door open Good stories work with or without interactivity Build on what you know Structure for enthusiasm Page 41Developedby: Robert Pratten, TransmediaStoryteller.com
  • 67. Why bother with participation? The business case lower costs marketing is integrated into the product (as it should be) increased sales social recommendation & spread empowerment of advocates engagement is measurable The creative case audience interaction is thrilling and addictive Page 42Developedby: Robert Pratten, TransmediaStoryteller.com
  • 68. How do I do it? Objective: Make it easy Make it worthwhile, meaningful, fun Steps Sketch the experience you want to create (consider artistic and commercial scenarios) Layer your story for different levels of enthusiasm such that it works for the lazy and rewards the fan Page 43Developedby: Robert Pratten, TransmediaStoryteller.com
  • 69. Make it easy Page 44Developedby: Robert Pratten, TransmediaStoryteller.com
  • 70. Incentivize participation Page 45Developedby: Robert Pratten, TransmediaStoryteller.com
  • 71. Layering your story Page 46Developedby: Robert Pratten, TransmediaStoryteller.com
  • 72. Additional content for fans Page 47Developedby: Robert Pratten, TransmediaStoryteller.com
  • 73. Content for attraction Page 48Developedby: Robert Pratten, TransmediaStoryteller.com
  • 74. Layers united by story Page 49Developedby: Robert Pratten, TransmediaStoryteller.com
  • 75. Examples Lowlifes.tv solo participation QR codes offer additional subplot email-based (alternative reality) game Horror Unlimited short story play with friends two-player twitter game 3 Interactive Pigs play in teams multiplayer interactive storytelling Page 50Developedby: Robert Pratten, TransmediaStoryteller.com
  • 76. 3 Interactive Pigs Strong authorship (story is on rails) but… Audience decides outcome at plot points House of Straw, House of Sticks, House of Bricks Pigs vs Wolf – you decide! Do the pigs live or die? Why bother? Fun to create and fun to play Facilitate social play which strengthens relationships raise awareness of other (paid) media Reward fans Page 51Developedby: Robert Pratten, TransmediaStoryteller.com
  • 77. 3 Interactive Pigs in Layers Page 52Developedby: Robert Pratten, TransmediaStoryteller.com
  • 78. Call To Action Page 53Developedby: Robert Pratten, TransmediaStoryteller.com
  • 79. Layered Engagement Page 54Developedby: Robert Pratten, TransmediaStoryteller.com
  • 80. Poking friends Matchword used to trigger Conducttr - tells @BigBadWolf_2011 to send a tweet to these friends Page 55Developedby: Robert Pratten, TransmediaStoryteller.com
  • 81. Summary Leave a door open Good stories work with or without interactivity Build on what you know Structure for enthusiasm Lower costs Increased sales Page 56Developedby: Robert Pratten, TransmediaStoryteller.com
  • 82. Start writing for audience engagement: www.tstoryteller.com Robert PrattenCEO TransmediaStoryteller.com @zenfilms or @tstoryteller
  • 84.
  • 85. Has a social narrative.
  • 86. Integrates and encourages audience participation.
  • 87. Is a dynamic story that allows for personalized engagement and narrows the gap between writer and reader. Page 59Developedby: Andrew Lewellen, Razorfish