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Memories	
  of	
  Sand	
  
5th	
  Media	
  Art	
  History	
  2013	
  |	
  Re:new	
  
Riga,	
  Latvia	
  
Giselle	
  Beiguelman	
  
University	
  of	
  Sao	
  Paulo	
  -­‐	
  Brasil	
  
	
  
	
  
MEMORY	
  HAS	
  BECAME	
  A	
  PRIMARY	
  
ASPECT	
  OF	
  THE	
  EVERYDAY	
  LIFE	
  	
  
A	
  FETISH	
  HAS	
  BEEN	
  MADE	
  OF	
  
“MEMORY”	
  AS	
  A	
  “THING”	
  	
  
MEMORY	
  BECAME	
  	
  
A	
  CORPORATE	
  ISSUE	
  
SAVE	
  YOURSELF	
  IF	
  YOU	
  CAN	
  
	
  
on the web
YOUTUBE	
  =	
  100	
  HS	
  VIDEOS	
  
	
  
FLICKR	
  =	
  3025	
  PHOTOS	
  	
  
INSTAGRAM	
  =	
  3600	
  
	
  
650	
  MI	
  =>	
  POSTS	
  
350	
  MI	
  =>	
  IMAGES	
  
24H	
  AT	
  FACEBOOK	
  
Datasphere	
  
•  Way	
  Back	
  Machine	
  (1996	
  –	
  2013)	
  
–  10	
  petabytes	
  	
  

•  Library	
  of	
  Congress	
  (1815	
  –	
  2013)	
  
–  32	
  terabytes	
  (books)	
  
–  03	
  petabytes	
  (all	
  repository)	
  
	
  
»  1	
  PETABYTE	
  =	
  250	
  THOUSANDS	
  FULL	
  DVDs	
  
	
  
POLITICS	
  OF	
  INFORMATION	
  AND	
  
MEMORY	
  TECHNOLOGIES	
  
Portrait	
  of	
  Pope	
  Julius	
  II.	
  c.1512	
  -­‐	
  Raphael	
  
Portrait	
  of	
  Queen	
  Maria	
  Luisa	
  18th-­‐	
  Goya	
  
Luis	
  XIV	
  
Hyacinthe	
  Rigaud	
  
1701	
  
Instead	
  of	
  causing	
  us	
  to	
  remember	
  the	
  past	
  like	
  
the	
  old	
  monuments,	
  the	
  new	
  monuments	
  seem	
  
to	
  cause	
  us	
  to	
  forget	
  the	
  future.(..)	
  They	
  are	
  not	
  
built	
  for	
  the	
  ages,	
  but	
  rather	
  against	
  the	
  ages.	
  
(…)	
  Both	
  past	
  and	
  future	
  are	
  placed	
  into	
  an	
  
objecdve	
  present.	
  (…)	
  Time	
  becomes	
  a	
  place	
  
minus	
  modon.	
  If	
  dme	
  is	
  a	
  place,	
  then	
  
innumerable	
  places	
  are	
  possible.	
  Rather	
  than	
  
saying,	
  “What	
  dme	
  is	
  it?”	
  we	
  should	
  say,	
  “Where	
  
is	
  the	
  dme?”	
  
Robert	
  Smithson.	
  Entropy	
  and	
  the	
  New	
  Monuments	
  (1966)	
  
TKS	
  
WWW.DESVIRTUAL.COM	
  
TWT/INSTAGRAM:	
  @GBEIGUELMAN	
  
FACEBOOK/GBEIGUELMAN	
  
	
  
	
  

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Memories of Sand. MAH - 2013 (Giselle Beiguelman, University of Sao Paulo)

  • 1. Memories  of  Sand   5th  Media  Art  History  2013  |  Re:new   Riga,  Latvia   Giselle  Beiguelman   University  of  Sao  Paulo  -­‐  Brasil      
  • 2.
  • 3. MEMORY  HAS  BECAME  A  PRIMARY   ASPECT  OF  THE  EVERYDAY  LIFE    
  • 4.
  • 5. A  FETISH  HAS  BEEN  MADE  OF   “MEMORY”  AS  A  “THING”    
  • 6.
  • 7. MEMORY  BECAME     A  CORPORATE  ISSUE  
  • 8.
  • 9.
  • 10. SAVE  YOURSELF  IF  YOU  CAN    
  • 11.
  • 13. YOUTUBE  =  100  HS  VIDEOS    
  • 14. FLICKR  =  3025  PHOTOS    
  • 16. 650  MI  =>  POSTS   350  MI  =>  IMAGES   24H  AT  FACEBOOK  
  • 17.
  • 18. Datasphere   •  Way  Back  Machine  (1996  –  2013)   –  10  petabytes     •  Library  of  Congress  (1815  –  2013)   –  32  terabytes  (books)   –  03  petabytes  (all  repository)     »  1  PETABYTE  =  250  THOUSANDS  FULL  DVDs    
  • 19. POLITICS  OF  INFORMATION  AND   MEMORY  TECHNOLOGIES  
  • 20. Portrait  of  Pope  Julius  II.  c.1512  -­‐  Raphael  
  • 21. Portrait  of  Queen  Maria  Luisa  18th-­‐  Goya  
  • 22. Luis  XIV   Hyacinthe  Rigaud   1701  
  • 23.
  • 24. Instead  of  causing  us  to  remember  the  past  like   the  old  monuments,  the  new  monuments  seem   to  cause  us  to  forget  the  future.(..)  They  are  not   built  for  the  ages,  but  rather  against  the  ages.   (…)  Both  past  and  future  are  placed  into  an   objecdve  present.  (…)  Time  becomes  a  place   minus  modon.  If  dme  is  a  place,  then   innumerable  places  are  possible.  Rather  than   saying,  “What  dme  is  it?”  we  should  say,  “Where   is  the  dme?”   Robert  Smithson.  Entropy  and  the  New  Monuments  (1966)  
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