SlideShare ist ein Scribd-Unternehmen logo
1 von 11
Is this a Social Realist film?
Social Realism Genre ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Primary Focus on Macro Analysis ,[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SOCIAL REALIST FILMS – BORN & BRED IN BRITAIN Better than any other genre, social realism has shown us to ourselves, pushing the boundaries in the effort to put the experiences of real Britons on the screen, and shaping our ideas of what British cinema can be. While our cinema has experienced all the fluctuations in fortune of Hollywood, realism has been Britain's richest gift to world cinema.
Conventions of Social realism genre? SOCIAL REALISM MISE EN SCENE CAMERA SHOTS/MOVEMENT EDITING CHARACTERS THEMES/PLOT
CHARACTERS: Social Realist films have working class heroes often overcoming their situation and not doing just what is expected of them CAMERA: A raw use of camera movement – lots of handheld, POV and tracking shots to get the spectator in the action with the characters Many close ups to connote emotions EDITING: Cross cutting to link different characters storylines Continuity to aid realism Slower pace to reflect real life Simple cuts to aid realism – no effects Conventions of the Social Realist Genre
MISE EN SCENE Production Design:  Poverty stricken locations, city, urban, built up areas, estates and tower blocks which we associate with crime Lighting:  Dim natural lighting connoting daily life and all its misery Props:  Weapons, run down cars Costume:  Cheap, hoodies, streetwear, casual (unemployed/truanting) Space:  Built up areas, busy, gangs, lots of children in one family, one parent families THEMES/PLOT Wanting a better life and trying to achieve it Main protagonist will better themselves or try to  Focus is on young protagonist and their future Conventions of the Social Realist Genre
Using your key scene analysis from today’s lesson Write at least 3 PEEs for the following Q: How important is  location  to the films you have studied for this topic? (40) Point :  The main location of the estate used in Bullet Boy is important to the film’s storyline. Evidence :  The setting of the tower blocks connote many people living in one space with little money or options. Explain :  This allows the spectator to immediately engage with the aspirations of the main characters who want a better life for themselves and therefore turn to crime to achieve it which is a convention of the social realist genre.
Representation ,[object Object],? ?
Representation is not just limited to people ,[object Object],[object Object],[object Object]

Weitere ähnliche Inhalte

Was ist angesagt?

Final Neo noir
 Final Neo noir Final Neo noir
Final Neo noirCaxie
 
Task 3 2-2
Task 3 2-2Task 3 2-2
Task 3 2-2sb11550
 
Understanding Film Through Context
Understanding Film Through ContextUnderstanding Film Through Context
Understanding Film Through ContextKin Susansi
 
Why Genre Changes Over Time?
Why Genre Changes Over Time?Why Genre Changes Over Time?
Why Genre Changes Over Time?Fateh Khaled
 
Why do genres change over time
Why do genres change over timeWhy do genres change over time
Why do genres change over timeellymellish
 
Media evauluation 1236
Media evauluation 1236Media evauluation 1236
Media evauluation 1236bensinden
 
Intro tvdrama representation adaption
Intro tvdrama representation adaptionIntro tvdrama representation adaption
Intro tvdrama representation adaptionjonreigatemedia
 
Film noir genre breakdown
Film noir genre breakdownFilm noir genre breakdown
Film noir genre breakdownMorgan Andrews
 
WJEC - MS4 The Walking Dead - Industry and Audience
WJEC - MS4 The Walking Dead - Industry and AudienceWJEC - MS4 The Walking Dead - Industry and Audience
WJEC - MS4 The Walking Dead - Industry and AudienceElle Sullivan
 
The walking dead power point in progress - jake's slides (1)
The walking dead power point   in progress - jake's slides (1)The walking dead power point   in progress - jake's slides (1)
The walking dead power point in progress - jake's slides (1)Evelyn Marie
 

Was ist angesagt? (20)

Final Neo noir
 Final Neo noir Final Neo noir
Final Neo noir
 
Task 3 2-2
Task 3 2-2Task 3 2-2
Task 3 2-2
 
Understanding Film Through Context
Understanding Film Through ContextUnderstanding Film Through Context
Understanding Film Through Context
 
Introto genre
Introto genreIntroto genre
Introto genre
 
Why Genre Changes Over Time?
Why Genre Changes Over Time?Why Genre Changes Over Time?
Why Genre Changes Over Time?
 
Why do genres change over time
Why do genres change over timeWhy do genres change over time
Why do genres change over time
 
Nacho libre powerpoint
Nacho libre powerpointNacho libre powerpoint
Nacho libre powerpoint
 
Media evauluation 1236
Media evauluation 1236Media evauluation 1236
Media evauluation 1236
 
Community
CommunityCommunity
Community
 
Evaluation question 3
Evaluation question 3Evaluation question 3
Evaluation question 3
 
Intro tvdrama representation adaption
Intro tvdrama representation adaptionIntro tvdrama representation adaption
Intro tvdrama representation adaption
 
Film noir genre breakdown
Film noir genre breakdownFilm noir genre breakdown
Film noir genre breakdown
 
The pitch[1]
The pitch[1]The pitch[1]
The pitch[1]
 
Neo noir as a genre
Neo noir as a genreNeo noir as a genre
Neo noir as a genre
 
Neo noir
Neo noirNeo noir
Neo noir
 
WJEC - MS4 The Walking Dead - Industry and Audience
WJEC - MS4 The Walking Dead - Industry and AudienceWJEC - MS4 The Walking Dead - Industry and Audience
WJEC - MS4 The Walking Dead - Industry and Audience
 
Film noir ppt
Film noir pptFilm noir ppt
Film noir ppt
 
Neo-Noir
Neo-Noir Neo-Noir
Neo-Noir
 
The walking dead power point in progress - jake's slides (1)
The walking dead power point   in progress - jake's slides (1)The walking dead power point   in progress - jake's slides (1)
The walking dead power point in progress - jake's slides (1)
 
2 - Social
2 - Social2 - Social
2 - Social
 

Andere mochten auch

The history of the crime genre
The history of the crime genre The history of the crime genre
The history of the crime genre cerysjade98
 
Living with crime vers
Living with crime versLiving with crime vers
Living with crime versjwright61
 
SECTION B revision
SECTION B revisionSECTION B revision
SECTION B revisionfilmcgs
 
Genre film studies
Genre film studiesGenre film studies
Genre film studiesASFC-Steph
 
A2 Media Studies Revision Pack
A2 Media Studies Revision PackA2 Media Studies Revision Pack
A2 Media Studies Revision PackAndy Wallis
 

Andere mochten auch (9)

Crime genre
Crime genreCrime genre
Crime genre
 
Crime genre
Crime genreCrime genre
Crime genre
 
The history of the crime genre
The history of the crime genre The history of the crime genre
The history of the crime genre
 
Living with crime vers
Living with crime versLiving with crime vers
Living with crime vers
 
Genre
GenreGenre
Genre
 
SECTION B revision
SECTION B revisionSECTION B revision
SECTION B revision
 
Genre film studies
Genre film studiesGenre film studies
Genre film studies
 
A2 Media Studies Revision Pack
A2 Media Studies Revision PackA2 Media Studies Revision Pack
A2 Media Studies Revision Pack
 
Film Genres
Film GenresFilm Genres
Film Genres
 

Ähnlich wie Section b genre SECTION B

Social realism
Social realism Social realism
Social realism ToniL21
 
Codes and conventions
Codes and conventionsCodes and conventions
Codes and conventionst1995
 
Social realism 2nd
Social realism 2ndSocial realism 2nd
Social realism 2ndWealdsammie
 
Social realism research
Social realism researchSocial realism research
Social realism researchWealdsammie
 
Ltb representation SECTION B
Ltb representation SECTION BLtb representation SECTION B
Ltb representation SECTION Bfilmcgs
 
Evaluation question 3
Evaluation question 3Evaluation question 3
Evaluation question 3bethizatt1
 
British social realism 2
British social realism 2British social realism 2
British social realism 2jessicaricey
 
British social realism
British social realismBritish social realism
British social realismjessicaricey
 
Evaluation Question 1
Evaluation Question 1Evaluation Question 1
Evaluation Question 1ejmalta
 
City of god n tsotsi intro
City of god n tsotsi introCity of god n tsotsi intro
City of god n tsotsi introsofinabooka
 
Codes and conventions realism
Codes and conventions realismCodes and conventions realism
Codes and conventions realismsaffrondakota
 
Codes and conventions British social realism
Codes and conventions British social realism Codes and conventions British social realism
Codes and conventions British social realism saffrondakota
 
Genre research
Genre researchGenre research
Genre researchEricBowlby
 
I, Daniel Blake film Case Study
I, Daniel Blake film Case StudyI, Daniel Blake film Case Study
I, Daniel Blake film Case StudyElliePalmerBurgell
 

Ähnlich wie Section b genre SECTION B (20)

Bsr
BsrBsr
Bsr
 
Bsr1
Bsr1Bsr1
Bsr1
 
Social realism
Social realism Social realism
Social realism
 
social realism
social realismsocial realism
social realism
 
Fish Tank
Fish TankFish Tank
Fish Tank
 
Codes and conventions
Codes and conventionsCodes and conventions
Codes and conventions
 
Social realism 2nd
Social realism 2ndSocial realism 2nd
Social realism 2nd
 
Social realism research
Social realism researchSocial realism research
Social realism research
 
Ltb representation SECTION B
Ltb representation SECTION BLtb representation SECTION B
Ltb representation SECTION B
 
Film Essay Topics
Film Essay TopicsFilm Essay Topics
Film Essay Topics
 
Evaluation question 3
Evaluation question 3Evaluation question 3
Evaluation question 3
 
British social realism 2
British social realism 2British social realism 2
British social realism 2
 
British social realism
British social realismBritish social realism
British social realism
 
BSR Characteristics
BSR CharacteristicsBSR Characteristics
BSR Characteristics
 
Evaluation Question 1
Evaluation Question 1Evaluation Question 1
Evaluation Question 1
 
City of god n tsotsi intro
City of god n tsotsi introCity of god n tsotsi intro
City of god n tsotsi intro
 
Codes and conventions realism
Codes and conventions realismCodes and conventions realism
Codes and conventions realism
 
Codes and conventions British social realism
Codes and conventions British social realism Codes and conventions British social realism
Codes and conventions British social realism
 
Genre research
Genre researchGenre research
Genre research
 
I, Daniel Blake film Case Study
I, Daniel Blake film Case StudyI, Daniel Blake film Case Study
I, Daniel Blake film Case Study
 

Mehr von filmcgs

Year 12 music2
Year 12 music2Year 12 music2
Year 12 music2filmcgs
 
Year 12 music
Year 12 musicYear 12 music
Year 12 musicfilmcgs
 
Music industry g322
Music industry g322Music industry g322
Music industry g322filmcgs
 
Hardware
HardwareHardware
Hardwarefilmcgs
 
Rep of crime comp SECTION B
Rep of crime comp SECTION BRep of crime comp SECTION B
Rep of crime comp SECTION Bfilmcgs
 
Social realism as a genre SECTION B
Social realism as a genre SECTION BSocial realism as a genre SECTION B
Social realism as a genre SECTION Bfilmcgs
 
Film tc SECTION B
Film tc SECTION BFilm tc SECTION B
Film tc SECTION Bfilmcgs
 
Narrative SECTION B
Narrative SECTION BNarrative SECTION B
Narrative SECTION Bfilmcgs
 
Social realism as a genre 2 SECTION B
Social realism as a genre 2 SECTION BSocial realism as a genre 2 SECTION B
Social realism as a genre 2 SECTION Bfilmcgs
 
Bullet boy intro SECTION B
Bullet boy intro SECTION BBullet boy intro SECTION B
Bullet boy intro SECTION Bfilmcgs
 
British film lesson SECTION A
British film lesson SECTION ABritish film lesson SECTION A
British film lesson SECTION Afilmcgs
 
Section a revision SECTION A
Section a revision SECTION ASection a revision SECTION A
Section a revision SECTION Afilmcgs
 
Recap and funding SECTION A
Recap and funding SECTION ARecap and funding SECTION A
Recap and funding SECTION Afilmcgs
 
Kick ass case study SECTION A
Kick ass case study SECTION AKick ass case study SECTION A
Kick ass case study SECTION Afilmcgs
 
The british film industry 2 SECTION A
The british film industry 2 SECTION AThe british film industry 2 SECTION A
The british film industry 2 SECTION Afilmcgs
 
Kick Ass Case Study, CGS
Kick Ass Case Study, CGSKick Ass Case Study, CGS
Kick Ass Case Study, CGSfilmcgs
 
Marketing, CGS
Marketing, CGSMarketing, CGS
Marketing, CGSfilmcgs
 
Audiences P1, CGS
Audiences P1, CGSAudiences P1, CGS
Audiences P1, CGSfilmcgs
 
Producers And Audiences CGS
Producers And Audiences CGSProducers And Audiences CGS
Producers And Audiences CGSfilmcgs
 
Marketing Lesson, CGS
Marketing Lesson, CGSMarketing Lesson, CGS
Marketing Lesson, CGSfilmcgs
 

Mehr von filmcgs (20)

Year 12 music2
Year 12 music2Year 12 music2
Year 12 music2
 
Year 12 music
Year 12 musicYear 12 music
Year 12 music
 
Music industry g322
Music industry g322Music industry g322
Music industry g322
 
Hardware
HardwareHardware
Hardware
 
Rep of crime comp SECTION B
Rep of crime comp SECTION BRep of crime comp SECTION B
Rep of crime comp SECTION B
 
Social realism as a genre SECTION B
Social realism as a genre SECTION BSocial realism as a genre SECTION B
Social realism as a genre SECTION B
 
Film tc SECTION B
Film tc SECTION BFilm tc SECTION B
Film tc SECTION B
 
Narrative SECTION B
Narrative SECTION BNarrative SECTION B
Narrative SECTION B
 
Social realism as a genre 2 SECTION B
Social realism as a genre 2 SECTION BSocial realism as a genre 2 SECTION B
Social realism as a genre 2 SECTION B
 
Bullet boy intro SECTION B
Bullet boy intro SECTION BBullet boy intro SECTION B
Bullet boy intro SECTION B
 
British film lesson SECTION A
British film lesson SECTION ABritish film lesson SECTION A
British film lesson SECTION A
 
Section a revision SECTION A
Section a revision SECTION ASection a revision SECTION A
Section a revision SECTION A
 
Recap and funding SECTION A
Recap and funding SECTION ARecap and funding SECTION A
Recap and funding SECTION A
 
Kick ass case study SECTION A
Kick ass case study SECTION AKick ass case study SECTION A
Kick ass case study SECTION A
 
The british film industry 2 SECTION A
The british film industry 2 SECTION AThe british film industry 2 SECTION A
The british film industry 2 SECTION A
 
Kick Ass Case Study, CGS
Kick Ass Case Study, CGSKick Ass Case Study, CGS
Kick Ass Case Study, CGS
 
Marketing, CGS
Marketing, CGSMarketing, CGS
Marketing, CGS
 
Audiences P1, CGS
Audiences P1, CGSAudiences P1, CGS
Audiences P1, CGS
 
Producers And Audiences CGS
Producers And Audiences CGSProducers And Audiences CGS
Producers And Audiences CGS
 
Marketing Lesson, CGS
Marketing Lesson, CGSMarketing Lesson, CGS
Marketing Lesson, CGS
 

Section b genre SECTION B

  • 1. Is this a Social Realist film?
  • 2.
  • 3.
  • 4.
  • 5. SOCIAL REALIST FILMS – BORN & BRED IN BRITAIN Better than any other genre, social realism has shown us to ourselves, pushing the boundaries in the effort to put the experiences of real Britons on the screen, and shaping our ideas of what British cinema can be. While our cinema has experienced all the fluctuations in fortune of Hollywood, realism has been Britain's richest gift to world cinema.
  • 6. Conventions of Social realism genre? SOCIAL REALISM MISE EN SCENE CAMERA SHOTS/MOVEMENT EDITING CHARACTERS THEMES/PLOT
  • 7. CHARACTERS: Social Realist films have working class heroes often overcoming their situation and not doing just what is expected of them CAMERA: A raw use of camera movement – lots of handheld, POV and tracking shots to get the spectator in the action with the characters Many close ups to connote emotions EDITING: Cross cutting to link different characters storylines Continuity to aid realism Slower pace to reflect real life Simple cuts to aid realism – no effects Conventions of the Social Realist Genre
  • 8. MISE EN SCENE Production Design: Poverty stricken locations, city, urban, built up areas, estates and tower blocks which we associate with crime Lighting: Dim natural lighting connoting daily life and all its misery Props: Weapons, run down cars Costume: Cheap, hoodies, streetwear, casual (unemployed/truanting) Space: Built up areas, busy, gangs, lots of children in one family, one parent families THEMES/PLOT Wanting a better life and trying to achieve it Main protagonist will better themselves or try to Focus is on young protagonist and their future Conventions of the Social Realist Genre
  • 9. Using your key scene analysis from today’s lesson Write at least 3 PEEs for the following Q: How important is location to the films you have studied for this topic? (40) Point : The main location of the estate used in Bullet Boy is important to the film’s storyline. Evidence : The setting of the tower blocks connote many people living in one space with little money or options. Explain : This allows the spectator to immediately engage with the aspirations of the main characters who want a better life for themselves and therefore turn to crime to achieve it which is a convention of the social realist genre.
  • 10.
  • 11.