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Eleanor Jeffrey
GENRE ANALYSIS
DOCUMENTARY HISTORY AND
PURPOSE
Documentary
The purpose of a
documentary is to
document
Inform and Educate
• It primarily informs
and educates the
audience about a
specific subject/topic
Entertain
• Most documentaries
entertain which
attracts an audience
Documentaries are
truthful/factual
There are different
styles of
documentaries
John Grierson
JOHN GRIERSON
Coined the word
documentary
He defined it as ‘a
creative treatment
of actuality’
The purpose is to
document real life
situations in Britain
Shows the country at
work
• National identity
• Creates empathy
1930’s
General
post office
CONSTRUCTION VS REALITY
Different editing and the
selection of footage
• Footage is selected
which makes it less of
a reality as this can be
subjective.
Interviews are subjective.
Certain people are selected to
be interviewed.
The narration can have a
particular point of view
Setting and location is
also subjective which
can change the
perception of the
subject dissolving the
feature of reality
DOCUMENTARY TYPES
Fully Narrated
Fly on the wall
Mixed
Self reflexive
Docusoap
Docudrama
Voice over
narration
Direct mode of
address
Anchors the
visuals
Voice over
gives a sense of
authority
There is a host: you
see the narrator
Subject of the
documentary
acknowledges
the camera
Subjects speak directly
to the film maker
• Narration
• Observation
• interviews
Advanced
exposition
‘voice of god’
Style of news reporting
Real life events
Usually set
around a
workplace etc.
More focused on
what happens in
their daily life
Based on
speculation
Facts and real life events
An event that
has been rein
acted
All observation No interviews
or narration
The
camera
observes
the action
FEATURES OF A DOCUMENTARY
Observation
• Sequences of observation
• Filmed in a way that
suggests that the camera is
unseen or ignored by the
people taking part
• Places the audience in the
role of witnessing events
• Provides events for the
exposition
Interview
• Usually set up in a particular
format
• Interviewee responds to the
interviewer not the camera/
audience
• Usually with experts of the
topic/subject
• Cutaways used of other
footage to illustrate the
points
Dramatisation
• Drama is used in the observational footage by adding an
element of dramatic events
• Use it to portray people and events that producers cant
access in real life
Mise-en-scene
• Refers to things being ‘put in the shot
• Carefully composed to contain images that relate
to the subject and topic
• Filmmaker must use what already exists: no
sets/setups
• to advance the argument of the exposition the
documentary maker can still carefully compose a
shot so that it contains the images he or she wants
the audience to see.
Exposition
• The line of argument in a documentary
• made up of description combined with commentary
• The exposition is what the documentary is 'saying‘
• It may be either plain and direct or indirect and hidden. Nevertheless it always exists
• documentaries can be said to have strong evidence but weak exposition. Other
documentaries can be the reverse of this.
• usually serious but they can also use humour to make a point.
John corner

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Genre analysis

  • 2. DOCUMENTARY HISTORY AND PURPOSE Documentary The purpose of a documentary is to document Inform and Educate • It primarily informs and educates the audience about a specific subject/topic Entertain • Most documentaries entertain which attracts an audience Documentaries are truthful/factual There are different styles of documentaries John Grierson
  • 3. JOHN GRIERSON Coined the word documentary He defined it as ‘a creative treatment of actuality’ The purpose is to document real life situations in Britain Shows the country at work • National identity • Creates empathy 1930’s General post office
  • 4. CONSTRUCTION VS REALITY Different editing and the selection of footage • Footage is selected which makes it less of a reality as this can be subjective. Interviews are subjective. Certain people are selected to be interviewed. The narration can have a particular point of view Setting and location is also subjective which can change the perception of the subject dissolving the feature of reality
  • 5. DOCUMENTARY TYPES Fully Narrated Fly on the wall Mixed Self reflexive Docusoap Docudrama Voice over narration Direct mode of address Anchors the visuals Voice over gives a sense of authority There is a host: you see the narrator Subject of the documentary acknowledges the camera Subjects speak directly to the film maker • Narration • Observation • interviews Advanced exposition ‘voice of god’ Style of news reporting Real life events Usually set around a workplace etc. More focused on what happens in their daily life Based on speculation Facts and real life events An event that has been rein acted All observation No interviews or narration The camera observes the action
  • 6. FEATURES OF A DOCUMENTARY Observation • Sequences of observation • Filmed in a way that suggests that the camera is unseen or ignored by the people taking part • Places the audience in the role of witnessing events • Provides events for the exposition Interview • Usually set up in a particular format • Interviewee responds to the interviewer not the camera/ audience • Usually with experts of the topic/subject • Cutaways used of other footage to illustrate the points Dramatisation • Drama is used in the observational footage by adding an element of dramatic events • Use it to portray people and events that producers cant access in real life
  • 7. Mise-en-scene • Refers to things being ‘put in the shot • Carefully composed to contain images that relate to the subject and topic • Filmmaker must use what already exists: no sets/setups • to advance the argument of the exposition the documentary maker can still carefully compose a shot so that it contains the images he or she wants the audience to see. Exposition • The line of argument in a documentary • made up of description combined with commentary • The exposition is what the documentary is 'saying‘ • It may be either plain and direct or indirect and hidden. Nevertheless it always exists • documentaries can be said to have strong evidence but weak exposition. Other documentaries can be the reverse of this. • usually serious but they can also use humour to make a point. John corner