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From the field
                               Enhancing Online Student Engagement
Authors                          Engagement may be a precursor to meaningful interaction among classmates, and be-
                                 tween instructors and students. Disengaged students often have limited interaction
Beth Perry, Athabasca
University, Professor            with course materials. Online educators may need to deliberately incorporate learning
bethp@athabascau.ca              activities aimed at increasing student engagement. Arts-based learning activities can
Katherine J. Janzen, Mount       foster student social and academic engagement as they assist students and instruc-
Royal University, Assistant      tors in becoming more “real” to one another in the online learning milieu. Examples
Professor                        of arts-based learning activities that may facilitate student engagement include Photo
kjjanzen@mtroyal.ca              Cascades, “My” Music Moments, and Word Sculptures.
Margaret Edwards,
Athabasca University, Acting
Dean and Professor
marge@athabascau.ca            1.	Introduction
                               Student engagement potentially influences student success in online education. Engagement
                               comes in at least two forms – academic engagement and social engagement (Hu & Kuh,
Tags                           2002). Learners who are engaged academically are motivated to participate unreservedly
Distance Education, Student    in educationally-meaningful learning activities and see them through to completion (Brew-
engagement, Arts-based         ster & Fager, 2000). Socially engaged learners interact with peers and instructors in socially-
learning activities, Higher    meaningful ways (Hu & Kuh, 2002). Both social and academic engagement are important to
Education, Learning            student success (2002).
Technologies
                               In online education facilitating student engagement may require purposeful teacher-assisted
                               strategies. In face-to-face learning environments students are situated in the same physical
                               space and social engagement may occur naturally. However when classmates and instructors
                               are separated by distance, interaction and resulting social engagement may require deliber-
                               ate interventions by teachers. Likewise, academic engagement in online learning environ-
                               ments may be stimulated by providing learners with selected learning activities they find
                               motivating.

                               One limitation of online learning is the lack of a sense of the “real” (Janzen, Perry, & Ed-
                               wards, 2011). In other words, due to geographic separation that is part of online learning
                               students and instructors may experience a sense of isolation (lack of social engagement).
                               Course participants may not sense they know one another in meaningful ways. For some,
                               the experience of online learning may be distilled into sitting in front of a computer screen in
                               solitude. In this classroom of one, course participants may never feel they belong to a larger
                               educational community (Janzen, et al., 2011).

                               Student engagement, both social and academic, can be influenced by multiple factors in-
                               cluding course design, teaching methods, and nature of learning activities (Pike, Kuh, & Mc-
                               Cormick, 2011). The focus of this paper is on the use art-based learning activities to facilitate
                               engagement in online learning environments. Art-based learning activities are a category
                               of online teaching strategies founded in the arts (Perry & Edwards, 2010). These learning
                               activities may include elements of drama, music, visual art, or the literary (2010). In this pa-
                               per Photo Cascades, “My” Music Moments, and Word Sculptures learning activities are dis-



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                                                                                                                           1
From the field

cussed and their influence on social and academic engagement           to the cascade learning activity and students add questions to
described. The discussion section expands of why arts-based            further the discussion. The result of this learning activity is a
learning activities may enhance student engagement by explor-          collection of evocative images and reflective questions related
ing how these activities help learners meet their basic psycho-        to a course theme. The cascade is representative of the various
logical and intellectual needs.                                        class member perspectives on a theme, including the instructor
                                                                       and students. The questions and images are discussed by the
2.	 Learning Activities to Facilitate Student                          students in an online discussion forum. An example of a starter
                                                                       Photo Cascade is provided in Figure 1. The activity relates to the
    Engagement
                                                                       course theme of ethics.

2.1	 Photo Cascade
                                                                       2.2	 “My” Music Moments
The Photo Cascade learning activity is derived from photovoice.
Photovoice was first introduced by Wang and Burris (1997) as           Music is a powerful arts-based teaching tool that can be in-
a modality for participatory action research. Perry (2005) con-        cluded in online course learning activities in many ways. In the
ceptualized and developed photovoice as an online teaching             “My” Music Moments learning activity students are invited to
strategy to promote social engagement between students, and            choose a selection of music that appeals to them and that helps
between students and teachers (Perry & Edwards, 2006). Pho-            them in some way to further their thinking related to a course
tovoice uses purposefully selected visual images and affiliated        theme. For example, the lyrics of a particular song may focus on
reflective questions as an online teaching strategy and is based       course topics such as death, bereavement, birth, transitions, or
in the art of photography (2006).                                      dementia to name a few. Students are asked to choose a song
                                                                       related to a course theme that they find personally meaningful
Photo Cascade is a collection of photographic images focused           and to share that song and a written explanation regarding what
on a course theme. The first images in the cascade are provided        the song taught them in a course discussion forum. Websites
by the course instructor and students are invited to contribute        such as http://www.jamendo.com provide free legally down-
additional related images resulting in a cascade of images. Addi-      loadable music. Students can search the database on this and
tionally, the instructor contributes an initial reflective question    similar sites using keywords to find their “My” Music Moments
                                                                       selection.


   Select the image that helps you define ethics and explain your choice.
                                                                                          2.3	    Word Sculptures
                                                                                          Sculpture as an art-form may seem challeng-
                                                                                          ing to incorporate into online teaching and
                                                                                          learning. As technology becomes more so-
                                                                                          phisticated it may be possible for students to
                                                                                          produce virtual sculptures depicting course
                                                                                          topics. As not all students may have access to
                                                                                          3-D animation software used to create such
                                                                                          sculptured artifacts, a way to incorporable
                                                                                          sculpture in online learning activities using
                                                                                          tools accessible to all gave rise to the idea
                                                                                          of Word Sculptures. Sometimes these Word
                                                                                          Sculptures are called “wordles” or “word
                                                                                          clouds.” Students use free online software
                                                                                          located at http://www.wordle.net/ to sculpt
                                                                                          their chosen words related to a course topic
                                                                                          in to a word picture that they can share with
Figure 1: Example of Beginning Photo Cascade on the Theme of Ethics                       the class. For example, Figure 2 is a Word


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                                                                                                                                     2
From the field

                                                                    the topic under study. Students are most likely to succeed with
                                                                    learning activities that build on their existing knowledge and
                                                                    that provide them opportunities to apply what they are learn-
                                                                    ing to real-life situations.

                                                                    In several ways art-based learning activities challenge learners
                                                                    academically. For example, the Photo Cascade activity requires
                                                                    students to have (or acquire) knowledge related to the course
                                                                    theme to which the Photo Cascade is aligned. In order to make,
                                                                    and justify, their image choices and questions related to the
                                                                    Photo Cascade learners need to know key terms and theories
                                                                    related to the course theme. Learners use existing and newly
                                                                    acquired knowledge to participate in the Photo Cascade activity
                                                                    and in doing so their sense of competency grows. Because there
                                                                    are no “right” answers to the Photo Cascade activity, learners
                                                                    who participate will succeed. Again this contributes to their
                                                                    underlying self-confidence regarding the course topic and their
                                                                    sense of competency.


                                                                    3.2	 Connection with Others
                                                                    Arts-based learning interventions enhance human connec-
                                                                    tions in online classrooms and help participants form a sense
                                                                    of community in their online courses (Perry, Edwards, Menzies,
Figure 2: Word Sculpture on the Course Topic of Healthy Living      & Janzen, 2011). Establishing trust and respect among class
                                                                    participants is an important precursor to connections (Purkey,
                                                                    2007). Further, class members need to become acquainted with
Sculpture on the course topic of healthy living. Word Sculptures
                                                                    one another so that connections can be established. Sharing
shared in a course discussion forum generate considerable dis-
                                                                    self-created Word Sculptures, personally meaningful music se-
cussion among class members.
                                                                    lections, and images that represent their perspectives, reveals
                                                                    to their classmates their personal qualities, values, biases, and
3.	Discussion                                                       priorities. These art-based teaching strategies provide an ac-
These arts-based learning activities may enhance student en-        ceptable avenue for self-disclosure that allows familiarity to be
gagement because they help online learners meet their basic         enhanced. Class members (including the instructor) get to know
psychological and intellectual needs. Hu and Kuh concluded          one another. As students take risks, participate in challenging
that students need a sense of competency, connection with           activities, expose vulnerabilities and emotions, and find sharing
others, autonomy, and the opportunity for originality and self-     received non-judgementally by class colleagues, the sense of
expression (2007). Learners who achieve these needs are more        trust and respect is heightened and connections may be made.
likely to become socially and academically engaged in the online    Further, students reveal their own “stories” though their con-
learning experience.                                                tributions to these learning activities allowing fellow learners
                                                                    to discover shared hobbies, interests, and other commonalities
                                                                    that may help connections to form and strengthen.
3.1	 Sense of Competency
Students feel competent when they are presented with aca-
                                                                    3.3	Autonomy
demic challenges that are demanding but attainable. Learners
who participate in, and succeed, at learning activities gradu-      Skinner and Chi (2012) concluded that learners with a sense of
ally achieve a sense they are capable and competent regarding       autonomy are more academically engaged. Self-determination



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                                                                                                                                 3
From the field

theory purports that autonomy enhances intrinsic motivation             Word Sculptures are likely to be exactly the same. Additionally,
with autonomy defined as the “universal urge to be causal               students justify their choices to others in the course furthering
agents of one’s own life” (Deci & Ryan, 2002). A sense of au-           the originality of their contributions. The opportunity to share
tonomy can be facilitated in students by providing them choice.         one’s unique story enhances learner engagement in the online
In the learning activities discussed in this paper students can         learning environment (Xu, Park, & Baek, 2011).
choose to participate or not. Further learners who do partici-
pate choose images, music selections, and the words used in             4.	Conclusion
their individualized Word Sculptures. These opportunities for
choice facilitate a sense of autonomy leading to the potential          Learning environments affect student learning (Haigh, 2008).
for academic and social engagement. A positive cycle may be             Effective online learning environments include learning activi-
established. (see Figure 3)                                             ties designed to engage learners. There seems to be positive
                                                                                        relationships between learner engagement (so-
                                                                                        cial and academic engagement) and meaningful
                                                                                        interaction with others within the course and
                                                                                        with course materials and resources. As students
                                                                                        become more engaged they also interact more
                                                                                        often and in more meaningful ways.

                                                                                       Online educators are challenged to include
                                                                                       learning activities that help course participants
                                                                                       to become “real” to one another in the virtual
                                                                                       milieu. Becoming “real” further facilitates en-
                                                                                       gagement and interaction. Art-based learning
                                                                                       activities described in this paper may contribute
                                                                                       to this desired outcome.

                                                                                      Art-based learning activities of Photo Cascade,
                                                                                      “My” Music Moments, and Word Sculptures
                                                                                      may be effective in enhancing online learner
                                                                                      engagement in part because they help students
                                                                                      meet their basic psychological and intellectual
                                                                                      needs including a sense of competency, connec-
                                                                                      tion with others, autonomy, and the opportunity
                                                                                      for originality and self-expression (Kuh, 2007).
Figure 3: Choice-Autonomy-Motivation-Engagement Cycle
                                                                                      Further research related to possible associations
                                                                                      between online learner engagement (social and
3.4	 Opportunity for Originality and Self-                              academic) and art-based learning activities is required. Social
     Expression                                                         determination theory (Deci & Ryan, 2002) may provide a useful
                                                                        conceptual framework for these studies.
The arts provide an avenue for self-understanding and self-
expression (Ware, 2011). In some ways though participating in
Photo Cascade, “My” Music Moments, and Word Sculptures
learners are creating and sharing in the public forum of the
class community an autobiographical glimpse into their lives
and ways of thinking about the course topics. Students who par-
ticipate in these learning activities are sharing part of their per-
sonal life story. Each student makes an original contribution to
these learning activities as no two images, music selections or



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From the field


References                                                                  Perry, B., & Edwards, M., Menzies, C., & Janzen, K.
                                                                            (2011). Using Invitational Theory to Understand the Effectiveness of Ar-
Brewster, C., & Fager, J. (2000). Increasing student engagement             tistic Pedagogical Technologies in Creating an Invitational Classroom in
and motivation: From time-on-task to homework. Portland, OR:                the Online Educational Milieu. Proceedings of the 6th International
Northwest Regional Educational Laboratory.                                  Conference on e-Learning (ICEL), Kelowna, BC, June 27-28.

Deci, E., & Ryan, R. (Eds.), (2002). Handbook of self-determina-            Pike, G., Kuh, G., & McCormick, A. (2011). An investigation
tion research. Rochester, NY: University of Rochester Press.                of the contingent relationships between learning community par-
                                                                            ticipation and student engagement. Research in Higher Education,
Haigh, M. (2008). Coloring in the emotional language of place.
                                                                            52(3), 300-322. doi:10.1007/s11162-010-9192-1
Journal of Invitational Theory and Practice, 14, 25-40.
                                                                            Purkey, W. W. (2007). An introduction to invitational theory. Re-
Hu, S., & Kuh, G. D. (2002). Being (dis)engaged in education-
                                                                            trieved from www.invitationaleducation.net/ie/ie_intro2.htm
ally purposeful activities: The influences of student and institu-
tional characteristics. Research in Higher Education, 43, 555-575.          Skinner, E. A., Chi, U., & The Learning-Gardens Educa-
                                                                            tional Assessment Group, 1. (2012). Intrinsic motivation and
Janzen, K., Perry, B., & Edwards, M. (2011). Becoming real:
                                                                            engagement as “active ingredients” in garden-based education:
Using the artistic pedagogical technology of Photovoice as a
                                                                            Examining models and measures derived from self-determination
medium to becoming real to one another in the online environ-
                                                                            theory. Journal of Environmental Education, 43(1), 16-36. doi:10.108
ment. International Journal of Nursing Education Scholarship, 8(1),
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1-17. doi: 10.2202/1548-923X.2168
                                                                            Wang C., & Burris M. (1997). Photovoice: concept, methodol-
Perry, B. (2006). Using photographic images as an interactive
                                                                            ogy, and use for participatory needs assessment. Health Education
online teaching strategy. The Internet and Higher Education, 9(3),
                                                                            Behavior, 24, 369-387.
2229-40.
                                                                            Ware, L. (2011). When art informs: Inviting ways to see the
Perry, B., & Edwards, M. (2006). Exemplary educators: Creating
                                                                            unexpected. Learning Disability Quarterly, 34(3), 194-202. doi:I
a community of inquiry online. In Perspectives on Student Learning:
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Presence, Interaction and Animation. Open and Distance Learning
Association of Australia.                                                   Xu, Y., Park, H., & Baek, Y. (2011). A new approach toward
                                                                            digital storytelling: An activity focused on writing self-efficacy in
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Special Online Edition. Retrieved from http://teqjournal.org/
perry_edwards.html




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ISSN: 1887-1542
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Enhancing Online Student Engagement

  • 1. From the field Enhancing Online Student Engagement Authors Engagement may be a precursor to meaningful interaction among classmates, and be- tween instructors and students. Disengaged students often have limited interaction Beth Perry, Athabasca University, Professor with course materials. Online educators may need to deliberately incorporate learning bethp@athabascau.ca activities aimed at increasing student engagement. Arts-based learning activities can Katherine J. Janzen, Mount foster student social and academic engagement as they assist students and instruc- Royal University, Assistant tors in becoming more “real” to one another in the online learning milieu. Examples Professor of arts-based learning activities that may facilitate student engagement include Photo kjjanzen@mtroyal.ca Cascades, “My” Music Moments, and Word Sculptures. Margaret Edwards, Athabasca University, Acting Dean and Professor marge@athabascau.ca 1. Introduction Student engagement potentially influences student success in online education. Engagement comes in at least two forms – academic engagement and social engagement (Hu & Kuh, Tags 2002). Learners who are engaged academically are motivated to participate unreservedly Distance Education, Student in educationally-meaningful learning activities and see them through to completion (Brew- engagement, Arts-based ster & Fager, 2000). Socially engaged learners interact with peers and instructors in socially- learning activities, Higher meaningful ways (Hu & Kuh, 2002). Both social and academic engagement are important to Education, Learning student success (2002). Technologies In online education facilitating student engagement may require purposeful teacher-assisted strategies. In face-to-face learning environments students are situated in the same physical space and social engagement may occur naturally. However when classmates and instructors are separated by distance, interaction and resulting social engagement may require deliber- ate interventions by teachers. Likewise, academic engagement in online learning environ- ments may be stimulated by providing learners with selected learning activities they find motivating. One limitation of online learning is the lack of a sense of the “real” (Janzen, Perry, & Ed- wards, 2011). In other words, due to geographic separation that is part of online learning students and instructors may experience a sense of isolation (lack of social engagement). Course participants may not sense they know one another in meaningful ways. For some, the experience of online learning may be distilled into sitting in front of a computer screen in solitude. In this classroom of one, course participants may never feel they belong to a larger educational community (Janzen, et al., 2011). Student engagement, both social and academic, can be influenced by multiple factors in- cluding course design, teaching methods, and nature of learning activities (Pike, Kuh, & Mc- Cormick, 2011). The focus of this paper is on the use art-based learning activities to facilitate engagement in online learning environments. Art-based learning activities are a category of online teaching strategies founded in the arts (Perry & Edwards, 2010). These learning activities may include elements of drama, music, visual art, or the literary (2010). In this pa- per Photo Cascades, “My” Music Moments, and Word Sculptures learning activities are dis- ing earn eLearning Papers • ISSN: 1887-1542 • www.elearningpapers.eu eL ers 30 u ers.e gpap .elea rnin n.º 30 • September 2012 Pap www 1
  • 2. From the field cussed and their influence on social and academic engagement to the cascade learning activity and students add questions to described. The discussion section expands of why arts-based further the discussion. The result of this learning activity is a learning activities may enhance student engagement by explor- collection of evocative images and reflective questions related ing how these activities help learners meet their basic psycho- to a course theme. The cascade is representative of the various logical and intellectual needs. class member perspectives on a theme, including the instructor and students. The questions and images are discussed by the 2. Learning Activities to Facilitate Student students in an online discussion forum. An example of a starter Photo Cascade is provided in Figure 1. The activity relates to the Engagement course theme of ethics. 2.1 Photo Cascade 2.2 “My” Music Moments The Photo Cascade learning activity is derived from photovoice. Photovoice was first introduced by Wang and Burris (1997) as Music is a powerful arts-based teaching tool that can be in- a modality for participatory action research. Perry (2005) con- cluded in online course learning activities in many ways. In the ceptualized and developed photovoice as an online teaching “My” Music Moments learning activity students are invited to strategy to promote social engagement between students, and choose a selection of music that appeals to them and that helps between students and teachers (Perry & Edwards, 2006). Pho- them in some way to further their thinking related to a course tovoice uses purposefully selected visual images and affiliated theme. For example, the lyrics of a particular song may focus on reflective questions as an online teaching strategy and is based course topics such as death, bereavement, birth, transitions, or in the art of photography (2006). dementia to name a few. Students are asked to choose a song related to a course theme that they find personally meaningful Photo Cascade is a collection of photographic images focused and to share that song and a written explanation regarding what on a course theme. The first images in the cascade are provided the song taught them in a course discussion forum. Websites by the course instructor and students are invited to contribute such as http://www.jamendo.com provide free legally down- additional related images resulting in a cascade of images. Addi- loadable music. Students can search the database on this and tionally, the instructor contributes an initial reflective question similar sites using keywords to find their “My” Music Moments selection. Select the image that helps you define ethics and explain your choice. 2.3 Word Sculptures Sculpture as an art-form may seem challeng- ing to incorporate into online teaching and learning. As technology becomes more so- phisticated it may be possible for students to produce virtual sculptures depicting course topics. As not all students may have access to 3-D animation software used to create such sculptured artifacts, a way to incorporable sculpture in online learning activities using tools accessible to all gave rise to the idea of Word Sculptures. Sometimes these Word Sculptures are called “wordles” or “word clouds.” Students use free online software located at http://www.wordle.net/ to sculpt their chosen words related to a course topic in to a word picture that they can share with Figure 1: Example of Beginning Photo Cascade on the Theme of Ethics the class. For example, Figure 2 is a Word ing earn eLearning Papers • ISSN: 1887-1542 • www.elearningpapers.eu eL ers 30 u ers.e gpap .elea rnin n.º 30 • September 2012 Pap www 2
  • 3. From the field the topic under study. Students are most likely to succeed with learning activities that build on their existing knowledge and that provide them opportunities to apply what they are learn- ing to real-life situations. In several ways art-based learning activities challenge learners academically. For example, the Photo Cascade activity requires students to have (or acquire) knowledge related to the course theme to which the Photo Cascade is aligned. In order to make, and justify, their image choices and questions related to the Photo Cascade learners need to know key terms and theories related to the course theme. Learners use existing and newly acquired knowledge to participate in the Photo Cascade activity and in doing so their sense of competency grows. Because there are no “right” answers to the Photo Cascade activity, learners who participate will succeed. Again this contributes to their underlying self-confidence regarding the course topic and their sense of competency. 3.2 Connection with Others Arts-based learning interventions enhance human connec- tions in online classrooms and help participants form a sense of community in their online courses (Perry, Edwards, Menzies, Figure 2: Word Sculpture on the Course Topic of Healthy Living & Janzen, 2011). Establishing trust and respect among class participants is an important precursor to connections (Purkey, 2007). Further, class members need to become acquainted with Sculpture on the course topic of healthy living. Word Sculptures one another so that connections can be established. Sharing shared in a course discussion forum generate considerable dis- self-created Word Sculptures, personally meaningful music se- cussion among class members. lections, and images that represent their perspectives, reveals to their classmates their personal qualities, values, biases, and 3. Discussion priorities. These art-based teaching strategies provide an ac- These arts-based learning activities may enhance student en- ceptable avenue for self-disclosure that allows familiarity to be gagement because they help online learners meet their basic enhanced. Class members (including the instructor) get to know psychological and intellectual needs. Hu and Kuh concluded one another. As students take risks, participate in challenging that students need a sense of competency, connection with activities, expose vulnerabilities and emotions, and find sharing others, autonomy, and the opportunity for originality and self- received non-judgementally by class colleagues, the sense of expression (2007). Learners who achieve these needs are more trust and respect is heightened and connections may be made. likely to become socially and academically engaged in the online Further, students reveal their own “stories” though their con- learning experience. tributions to these learning activities allowing fellow learners to discover shared hobbies, interests, and other commonalities that may help connections to form and strengthen. 3.1 Sense of Competency Students feel competent when they are presented with aca- 3.3 Autonomy demic challenges that are demanding but attainable. Learners who participate in, and succeed, at learning activities gradu- Skinner and Chi (2012) concluded that learners with a sense of ally achieve a sense they are capable and competent regarding autonomy are more academically engaged. Self-determination ing earn eLearning Papers • ISSN: 1887-1542 • www.elearningpapers.eu eL ers 30 u ers.e gpap .elea rnin n.º 30 • September 2012 Pap www 3
  • 4. From the field theory purports that autonomy enhances intrinsic motivation Word Sculptures are likely to be exactly the same. Additionally, with autonomy defined as the “universal urge to be causal students justify their choices to others in the course furthering agents of one’s own life” (Deci & Ryan, 2002). A sense of au- the originality of their contributions. The opportunity to share tonomy can be facilitated in students by providing them choice. one’s unique story enhances learner engagement in the online In the learning activities discussed in this paper students can learning environment (Xu, Park, & Baek, 2011). choose to participate or not. Further learners who do partici- pate choose images, music selections, and the words used in 4. Conclusion their individualized Word Sculptures. These opportunities for choice facilitate a sense of autonomy leading to the potential Learning environments affect student learning (Haigh, 2008). for academic and social engagement. A positive cycle may be Effective online learning environments include learning activi- established. (see Figure 3) ties designed to engage learners. There seems to be positive relationships between learner engagement (so- cial and academic engagement) and meaningful interaction with others within the course and with course materials and resources. As students become more engaged they also interact more often and in more meaningful ways. Online educators are challenged to include learning activities that help course participants to become “real” to one another in the virtual milieu. Becoming “real” further facilitates en- gagement and interaction. Art-based learning activities described in this paper may contribute to this desired outcome. Art-based learning activities of Photo Cascade, “My” Music Moments, and Word Sculptures may be effective in enhancing online learner engagement in part because they help students meet their basic psychological and intellectual needs including a sense of competency, connec- tion with others, autonomy, and the opportunity for originality and self-expression (Kuh, 2007). Figure 3: Choice-Autonomy-Motivation-Engagement Cycle Further research related to possible associations between online learner engagement (social and 3.4 Opportunity for Originality and Self- academic) and art-based learning activities is required. Social Expression determination theory (Deci & Ryan, 2002) may provide a useful conceptual framework for these studies. The arts provide an avenue for self-understanding and self- expression (Ware, 2011). In some ways though participating in Photo Cascade, “My” Music Moments, and Word Sculptures learners are creating and sharing in the public forum of the class community an autobiographical glimpse into their lives and ways of thinking about the course topics. Students who par- ticipate in these learning activities are sharing part of their per- sonal life story. Each student makes an original contribution to these learning activities as no two images, music selections or ing earn eLearning Papers • ISSN: 1887-1542 • www.elearningpapers.eu eL ers 30 u ers.e gpap .elea rnin n.º 30 • September 2012 Pap www 4
  • 5. From the field References Perry, B., & Edwards, M., Menzies, C., & Janzen, K. (2011). Using Invitational Theory to Understand the Effectiveness of Ar- Brewster, C., & Fager, J. (2000). Increasing student engagement tistic Pedagogical Technologies in Creating an Invitational Classroom in and motivation: From time-on-task to homework. Portland, OR: the Online Educational Milieu. Proceedings of the 6th International Northwest Regional Educational Laboratory. Conference on e-Learning (ICEL), Kelowna, BC, June 27-28. Deci, E., & Ryan, R. (Eds.), (2002). Handbook of self-determina- Pike, G., Kuh, G., & McCormick, A. (2011). An investigation tion research. Rochester, NY: University of Rochester Press. of the contingent relationships between learning community par- ticipation and student engagement. Research in Higher Education, Haigh, M. (2008). Coloring in the emotional language of place. 52(3), 300-322. doi:10.1007/s11162-010-9192-1 Journal of Invitational Theory and Practice, 14, 25-40. Purkey, W. W. (2007). An introduction to invitational theory. Re- Hu, S., & Kuh, G. D. (2002). Being (dis)engaged in education- trieved from www.invitationaleducation.net/ie/ie_intro2.htm ally purposeful activities: The influences of student and institu- tional characteristics. Research in Higher Education, 43, 555-575. Skinner, E. A., Chi, U., & The Learning-Gardens Educa- tional Assessment Group, 1. (2012). Intrinsic motivation and Janzen, K., Perry, B., & Edwards, M. (2011). Becoming real: engagement as “active ingredients” in garden-based education: Using the artistic pedagogical technology of Photovoice as a Examining models and measures derived from self-determination medium to becoming real to one another in the online environ- theory. Journal of Environmental Education, 43(1), 16-36. doi:10.108 ment. International Journal of Nursing Education Scholarship, 8(1), 0/00958964.2011.596856. 1-17. doi: 10.2202/1548-923X.2168 Wang C., & Burris M. (1997). Photovoice: concept, methodol- Perry, B. (2006). Using photographic images as an interactive ogy, and use for participatory needs assessment. Health Education online teaching strategy. The Internet and Higher Education, 9(3), Behavior, 24, 369-387. 2229-40. Ware, L. (2011). When art informs: Inviting ways to see the Perry, B., & Edwards, M. (2006). Exemplary educators: Creating unexpected. Learning Disability Quarterly, 34(3), 194-202. doi:I a community of inquiry online. In Perspectives on Student Learning: 0.1177/0731948711417557 Presence, Interaction and Animation. Open and Distance Learning Association of Australia. Xu, Y., Park, H., & Baek, Y. (2011). A new approach toward digital storytelling: An activity focused on writing self-efficacy in Perry, B., & Edwards, M. (2010). Interactive teaching tech- a virtual learning environment. Journal of Educational Technology & nologies that facilitate the development of online learning com- Society, 14(4), 181-191. munities in nursing and health studies. Teacher Education Quarterly, Special Online Edition. Retrieved from http://teqjournal.org/ perry_edwards.html Edition and production Name of the publication: eLearning Papers Copyrights ISSN: 1887-1542 The texts published in this journal, unless otherwise indicated, are subject Publisher: elearningeuropa.info to a Creative Commons Attribution-Noncommercial-NoDerivativeWorks Edited by: P.A.U. Education, S.L. 3.0 Unported licence. They may be copied, distributed and broadcast pro- Postal address: c/Muntaner 262, 3r, 08021 Barcelona (Spain) vided that the author and the e-journal that publishes them, eLearning Phone: +34 933 670 400 Papers, are cited. Commercial use and derivative works are not permitted. Email: editorial@elearningeuropa.info The full licence can be consulted on http://creativecommons.org/licens- Internet: www.elearningpapers.eu es/by-nc-nd/3.0/ ing earn eLearning Papers • ISSN: 1887-1542 • www.elearningpapers.eu eL ers 30 u ers.e gpap .elea rnin n.º 30 • September 2012 Pap www 5