ELAICH - Educational Linkage Approach in Cultural Heritage.
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The integration of art, material and structure in built heritage
Elaich module 2 topic 2.3 - The integration of art, material and structure in built heritage
1. Educational Linkage Approach In Cultural Heritage Dr. Anna Lobovikov-Katz - Technion Israel Institute of Technology Knowing the built heritage Module 2 Basic Cour s e Teaching Material Topic 2 . 3 The integration of art, material and structure in built heritage Educational Toolkit
3. Dr. Anna Lobovikov-Katz - Technion Israel Institute of Technology Abstract Educational Linkage Approach In Cultural Heritage Buildings and other objects of the built heritage possess different values (see Module 1) and combine art, technology and material. Often structural elements whose primary role is to provide the building’s stability, are artistically shaped. In such cases structural elements have a dual function: technological/structural and artistic/ architectural. The current presentation is an overview of this subject. It explains and illustrates through examples, this “dual” aesthetical-technological role of structural elements, and the vice versa structural role of some architectural elements. It is targeted at developing a basic understanding of the integrity and mutual influence of art, material and structure in the built heritage.
4. Dr. Anna Lobovikov-Katz - Technion Israel Institute of Technology Educational Linkage Approach In Cultural Heritage Content of Topic 2.3 2.3 The integration of art, material and structure in built heritage 2.3.1. General introduction 2.3.2. Case studies: columns, arches, vaults, cupolas, etc. Content
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8. Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Supporting elements Corbels and cantilevers (elements protruding from the buildings) supporting balconies, galleries and other protruding parts, were often shaped as sculptural elements, and may be richly ornamented. In this example in Ljubljiana, Slovenia, structural elements are covered with plaster moldings, in accordance with traditional local building techniques and the architectural design of the period when it was built. 2.3.2. Case studies
9. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Supporting elements Corbels and cantilevers (elements protruding from the buildings) supporting balconies, galleries and other protruding parts, were often shaped as sculptural elements, and may be richly ornamented. They might be protruding parts of the stones built into the stone wall. They might be of a simple design, like these corbels supporting a functional element in the fortifications of the city walls of Jerusalem.
10. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Supporting elements Corbels and cantilevers (elements protruding from the buildings) supporting balconies, galleries and other protruding parts, were often shaped as sculptural elements, and may be richly ornamented. They might be protruding parts of the stones built into the stone wall. They might be of a simple design, like these corbels supporting a functional element in the fortifications of the city walls of Jerusalem.
11. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Supporting elements They might be protruding parts of the stones built into the stone wall. They might be of a simple design, like these consoles supporting fortifications elements of the Castle of Saumur, Val de Loire, France, built about 600 years ago. Corbels and cantilevers (elements protruding from the buildings) supporting balconies, galleries and other protruding parts, were often shaped as sculptural elements, and may be richly ornamented.
12. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Supporting elements These protruding parts of the stones built into the stone wall. They might have different shapes, like in this mediaeval design in France. Corbels and cantilevers (elements protruding from the buildings) supporting balconies, galleries and other protruding parts, were often shaped as sculptural elements, and may be richly ornamented.
13. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Supporting elements This single, seemingly always “small” element may have a tremendous influence on the image of the whole part of the city – traditionally Mediterranean protruding windows, supported by corbels, in La Valetta, Malta. Corbels and cantilevers (elements protruding from the buildings) supporting balconies, galleries and other protruding parts, were often shaped as sculptural elements, and may be richly ornamented.
14. Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Columns’ capitals The tops of columns traditionally have ‘capitals’ – a decorated part which is an intermediate element between the column and the load of the upper parts of the building. In different epochs they were shaped differently and there are a great number of remarkable capitals through the history of built heritage. 2.3.2. Case studies
15. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Columns’ capitals The tops of columns traditionally have ‘capitals’ – a decorated part which is an intermediate element between the column and the load of the upper parts of the building. In different epochs they were shaped differently and there are a great number of remarkable capitals through the history of built heritage.
16. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Columns and pilasters (half- or part-columns attached to the façade) were sometimes an integral part of the architecture of the entire building. Columns
17. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide In Villa Imperiale in Stra, Veneto, Italy, four figures of the central part of the façade combine the features of “sculptured” columns, or pilasters, while two corresponding details on the far left, and two on the far right from the entrance, are reduced to some version of corbels. Supporting elements/ columns/ pilasters
18. 2.3.2. Case studies Cultural Heritage: Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide One of the most famous examples in the history of architecture, is probably the sculptures-columns – cariatides - of the Erechtheion, Acropolis, Athens. Column=sculpture There are abundant examples of shaping a structural element as a sculpture – or, vice versa giving a sculpture a structural role of an element supporting a certain part of a building, the sculpture=column, has been known since ancient times.
19. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide This capital (upper part) of a column is shaped as a head of a woman. Actually, the whole column is a sculpture. “ Musikferein” - Society of the Friends of Music Building, Vienna, built in 1870. Column=sculpture
20. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide In a wider setting – the structure of the concert hall is based on columns and walls supporting beams and a flat ceiling “ Musikferein” - Society of the Friends of Music Building, Vienna, built in 1870. Column=sculpture
21. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide “ Musikferein” - Society of the Friends of Music Building, Vienna, built in 1870. In this building paintings cover structural surfaces – e.g. ceiling, walls, gallery. Painting
22. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Perfect acoustics “ Musikferein” - Society of the Friends of Music Building, Vienna, built in 1870. A unique combination of form, proportions, materials and decorative elements – including relative size and location of each part and element, resulted in excellent acoustics of this concert hall – one of the best in Europe. Decoration Materials Proportions
23. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Another type of structural system - vaults, are exposed here and are part of the design of this interior (inner) space. Two artistic-aesthetical factors here: decoration (painted surfaces of vaults) and the proportions of the vaults and ratio of their height and width to the other parts of this entrance space to the building. “ Musikferein” - Society of the Friends of Music Building, Vienna, built in 1870. Vaults’ decoration
24. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Vaults might be very complex. Physics (statics) of vaults may result in a structure of outstanding architectural/ aesthetical value. Vaults’ structure
25. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Vaults might be very complex. Physics (statics) of vaults may result in a structure of outstanding architectural/ aesthetical value. Vaults’ structure
26. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Vaults might be very complex. Physics (statics) of vaults may result in a structure of outstanding architectural/ aesthetical value. Vaults’ structure
27. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Vaults’ structure Vaults might be very complex. Physics (statics) of vaults may result in a structure of outstanding architectural/ aesthetical value, and of an important impact on the interior spaces of buildings and on the image of the city. San Marco Basilica and Palazzo Ducale, Venice
28. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Basilica Sant’ Apollinare Nuovo, Ravenna, Italy Bare vaults and arches without any decoration, might be of a significant architectural value, due to balanced proportions. Vaults and arches
29. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Basilica of San Vitale, Ravenna Bare vaults and arches without any decoration, might be of a significant architectural value, due to balanced proportions. Vaults and arches
30. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Shoenbrunn, Vienna This simple garden structure has no decorative architectural elements – its structure is its architectural aesthetics. Vaults and arches
31. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Venice And yet sometimes it is impossible to divide between the décor and the structure – the décor is the structure itself. The deliberate use of different materials create the color contrast in this building. Vaults and arches
32. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Venice The use of Domes in building construction enables coverage of large areas to achieve impressive heights and bring in the light from above. Due to these features, domes often play an important role in the architectural image of a city, and spaces covered by domes are focal points in the interior of these buildings. Domes
33. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide San Pietro Cathedral, Rome The use of Domes in building construction enables coverage of large areas to achieve impressive heights and bring in the light from above. Due to these features, domes often play an important role in the architectural image of a city, and spaces covered by domes are focal points in the interior of these buildings. Domes
34. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Arches, vaults, domes Arches, vaults and domes are often combined into one whole structure, like in this example, the Galleria Umberto in Naples (Napoli), Italy (initiated 1880-s) – one of the largest and most famous arcades in Italy. Its unique architectural aesthetics is steeped in the industrial use of metal and glass in building construction which spread widely at the end of the 19 th century.
35. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Décor and structure This façade is actually one large sculpture. Most of its sculptural décor does not bear structural function. However, its structural elements were provided a “sculptural finish” as well. Hotel De Ville, Grand Place, Brussels
36. 2.3.2. Case studies Educational Linkage Approach In Cultural Heritage Dr. A. Lobovikov-Katz, Arch. – Topic 2.3: The integration of art, material and structure in built Heritage Slide Structural integrity Structural integrity can be seen not only in the selected elements of the buildings. Structural systems influence the whole image of the building, e.g. early mediaeval vaults required solid thick walls which, in turn, resulted in small windows, while already in the Gothic period the development of the vaults allowed spatial vaults system bearing on columns rather than on walls, which was expressed in both interior and exterior (façades) of the buildings, etc. In this building in Venice, the architecture of the façade explains the load distribution of the whole structure – upper stories are “light” visually, while the lower part looks “heavy” because it has to bear all the weight of the upper stories.