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Textual Analysis
Sound in Film
 Sound which comes from the world of the
film (the diegesis).
 Any event which occurs on or off screen
which has a noise audible to the characters.
Includes:
 Dialogue
 Ambient Sounds
▪ Sound Effects
 Diegetic sound is a highly effective at
creating a sense of place and the nature of
events (environment).
 Scripted speech:
 Moves the story forward
▪ Emphasises events in the scene
 Develops the audience’s sense of character
▪ Creates relationships & tensions
 Scripted speech:
 Accent
 Delivery
 Vocabulary
 Sound which is not from any source within
the diegesis (world of the film) but is added
as an extra layer of sound in post production.
Includes:
▪ Music
▪ Voiceovers
The feel of the film
 Interpret (emotionally) a feeling or sensation
 Create or enhance audiences’ understanding of
and/or empathy with a key character.
 Echoes the nature of the place in which the
film is set:
 Scale
 Culture
 Mystery
 Wonder
 Gives a sense of pace to the sequence, allows
the audience to move follow the flow
(climaxes / lulls) of the sequence and the
overall film.
 Lyrics can be used in some cases to reflect
the theme(s) of the film.
 Position the audience with a particular
character
 Understand their mental state
 Give us narrative information
 Trick us – The untrustworthy narrator
 Popular or classical music
 Instrumentation
 Rhythm
 Tempo
 Volume
 Arrangement (Crescendos, Diminuendos)
 Parallel (matches emotions / events on
screen).
 Contrapuntal (contrasts / juxtaposes events /
emotions on screen).
 Used to link two sequences together and is
employed in conjunction with editing to
move the action in time or place or both.
 Can be diegetic or non diegetic sound.
 Character’s signature tune
 The quality of the sound changes depending
on the audiences’ positioning in events.
 Diegetic & Non-Diegetic can be made to fade into
the background or fore grounded depending on
the need / impact.

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Sound in Film

  • 3.  Sound which comes from the world of the film (the diegesis).  Any event which occurs on or off screen which has a noise audible to the characters. Includes:  Dialogue  Ambient Sounds ▪ Sound Effects
  • 4.  Diegetic sound is a highly effective at creating a sense of place and the nature of events (environment).
  • 5.  Scripted speech:  Moves the story forward ▪ Emphasises events in the scene  Develops the audience’s sense of character ▪ Creates relationships & tensions
  • 6.  Scripted speech:  Accent  Delivery  Vocabulary
  • 7.  Sound which is not from any source within the diegesis (world of the film) but is added as an extra layer of sound in post production. Includes: ▪ Music ▪ Voiceovers
  • 8. The feel of the film
  • 9.  Interpret (emotionally) a feeling or sensation
  • 10.  Create or enhance audiences’ understanding of and/or empathy with a key character.
  • 11.  Echoes the nature of the place in which the film is set:  Scale  Culture  Mystery  Wonder
  • 12.  Gives a sense of pace to the sequence, allows the audience to move follow the flow (climaxes / lulls) of the sequence and the overall film.
  • 13.  Lyrics can be used in some cases to reflect the theme(s) of the film.
  • 14.  Position the audience with a particular character  Understand their mental state  Give us narrative information  Trick us – The untrustworthy narrator
  • 15.  Popular or classical music  Instrumentation  Rhythm  Tempo  Volume  Arrangement (Crescendos, Diminuendos)
  • 16.  Parallel (matches emotions / events on screen).  Contrapuntal (contrasts / juxtaposes events / emotions on screen).
  • 17.  Used to link two sequences together and is employed in conjunction with editing to move the action in time or place or both.  Can be diegetic or non diegetic sound.
  • 19.  The quality of the sound changes depending on the audiences’ positioning in events.  Diegetic & Non-Diegetic can be made to fade into the background or fore grounded depending on the need / impact.

Hinweis der Redaktion

  1. Star Wars – Intro Orchestration – What sort of movie is this going to be?
  2. The Incredibles - http://www.youtube.com/watch?v=t5v2qBBD-gE Alien Ch 13 – The Dallas in the Duct / Air Vent – Listen to the diegetic sound and how they contribute to the atmosphere in the sequence
  3. No Country for Old Men – Call it Frendo: http://www.youtube.com/watch?v=OLCL6OYbSTw
  4. The Ipcress File: http://www.youtube.com/watch?v=pBCqP7R42K0
  5. Chariots of Fire: http://www.youtube.com/watch?v=Sd7s6C6apUM or Vertigo: http://www.youtube.com/watch?v=kC5AzFc3coo
  6. The Piano – The Sacrifice - http://www.youtube.com/watch?v=0Su8LXNS16A
  7. Last of the Mohicans - http://www.youtube.com/watch?v=ah9XCamPyKA- Listen to music which captures both the mystery, wonder & scale of frontier American, and also uses instrumentation that reflect the cultural sense of the place – Scottish Folk Music Blade Runner http://www.youtube.com/watch?v=deA6FU1TwtY – Listen to how the feel of the music reflect the glittering beauty of the city
  8. Star Wars – In the Death Star – Ch 37 – Orchestration shifts us between different stories within the narrative happening simultaneously
  9. Apocalypse Now – Scene One – The Doors This is the End
  10. Forrest Gump Memento
  11. Contrapuntal Sound – Increasing the Horror Revervoir Dogs – Stuck in the Middle - http://www.youtube.com/watch?v=oeVhxSSPsac Millers Crossing (Ch10) – Danny Boy Contrapuntal Sound – Lulling the audience Full Metal Jacket - http://www.youtube.com/watch?v=VEWnJ5SC0rk
  12. Jaws – The Ultimate lietmotif - http://www.youtube.com/watch?v=rW23RsUTb2Y The Man with no Name – The Final Show Down in The Good the Bad & The Ugly – Morricone interweaves three distinct leitmotifs
  13. Spiderman – Uncle Ben dies – Listen for the shifting in and out of diegetic sound to give us narrative information ‘They’ve found the shooter’ or to heighten jeopardy – trucks / whizzing noise during chase. Rodrigo e Gabriela - http://www.youtube.com/watch?v=LpI2JSn2o0A – Great shift in sound perspective half way through from record player to speakers