Z Score,T Score, Percential Rank and Box Plot Graph
Humanities 100 Sayre ch15 PowerPoint
1. Mark Rothko. Green on Blue.
1956. Oil on canvas. 91-1/4" x 64-3/8".
Collection of the University of Arizona Museum of Art, Tucson,
Gift of E. Gallagher, Jr. Acc. 64.1.1. [Fig. 15.1]
2. Duane Hanson. Supermarket Shopper.
1970. Polyester resin and various media. Height: 65".
Neue Galerie – Sammlung Ludwig, Aachen, Germany. [Fig. 15.2]
6. Helen Frankenthaler. The Bay.
1963. Acrylic on canvas. 6' 8-3/4" x 6' 9-1/2".
The Detroit Institute of Arts, Founders Society Purchase, Dr. & Mrs. Hilbert H. DeLawter
Fund/The Bridgeman Art Library. [Fig. 15.6]
15. Roy Lichtenstein. Little Big Painting.
1965. Oil on synthetic polymer on canvas. 70" x 82" x 2-1/4".
Purchase, with funds from the Friends of the Whitney Museum of America Art. 66.2.
Collection of the Whitney Museum of American Art, New York. [Fig. 15.15]
16. Claes Oldenburg. Soft Toilet.
1966. Vinyl, kapok, liquitex, wood. 55-1/2" x 28-1/4" x 30".
Collection of Whitney Museum of American Art, NY. [Fig. 15.16]
17. One of the "Little Rock Nine," Elizabeth Eckford, braves a jeering crowd.
1957, September 4. Photograph.
[Fig. 15.17]
19. Ron Haeberle, Peter Brandt, and the Art Workers’ Coalition.
Q. And Babies? A. And Babies.
1970. Offset lithograph. 24" x 38".
The Museum of Modern Art, New York. Gift of the Benefit for the Attica Defense Fund.
[Fig. 15.19]
21. Guerrilla Girls. Do women have to be naked to get into the Met. Museum?
1989, 1995. Poster.
[Fig. 15.20]
22. Frank Gehry and Vlado Milunić. The Rasin Building, also known as the Dancing House or
“Ginger and Fred,” Prague, Czech Republic.
1992-96.
[Fig. 15.21]
24. Chris Ofili. The Holy Virgin Mary.
1996. Paper collage, oil paint, glitter, polyester resin, map pins, elephant dung on linen.
8' x 6'.
The Saatchi Gallery, London. Photo: Diane Bondareff/AP World Wide Photos. [Fig. 15.23]
25. Shahzia Sikander. Pleasure Pillars.
2001. Watercolor, dry pigment, vegetable color, tea, and ink on wasli paper. 12" x 10".
Courtesy Sikkema Jenkins & Co., New York. [Fig. 15.24]
26. Olafur Eliason. The Weather Project. Installation view at the Tate Modern.
2003. Monofrequency lights, projection foil, haze machine, mirror oil, aluminum,
and scaffolding.
Courtesy of the artist, Tanya Bonakdar Gallery, New York, and neugerriemschneider,
Berlin. [Fig. 15.25]
Hinweis der Redaktion
Mark Rothko. Green on Blue.1956. Oil on canvas. 91-1/4" x 64-3/8".Collection of the University of Arizona Museum of Art, Tucson,Gift of E. Gallagher, Jr. Acc. 64.1.1. [Fig. 15.1]
Duane Hanson. Supermarket Shopper.1970. Polyester resin and various media. Height: 65".Neue Galerie – Sammlung Ludwig, Aachen, Germany. [Fig. 15.2]
Helen Frankenthaler. The Bay.1963. Acrylic on canvas. 6' 8-3/4" x 6' 9-1/2".The Detroit Institute of Arts, Founders Society Purchase, Dr. & Mrs. Hilbert H. DeLawter Fund/The Bridgeman Art Library. [Fig. 15.6]
Andy Warhol. Campbell’s Soup Cans. Installation at Ferus Gallery.1962. Installation view (photograph).Founding Collection, The Andy Warhol Museum, Pittsburgh. [Fig. 15.11]
Andy Warhol. Gold Marilyn Monroe. 1962. Synthetic polymer paint, silkscreen, and oil on cavas. 6' 11-1/2" x 57".[Fig. 15.13]
Roy Lichtenstein. Little Big Painting.1965. Oil on synthetic polymer on canvas. 70" x 82" x 2-1/4".Purchase, with funds from the Friends of the Whitney Museum of America Art. 66.2. Collection of the Whitney Museum of American Art, New York. [Fig. 15.15]
Claes Oldenburg. Soft Toilet.1966. Vinyl, kapok, liquitex, wood. 55-1/2" x 28-1/4" x 30".Collection of Whitney Museum of American Art, NY. [Fig. 15.16]
One of the "Little Rock Nine," Elizabeth Eckford, braves a jeering crowd.1957, September 4. Photograph.[Fig. 15.17]
Ron Haeberle, Peter Brandt, and the Art Workers’ Coalition. Q. And Babies? A. And Babies.1970. Offset lithograph. 24" x 38".The Museum of Modern Art, New York. Gift of the Benefit for the Attica Defense Fund. [Fig. 15.19]
Guerrilla Girls. Do women have to be naked to get into the Met. Museum? 1989, 1995. Poster.[Fig. 15.20]
Frank Gehry and Vlado Milunić. The Rasin Building, also known as the Dancing House or “Ginger and Fred,” Prague, Czech Republic.1992-96.[Fig. 15.21]
Yasumasa Morimura. Portrait (Twins). 1988. Color photograph, clear medium. 6'10 1/2" x 10'.[Fig. 15.22]
Chris Ofili. The Holy Virgin Mary.1996. Paper collage, oil paint, glitter, polyester resin, map pins, elephant dung on linen. 8' x 6'.The Saatchi Gallery, London. Photo: Diane Bondareff/AP World Wide Photos. [Fig. 15.23]
Shahzia Sikander. Pleasure Pillars.2001. Watercolor, dry pigment, vegetable color, tea, and ink on wasli paper. 12" x 10".Courtesy Sikkema Jenkins & Co., New York. [Fig. 15.24]
Olafur Eliason. The Weather Project. Installation view at the Tate Modern.2003. Monofrequency lights, projection foil, haze machine, mirror oil, aluminum, and scaffolding.Courtesy of the artist, Tanya Bonakdar Gallery, New York, and neugerriemschneider, Berlin. [Fig. 15.25]