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Case study: George Michael
George Michael is a global icon, an international artist of the highest order who has sold over 100 million albums in a world where Germany's population is 82 million; the United Kingdom's is 62 million and Australia's is 23 million. He has topped charts from Austria to Australia. He's sold-out stadiums from Tokyo to Tampa. He re-defined popular music with his debut solo album, 1987's Faith and went on to build a groundbreaking, substantial and enormously popular body of work. About George Michael
As Wham!, the duo who would define the early-'80s. From their first single, 1982's "Wham Rap", to their last, 1986's "The Edge Of Heaven/Where Did Your Heart Go", they sold 25 million records across the globe, they kept each other's friendship and they departed in a blaze of glory before 72,000 people at London's Wembley Stadium on June 26 1986. Wham! never got old and never lost their exclamation mark, but along the way, George won the first of his three prestigious Ivor Novello Songwriter Of The Year awards in 1985.  before going solo
They had two US Number 1 singles and a Number 1 album - titled Make It Big in honour of their Bushey Meads dreams - they became first western band to play China and George began his long but mercifully mostly hush-hush commitment to charity work with a performance on Band Aid's โ€˜Do They Know It's Christmasโ€™ and by donating all Wham! royalties from their "Last Christmas/Everything She Wants" single to Ethiopian famine relief. Wham!
Nearing the end of his group career  He'd already dipped a toe in solo waters in 1984 with a song he'd written as a 17-year-old ("a very precocious lyric!" he quipped) while riding the number 32 bus home as a teenager. Careless Whisper (credited to Wham! Featuring George Michael in the US) not only featured one of the great lines in popular music, "guilty feet have got no rhythm", but showed there was more to George Michael than the instant joy of Wake Me Up Before You Go-Go and Young Guns (Go For It). "Careless Whisper" charged to Number 1 in America and topped the charts in Australia, Canada, France, Holland, Italy, Ireland, South Africa, Switzerland and the UK, amongst others. http://www.youtube.com/watch?v=izGwDsrQ1eQ&ob=av2e
Wham! Still going strong Even when Wham! were in their pomp and George was contributing to his friend and sparring partner Elton John's โ€˜Nikitaโ€™ and โ€˜Wrap Her Upโ€™, it was plain that George's destiny was solo and that his new, more mature songs were too worldly, too adult to fit into the format of good-time duo.
There was storm-in-a-teacup controversy, the Irish and Dutch Number 1, โ€œI Want Your Sexโ€ ("I expected the BBC to ban it," George admitted, "I became the antichrist for a couple of weeks"); there was funk in the clattering drug abuse saga โ€œMonkeyโ€; there was the horror of spousal abuse in โ€œLook At Your Handsโ€ and there was extraordinary beauty in the Canadian Number 1 โ€œKissing A Foolโ€, โ€œFather Figureโ€ and the Irish Number 1 โ€œOne More Tryโ€, which remains George's personal pick of an astonishing bunch. There was even an anti-Margaret Thatcher political aspect to โ€œHand To Mouthโ€. Amazing as it seemed then, amazing as it seems now, he was still only 24. Not that he was especially happy in himself: "one of the reasons the record was so successful," he mused in 2010, "is that people can recognise the loneliness." Controversial music
More instantly, the success of the Faith album enabled the legendary Faith tour, which covered 137 dates in 19 countries from February 1988 to June 1989, was choreographed by Paula Abdul and took in a three-song covers set at the Nelson Mandela Freedom Concert at Wembley. George played Wham! and solo material, plus the occasional cover. The magnificent spectacle helped ensure that nobody would sell more records than George in the United States in 1988. He was delighted: "I never met anyone who was a reluctant star," he admitted, just as enthusiastically as he admitted to his then-insatiable ambition. A coveted Best British Male Brit was his and he contributed to both his bassist Deon Estus's album Spell and the mysterious Boogie Box High, led by his cousin Andros Georgiou. Solo career progressing
Aside from winning a career-encompassing Video Vanguard award at the MTV Europe Video Music Awards, George took 1989 off, "to sort my head out". Head sorted, George unveiled his second solo album, the Beatles-influenced Listen Without Prejudice Vol. 1 in September 1990. Oh and the title wasn't a plea to listen to George without prejudice: he really wasn't that self-absorbed. This time though the mood was darker and more adult still, but that didn't stop his British audience from sending it to Number 1 and the Americans to Number 2. Second album of solo career
In keeping with his desire to do things differently, when George returned to the stage in 1991, the Cover To Cover tour was exactly what it implied on the tin: a dizzying, cover-heavy romp across the United Kingdom, United States, Brazil, Japan and Canada, which featured Stevie Wonder's โ€œLiving For The Cityโ€, Adamski's โ€œKillerโ€, Leonard Cohen's โ€œSuzanneโ€ and perhaps most notably, Elton John's โ€œDon't Let The Sun Go Down On Meโ€. The pair's live duet of Elton's song (recorded on the Faith tour) was another British, American, French, Dutch and Swiss Number 1. Proceeds went to the Aids hospice London Lighthouse and the Rainbow Trust children's charity. Notable performances & charity work
Once he'd formally left Sony and signed to Virgin (excluding the US) and DreamWorks (US only), May 1996 saw Older, the third George Michael album: "It's my first completely honest album," he explained of what at the time (i.e. pre Spice Girls) was the Virgin label's fastest seller. Musically adventurous and lyrically brave, it spawned a record six British Top 3 singles and that year he would win Best British Male at both the MTV Europe Awards and the BRITs; his third Ivor Novello Songwriter Of The Year Award and he would retain his Capital Radio's Best Male Singer title. โ€œFastloveโ€ would win the International Viewers' Choice Award at the MTV Video Music Awards and the Older album would spend 147 weeks in the British charts, which, of course, it topped as it did those in Austria, Australia, Norway, Netherland and Sweden. Third album of solo career 1997 saw a second Best British Male Brit Award, a reissue of Older which included a second disc, Upper, comprising four remixes, two newish songs and an interactive element, plus a guest spot of Toby Bourke's British Top 10 single โ€œWaltz Away Dreamingโ€. Oh, and there was a Wham! best of, If You Were There.
2001 was professionally quiet, but 2002 found George signed to Polydor records, at Number 1 in Croatia, Denmark, Italy, Portugal and Spain and back in the UK Top 10 with the super-funky โ€œFreeek!โ€, his first self-penned single since 1998's โ€œOutsideโ€. Joseph Kahn's sci-fi tinged, sexually charged video was a boundary-pushing, sense-tingling feast which featured George as businessman, scientist, cowboy and leather-clad dog-handler. There was more fun in the shape of the satirical โ€œShoot The Dogโ€, which sampled The Human League and, via its animated video, poked fun at George Bush, Tony Blair and David Seaman. Its message though could hardly have been more serious. At the time, to the derision of some, George was a lone, brave voice in the wilderness, speaking out against the Iraq war. Almost a decade later, it's clear he was right all along. New record label
Patience had everything but an accompanying tour. 2006 was the moment to put that right once Tony Bennett's Duets: An American Classic album was concluded by a duet with George on โ€œHow Do You Keep The Music Playing?โ€ Starting in Barcelona in September 2006 and finishing in Copenhagen in August 2008, two and a half million people in 27 countries (including his first American shows in 17 years) saw the universally acclaimed 25 Live tour (titled as a celebration of his 25 years at the musical coalface) at arenas, and stadia. It included the first gig at the renovated Wembley Stadium and a more intimate charity show for British nurses at the Roundhouse, Camden Town, North London. Fourth album of solo career
As George toured, Twenty Five, a comprehensive compilation was released and its three new songs included a duet with Paul McCartney. Naturally it was a British Number 1 a global Top 10 hit and there was a 40-song DVD too. If that wasn't enough, George was also given the rare honour of a second South Bank Show to himself. Greatest hits: โ€œtwenty fiveโ€
In 2009, the Live In London DVD, filmed taken from two Earl's Court concerts on the 25 Live tour reached the top of the UK DVD charts. George also appeared with Beyonce to sing โ€œIf I Were A Boyโ€ at London's 02 Arena and with Joe McElderry on the British talent show X Factor, where the pair duetted on โ€œDon't Let The Sun Go Down On Meโ€. Still continuing his music career
2010 undoubtedly had its moments, chief amongst them, three rip-roaring, sell-out dates in Perth, Sydney and Melbourne, featuring songs from โ€œI'm Your Manโ€ to โ€œAmazingโ€, George's first shows in Australia since the Faith tour in 1988. And now, in 2011, it's time for Faith, again. After that, expect only the unexpected... 2010 & 2011

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Summer Task On An Artist

  • 2. George Michael is a global icon, an international artist of the highest order who has sold over 100 million albums in a world where Germany's population is 82 million; the United Kingdom's is 62 million and Australia's is 23 million. He has topped charts from Austria to Australia. He's sold-out stadiums from Tokyo to Tampa. He re-defined popular music with his debut solo album, 1987's Faith and went on to build a groundbreaking, substantial and enormously popular body of work. About George Michael
  • 3. As Wham!, the duo who would define the early-'80s. From their first single, 1982's "Wham Rap", to their last, 1986's "The Edge Of Heaven/Where Did Your Heart Go", they sold 25 million records across the globe, they kept each other's friendship and they departed in a blaze of glory before 72,000 people at London's Wembley Stadium on June 26 1986. Wham! never got old and never lost their exclamation mark, but along the way, George won the first of his three prestigious Ivor Novello Songwriter Of The Year awards in 1985. before going solo
  • 4. They had two US Number 1 singles and a Number 1 album - titled Make It Big in honour of their Bushey Meads dreams - they became first western band to play China and George began his long but mercifully mostly hush-hush commitment to charity work with a performance on Band Aid's โ€˜Do They Know It's Christmasโ€™ and by donating all Wham! royalties from their "Last Christmas/Everything She Wants" single to Ethiopian famine relief. Wham!
  • 5. Nearing the end of his group career He'd already dipped a toe in solo waters in 1984 with a song he'd written as a 17-year-old ("a very precocious lyric!" he quipped) while riding the number 32 bus home as a teenager. Careless Whisper (credited to Wham! Featuring George Michael in the US) not only featured one of the great lines in popular music, "guilty feet have got no rhythm", but showed there was more to George Michael than the instant joy of Wake Me Up Before You Go-Go and Young Guns (Go For It). "Careless Whisper" charged to Number 1 in America and topped the charts in Australia, Canada, France, Holland, Italy, Ireland, South Africa, Switzerland and the UK, amongst others. http://www.youtube.com/watch?v=izGwDsrQ1eQ&ob=av2e
  • 6. Wham! Still going strong Even when Wham! were in their pomp and George was contributing to his friend and sparring partner Elton John's โ€˜Nikitaโ€™ and โ€˜Wrap Her Upโ€™, it was plain that George's destiny was solo and that his new, more mature songs were too worldly, too adult to fit into the format of good-time duo.
  • 7. There was storm-in-a-teacup controversy, the Irish and Dutch Number 1, โ€œI Want Your Sexโ€ ("I expected the BBC to ban it," George admitted, "I became the antichrist for a couple of weeks"); there was funk in the clattering drug abuse saga โ€œMonkeyโ€; there was the horror of spousal abuse in โ€œLook At Your Handsโ€ and there was extraordinary beauty in the Canadian Number 1 โ€œKissing A Foolโ€, โ€œFather Figureโ€ and the Irish Number 1 โ€œOne More Tryโ€, which remains George's personal pick of an astonishing bunch. There was even an anti-Margaret Thatcher political aspect to โ€œHand To Mouthโ€. Amazing as it seemed then, amazing as it seems now, he was still only 24. Not that he was especially happy in himself: "one of the reasons the record was so successful," he mused in 2010, "is that people can recognise the loneliness." Controversial music
  • 8. More instantly, the success of the Faith album enabled the legendary Faith tour, which covered 137 dates in 19 countries from February 1988 to June 1989, was choreographed by Paula Abdul and took in a three-song covers set at the Nelson Mandela Freedom Concert at Wembley. George played Wham! and solo material, plus the occasional cover. The magnificent spectacle helped ensure that nobody would sell more records than George in the United States in 1988. He was delighted: "I never met anyone who was a reluctant star," he admitted, just as enthusiastically as he admitted to his then-insatiable ambition. A coveted Best British Male Brit was his and he contributed to both his bassist Deon Estus's album Spell and the mysterious Boogie Box High, led by his cousin Andros Georgiou. Solo career progressing
  • 9. Aside from winning a career-encompassing Video Vanguard award at the MTV Europe Video Music Awards, George took 1989 off, "to sort my head out". Head sorted, George unveiled his second solo album, the Beatles-influenced Listen Without Prejudice Vol. 1 in September 1990. Oh and the title wasn't a plea to listen to George without prejudice: he really wasn't that self-absorbed. This time though the mood was darker and more adult still, but that didn't stop his British audience from sending it to Number 1 and the Americans to Number 2. Second album of solo career
  • 10. In keeping with his desire to do things differently, when George returned to the stage in 1991, the Cover To Cover tour was exactly what it implied on the tin: a dizzying, cover-heavy romp across the United Kingdom, United States, Brazil, Japan and Canada, which featured Stevie Wonder's โ€œLiving For The Cityโ€, Adamski's โ€œKillerโ€, Leonard Cohen's โ€œSuzanneโ€ and perhaps most notably, Elton John's โ€œDon't Let The Sun Go Down On Meโ€. The pair's live duet of Elton's song (recorded on the Faith tour) was another British, American, French, Dutch and Swiss Number 1. Proceeds went to the Aids hospice London Lighthouse and the Rainbow Trust children's charity. Notable performances & charity work
  • 11. Once he'd formally left Sony and signed to Virgin (excluding the US) and DreamWorks (US only), May 1996 saw Older, the third George Michael album: "It's my first completely honest album," he explained of what at the time (i.e. pre Spice Girls) was the Virgin label's fastest seller. Musically adventurous and lyrically brave, it spawned a record six British Top 3 singles and that year he would win Best British Male at both the MTV Europe Awards and the BRITs; his third Ivor Novello Songwriter Of The Year Award and he would retain his Capital Radio's Best Male Singer title. โ€œFastloveโ€ would win the International Viewers' Choice Award at the MTV Video Music Awards and the Older album would spend 147 weeks in the British charts, which, of course, it topped as it did those in Austria, Australia, Norway, Netherland and Sweden. Third album of solo career 1997 saw a second Best British Male Brit Award, a reissue of Older which included a second disc, Upper, comprising four remixes, two newish songs and an interactive element, plus a guest spot of Toby Bourke's British Top 10 single โ€œWaltz Away Dreamingโ€. Oh, and there was a Wham! best of, If You Were There.
  • 12. 2001 was professionally quiet, but 2002 found George signed to Polydor records, at Number 1 in Croatia, Denmark, Italy, Portugal and Spain and back in the UK Top 10 with the super-funky โ€œFreeek!โ€, his first self-penned single since 1998's โ€œOutsideโ€. Joseph Kahn's sci-fi tinged, sexually charged video was a boundary-pushing, sense-tingling feast which featured George as businessman, scientist, cowboy and leather-clad dog-handler. There was more fun in the shape of the satirical โ€œShoot The Dogโ€, which sampled The Human League and, via its animated video, poked fun at George Bush, Tony Blair and David Seaman. Its message though could hardly have been more serious. At the time, to the derision of some, George was a lone, brave voice in the wilderness, speaking out against the Iraq war. Almost a decade later, it's clear he was right all along. New record label
  • 13. Patience had everything but an accompanying tour. 2006 was the moment to put that right once Tony Bennett's Duets: An American Classic album was concluded by a duet with George on โ€œHow Do You Keep The Music Playing?โ€ Starting in Barcelona in September 2006 and finishing in Copenhagen in August 2008, two and a half million people in 27 countries (including his first American shows in 17 years) saw the universally acclaimed 25 Live tour (titled as a celebration of his 25 years at the musical coalface) at arenas, and stadia. It included the first gig at the renovated Wembley Stadium and a more intimate charity show for British nurses at the Roundhouse, Camden Town, North London. Fourth album of solo career
  • 14. As George toured, Twenty Five, a comprehensive compilation was released and its three new songs included a duet with Paul McCartney. Naturally it was a British Number 1 a global Top 10 hit and there was a 40-song DVD too. If that wasn't enough, George was also given the rare honour of a second South Bank Show to himself. Greatest hits: โ€œtwenty fiveโ€
  • 15. In 2009, the Live In London DVD, filmed taken from two Earl's Court concerts on the 25 Live tour reached the top of the UK DVD charts. George also appeared with Beyonce to sing โ€œIf I Were A Boyโ€ at London's 02 Arena and with Joe McElderry on the British talent show X Factor, where the pair duetted on โ€œDon't Let The Sun Go Down On Meโ€. Still continuing his music career
  • 16. 2010 undoubtedly had its moments, chief amongst them, three rip-roaring, sell-out dates in Perth, Sydney and Melbourne, featuring songs from โ€œI'm Your Manโ€ to โ€œAmazingโ€, George's first shows in Australia since the Faith tour in 1988. And now, in 2011, it's time for Faith, again. After that, expect only the unexpected... 2010 & 2011