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Ian David Moss - TEDxMichiganAve
- 1. “Never Heard of ‘Em” Why Daddy’s Money Should Decide Who Gets to Be an Artist Ian David Moss
- 3. Reasons to Subsidize the Arts 1. To give us cool art that the market wouldn’t otherwise support 2. To give access to the arts to people who wouldn’t otherwise have it
- 6. John Keats
- 7. Robert Johnson Top record sold 5000 copies during his lifetime 1990 box set has sold 1.5 million copies Influenced Rolling Stones, Eric Clapton, Led Zeppelin, among others
- 8. Reasons to Subsidize the Arts 1. To give us cool art that the market wouldn’t otherwise support 2. To give access to the arts to people who wouldn’t otherwise have it
- 9. “EXPERTS”
- 10. Commercial Marketplace Artistic Marketplace art art Artists Patrons Artists Experts $ respect
- 11. Critics Artistic Directors Art Dealers Faculty Publishers “EXPERTS” Record Company Execs Gallery Curators Booking Agents Radio Station Programmers
- 12. Brad Bourland Grocery Store Clerk Austin, TX Has ranked the 20th century’s greatest 9,200 movies (and watched 7,000 of them)
- 13. Commercial Marketplace Artistic Marketplace art art Artists Patrons Artists Experts $ ≠ respect
- 14. Production Distribution Storage Costs Costs Costs
- 15. Artistic Marketplace art Artists Experts respect
- 16. 0% 0% 12.5% 0% 2006 2007 2008 2009
- 17. Artistic Marketplace art Artists Experts respect / attention
- 18. Who Gets to Be a (Professional) Artist? Making a Public Career living as an Profile showings momentum artist of work Hours not Materials / $ spent earning $$ Training / practice documen- tation
- 19. Artistic Marketplace art Artists Experts respect / attention + $$$
- 20. Audiences at the Gate: Reinventing Arts Philanthropy Through Guided Crowdsourcing
- 21. Audiences at the Gate Traditional Model Guided Crowdsourcing Model Philanthropic Subsidy ($$$) Philanthropic Subsidy ($$$) Program Officers (or) Grant Panels Citizen Curators Artists Artists
- 22. Artistic Marketplace art Artists Experts respect / attention
- 23. Reasons to Subsidize the Arts 1. To give us cool art that the market wouldn’t otherwise support 2. To give access to the arts to people who wouldn’t otherwise have it