SlideShare ist ein Scribd-Unternehmen logo
1 von 8
GENRE RESEARCH
A2 Media
In a psychological thriller, usually a movie or a book, the emphasis is not on
the plot but rather on the psychology of its characters. Like thrillers, the
danger to the protagonist is emphasized, but in the particular genre of
psychological thrillers, suspense stems less from a physical threat but rather
from a mental one. The protagonist perseveres against the antagonist often
because of his or her mental qualities
HISTORY OF THE GENRE
 1926: ‘The Lodger’ was one of the first British psychological thriller movies, which was made by Alfred Hitchcock, ‘The Lodger’ was a black
and white silent movie with a rating of age 12, this suggests to the lack of technology this early, the film probably wasn’t as realistic so didn’t
make it as scary.
 1932: ‘The most dangerous game’ was produced by Irving Pichel which was about one main character who was a psychopath who escapes
and slaughters people, these aspects are conventional to a psychological thriller film but as this film was made ages ago, the technology
wouldn’t have been as advanced and would make it less realistic which could suggest why the rating is only 12.
 1940: ‘Rebecca’ was a famous psychological thriller made produced by Alfred Hitchcock, and it was a black and white movie. The music
within this movie was conventional to the genre as it builds suspense and tension. This was the first psychological film that used effective
conventional music.
 1941: ‘Suspicion’ this film was produced by Alfred Hitchcock and was the first romantic psychological thriller.
 1954: ‘Rear Window’ was a film directed by Alfred Hitchcock about a man who stalks his neighbours and later murders them.
 1958: ‘Vertigo’ directed by Alfred Hitchcock
 1960: ‘Psycho’ is a 1960 American psychological thriller film directed by Alfred Hitchcock.
 1971: ‘Play Misty for me’ Play Misty for Me is a 1971 American psychological thriller film, directed by and starring Clint Eastwood
 1980: ‘The shining’ is a 1980 psychological horror film produced and directed by Stanley Kubrick
 1987: ‘Fatal Attraction’ is a 1987 American psychological thriller film directed by Adrian Lyne
 1995: ‘Seven’ is a 1995 American neo noir psychological thriller film written by Andrew Kevin Walker, directed by David Fincher, and
distributed by New Line Cinema
 1997: ‘The game’ is about Wealthy financier Nicholas Van Orton gets a strange birthday present from wayward brother Conrad: a live-action
game that consumes his life and plays mind games with him.
 2001: ‘Mulholland Drive’ displays After a car wreck on the winding Mulholland Drive renders a woman amnesic, she and a perky Hollywood-
hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
 2004: ‘The Machinist’ is about a an industrial worker who hasn't slept in a year begins to doubt his own sanity.
 2010: ‘Black Swan’ is about a ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess
Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan
SIGNIFICANT EVENTS
 The World War ll influenced the making of many psychological thriller films, during
the 1950’s these films was made as the witnesses and survivors of the war
reflected what happened then into their films. One example that I could use of this
would be ‘The man who cheated him-self’. This film was produced by Felix E. Feist
and this is about a veteran homicide detective who gets involved with murdering
and slaughtering people.
 The cold war, often dated from 1947 to 1991, was a sustained state of political and
military tension between powers in the western bloc dominated and with the
eastern bloc dominated by the Soviet Union. This effected many Authors to be
inspired to write about graphic and horrible events, and made many authors to be
inspired to write many psychological thrillers, thriller and horror books which was
made into films just like the films. An example of one writer who was influenced by
the cold war within his writing is John Le Carre.
INFLUENTIAL MEDIA TEXTS
 Straw Dogs (1971) directed by Sam Pekinpah
 The machinist (2004) Directed by Brad Anderson
 Irreversible (2002) directed by Gasper Noe
 Memento (2000) directed by Christopher Nolan
 Black swan (2010) directed by Darren Horonsky
 Martyrs (2008) directed by Pascal Laugier
 Open your eyes (1997) directed by Alejandro Amenabar
 The shining (1980) directed by Stanley Kubrick
 I stand alone (1980) directed by Gasper Noe
STYLE
Mise-en-scene
Props: Weapons such as knifes and guns.
Masks
Makeup: Light and pale makeup to look ill
Blood, Scars, scratches and bruises
Lighting: Low key lighting: for the thriller side of things
high key lighting with psychological parts which signify thinking and being alone.
Location: Normal setting for equilibrium, in the disequilibrium more isolated settings and then which could lead to a mental home for the resolution or even prison.
Costume: The characters would be mainly have normal casual clothing, but during the disequilibrium the main character might start to wear more tatty clothing, with rips
and more dirty like they don’t care about their clothing, also the clothing would be dark and of blacks, browns and grey colours. If the resolution is that the character goes
to a mental home then the charter could be wearing white clothing.
Editing
Fast paced Editing: This is used within a trailer to allow many clips to be shown but at the same time to not give to much of the clip to ruin the plot but just
enough to interest the target audience.
Shot reverse/shot: This is used to show the transition between two characters mostly when they are having a conversation.
Fade to black: This is used to create darkness and mystery to the trailer, signifying death, darkness, and curiosity to think what is lurking in the darkness.
Eyeline Match: This is used to show what the character is looking at, mostly within a psychological thriller it could be either a person or weapon. The
transition within an eyeline match normally allows a build up of tension created due to the fact you first see a character staring at something but gradually
are able to see what they are looking at.
Ellipsis of time: This could be used within a psychological thriller trailer because normally throughout there is a narrative that moves forward in time, but
parts could be taken out to shorten the time but so the audience can still understand what is happening in the plot.
STYLE CONTINUED
Sound
Voice over: In this the thoughts and feelings of the main character are presented through a voice which allows the audience to
understand what the character is thinking when he/she is maybe still and looking at something in the distance.
Non-Diegetic: These sounds are normally added into the editing as sound effects, these are noises that the character cant hear
themselves but the audience can, this allows the plot to not be disturbed by the added music.
Diegetic Music: This sound is basically what the characters can here so this would enable the conversations to be made and the
plot to make sense. Added sound effects could be added which are diegetic for example in a psychological thriller maybe slow
knocks on the door, which another character could hear and change their emotion.
Camerawork
Close-up: To show the identity of the main character and to also allow the audience to know what emotion the character has
easily which helps them to understand.
Mid Shot: The audience would be able to see the mask combination with the costume so you can closely see the upper
actions of the body.
Long shot: To show the character from head to toe, which allows you to visualise the costume fully, and also the actions the
character is making.
Two shot: This is normally used to present two characters fighting, but there could also be a two shot to show one character
creeping up behind another character to scare them.
Establishing Shot: This is usually used to show the location and setting. This allows the audience to see where the main
character is and what there intentions are.
TARGET AUDIENCE
Psychographic:
From the results that I got from the
questionnaire to my target audience I
found out the following:
*Interests:
• Sports
• Films
• Music
Demographic
Gender: Male- 43%
women- 57%
Age: 18-32
Status: Student/workers
Class: Working Class
Reasons to why they are the target audience:
The reason my target audience is above the age of 18 is
because all psychological thrillers have a 18 and above age
restriction because they can be scary and not appealing for a
younger audience.
The reasons why there is the majority percentage of female
viewers in the target audience for psychological thrillers is
because females tend to be attracted to interesting story lines
that have conflicts of the mind, this is because they involve
more emotional struggles rather than physical.
What my target audience enjoy doing in their spare
time:
• Shopping
• Going out with friends
• Listening to music
• Watching Films
CONVENTIONS
Mind
Death Identity
Black Comedy
Existence
Reality
Perception
One main
character
Confusion
About 1 minute
and a half long
to 2 minutes in
duration.
It shows the
equilibrium and
disequilibrium
but no
resolution
Fast paced
editing
Voiceover
Non diegetic
music.
Diegetic music
Conventions of a psychological thriller Conventions of a trailer

Weitere ähnliche Inhalte

Was ist angesagt?

Codes and Conventions
Codes and ConventionsCodes and Conventions
Codes and Conventionsmediaa297
 
Codes and conventions of psychological thriller
Codes and conventions of psychological thrillerCodes and conventions of psychological thriller
Codes and conventions of psychological thriller999msvalkyrie
 
Genre research psychological thriller
Genre research  psychological thrillerGenre research  psychological thriller
Genre research psychological thrillerleahwalkermedia
 
Research into genre
Research into genre Research into genre
Research into genre jakefleets
 
Spy thriller genre research
Spy thriller genre researchSpy thriller genre research
Spy thriller genre researchamberloo20
 
Thriller powerpoint
Thriller powerpointThriller powerpoint
Thriller powerpointLeahSmith99
 
Conventions of a psychological thriller
Conventions of a psychological thrillerConventions of a psychological thriller
Conventions of a psychological thrillertiffanyymchan
 
Evaluation q1
Evaluation q1Evaluation q1
Evaluation q1Opal
 
Representation of characters in spy thriller films
Representation of characters in spy thriller filmsRepresentation of characters in spy thriller films
Representation of characters in spy thriller filmsamberloo20
 
Genre Research - Thriller
Genre Research - ThrillerGenre Research - Thriller
Genre Research - Thrillerhaverstockmedia
 
Spy thrillergenreresearch
Spy thrillergenreresearchSpy thrillergenreresearch
Spy thrillergenreresearchahmedhassan1652
 
Codes and Conventions - Psychological Thriller
Codes and Conventions - Psychological Thriller Codes and Conventions - Psychological Thriller
Codes and Conventions - Psychological Thriller saraavrsaraavramovskaaaa
 
Se7en Analysis
Se7en AnalysisSe7en Analysis
Se7en Analysisdebskcg
 
Robbie hickman's pitch
Robbie hickman's pitchRobbie hickman's pitch
Robbie hickman's pitchHICKMAN98
 
The Host opening analysis
The Host opening analysisThe Host opening analysis
The Host opening analysisrobynnwardd
 
Iconography & conventions
Iconography & conventionsIconography & conventions
Iconography & conventionsASgroup9
 

Was ist angesagt? (20)

Codes and Conventions
Codes and ConventionsCodes and Conventions
Codes and Conventions
 
Spy - Thriller Genre Analysis
Spy - Thriller Genre AnalysisSpy - Thriller Genre Analysis
Spy - Thriller Genre Analysis
 
Codes and conventions of psychological thriller
Codes and conventions of psychological thrillerCodes and conventions of psychological thriller
Codes and conventions of psychological thriller
 
Genre research psychological thriller
Genre research  psychological thrillerGenre research  psychological thriller
Genre research psychological thriller
 
Research into genre
Research into genre Research into genre
Research into genre
 
Killer clowns
Killer clownsKiller clowns
Killer clowns
 
Spy thriller genre research
Spy thriller genre researchSpy thriller genre research
Spy thriller genre research
 
Thriller powerpoint
Thriller powerpointThriller powerpoint
Thriller powerpoint
 
Conventions of a psychological thriller
Conventions of a psychological thrillerConventions of a psychological thriller
Conventions of a psychological thriller
 
Evaluation q1
Evaluation q1Evaluation q1
Evaluation q1
 
Representation of characters in spy thriller films
Representation of characters in spy thriller filmsRepresentation of characters in spy thriller films
Representation of characters in spy thriller films
 
Genre Research - Thriller
Genre Research - ThrillerGenre Research - Thriller
Genre Research - Thriller
 
Spy thrillergenreresearch
Spy thrillergenreresearchSpy thrillergenreresearch
Spy thrillergenreresearch
 
Codes and Conventions - Psychological Thriller
Codes and Conventions - Psychological Thriller Codes and Conventions - Psychological Thriller
Codes and Conventions - Psychological Thriller
 
Se7en Analysis
Se7en AnalysisSe7en Analysis
Se7en Analysis
 
Robbie hickman's pitch
Robbie hickman's pitchRobbie hickman's pitch
Robbie hickman's pitch
 
The Host opening analysis
The Host opening analysisThe Host opening analysis
The Host opening analysis
 
Genre research
Genre researchGenre research
Genre research
 
Genre research homework
Genre research homeworkGenre research homework
Genre research homework
 
Iconography & conventions
Iconography & conventionsIconography & conventions
Iconography & conventions
 

Andere mochten auch

The Heroic Individual in The Karate Kid
The Heroic Individual in The Karate KidThe Heroic Individual in The Karate Kid
The Heroic Individual in The Karate KidBrian Alexander
 
Fight club essay masculinity and femininity
Fight club essay   masculinity and femininityFight club essay   masculinity and femininity
Fight club essay masculinity and femininityThe Henley College
 
Motivation influences of dre-main character in karate kid 2010
Motivation influences of dre-main character in karate kid 2010Motivation influences of dre-main character in karate kid 2010
Motivation influences of dre-main character in karate kid 2010Michelle Lee
 
Fight Club and Marxism
Fight Club and MarxismFight Club and Marxism
Fight Club and Marxismnten
 
Masculinity in Fight Club
Masculinity in Fight ClubMasculinity in Fight Club
Masculinity in Fight Clubojwoods
 
Fight Club Marxism (political critical approach)
Fight Club Marxism (political critical approach)Fight Club Marxism (political critical approach)
Fight Club Marxism (political critical approach)Naamah Hill
 
The psychology of fight club
The psychology of fight clubThe psychology of fight club
The psychology of fight clubFaiqa Dabir
 
Fight club film analysis1
Fight club film analysis1Fight club film analysis1
Fight club film analysis1jwright61
 
Fight club - Social Context/Approach (Nietzsche)
Fight club - Social Context/Approach (Nietzsche)Fight club - Social Context/Approach (Nietzsche)
Fight club - Social Context/Approach (Nietzsche)Naamah Hill
 
The theme of Masculinity in Fight club
The theme of Masculinity in Fight clubThe theme of Masculinity in Fight club
The theme of Masculinity in Fight clubDan Makin
 

Andere mochten auch (13)

Ethnicity
EthnicityEthnicity
Ethnicity
 
The Heroic Individual in The Karate Kid
The Heroic Individual in The Karate KidThe Heroic Individual in The Karate Kid
The Heroic Individual in The Karate Kid
 
Life of a karate kid
Life of a karate kidLife of a karate kid
Life of a karate kid
 
Fight club essay masculinity and femininity
Fight club essay   masculinity and femininityFight club essay   masculinity and femininity
Fight club essay masculinity and femininity
 
Motivation influences of dre-main character in karate kid 2010
Motivation influences of dre-main character in karate kid 2010Motivation influences of dre-main character in karate kid 2010
Motivation influences of dre-main character in karate kid 2010
 
Fight Club and Marxism
Fight Club and MarxismFight Club and Marxism
Fight Club and Marxism
 
Masculinity in Fight Club
Masculinity in Fight ClubMasculinity in Fight Club
Masculinity in Fight Club
 
Fight Club Marxism (political critical approach)
Fight Club Marxism (political critical approach)Fight Club Marxism (political critical approach)
Fight Club Marxism (political critical approach)
 
The psychology of fight club
The psychology of fight clubThe psychology of fight club
The psychology of fight club
 
Fight club film analysis1
Fight club film analysis1Fight club film analysis1
Fight club film analysis1
 
Fight club - Social Context/Approach (Nietzsche)
Fight club - Social Context/Approach (Nietzsche)Fight club - Social Context/Approach (Nietzsche)
Fight club - Social Context/Approach (Nietzsche)
 
The theme of Masculinity in Fight club
The theme of Masculinity in Fight clubThe theme of Masculinity in Fight club
The theme of Masculinity in Fight club
 
Schizophrenia
SchizophreniaSchizophrenia
Schizophrenia
 

Ähnlich wie Genre research

Media – thriller genre
Media – thriller genreMedia – thriller genre
Media – thriller genrenualamckevitt
 
Spy thriller genre research-finsihed
Spy thriller genre research-finsihedSpy thriller genre research-finsihed
Spy thriller genre research-finsihedamberloo20
 
Codes and conventions
Codes and conventionsCodes and conventions
Codes and conventionsEllieLaws
 
Jacob whiting research task one
Jacob whiting research task oneJacob whiting research task one
Jacob whiting research task onejacobwhiting1
 
Genre Analysis Final
Genre Analysis FinalGenre Analysis Final
Genre Analysis FinalReeceBaynham
 
Genre Analysis Final
Genre Analysis FinalGenre Analysis Final
Genre Analysis FinalReeceBaynham
 
Genre Analysis Final
Genre Analysis FinalGenre Analysis Final
Genre Analysis FinalReeceBaynham
 
Thriller genre (with partner) 2003 (2)
Thriller genre (with partner)   2003 (2)Thriller genre (with partner)   2003 (2)
Thriller genre (with partner) 2003 (2)Taijarne
 
The history of a psychological thriller
The history of a psychological thrillerThe history of a psychological thriller
The history of a psychological thrillerelodie19
 
First Draft Presentation
First Draft Presentation First Draft Presentation
First Draft Presentation KHallWyke
 
Genre research (Thrillers)
Genre research (Thrillers)Genre research (Thrillers)
Genre research (Thrillers)Phoebe Gibson
 

Ähnlich wie Genre research (20)

Thriller genre
Thriller genreThriller genre
Thriller genre
 
Media – thriller genre
Media – thriller genreMedia – thriller genre
Media – thriller genre
 
Spy thriller genre research-finsihed
Spy thriller genre research-finsihedSpy thriller genre research-finsihed
Spy thriller genre research-finsihed
 
Codes and conventions
Codes and conventionsCodes and conventions
Codes and conventions
 
Genre research
Genre researchGenre research
Genre research
 
Jacob whiting research task one
Jacob whiting research task oneJacob whiting research task one
Jacob whiting research task one
 
Genre research;thriller
Genre research;thrillerGenre research;thriller
Genre research;thriller
 
Genre research thriller
Genre research thrillerGenre research thriller
Genre research thriller
 
Genre Analysis Final
Genre Analysis FinalGenre Analysis Final
Genre Analysis Final
 
Genre Analysis Final
Genre Analysis FinalGenre Analysis Final
Genre Analysis Final
 
Genre Analysis Final
Genre Analysis FinalGenre Analysis Final
Genre Analysis Final
 
Thriller genre (with partner) 2003 (2)
Thriller genre (with partner)   2003 (2)Thriller genre (with partner)   2003 (2)
Thriller genre (with partner) 2003 (2)
 
History of the genre
History of the genreHistory of the genre
History of the genre
 
The history of a psychological thriller
The history of a psychological thrillerThe history of a psychological thriller
The history of a psychological thriller
 
Thriller reserach
Thriller reserachThriller reserach
Thriller reserach
 
History of the genre
History of the genreHistory of the genre
History of the genre
 
Genre research
Genre researchGenre research
Genre research
 
First Draft Presentation
First Draft Presentation First Draft Presentation
First Draft Presentation
 
Genre analysis
Genre analysisGenre analysis
Genre analysis
 
Genre research (Thrillers)
Genre research (Thrillers)Genre research (Thrillers)
Genre research (Thrillers)
 

Kürzlich hochgeladen

Vip Delhi Ncr Call Girls Best Services Available
Vip Delhi Ncr Call Girls Best Services AvailableVip Delhi Ncr Call Girls Best Services Available
Vip Delhi Ncr Call Girls Best Services AvailableKomal Khan
 
Zoom In Game for ice breaking in a training
Zoom In Game for ice breaking in a trainingZoom In Game for ice breaking in a training
Zoom In Game for ice breaking in a trainingRafik ABDI
 
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607dollysharma2066
 
NO1 Certified Black magic/kala jadu,manpasand shadi in lahore,karachi rawalpi...
NO1 Certified Black magic/kala jadu,manpasand shadi in lahore,karachi rawalpi...NO1 Certified Black magic/kala jadu,manpasand shadi in lahore,karachi rawalpi...
NO1 Certified Black magic/kala jadu,manpasand shadi in lahore,karachi rawalpi...Amil baba
 
NO1 Certified Black magic specialist,Expert in Pakistan Amil Baba kala ilam E...
NO1 Certified Black magic specialist,Expert in Pakistan Amil Baba kala ilam E...NO1 Certified Black magic specialist,Expert in Pakistan Amil Baba kala ilam E...
NO1 Certified Black magic specialist,Expert in Pakistan Amil Baba kala ilam E...Amil Baba Dawood bangali
 
VIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts Service
VIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts ServiceVIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts Service
VIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts ServiceApsara Of India
 
Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...
Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...
Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...First NO1 World Amil baba in Faisalabad
 
8377087607 Full Enjoy @24/7 Call Girls in Patel Nagar Delhi NCR
8377087607 Full Enjoy @24/7 Call Girls in Patel Nagar Delhi NCR8377087607 Full Enjoy @24/7 Call Girls in Patel Nagar Delhi NCR
8377087607 Full Enjoy @24/7 Call Girls in Patel Nagar Delhi NCRdollysharma2066
 
Call Girls In Moti Bagh (8377877756 )-Genuine Rate Girls Service
Call Girls In Moti Bagh (8377877756 )-Genuine Rate Girls ServiceCall Girls In Moti Bagh (8377877756 )-Genuine Rate Girls Service
Call Girls In Moti Bagh (8377877756 )-Genuine Rate Girls Servicedollysharma2066
 
QUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzers
QUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzersQUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzers
QUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzersSJU Quizzers
 
Call Girl Contact Number Andheri WhatsApp:+91-9833363713
Call Girl Contact Number Andheri WhatsApp:+91-9833363713Call Girl Contact Number Andheri WhatsApp:+91-9833363713
Call Girl Contact Number Andheri WhatsApp:+91-9833363713Sonam Pathan
 
定制(UofT毕业证书)加拿大多伦多大学毕业证成绩单原版一比一
定制(UofT毕业证书)加拿大多伦多大学毕业证成绩单原版一比一定制(UofT毕业证书)加拿大多伦多大学毕业证成绩单原版一比一
定制(UofT毕业证书)加拿大多伦多大学毕业证成绩单原版一比一lvtagr7
 
Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170
Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170
Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170Sonam Pathan
 
Vip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts Service
Vip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts ServiceVip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts Service
Vip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts ServiceApsara Of India
 
Statement Of Intent - - Copy.documentfile
Statement Of Intent - - Copy.documentfileStatement Of Intent - - Copy.documentfile
Statement Of Intent - - Copy.documentfilef4ssvxpz62
 
Aesthetic Design Inspiration by Slidesgo.pptx
Aesthetic Design Inspiration by Slidesgo.pptxAesthetic Design Inspiration by Slidesgo.pptx
Aesthetic Design Inspiration by Slidesgo.pptxsayemalkadripial4
 
Call Girls CG Road 7397865700 Independent Call Girls
Call Girls CG Road 7397865700  Independent Call GirlsCall Girls CG Road 7397865700  Independent Call Girls
Call Girls CG Road 7397865700 Independent Call Girlsssuser7cb4ff
 
Low Rate Call Girls In Budh Vihar, Call Us :-9711106444
Low Rate Call Girls In Budh Vihar, Call Us :-9711106444Low Rate Call Girls In Budh Vihar, Call Us :-9711106444
Low Rate Call Girls In Budh Vihar, Call Us :-9711106444CallGirlsInSouthDelh1
 
NO1 WorldWide Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi ...
NO1 WorldWide Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi ...NO1 WorldWide Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi ...
NO1 WorldWide Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi ...Amil Baba Dawood bangali
 

Kürzlich hochgeladen (20)

Vip Delhi Ncr Call Girls Best Services Available
Vip Delhi Ncr Call Girls Best Services AvailableVip Delhi Ncr Call Girls Best Services Available
Vip Delhi Ncr Call Girls Best Services Available
 
Environment Handling Presentation by Likhon Ahmed.pptx
Environment Handling Presentation by Likhon Ahmed.pptxEnvironment Handling Presentation by Likhon Ahmed.pptx
Environment Handling Presentation by Likhon Ahmed.pptx
 
Zoom In Game for ice breaking in a training
Zoom In Game for ice breaking in a trainingZoom In Game for ice breaking in a training
Zoom In Game for ice breaking in a training
 
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
FULL ENJOY Call Girls In Mahipalpur Delhi Contact Us 8377087607
 
NO1 Certified Black magic/kala jadu,manpasand shadi in lahore,karachi rawalpi...
NO1 Certified Black magic/kala jadu,manpasand shadi in lahore,karachi rawalpi...NO1 Certified Black magic/kala jadu,manpasand shadi in lahore,karachi rawalpi...
NO1 Certified Black magic/kala jadu,manpasand shadi in lahore,karachi rawalpi...
 
NO1 Certified Black magic specialist,Expert in Pakistan Amil Baba kala ilam E...
NO1 Certified Black magic specialist,Expert in Pakistan Amil Baba kala ilam E...NO1 Certified Black magic specialist,Expert in Pakistan Amil Baba kala ilam E...
NO1 Certified Black magic specialist,Expert in Pakistan Amil Baba kala ilam E...
 
VIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts Service
VIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts ServiceVIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts Service
VIP Call Girls In Goa 7028418221 Call Girls In Baga Beach Escorts Service
 
Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...
Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...
Authentic No 1 Amil Baba In Pakistan Authentic No 1 Amil Baba In Karachi No 1...
 
8377087607 Full Enjoy @24/7 Call Girls in Patel Nagar Delhi NCR
8377087607 Full Enjoy @24/7 Call Girls in Patel Nagar Delhi NCR8377087607 Full Enjoy @24/7 Call Girls in Patel Nagar Delhi NCR
8377087607 Full Enjoy @24/7 Call Girls in Patel Nagar Delhi NCR
 
Call Girls In Moti Bagh (8377877756 )-Genuine Rate Girls Service
Call Girls In Moti Bagh (8377877756 )-Genuine Rate Girls ServiceCall Girls In Moti Bagh (8377877756 )-Genuine Rate Girls Service
Call Girls In Moti Bagh (8377877756 )-Genuine Rate Girls Service
 
QUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzers
QUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzersQUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzers
QUIZ BOLLYWOOD ( weekly quiz ) - SJU quizzers
 
Call Girl Contact Number Andheri WhatsApp:+91-9833363713
Call Girl Contact Number Andheri WhatsApp:+91-9833363713Call Girl Contact Number Andheri WhatsApp:+91-9833363713
Call Girl Contact Number Andheri WhatsApp:+91-9833363713
 
定制(UofT毕业证书)加拿大多伦多大学毕业证成绩单原版一比一
定制(UofT毕业证书)加拿大多伦多大学毕业证成绩单原版一比一定制(UofT毕业证书)加拿大多伦多大学毕业证成绩单原版一比一
定制(UofT毕业证书)加拿大多伦多大学毕业证成绩单原版一比一
 
Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170
Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170
Call Girls Near Taurus Sarovar Portico Hotel New Delhi 9873777170
 
Vip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts Service
Vip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts ServiceVip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts Service
Vip Udaipur Call Girls 9602870969 Dabok Airport Udaipur Escorts Service
 
Statement Of Intent - - Copy.documentfile
Statement Of Intent - - Copy.documentfileStatement Of Intent - - Copy.documentfile
Statement Of Intent - - Copy.documentfile
 
Aesthetic Design Inspiration by Slidesgo.pptx
Aesthetic Design Inspiration by Slidesgo.pptxAesthetic Design Inspiration by Slidesgo.pptx
Aesthetic Design Inspiration by Slidesgo.pptx
 
Call Girls CG Road 7397865700 Independent Call Girls
Call Girls CG Road 7397865700  Independent Call GirlsCall Girls CG Road 7397865700  Independent Call Girls
Call Girls CG Road 7397865700 Independent Call Girls
 
Low Rate Call Girls In Budh Vihar, Call Us :-9711106444
Low Rate Call Girls In Budh Vihar, Call Us :-9711106444Low Rate Call Girls In Budh Vihar, Call Us :-9711106444
Low Rate Call Girls In Budh Vihar, Call Us :-9711106444
 
NO1 WorldWide Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi ...
NO1 WorldWide Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi ...NO1 WorldWide Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi ...
NO1 WorldWide Amil Baba In Karachi Kala Jadu In Karachi Amil baba In Karachi ...
 

Genre research

  • 1. GENRE RESEARCH A2 Media In a psychological thriller, usually a movie or a book, the emphasis is not on the plot but rather on the psychology of its characters. Like thrillers, the danger to the protagonist is emphasized, but in the particular genre of psychological thrillers, suspense stems less from a physical threat but rather from a mental one. The protagonist perseveres against the antagonist often because of his or her mental qualities
  • 2. HISTORY OF THE GENRE  1926: ‘The Lodger’ was one of the first British psychological thriller movies, which was made by Alfred Hitchcock, ‘The Lodger’ was a black and white silent movie with a rating of age 12, this suggests to the lack of technology this early, the film probably wasn’t as realistic so didn’t make it as scary.  1932: ‘The most dangerous game’ was produced by Irving Pichel which was about one main character who was a psychopath who escapes and slaughters people, these aspects are conventional to a psychological thriller film but as this film was made ages ago, the technology wouldn’t have been as advanced and would make it less realistic which could suggest why the rating is only 12.  1940: ‘Rebecca’ was a famous psychological thriller made produced by Alfred Hitchcock, and it was a black and white movie. The music within this movie was conventional to the genre as it builds suspense and tension. This was the first psychological film that used effective conventional music.  1941: ‘Suspicion’ this film was produced by Alfred Hitchcock and was the first romantic psychological thriller.  1954: ‘Rear Window’ was a film directed by Alfred Hitchcock about a man who stalks his neighbours and later murders them.  1958: ‘Vertigo’ directed by Alfred Hitchcock  1960: ‘Psycho’ is a 1960 American psychological thriller film directed by Alfred Hitchcock.  1971: ‘Play Misty for me’ Play Misty for Me is a 1971 American psychological thriller film, directed by and starring Clint Eastwood  1980: ‘The shining’ is a 1980 psychological horror film produced and directed by Stanley Kubrick  1987: ‘Fatal Attraction’ is a 1987 American psychological thriller film directed by Adrian Lyne  1995: ‘Seven’ is a 1995 American neo noir psychological thriller film written by Andrew Kevin Walker, directed by David Fincher, and distributed by New Line Cinema  1997: ‘The game’ is about Wealthy financier Nicholas Van Orton gets a strange birthday present from wayward brother Conrad: a live-action game that consumes his life and plays mind games with him.  2001: ‘Mulholland Drive’ displays After a car wreck on the winding Mulholland Drive renders a woman amnesic, she and a perky Hollywood- hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.  2004: ‘The Machinist’ is about a an industrial worker who hasn't slept in a year begins to doubt his own sanity.  2010: ‘Black Swan’ is about a ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan
  • 3. SIGNIFICANT EVENTS  The World War ll influenced the making of many psychological thriller films, during the 1950’s these films was made as the witnesses and survivors of the war reflected what happened then into their films. One example that I could use of this would be ‘The man who cheated him-self’. This film was produced by Felix E. Feist and this is about a veteran homicide detective who gets involved with murdering and slaughtering people.  The cold war, often dated from 1947 to 1991, was a sustained state of political and military tension between powers in the western bloc dominated and with the eastern bloc dominated by the Soviet Union. This effected many Authors to be inspired to write about graphic and horrible events, and made many authors to be inspired to write many psychological thrillers, thriller and horror books which was made into films just like the films. An example of one writer who was influenced by the cold war within his writing is John Le Carre.
  • 4. INFLUENTIAL MEDIA TEXTS  Straw Dogs (1971) directed by Sam Pekinpah  The machinist (2004) Directed by Brad Anderson  Irreversible (2002) directed by Gasper Noe  Memento (2000) directed by Christopher Nolan  Black swan (2010) directed by Darren Horonsky  Martyrs (2008) directed by Pascal Laugier  Open your eyes (1997) directed by Alejandro Amenabar  The shining (1980) directed by Stanley Kubrick  I stand alone (1980) directed by Gasper Noe
  • 5. STYLE Mise-en-scene Props: Weapons such as knifes and guns. Masks Makeup: Light and pale makeup to look ill Blood, Scars, scratches and bruises Lighting: Low key lighting: for the thriller side of things high key lighting with psychological parts which signify thinking and being alone. Location: Normal setting for equilibrium, in the disequilibrium more isolated settings and then which could lead to a mental home for the resolution or even prison. Costume: The characters would be mainly have normal casual clothing, but during the disequilibrium the main character might start to wear more tatty clothing, with rips and more dirty like they don’t care about their clothing, also the clothing would be dark and of blacks, browns and grey colours. If the resolution is that the character goes to a mental home then the charter could be wearing white clothing. Editing Fast paced Editing: This is used within a trailer to allow many clips to be shown but at the same time to not give to much of the clip to ruin the plot but just enough to interest the target audience. Shot reverse/shot: This is used to show the transition between two characters mostly when they are having a conversation. Fade to black: This is used to create darkness and mystery to the trailer, signifying death, darkness, and curiosity to think what is lurking in the darkness. Eyeline Match: This is used to show what the character is looking at, mostly within a psychological thriller it could be either a person or weapon. The transition within an eyeline match normally allows a build up of tension created due to the fact you first see a character staring at something but gradually are able to see what they are looking at. Ellipsis of time: This could be used within a psychological thriller trailer because normally throughout there is a narrative that moves forward in time, but parts could be taken out to shorten the time but so the audience can still understand what is happening in the plot.
  • 6. STYLE CONTINUED Sound Voice over: In this the thoughts and feelings of the main character are presented through a voice which allows the audience to understand what the character is thinking when he/she is maybe still and looking at something in the distance. Non-Diegetic: These sounds are normally added into the editing as sound effects, these are noises that the character cant hear themselves but the audience can, this allows the plot to not be disturbed by the added music. Diegetic Music: This sound is basically what the characters can here so this would enable the conversations to be made and the plot to make sense. Added sound effects could be added which are diegetic for example in a psychological thriller maybe slow knocks on the door, which another character could hear and change their emotion. Camerawork Close-up: To show the identity of the main character and to also allow the audience to know what emotion the character has easily which helps them to understand. Mid Shot: The audience would be able to see the mask combination with the costume so you can closely see the upper actions of the body. Long shot: To show the character from head to toe, which allows you to visualise the costume fully, and also the actions the character is making. Two shot: This is normally used to present two characters fighting, but there could also be a two shot to show one character creeping up behind another character to scare them. Establishing Shot: This is usually used to show the location and setting. This allows the audience to see where the main character is and what there intentions are.
  • 7. TARGET AUDIENCE Psychographic: From the results that I got from the questionnaire to my target audience I found out the following: *Interests: • Sports • Films • Music Demographic Gender: Male- 43% women- 57% Age: 18-32 Status: Student/workers Class: Working Class Reasons to why they are the target audience: The reason my target audience is above the age of 18 is because all psychological thrillers have a 18 and above age restriction because they can be scary and not appealing for a younger audience. The reasons why there is the majority percentage of female viewers in the target audience for psychological thrillers is because females tend to be attracted to interesting story lines that have conflicts of the mind, this is because they involve more emotional struggles rather than physical. What my target audience enjoy doing in their spare time: • Shopping • Going out with friends • Listening to music • Watching Films
  • 8. CONVENTIONS Mind Death Identity Black Comedy Existence Reality Perception One main character Confusion About 1 minute and a half long to 2 minutes in duration. It shows the equilibrium and disequilibrium but no resolution Fast paced editing Voiceover Non diegetic music. Diegetic music Conventions of a psychological thriller Conventions of a trailer