craft documentation

1. Summer project,2010 CRAFT DOCUMENTATION(Punjab) .Patiala. Amritsar .Nakodar.Hoshiarpur NIIFT JALANDHAR BATCH-2009-12 A Presentation by:-Group “B”

4. Our Group representatives Abhijeet kumar Aditya Singh Kunal kumar Neeraj kataria Neha Bharti Pardeep Mahajan Puja Kumari Rajnikant Suman Shipra Patrisha Shalu chachan Shweta

5. Haveli

7. Jutti making:Patiala

8. Prandis: Patiala.

9. Inlay wooden work:Hosiarpur

10. Durries Making:Nakodar and Jandiala

11. Jalli wooden work: Amritsar

14. Area:-50362 km2

15. Coordinates:-30.79°N 76.78°E /.

16. Capital:-Chandigarh.

17. District:-20.

18. Established:-1956.

19. Largest city:-Ludhiana,Ferozpur.

20. Population:-24,289,296 (15th).

21. Density:-482 /km2 .

22. Language:-Punjabi, Hindi.

23. Craft hub:-Amritsar, Hosiarpur, Patiala,Nakodar.

31. Sheesh Mahal.Sheesh Mahal. Qila Mubarak.

33. Patiala is the main hub of so many craft like phulkari, Punjabi jutties, parandhi etc.

34. Tripuri is the main hub of phulkari.

35. Tophkhana MOR is the main hub of Punjabi jutties in Patiala where about thousands cottages are employed for making Punjabi jutties.Phulkari Punjabi jutties parandhi

37. The lively villages of Punjab offer the colourful darn stitches with traditional patterns reflecting their life-style.

38. Embroidery in Punjab has been the part of the basic education of the girls.

39. It has also been customary for the parents to give hand embroidery clothes to girls in dowry.

40. It is domestic as well as commercial craft.

42. Phulkari embroidery has been popular since the 15th century.

43. Phulkari came from Iran where it is known as Gulkari some feel it came from central Asia along with Jat tribes who migrated to India and settled in Punjab, Haryana and Gujarat. There is reference of Phulkari in Vedas, Mahabharata, Guru Garanth Sahib and folk songs of Punjab.

44. Region

45. It is done all over the Punjab (NORTHERN PUNJAB IN PAKISTHAN LIKE HAZARA AND CHAKWAL ALSO.) region and their adjacent state like Haryana.

46. In Punjab, Patiala is the main hub of phulkari embroidery.

52. Blocked fabric is then ready for the embroidery.

54. The needle picks up only one thread at a time, so that the back of the pattern is delineated with single lines of color.

56. It is done on a thick material the embroidery can work without a frame.

58. Craftsman of tripali is well developed this craft from domestic to commercial status. Women of every age groupis practiced it.

59. A segment of craftsman is migrated from each side during the partition. This flourished the craft from both countries.

64. The jutties are exquisitely decorated with gold and muti-colored threads so that the shoes look like being made of solid gold.

69. Rummy.

70. Rampa.

71. Samna.

72. Aarie.

77. Age: 32.

78. Sex: Male.

79. When you started working in this craft: when 15 years of age.

81. Is the entire family engaged in this craft: Yes.

82. Per day income: depend upon product sold.

83. Any govt. help: No.

84. Craft practised by any particular community: yes.

85. Seasonal craft: No.

86. Sustain entire family: Yes.

87. Product through brokers: no.

90. Educational Qualification: none.

92. Per day income: 100

93. Any govt. help: No.

94. Craft practised by any particular community: yes.

95. Seasonal craft: No.

96. Sustain entire family: no.

99. One of the traditional handicraft industries, the Parandi craftsmen displays the rich artistic skills of the people of the state. The attractive and beautiful parandis bear relics of the rich creative imagination of the people of the state of Punjab.

102. Age: 20 years.

103. Sex: Male.

104. When you started work in this craft: 7 years ago.

105. Rate of Parandi: 50-3000 and as per design.

106. Seasonal craft: yes.

108. Time take to make a Parandi: 1 hour generally depends on design.

109. Application: In traditional dance.

110. Profit: Satisfiable.

111. Products sell through Brokers: No.

113. RUPAN MATHARU

114. THE REEDS

117. TOTAL AREA: 3198sq.Kms

118. TOTAL POPULATION: 14,78,045

119. Males: 7,63,653

120. Females: 7,14,292

121. Female per Male: 935.

123. Art and craft Wooden inlay work is well flourished in Hosiarpur district of Punjab. After the partition of India, Hindu family practised it.

125. Originally only ivory pieces were used but now due to its scarcity and very high cost, substitutes such as old piano keys, even badla (zinc) are utilized for the inlay work. Of late plastic is also being widely used for this purpose.

126. Examples of inlay articles produced in this region are table tops, teapots, trays, table legs, screens, bowls, cigarette cases and chessboards.

129. Stencil.

130. Tape.

131. Dermal power carver.

132. Jigsaw.

133. Chisel.

134. Rubber mallet.

135. Sandpaper.

136. Wood glue.

137. Wood stain.

140. Stick the pieces of wood together. Stick them together by pressing it down evenly with your fingers. We can hammer it down so that it really sticks.

141. Wipe the glue off. With a damp cloth, wipe any excess glue off the top.

144. Seasonal craft: no.

145. Sustain entire family: no.

146. Product through broker: yes

147. Fear from any anti-social elements: no.

148. Engaged next generation: no.

149. Any award: State award (5months before).

152. Any help or patronage: yes. (There are so many schemes like “Ambedkar Scheme” from government but did not take).

153. Particular community involved in this craft: no.

154. Seasonal craft: no (75%daily uses and 25% decoration purposes).

155. Sustain entire family: yes.

156. Sell through broker: no.

157. Fear from any anti-social elements: no.

158. Engaged next generation: yes.

161. Seasonal craft: no.

162. Sustain entire family: yes.

163. Sell through broker: yes.

164. Fear from any anti-social elements: no.

165. Engaged next generation: no.

166. Award

167. BISHWAKARMA AWARD (1997-98).

168. NATIONAL AWARD (2010) for “CHARKHA”.

171. Passing generation to generation: Yes.

172. Whole family engaged: Yes.

173. Per day income: Not defined but depend on product made.

174. Per product income: 95%.

175. Any patronage or help from govt.Or any N.G.O: Pension from govt. As a national award.

176. Particular community: Initially it was in hand of Muslim houses but however after the partition it is in the hands of Hindu houses.

177. Best moment: Surely when I was awarded with National Award in New Delhi.

178. Your work experiences: I am working for award achievement so I am working for master pieces.

179. Achievements for Rupan Matharu. State Award – 1989 – Chandīgarh. National Merit certificate -1994 – New Delhi. National Award – 1989 –New Delhi. AWARDED BY EX- PRIME MINISTER

180. RUPAN MATHARU( FUTURE PROGRAMME) Rupan Matharu is one of the famous and national awardees personalities in inlay wooden work in Hosharirpur. He has been taken so many awards as well as certificates in national level as well regional level in this craft in order to promote this craft. His future programme is to present them in UNESCO.For this he is engaged them to make masterpieces. Examples are: hathi, table etc.

181. About the table Table in inlay work made by Rupan Matharu is one of his masterpieces to display in UNESCO. It has been taken 14 months to complete this having the members of 4 including their son. Motifs has been taken from famous Golden Temple. VIEW OF TABLE

183. The Rural Environmental enterprises Development Society” popularly known as The REEDS in all our areas of operations in the States of Haryana, Punjab, Chandigarh U.T., Himachal Pradesh and Jammu and Kashmir. .

185. This interacts the artist from every section of socity.it gives golden opportunities to all artists in Hoshiarpur.

187. BALDEV KRISHNA.

191. “THE KVIC-SFURTI INITIATIVE” An integral unit of the REEDS in the Hoshairpur. Mahatma Gandhi urged people to become reliant in the field of live hoods. He extolled them to take to swadeshi cloth and take pride in the home spun. It is his vision that KVIC-SFURTI is transalting into cisions and dreams of innumerable craftsman all over the country. The handicrafts have found a Messiah in the present chair person, Mr Kumud Ben Joshi, who launched the KVIC-SFURTI program. The scheme of the funds for regeneration of traditional industries was like a shot is the arm for the dyeing and languishing and handicrafts that for med an essential part of rural industries in days bygone.

193. With the advent of the KVIC-SFURTI programme the artisans have gained a new lease on life.

194. There in now hope for the resurrection of these rare art forms.

195. The 1000 artisans strong cluster of wooden inlay and lacquer work at Hoshiarpur is commuted to the creation of beautiful architect that well immortalize the efforts put in by the artisan.

199. Population of Nakodar 31,422. Males constitute 53% of the population and females 47%.

201. The Tomb of Haji Jamal.The Tomb of Mohammed Momin. The Tomb of Haji Jamal.

203. The durries are woven in different sizes, patterns-geometrical, animals, birds, leaves and flowers-and colours.

204. Nakodar, Jalandhar, Hoshiarpur, Tarn Taran and Anandpur Sahib offer a vast variety of durriesRegion:-Nakodar Introduction

206. These durries are made in two distinct ways, depending on their purpose. Striped, multi-colored durries that are used on bed are manufactured by pit loom.

208. White silk thread is used in warp yarn as it is strong enough to give strength where as maroon soot. Thread is used is weft yarns. Geometrical patterns are mostly used in Gulchaman durri.

210. Traditional motifs such as Pigeon parrot flower pots, animals, geometrical designs have been used .

211. Its measure are 7 feet in length and 4 feet in width.

212. The work thread used in this durri is always found in white color where as rest of the threads are used according to the contrast color.

214. Mostly animals and flowers motifs are used in this durri.

215. Thread used in jacquard durri is made of cotton yarns.

217. They import soot from Noormahel Road, where it is manufactured. This thread on to the shuttles by the women of the village. This process is done with the help of spinning wheel, which is locally called “CHARKHA”.

220. Age: 46

221. Sex: Male.

222. When started working in this craft: 25 years of age.

223. Qualification: 6th

224. Passing generation to generation: No

225. Entire family engaged : Half.

226. Per day income: 100/-

227. Common name of the Durries: Khadi durries or Furd.

228. Any help or patronage from govt. : No

229. Community: Any or NGO.

230. Seasonal: Yes but work annually.

231. Self through broker: Yes.

232. Fear from any anti-social elements : No

234. Age : 50.

235. Sex : Female.

236. When work started : After marriage 35 years of age.

237. Work: To bob the threads.

238. Entire family engaged: No.

239. Educational Qualification: No.

240. Craft Passing from generation to generation: No.

241. Per day income: 25.

242. Per product income: 12.

243. Any govt. /outside help: No.

244. Any particular community: Yes.

245. Sell through broker : Yes.

247. Age: 35.

248. Sex: Male.

249. Education Qualification: 10& Diploma technical.

250. Craft passing from generation to generation: Yes.

251. Any govt./outside help: No.

252. Seasonal craft: No.

253. Sustain entire family: No.

254. Self through Broker: Yes.

255. Fear from any social anti-element: No.

257. Age: 30.

258. Sex: Male.

259. When you started working in this craft: 15 Years of age;

260. Educational Qualification: 8th std.

261. Craft Passing from generation to generation: Yes.

262. Whole family engaged: Yes.

263. Per Day income: 200/-

264. Per Product income: 200/-.

265. Common name: Durries,Furri,Panja came under Khaddar.

266. Any govt./outside help: Yes, cloths etc working in governmental organization.

267. Seasonal craft: Annually.

269. Age: 33.

270. Sex: Male.

271. When you started working in this craft: 10 Years ago.

272. Educational Qualification: 10+2(Punjab board.)

273. Craft passing from generation to generation: Yes

274. Whole family engaged: yes.

275. Per Day income: 1000/day.

276. Any govt./outside help: NO.

277. Seasonal craft: yes.

278. Product sold through brokers : No.

279. Craft practiced by particular community: NO.

280. Application: to drape.

281. Profit: Sustainable.KESH DURRIES

287. Age: 55.

288. Sex: Male.

289. When you started working in this craft: when 26 years of age.

290. Educational Qualification: None.

291. Craft passing from generation to generation: No.

292. Is the entire family engaged in this craft: Yes.

293. Per day income: 400-500

294. Any govt. aid/outside help: No.

295. Craft practiced by any particular community: No.

296. Seasonal craft: No.

297. Sustain entire family: Yes.