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Das offene Museum.
Zukunftsstrategie oder Niemandsland.
Dr. Christian Gries, Kulturkonsorten / München
Die Blendung des Polyphem,
Museum Speralonga
Digitale
Strategie
Forschung
Sammlung
Dokumentation
Vermittlung
Kommunikation
PR
Marketing
Feedback / Besucher
Engagement
Vernetzung
E-Commerce
Quelle: http://www.tate.org.uk/context-comment/blogs/digital-blog-getting-art-our-users
Thomas P. Campell
“We’ve made a huge investment in transitioning
from being an analog museum to a digital
museum”
“technology. It’s not sexy and glamorous, like
building a new wing, but I think it’s a
fundamental part of our responsibility to our
audience.”
Thomas P. Campell
“We’ve made a huge investment in transitioning
from being an analog museum to a digital
museum”
“technology. It’s not sexy and glamorous, like
building a new wing, but I think it’s a
fundamental part of our responsibility to our
audience.”
6 Mio > 29 Mio > 92 Mio
"the Met draws about six million physical visitors a year but also has 29 million visits to its website and
reaches 92 million people through its Facebook page, which raises interesting questions about what we
mean when we speak of “the museum”"
Jean-Léon Gérome, Polyphemus
um 1902
(Privatbesitz)

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"Das offene Museum. Zukunftsstrategie oder Niemandsland"