5. Swift went to great pains to present Gulliver's Travels in the genuine,
Reality and standard form of the popular travelogues of the time. Gulliver, the
reader is told, was a seaman, first in the capacity of a ship's surgeon,
imagination then as the captain of several ships. Swift creates a realistic
framework by incorporating nautical jargon, descriptive detail that is
related in a "factual, ship'slog" style, and repeated claims by Gulliver,
in his narrative, "to relate plain matter(s) of fact in the simplest
manner and style." This framework provides a sense of realism and
versimilitude that contrasts sharply with the fantastic nature of the
tales, and establishes the first ironic layer of The Travels. As Tuveson
points out (58), "In Gulliver's Travels there is a constant shuttling
back and forth between real and unreal, normal and absurd...until our
standards of credulity are so relaxed that we are ready to buy a pig in
a poke." The four books of the Travels are also presented in a parallel
way so that voyages 1 and 2 focus on criticism of various aspects of
English society at the time, and man within this society, while
voyages 3 and 4 are more preoccupied with human nature itself,
(Downie, 281). However, all of these elements overlap, and with each
voyage, Gulliver, and thus the reader, is treated not only to differing
but ever deepening views of human nature that climax in Gulliver's
epiphany when he identifies himself with the detestable Yahoos.
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23. "The final choice of the Houyhnhnms as the
representatives of perfect reason unimpeded by
irrationality or excessive emotion serves a dual
role for Swift's satire. The absurdity of a
domestic animal exhibiting more "humanity" than
humans throws light on the defects of human
nature in the form of the Yahoo, who look and
act like humans stripped of higher reason.
Gulliver and the reader are forced to evaluate
such behavior from a vantage point outside of
man that makes it both shocking and revelatory,
(Tuveson, 62). The pride in human nature as
superior when compared to a "bestial" nature is
satirized sharply. However, the Houyhnhnms are
not an ideal of human nature either. Swift uses
them to show how reason uninformed by love,
compassion, and empathy is also an inadequate
method to deal with the myriad aspects of the
human situation".
Tuveson, Ernest. (Ed.) Swift: A Collection of Critical Essays. Englewood Cliffs, New Jersey: PrenticeHall, Inc., 1964.
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