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SM2701 Theories of Interactivity – Class 05 Interactivity and Narrative Studies of narratives in various media forms and the role of interactivity in them.
SM2701 Theories of Interactivity – Class 05 Interactivity and Narrative Interactivity Narrative
SM2701 Theories of Interactivity – Class 05 Studies of Narrative The first question is: what is narrative? The second question is: how a narrative is told?
SM2701 Theories of Interactivity – Class 05 ,[object Object],[object Object],[object Object],[object Object],[object Object]
SM2701 Theories of Interactivity – Class 05 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SM2701 Theories of Interactivity – Class 05 Studies of Narrative The way how the story is told is Discourse It is the arrangement, emphasis, treatment of the elements of the story.
SM2701 Theories of Interactivity – Class 05 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SM2701 Theories of Interactivity – Class 05 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SM2701 Theories of Interactivity – Class 05 ,[object Object],[object Object],[object Object],[object Object],[object Object]
SM2701 Theories of Interactivity – Class 05 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SM2701 Theories of Interactivity – Class 05 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SM2701 Theories of Interactivity – Class 05 ,[object Object],[object Object],[object Object],[object Object],[object Object]
SM2701 Theories of Interactivity – Class 05 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SM2701 Theories of Interactivity – Class 05 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SM2701 Theories of Interactivity – Class 05 ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SM2701 Theories of Interactivity – Class 05 Studies of Narrative Interactivity (Marie-Laure Ryan) Internal External Exploratory Information browsing Wonderlands Ontological First person shooters Play god
SM2701 Theories of Interactivity – Class 05 Some Examples
SM2701 Theories of Interactivity – Class 05 The Life and Opinions of Tristram Shandy Laurance Sterne, 1759 See film adaptation by Michael Winsterbottom at http://www.tristramshandymovie.com/
SM2701 Theories of Interactivity – Class 05 The Life and Opinions of Tristram Shandy Laurance Sterne, 1759 Role of the narrator Performative narrating Reflexive narrating Dramatic presentation of the act of writing
SM2701 Theories of Interactivity – Class 05 The Life and Opinions of Tristram Shandy Laurance Sterne, 1759
SM2701 Theories of Interactivity – Class 05 The Garden of Forking Paths Jorge Luis Borges, 1941 A hypertext version of the  story is at  http://www.geocities.com/papanagnou/cover.htm   Image from  http://www.themodernword.com/borges/
SM2701 Theories of Interactivity – Class 05 Rayuela (Hopscotch) Julio Cortázar, 1759
SM2701 Theories of Interactivity – Class 05 Rayuela (Hopscotch) Julio Cortázar, 1759 Non-linear reading Hypertext fiction?
SM2701 Theories of Interactivity – Class 05 Rayuela (Hopscotch) Julio Cortázar, 1759 Non-linear reading Hypertext fiction?
SM2701 Theories of Interactivity – Class 05 One Man and His House Radúz Činčera, 1967 Expo in Montreal
SM2701 Theories of Interactivity – Class 05 One Man and His House Radúz Činčera, 1967 Expo in Montreal
SM2701 Theories of Interactivity – Class 05 Run Lola Run Tom Tykwer, 1999 Images from  http://www.sonypictures.com/
SM2701 Theories of Interactivity – Class 05 Timecode  Mike Figgis, 2000 Images from  http://www.imdb.com/
SM2701 Theories of Interactivity – Class 05 Timecode  Mike Figgis, 2000
SM2701 Theories of Interactivity – Class 05 I’m Your Man Bob Bejan, 1992, See DVD version Images from  http://www.amazon.com/
SM2701 Theories of Interactivity – Class 05 I’m Your Man Bob Bejan, 1992, The Making of
SM2701 Theories of Interactivity – Class 05 Grahame Weinbren Sonata Images from  http://www.grahameweinbren.net/
SM2701 Theories of Interactivity – Class 05 Grahame Weinbren Sonata
SM2701 Theories of Interactivity – Class 05 Olia Lialina My Boyfriend Came Back from the War Images from  http://www.teleportacia.org/war/war2.htm
SM2701 Theories of Interactivity – Class 05 Chris Hales The Twelve Loveliest Things I Know
SM2701 Theories of Interactivity – Class 05 Hotel Han Hoogerbrugge, 2004 http://www.hoteloscartangoecholima.com/splash.html
SM2701 Theories of Interactivity – Class 05 Hotel Han Hoogerbrugge, 2004
SM2701 Theories of Interactivity – Class 05 The Bid The Party, 1996
SM2701 Theories of Interactivity – Class 05
SM2701 Theories of Interactivity – Class 05 Where do we go from here? The Party, 1997
SM2701 Theories of Interactivity – Class 05 Uncompressed Substanz, 2000 Images from  http://www.substanz.net/
SM2701 Theories of Interactivity – Class 05 Soft Cinema Lev Manovich, 2005 Images from  http://www.softcinema.net/
SM2701 Theories of Interactivity – Class 05 Facade Andrew Stern, Michael Mateas Images from  http://www.interactivestory.net/
SM2701 Theories of Interactivity – Class 05 Facade Andrew Stern, Michael Mateas
SM2701 Theories of Interactivity – Class 05 JenniCAM Jennifer Kaye Ringley, 1996 Images from  http://www.jennicam.org/
SM2701 Theories of Interactivity – Class 05 JenniCAM Jennifer Kaye Ringley, 1996
SM2701 Theories of Interactivity – Class 05 Reality TV Big Brother Images from  http://www.channel4.com/
SM2701 Theories of Interactivity – Class 05 The Sims Images from  http://thesims.ea.com/
SM2701 Theories of Interactivity – Class 05 The Sims Is it emergent narrative?
SM2701 Theories of Interactivity – Class 05 Machinima Game engine as film making platform
SM2701 Theories of Interactivity – Class 05 Second Life  As film making platform
SM2701 Theories of Interactivity – Class 05 Interactive Cinema?  There is a Hong Kong version in Causeway Bay
SM2701 Theories of Interactivity – Class 05 Interactive Cinema?  Cause and Effect by Chris Hales

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SM2701 Class 05

  • 1. SM2701 Theories of Interactivity – Class 05 Interactivity and Narrative Studies of narratives in various media forms and the role of interactivity in them.
  • 2. SM2701 Theories of Interactivity – Class 05 Interactivity and Narrative Interactivity Narrative
  • 3. SM2701 Theories of Interactivity – Class 05 Studies of Narrative The first question is: what is narrative? The second question is: how a narrative is told?
  • 4.
  • 5.
  • 6. SM2701 Theories of Interactivity – Class 05 Studies of Narrative The way how the story is told is Discourse It is the arrangement, emphasis, treatment of the elements of the story.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16. SM2701 Theories of Interactivity – Class 05 Studies of Narrative Interactivity (Marie-Laure Ryan) Internal External Exploratory Information browsing Wonderlands Ontological First person shooters Play god
  • 17. SM2701 Theories of Interactivity – Class 05 Some Examples
  • 18. SM2701 Theories of Interactivity – Class 05 The Life and Opinions of Tristram Shandy Laurance Sterne, 1759 See film adaptation by Michael Winsterbottom at http://www.tristramshandymovie.com/
  • 19. SM2701 Theories of Interactivity – Class 05 The Life and Opinions of Tristram Shandy Laurance Sterne, 1759 Role of the narrator Performative narrating Reflexive narrating Dramatic presentation of the act of writing
  • 20. SM2701 Theories of Interactivity – Class 05 The Life and Opinions of Tristram Shandy Laurance Sterne, 1759
  • 21. SM2701 Theories of Interactivity – Class 05 The Garden of Forking Paths Jorge Luis Borges, 1941 A hypertext version of the story is at http://www.geocities.com/papanagnou/cover.htm Image from http://www.themodernword.com/borges/
  • 22. SM2701 Theories of Interactivity – Class 05 Rayuela (Hopscotch) Julio Cortázar, 1759
  • 23. SM2701 Theories of Interactivity – Class 05 Rayuela (Hopscotch) Julio Cortázar, 1759 Non-linear reading Hypertext fiction?
  • 24. SM2701 Theories of Interactivity – Class 05 Rayuela (Hopscotch) Julio Cortázar, 1759 Non-linear reading Hypertext fiction?
  • 25. SM2701 Theories of Interactivity – Class 05 One Man and His House Radúz Činčera, 1967 Expo in Montreal
  • 26. SM2701 Theories of Interactivity – Class 05 One Man and His House Radúz Činčera, 1967 Expo in Montreal
  • 27. SM2701 Theories of Interactivity – Class 05 Run Lola Run Tom Tykwer, 1999 Images from http://www.sonypictures.com/
  • 28. SM2701 Theories of Interactivity – Class 05 Timecode Mike Figgis, 2000 Images from http://www.imdb.com/
  • 29. SM2701 Theories of Interactivity – Class 05 Timecode Mike Figgis, 2000
  • 30. SM2701 Theories of Interactivity – Class 05 I’m Your Man Bob Bejan, 1992, See DVD version Images from http://www.amazon.com/
  • 31. SM2701 Theories of Interactivity – Class 05 I’m Your Man Bob Bejan, 1992, The Making of
  • 32. SM2701 Theories of Interactivity – Class 05 Grahame Weinbren Sonata Images from http://www.grahameweinbren.net/
  • 33. SM2701 Theories of Interactivity – Class 05 Grahame Weinbren Sonata
  • 34. SM2701 Theories of Interactivity – Class 05 Olia Lialina My Boyfriend Came Back from the War Images from http://www.teleportacia.org/war/war2.htm
  • 35. SM2701 Theories of Interactivity – Class 05 Chris Hales The Twelve Loveliest Things I Know
  • 36. SM2701 Theories of Interactivity – Class 05 Hotel Han Hoogerbrugge, 2004 http://www.hoteloscartangoecholima.com/splash.html
  • 37. SM2701 Theories of Interactivity – Class 05 Hotel Han Hoogerbrugge, 2004
  • 38. SM2701 Theories of Interactivity – Class 05 The Bid The Party, 1996
  • 39. SM2701 Theories of Interactivity – Class 05
  • 40. SM2701 Theories of Interactivity – Class 05 Where do we go from here? The Party, 1997
  • 41. SM2701 Theories of Interactivity – Class 05 Uncompressed Substanz, 2000 Images from http://www.substanz.net/
  • 42. SM2701 Theories of Interactivity – Class 05 Soft Cinema Lev Manovich, 2005 Images from http://www.softcinema.net/
  • 43. SM2701 Theories of Interactivity – Class 05 Facade Andrew Stern, Michael Mateas Images from http://www.interactivestory.net/
  • 44. SM2701 Theories of Interactivity – Class 05 Facade Andrew Stern, Michael Mateas
  • 45. SM2701 Theories of Interactivity – Class 05 JenniCAM Jennifer Kaye Ringley, 1996 Images from http://www.jennicam.org/
  • 46. SM2701 Theories of Interactivity – Class 05 JenniCAM Jennifer Kaye Ringley, 1996
  • 47. SM2701 Theories of Interactivity – Class 05 Reality TV Big Brother Images from http://www.channel4.com/
  • 48. SM2701 Theories of Interactivity – Class 05 The Sims Images from http://thesims.ea.com/
  • 49. SM2701 Theories of Interactivity – Class 05 The Sims Is it emergent narrative?
  • 50. SM2701 Theories of Interactivity – Class 05 Machinima Game engine as film making platform
  • 51. SM2701 Theories of Interactivity – Class 05 Second Life As film making platform
  • 52. SM2701 Theories of Interactivity – Class 05 Interactive Cinema? There is a Hong Kong version in Causeway Bay
  • 53. SM2701 Theories of Interactivity – Class 05 Interactive Cinema? Cause and Effect by Chris Hales

Hinweis der Redaktion

  1. Linear and non-linear time
  2. Linear and non-linear time
  3. Same situation, different endings.
  4. 4 parallel streams of narratives, no editing apparently.
  5. 4 parallel streams of narratives, no editing apparently.
  6. Audience decide at particular points to choose the plots.
  7. Audience decide at particular points to choose the plots.
  8. User profiling and semi-intelligent narrator.