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P O W E R S   O F   T E N
@ c h a r b o o t h

      @kdeiss

      #powers

s l i d e s h a r e . n e t /
c h a r b o o t h
CONVERSATION
       AS
C O N T A I N E R
E V E N T U A L LY   EVERYTHING    CONNECTS:

P E O P L E ,
I D E A S ,
OBJECTS…
T H E        Q U A L I T Y        O F       T H E

CONNECTIONS
IS THE KEY TO QUALITY PER SE.
                                        -charles eames
C H A R L E S     &
     R A Y      E A M E S
S   CA   L
             E
M
A
G
N
I
T
U
D
E
P E R   S P E C
D   I   A




            3
            L   O   G   U   E   S
ADD   ANOTHER   ZERO
n
L   I   B   R   A   R   Y
1




2




3
1
    M E M O R Y /
    M O T I V A T I O N

2




3
1
    M E M O R Y /
    M O T I V A T I O N

2
    R   A D I   A   T I N   G
    E    F F    E    C  T   S

3
1
    M E M O R Y /
    M O T I V A T I O N

2
    R   A D I   A   T I N   G
    E    F F    E    C  T   S

3
    T E L E S C O P I C
    C H A L L E N G E S
M O S T P E O P L E A R E N ’ T T R A I N E D TO W A N T
T O F A C E T H E P R O C E S S O F

R E - U N D E R S TA N D I N G
A   S U B J E C T        T H E Y       A L R E A D Y



K N O W .
O N E M U S T O B TA I N N OT J U S T L I T E R AC Y BU T
D E E P       I N V O L V E M E N T               A N D

RE-UNDERSTANDING.
                                            -charles eames
1
    M E M O R Y /
    M O T I V A T I O N
1
    M E M O R Y /
    M O T I V A T I O N




           ?
1
    M E M O R Y /
    M O T I V A T I O N
1
    M E M O R Y /
    M O T I V A T I O N
1
    M E M O R Y /
    M O T I V A T I O N
1
    M E M O R Y /
    M O T I V A T I O N
1
    M E M O R Y /
    M O T I V A T I O N
1
    M E M O R Y /
    M O T I V A T I O N
1
    M E M O R Y /
    M O T I V A T I O N
1
    M E M O R Y /
    M O T I V A T I O N
1
    M E M O R Y /
    M O T I V A T I O N

         TO LEARN PERPETUALLY

         TO OPEN INFORMATION

         TO    SUPPORT      INQUIRY

         T O    D O   N O    E V I L
1
WHY DO YOU DO
W H AT YO U D O ?
2
    R   A D I   A   T I N   G
    E    F F    E    C  T   S
A N D


       2
F I N D T H E ‘ D RO P S ’
            T R A C E
THEIR EFFECTS
1




2




3
    T E L E S C O P I C
    C H A L L E N G E S
3
    T E L E S C O P I C
    C H A L L E N G E S
3
    T E L E S C O P I C
    C H A L L E N G E S
3
    T E L E S C O P I C
    C H A L L E N G E S
3
    T E L E S C O P I C
    C H A L L E N G E S
THESE TECTONIC
         S H I F T S




3
    T E L E S C O P I C
    C H A L L E N G E S
THESE TECTONIC
         S H I F T S

         M A K E U S
         ADVOCATES &
         INNOVATORS




3
    T E L E S C O P I C
    C H A L L E N G E S
3
    T E L E S C O P I C
    C H A L L E N G E S
3
    T E L E S C O P I C
    C H A L L E N G E S
L I B R A R I E S A R E N O T
     SHRINKING EVERYWHERE




3
    T E L E S C O P I C
    C H A L L E N G E S
L I B R A R I E S A R E N O T
     SHRINKING EVERYWHERE




3
    T E L E S C O P I C
    C H A L L E N G E S
3
    T E L E S C O P I C
    C H A L L E N G E S
3
    T E L E S C O P I C
    C H A L L E N G E S
SOMEONE IN THE LIBRARY
      I S S T E A L I N G F O O D




3
    T E L E S C O P I C
    C H A L L E N G E S
SOMEONE IN THE LIBRARY
      IS SERIOUSLY HUNGRY




3
    T E L E S C O P I C
    C H A L L E N G E S
3
    T E L E S C O P I C
    C H A L L E N G E S
3
    T E L E S C O P I C
    C H A L L E N G E S
D E C A Y I S O F T E N
      I N E V I T B L E




3
    T E L E S C O P I C
    C H A L L E N G E S
DECAY IS NATURAL
      A N D N E C E S S A R Y




3
    T E L E S C O P I C
    C H A L L E N G E S
3
W H AT A R E ( Y ) O U R
M I C R O / M A C R O
C H A L L E N G E S …
3
W H AT A R E ( Y ) O U R
M I C R O / M A C R O
C H A L L E N G E S …


& W H AT H A P P E N S
W H E N Y O U / W E
A D D   Z E R O S ?
1

    2

        3
T H E M O S T I M P O RTA N T T H I N G
I S      T H A T             Y O U

L            O         V                  E
W H AT Y O U A R E D O I N G , A N D
THE SECOND THAT YOU ARE NOT
AFRAID OF WHERE YOUR NEXT

I            D         E                  A
W    I   L   L     L    E    A        D       .
                                 -charles eames
CHAR                BOOTH
instruction                 services
M  A  N   A                  G  E  R

c l a re m o n t            c o l l e ge s
L     I    B        R        A     R    Y

i n f o m a t i o n a l . c o m

slideshare.net/charbooth


K AT H R Y N D E I S S
    c  o  n  t  e  n  t
    S T R A T E G I S T

            A   C       R     L

    k d e i s s @ a c r l . o r g
I M A G E                  C R E D I T S
                         y o u r s           t r u l y


h t t p : / / w w w. l o c . g o v / l o c / l c i b / 9 9 0 5 / e a m e s . h t m l


                  h u f f i n g t o n                 p o s t


              w i k i m e d i a c o m m o n s . o r g


    t u m b l r _ m 1 c 6 5 4 x w C t 1 r 6 0 j h j o 1 _ 4 0 0


           w w w. f l i c k r. c o m / p h o t o s / b a r t k i n g


    t h e        h o s t e l           i n      t h e        f o r e s t

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powers of ten dialogue: on perspective, insight, and communication

  • 1. P O W E R S O F T E N
  • 2. @ c h a r b o o t h @kdeiss #powers s l i d e s h a r e . n e t / c h a r b o o t h
  • 3. CONVERSATION AS C O N T A I N E R
  • 4. E V E N T U A L LY EVERYTHING CONNECTS: P E O P L E , I D E A S , OBJECTS… T H E Q U A L I T Y O F T H E CONNECTIONS IS THE KEY TO QUALITY PER SE. -charles eames
  • 5. C H A R L E S & R A Y E A M E S
  • 6.
  • 7.
  • 8.
  • 9.
  • 10. S CA L E
  • 12. P E R S P E C
  • 13. D I A 3 L O G U E S
  • 14. ADD ANOTHER ZERO
  • 15. n L I B R A R Y
  • 16. 1 2 3
  • 17. 1 M E M O R Y / M O T I V A T I O N 2 3
  • 18. 1 M E M O R Y / M O T I V A T I O N 2 R A D I A T I N G E F F E C T S 3
  • 19. 1 M E M O R Y / M O T I V A T I O N 2 R A D I A T I N G E F F E C T S 3 T E L E S C O P I C C H A L L E N G E S
  • 20. M O S T P E O P L E A R E N ’ T T R A I N E D TO W A N T T O F A C E T H E P R O C E S S O F R E - U N D E R S TA N D I N G A S U B J E C T T H E Y A L R E A D Y K N O W . O N E M U S T O B TA I N N OT J U S T L I T E R AC Y BU T D E E P I N V O L V E M E N T A N D RE-UNDERSTANDING. -charles eames
  • 21. 1 M E M O R Y / M O T I V A T I O N
  • 22. 1 M E M O R Y / M O T I V A T I O N ?
  • 23. 1 M E M O R Y / M O T I V A T I O N
  • 24. 1 M E M O R Y / M O T I V A T I O N
  • 25. 1 M E M O R Y / M O T I V A T I O N
  • 26. 1 M E M O R Y / M O T I V A T I O N
  • 27. 1 M E M O R Y / M O T I V A T I O N
  • 28. 1 M E M O R Y / M O T I V A T I O N
  • 29. 1 M E M O R Y / M O T I V A T I O N
  • 30. 1 M E M O R Y / M O T I V A T I O N
  • 31. 1 M E M O R Y / M O T I V A T I O N TO LEARN PERPETUALLY TO OPEN INFORMATION TO SUPPORT INQUIRY T O D O N O E V I L
  • 32. 1 WHY DO YOU DO W H AT YO U D O ?
  • 33. 2 R A D I A T I N G E F F E C T S
  • 34.
  • 35.
  • 36.
  • 37.
  • 38.
  • 39.
  • 40.
  • 41.
  • 42.
  • 43.
  • 44.
  • 45. A N D 2 F I N D T H E ‘ D RO P S ’ T R A C E THEIR EFFECTS
  • 46. 1 2 3 T E L E S C O P I C C H A L L E N G E S
  • 47. 3 T E L E S C O P I C C H A L L E N G E S
  • 48. 3 T E L E S C O P I C C H A L L E N G E S
  • 49. 3 T E L E S C O P I C C H A L L E N G E S
  • 50. 3 T E L E S C O P I C C H A L L E N G E S
  • 51. THESE TECTONIC S H I F T S 3 T E L E S C O P I C C H A L L E N G E S
  • 52. THESE TECTONIC S H I F T S M A K E U S ADVOCATES & INNOVATORS 3 T E L E S C O P I C C H A L L E N G E S
  • 53. 3 T E L E S C O P I C C H A L L E N G E S
  • 54. 3 T E L E S C O P I C C H A L L E N G E S
  • 55. L I B R A R I E S A R E N O T SHRINKING EVERYWHERE 3 T E L E S C O P I C C H A L L E N G E S
  • 56. L I B R A R I E S A R E N O T SHRINKING EVERYWHERE 3 T E L E S C O P I C C H A L L E N G E S
  • 57. 3 T E L E S C O P I C C H A L L E N G E S
  • 58. 3 T E L E S C O P I C C H A L L E N G E S
  • 59. SOMEONE IN THE LIBRARY I S S T E A L I N G F O O D 3 T E L E S C O P I C C H A L L E N G E S
  • 60. SOMEONE IN THE LIBRARY IS SERIOUSLY HUNGRY 3 T E L E S C O P I C C H A L L E N G E S
  • 61. 3 T E L E S C O P I C C H A L L E N G E S
  • 62. 3 T E L E S C O P I C C H A L L E N G E S
  • 63. D E C A Y I S O F T E N I N E V I T B L E 3 T E L E S C O P I C C H A L L E N G E S
  • 64. DECAY IS NATURAL A N D N E C E S S A R Y 3 T E L E S C O P I C C H A L L E N G E S
  • 65. 3 W H AT A R E ( Y ) O U R M I C R O / M A C R O C H A L L E N G E S …
  • 66. 3 W H AT A R E ( Y ) O U R M I C R O / M A C R O C H A L L E N G E S … & W H AT H A P P E N S W H E N Y O U / W E A D D Z E R O S ?
  • 67. 1 2 3
  • 68.
  • 69.
  • 70. T H E M O S T I M P O RTA N T T H I N G I S T H A T Y O U L O V E W H AT Y O U A R E D O I N G , A N D THE SECOND THAT YOU ARE NOT AFRAID OF WHERE YOUR NEXT I D E A W I L L L E A D . -charles eames
  • 71. CHAR BOOTH instruction services M A N A G E R c l a re m o n t c o l l e ge s L I B R A R Y i n f o m a t i o n a l . c o m slideshare.net/charbooth K AT H R Y N D E I S S c o n t e n t S T R A T E G I S T A C R L k d e i s s @ a c r l . o r g
  • 72. I M A G E C R E D I T S y o u r s t r u l y h t t p : / / w w w. l o c . g o v / l o c / l c i b / 9 9 0 5 / e a m e s . h t m l h u f f i n g t o n p o s t w i k i m e d i a c o m m o n s . o r g t u m b l r _ m 1 c 6 5 4 x w C t 1 r 6 0 j h j o 1 _ 4 0 0 w w w. f l i c k r. c o m / p h o t o s / b a r t k i n g t h e h o s t e l i n t h e f o r e s t