1. Chapter 29 Europe and America 1700 - 1800 Rococo, The Enlightenment, Neoclassicism

2. Napoleonic Europe 1800-1815

3. The US in 1800

6. Figure 29-2 GERMAIN BOFFRAND, Salon de la Princesse, with painting by CHARLES-JOSEPH NATOIRE and sculpture by J. B. LEMOINE, Hôtel de Soubise, Paris, France, 1737–1740.

7. Figure 29-3 FRANÇOIS DE CUVILLIÉS, Hall of Mirrors, the Amalienburg, Nymphenburg Palace park, Munich, Germany, early 18th century.

8. Figure 29-5 ANTOINE WATTEAU, L’Indifférent, ca. 1716. Oil on canvas, approx. 10” x 7”. Louvre, Paris.

9. HYACINTHE RIGAUD, Louis XIV, 1701. Oil on canvas, approx. 9’ 2” x 6’ 3”. Louvre, Paris. Baroque

10. Figure 29-6 ANTOINE WATTEAU, Return from Cythera, 1717–1719. Oil on canvas, approx. 4’ 3” x 6’ 4”. Louvre, Paris.

12. Three Studies of a Lady with a Hat c. 1715 Chalk on paper, 210 x 313 mm Musées Royaux des Beaux-Arts, Brussels

13. Rubens, Garden of Love c. 1633 Oil on canvas, 198 x 283 cm Museo del Prado, Madrid

14. Giorgione, Pastoral Symphony

15. Gilles 1718-20 Oil on canvas, 184,5 x 149,5 cm Musée du Louvre, Paris

16. Figure 29-7 FRANÇOIS BOUCHER, Cupid a Captive, 1754. Oil on canvas, approx. 5’ 6” x 2’ 10”. The Wallace Collection, London.

17. Rubens, Allegory of War, Flemish, Baroque

18. Figure 29-1 JEAN-HONORÉ FRAGONARD, The Swing, 1766. Oil on canvas, approx. 2’ 11” x 2’ 8”. The Wallace Collection, London.

20. WILLIAM HUNTER, Child in Womb, drawing from dissection of a woman who died in the ninth month of pregnancy, from Anatomy of the Human Gravid Uterus, 1774.

22. Figure 29-10 JOSEPH WRIGHT OF DERBY, A Philosopher Giving a Lecture at the Orrery (in which a lamp is put in place of the sun), ca. 1763–1765. Oil on canvas, 4’ 10” x 6’ 8”. Derby Museums and Art Gallery, Derby, Derbyshire.

23. Figure 29-11 ABRAHAM DARBY III and THOMAS F. PRITCHARD, iron bridge at Coalbrookdale, England (first cast-iron bridge over the Severn River), 1776–1779. 100’ span.

25. Figure 29-13 JEAN-BAPTISTE GREUZE, The Village Bride, 1761. Oil on canvas, 3’ x 3’ 10 1/2”. Louvre, Paris.

26. Figure 29-12 JEAN-BAPTISTE-SIMÉON CHARDIN, Grace at Table, 1740. Oil on canvas, 1’ 7” x 1’ 3”. Louvre, Paris. The Natural Taste in France

27. Chardin, The Ray 1728 Oil on canvas, 114 x 146 cm Musée du Louvre, Paris

28. Figure 29-14 ÉLISABETH LOUISE VIGÉE-LEBRUN, Self-Portrait, 1790. Oil on canvas, 8’ 4” x 6’ 9”. Galleria degli Uffizi, Florence.

29. ÉLISABETH LOUISE VIGÉE-LEBRUN, Self-Portrait,

30. Figure 29-15 WILLIAM HOGARTH, Breakfast Scene, from Marriage à la Mode, ca. 1745. Oil on canvas, approx. 2’ 4” x 3’. http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/work?workNumber=NG113 The Natural Taste in England

31. Terms and Conditions

32. The Tête à Tête

33. The Inspection

34. The Toilette

35. The Bagnio

36. The Lady's Death

38. Figure 29-16 THOMAS GAINSBOROUGH, Mrs. Richard Brinsley Sheridan, 1787. Oil on canvas, approx. 7’ 2 5/8” x 5’ 5/8”. National Gallery of Art, Washington (Andrew W. Mellon Collection).

39. THOMAS GAINSBOROUGH , Mrs Sarah Siddons 1785 Oil on canvas, 126 x 99,5 cm National Gallery, London

40. Figure 29-17 SIR JOSHUA REYNOLDS, Lord Heathfield, 1787. Oil on canvas, approx. 4’ 8” x 3’ 9”. National Gallery, London.

41. Sir Joshua Reynolds Portrait of Mrs. Siddons as the Tragic Muse, exhibited 1784.

43. Figure 29-18 BENJAMIN WEST, The Death of General Wolfe, 1771. Oil on canvas, approx. 5’ x 7’ National Gallery of Canada, Ottawa (gift of the Duke of Westminster, 1918). Natural Taste in the United States

45. Figure 29-19 JOHN SINGLETON COPLEY, Portrait of Paul Revere, ca. 1768–1770. Oil on canvas, 2’ 11 1/8” x 2’ 4”. Museum of Fine Arts, Boston (gift of Joseph W., William B., and Edward H. R. Revere).

46. John Singleton Copley Watson and the Shark , 1778,, National Gallery of Art, Washington, DC

48. Figure 29-20 ANTONIO CANALETTO, Riva degli Schiavoni, Venice, ca. 1740. Oil on canvas. The Toledo Museum of Art Italian Natural Taste and Tourism

50. Fig, 29-21 Robert Adam, Etruscan Room, Osterley Park House, Middlesex, England, begun 1761. Victoria and Albert Museum in London.

51. Figure 29-22 ANGELICA KAUFFMANN, Cornelia Presenting Her Children as Her Treasures, or Mother of the Gracchi, ca. 1785. Oil on canvas, 3’ 4” x 4’ 2”. Virginia Museum of Fine Arts, Richmond (the Adolph D. and Wilkins C. Williams Fund). Neoclassical Art in France

52. Figure 29-23 JACQUES-LOUIS DAVID, Oath of the Horatii, 1784. Oil on canvas, approx. 11’ x 14’. Louvre, Paris.

54. The Three Horatii Brothers 1785 Black chalk, wash and white highlights, 580 x 450 mm Musée Bonnat, Bayonne

58. David, The Death of Socrates 1787 Oil on canvas, 130 x 196 cm Metropolitan Museum of Art, New York

59. Figure 29-24 JACQUES-LOUIS DAVID, The Death of Marat, 1793. Oil on canvas, approx. 5’ 3” x 4’ 1”. Musées Royaux des Beaux-Arts de Belgique, Brussels.

62. Figure 33-55 PIET MONDRIAN, Composition in Red, Blue, and Yellow, 1930. Oil on canvas, 2’ 4 5/8” x 1’ 9 1/4”. Private Collection.

64. David, Madame Récamier 1800 Oil on canvas, 173 x 244 cm Musée du Louvre, Paris

66. Figure 29-25 JACQUES-GERMAIN SOUFFLOT, the Panthéon (Sainte-Geneviève), Paris, France, 1755–1792.

68. Figure 28-27 RICHARD BOYLE (earl of Burlington) and WILLIAM KENT, Chiswick House, near London, England, begun 1725. British Crown Copyright.

69. Figure 22-56 ANDREA PALLADIO, Villa Rotonda (formerly Villa Capra), near Vicenza, Italy, ca. 1566–1570.

72. Figure 28-27 Alternate View Principal Facade with entrance gate © 2005 Saskia Cultural Documentation, Ltd.

75. Figure 28-31 THOMAS JEFFERSON, Monticello, Charlottesville, United States, 1770–1806. Monticello The Neoclassical in the United States

80. The University of Virginia Monticello

81. Figure 28-32 Drawing of view of Washington, 1852, showing BENJAMIN LATROBE’S Capitol (1803–1807) and MAJOR L’ENFANT’S plan (created in 1791) of the city.