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“A good story should alter you in some way; it should change
your thinking, your feeling, your psyche, or the way you look at
    things. A story is an abstract experience; it's rather like
   venturing through a maze. When you come out of it, you
                 should feel slightly changed.”
Allen’s Background
 Allen Say was born in Yokohama, Japan, in 1937
Allen’s Home Life and Family Experiences




           His father, a Korean orphan raised by a British family in
            Shanghai, and his mother, Japanese but American born in
            Oakland, California, divorced when Say was eight. The
            family separated, Say lived unhappily with his father while
            his sister lived with their mother.

           At age twelve, he was sent off to Tokyo — living on his
            own — to attend a prestigious school in the city. Instead,
            he sought out and apprenticed himself to the famous post-
            war cartoonist, Noro Shinpei, and spent the next four
            years learning to draw and paint. That experience is
            described first in his autobiographical novel The Ink-
            Keeper's Apprentice (1996) and later in the 2011 picture book
            Drawing from Memory.

           At age sixteen, Say emigrated from Japan to California
            with his father.
 After high school graduation, Say went back to Japan,
  vowing never to return to America.


 But after a year in a much-changed Japan, he returned
  and worked as an apprentice to a sign painter and then
  had a two-year stint in the army, stationed in Germany.
  Say returned to California and for 20 years worked as a
  commercial photographer.
 In 1988, Say was asked by Walter Lorraine, an editor at
  Houghton Mifflin Company, to illustrate a retelling of
  the Japanese folktale, The Boy of the Three-Year Nap. It
  won the prestigious Caldecott Honor Award and Horn
  Book Award.
Allen Say: Illustrator
   Boy of the Three Year Nap By: Dianne Snyder

   Illustrated by: Allen Say

   Age Level: 6-9 Reading Level:

   Taro is known for his laziness, he is also clever
    and so finds a way to become wealthy. Realistic
    illustrations place Taro and his mother in a long
    ago Japan in this spritely retelling of a
    traditional trickster tale.

   This book won the prestigious Caldecott Honor
    Award and Horn Book Award. The success of
    that book allowed Say to return to doing what
    he really loved, full-time — writing, painting,
    drawing — and it was the beginning of his
    second career as a children's book author and
    illustrator.
Say: The Illustrator continued

                How My Parents Learned to Eat By: Ina
                 Friedman

                Illustrated by: Allen Say

                Age Level: 6-9

                When an American sailor meets a
                 Japanese woman, they both try in secret
                 to learn the other's way of eating. Their
                 courtship and growing love culminates
                 in marriage. This realistic family story
                 explores cultural similarities and
                 differences and is told with humor and
                 honesty by the couple's daughter.
Allen Say: Successful Author
          and Illustrator
 The success of Boy of the Three Year Nap allowed Say
  to return to doing what he really loved, full-time —
  writing, painting, drawing — and it was the beginning of
  his second career as a children's book author and
  illustrator.
Say’s Work Continues

 Since then, he has written and illustrated many
  books, including Tree of Cranes, Grandfather's
  Journey (winner of the 1994 Caldecott Medal), Home
  of the Brave, Tea with Milk, Kamishibai Man, and
  The Boy in the Garden. Many of his books have
  autobiographical elements.
 Title: Tree of Cranes
 Author:      Say, Allen

 Illustrator: Say, Allen


 Categories: Holidays, Winter
  Holidays, Multicultural
 Ages: 3-5, 6-8
 Summary: As a young Japanese
  boy recovers from a bad chill, his
  mother busily folds origami paper
  into delicate silver cranes in
  preparation for the boy's very first
  Christmas.
   Title:   Grandfather's Journey

   Author:                  Say, Allen


   Illustrator:             Say, Allen


   Publisher:               Houghton Mifflin


   Categories:              Multicultural


   Ages:                    3-5, 6-8


   Summary:        Through compelling
    reminiscences of his grandfather's life in
    America and Japan, Allen Say gives us a
    poignant account of a family's unique cross-
    cultural experience. He warmly conveys his
    own love for his two countries, and the strong
    and constant desire to be in both places at
    once.
   Title: Tea with Milk

   Author: Say, Allen



   Illustrator: Say, Allen

   Categories: Multicultural

   Ages: 3-5, 6-8

    Summary At home in San Francisco, May speaks Japanese
    and the family eats rice and miso soup and drinks green tea.
    When she visits her friends' homes, she eats fried chicken and
    spaghetti. May plans someday to go to college and live in an
    apartment of her own. But when her family moves back to
    Japan, she soon feels lost and homesick for America. In Japan
    everyone calls her by her Japanese name, Masako. She has to
    wear kimonos and sit on the floor. Poor May is sure that she
    will never feel at home in this country. Eventually May is
    expected to marry and a matchmaker is hired. Outraged at the
    thought, May sets out to find her own way in the big city of
    Osaka. With elegant watercolors reminiscent of Grandfather's
    Journey, Allen Say has created a moving tribute to his parents
    and their path to discovering where home really is. The
    accompanying story of his mother and her journey as a young
    woman is heartfelt.
Final Thoughts of Allen Say
                 When starting a new book, I don't
                  have issues in my head. Most of the
                  time I don't know what the book is
                  going to be about. I start painting the
                  first picture, and by the time that's
                  done the second picture -- I call it
                  scene or frame -- forms in my mind.
                  After the fourth or fifth frame I'm
                  often surprised to see a story line
                  developing. It's a kind of pattern
                  recognition.

                 The important thing is to put enough
                  stuff on the paper, then I can move
                  them around and begin to see a
                  pattern, and that's when it gets
                  exciting. I believe that if you know
                  what you are going to make before
                  you make it, and if comes out the way
                  you thought it would come out, the
                  finished work is worthless.
Bibliography
 http://en.wikipedia.org/wiki/Allen_Say

 http://www.houghtonmifflin.books.com/authors/allensay/au

 http://www.readingrockets.org/books/interviews/say/

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Allen Say: An Author's Study

  • 1. “A good story should alter you in some way; it should change your thinking, your feeling, your psyche, or the way you look at things. A story is an abstract experience; it's rather like venturing through a maze. When you come out of it, you should feel slightly changed.”
  • 2. Allen’s Background  Allen Say was born in Yokohama, Japan, in 1937
  • 3. Allen’s Home Life and Family Experiences  His father, a Korean orphan raised by a British family in Shanghai, and his mother, Japanese but American born in Oakland, California, divorced when Say was eight. The family separated, Say lived unhappily with his father while his sister lived with their mother.  At age twelve, he was sent off to Tokyo — living on his own — to attend a prestigious school in the city. Instead, he sought out and apprenticed himself to the famous post- war cartoonist, Noro Shinpei, and spent the next four years learning to draw and paint. That experience is described first in his autobiographical novel The Ink- Keeper's Apprentice (1996) and later in the 2011 picture book Drawing from Memory.  At age sixteen, Say emigrated from Japan to California with his father.
  • 4.  After high school graduation, Say went back to Japan, vowing never to return to America.  But after a year in a much-changed Japan, he returned and worked as an apprentice to a sign painter and then had a two-year stint in the army, stationed in Germany. Say returned to California and for 20 years worked as a commercial photographer.  In 1988, Say was asked by Walter Lorraine, an editor at Houghton Mifflin Company, to illustrate a retelling of the Japanese folktale, The Boy of the Three-Year Nap. It won the prestigious Caldecott Honor Award and Horn Book Award.
  • 5. Allen Say: Illustrator  Boy of the Three Year Nap By: Dianne Snyder  Illustrated by: Allen Say  Age Level: 6-9 Reading Level:  Taro is known for his laziness, he is also clever and so finds a way to become wealthy. Realistic illustrations place Taro and his mother in a long ago Japan in this spritely retelling of a traditional trickster tale.  This book won the prestigious Caldecott Honor Award and Horn Book Award. The success of that book allowed Say to return to doing what he really loved, full-time — writing, painting, drawing — and it was the beginning of his second career as a children's book author and illustrator.
  • 6. Say: The Illustrator continued  How My Parents Learned to Eat By: Ina Friedman  Illustrated by: Allen Say  Age Level: 6-9  When an American sailor meets a Japanese woman, they both try in secret to learn the other's way of eating. Their courtship and growing love culminates in marriage. This realistic family story explores cultural similarities and differences and is told with humor and honesty by the couple's daughter.
  • 7. Allen Say: Successful Author and Illustrator  The success of Boy of the Three Year Nap allowed Say to return to doing what he really loved, full-time — writing, painting, drawing — and it was the beginning of his second career as a children's book author and illustrator.
  • 8. Say’s Work Continues  Since then, he has written and illustrated many books, including Tree of Cranes, Grandfather's Journey (winner of the 1994 Caldecott Medal), Home of the Brave, Tea with Milk, Kamishibai Man, and The Boy in the Garden. Many of his books have autobiographical elements.
  • 9.  Title: Tree of Cranes  Author: Say, Allen  Illustrator: Say, Allen  Categories: Holidays, Winter Holidays, Multicultural  Ages: 3-5, 6-8  Summary: As a young Japanese boy recovers from a bad chill, his mother busily folds origami paper into delicate silver cranes in preparation for the boy's very first Christmas.
  • 10. Title: Grandfather's Journey  Author: Say, Allen  Illustrator: Say, Allen  Publisher: Houghton Mifflin  Categories: Multicultural  Ages: 3-5, 6-8  Summary: Through compelling reminiscences of his grandfather's life in America and Japan, Allen Say gives us a poignant account of a family's unique cross- cultural experience. He warmly conveys his own love for his two countries, and the strong and constant desire to be in both places at once.
  • 11. Title: Tea with Milk  Author: Say, Allen   Illustrator: Say, Allen  Categories: Multicultural  Ages: 3-5, 6-8  Summary At home in San Francisco, May speaks Japanese and the family eats rice and miso soup and drinks green tea. When she visits her friends' homes, she eats fried chicken and spaghetti. May plans someday to go to college and live in an apartment of her own. But when her family moves back to Japan, she soon feels lost and homesick for America. In Japan everyone calls her by her Japanese name, Masako. She has to wear kimonos and sit on the floor. Poor May is sure that she will never feel at home in this country. Eventually May is expected to marry and a matchmaker is hired. Outraged at the thought, May sets out to find her own way in the big city of Osaka. With elegant watercolors reminiscent of Grandfather's Journey, Allen Say has created a moving tribute to his parents and their path to discovering where home really is. The accompanying story of his mother and her journey as a young woman is heartfelt.
  • 12. Final Thoughts of Allen Say  When starting a new book, I don't have issues in my head. Most of the time I don't know what the book is going to be about. I start painting the first picture, and by the time that's done the second picture -- I call it scene or frame -- forms in my mind. After the fourth or fifth frame I'm often surprised to see a story line developing. It's a kind of pattern recognition.  The important thing is to put enough stuff on the paper, then I can move them around and begin to see a pattern, and that's when it gets exciting. I believe that if you know what you are going to make before you make it, and if comes out the way you thought it would come out, the finished work is worthless.