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TEAM
 DIABLO
Latin American
    Dancing



         Camile Taper
         Federica Memola
         Nives Zver
Team Diablo
• Dancing organisation based in
  Molinella, Italy

• Insitutionalised organisation with
  more than 5000 members

• Membership: paying fees,
  preparations, access to private lessons
  with specific coaches

• Couples dance for their dance club, but
  broadly are members of Team Diablo
Managerial Strategy
Main goals:

• TO RECRUIT foreign juniors and youth

• TO ORGANIZE as much preparations as
  possible; earn money

• TO CREATE as much world champions as
  possible (by bribing judges)

• TO INFORCE their style of dancing
  (appealing for the crowd; lack of
  technique) worldwide
Managerial Strategy -
 Marketing
• Good marketing; promising help with
  finding a suitable dance par tner, job
  prospect, dance education

• Promoting on international competitions
  thourgh adver tising (billboards, flyers)

• Only few top couples reach Diablo's goals
  (the rest of it is paying for that)

• Appealing for the crowd; speed and
  attractive figures
Managerial Strategy -
    Financials
•   Gaining good results by bribing judges

•   Organising preparations; 1500€ (normal
    price: max. 400€)

•   Coaching couples for a double price
    (150€ instead max. 60€)

•   Active in politics; good social networks

•   Popular among youth, who idealise them
    and prepared to pay to be „the same“
Diablo's Difficult
 Situation
• World Champion 2011; Russian couple
  (Italian couple 2nd)

• World Champion 2012; Italian couple
  (Russian couple 2nd)

• They have managed to get a suitable
  judging panel for year 2012; through
  good networking in politics, corruption
  and bribing the judges
Future Predictions
•    To inforce their style of dancing
    (creating a show, lack of technique)

• To get as much judges as possible on
  their side

• To take over the existing system

• To expand their organisation
  worldwide

• + Promoting dancing worldwide
Leadership
Autocratic

• Power in the hands of minority

• Monopoly over dancers

• Decision-making by leaders

• Doesn't allow development of future
  leaders


• Dancers must obey otherwise they are
  out
Leadership
Hofstede’s Cultural
Dimensions
Russia vs Italy
Hofstede’s Cultural
Dimensions
1) PDI – Power Distance Index

•) In Russia – where the score for this index is
   93/120  77.5%, there is a significant power
   distance between the “rich” and the “poor”, the
   “powerful and important” and the more
   “insignificant”. This indicates the importance of
   “status symbols”, and the acceptance of power
   distance, which is obvious between boss and
   employee.
Hofstede’s Cultural
Dimensions
PDI – Power Distance Index

• In Italy – where the score for the index is
  50/120  45.8%, Italy sits in the middle;
  they accept that hierarchy should be
  respected, and believe that inequalities
  are tolerable. Age is also an important
  factor in Italy, this is where the respect
  or hierarchy ties in – elders should be
  respected because they have more
  experience and are hierarchically
  unequal. Here again, status symbols are
  important, especially for communication
  – an italien shows respect by using “lei”
  instead of “tu”, which is like the French
  “vous” and “tu”.
Hofstede’s Cultural
Dimensions
IND - Individualism
  •   Russians – who score 39/120  32.5% –
      are quite collectivist. They see
      themselves as a group, one big family,
      tight-knit. They value trust and
      authenticity in people and use these to
      communicate effectively and build
      relationships.

  Italians – who score 76/120  63.3% – are
  quite the opposite, they are a very
  individualistic culture, centred on “me”
  rather than “us”. Hofstede explains clearly
  that the route to happiness for the italiens
  is through personal development and
  fulfilment. But there is a clear distinction
  between the nor th of Italy and the South of
  Italy, where they have warmer attitudes
Hofstede’s Cultural
Dimensions
MAS - Masculinity


  • Russians, who score 36/120  30%, are
    thought to be more attached to the
    quality of life rather than to winning and
    achieving, with dominating values
    focused on caring for others and in the
    end, liking what you do.
  Italians, scoring 70/120  58.3%, have
  quite a masculine society; they are highly
  success oriented and driven. They value
  competition and always strive to win. This
  is then por trayed by big fancy cars and
  houses. Essentially, the highest place for
  competition is in the workplace.
Hofstede’s Cultural
Dimensions
UAI – Uncer tainty Avoidance Index


  • The Russians, who score 95/120 
    79.2%, are generally quite
    uncomfor table with unknowns,
    and feel threatened by ambiguous
    situations. As Hofstede explains,
    working in teams they like to have
    detailed planning and frequent
    debriefings. They value context
    and background information.
Hofstede’s Cultural
Dimensions
UAI – Uncer tainty Avoidance Index


  •   The Italians, who score 75/120  62.5%,
      are also rather uncomfor table with
      unknowns and dislike ambiguous
      situations. In Italy, the combination of
      high masculinity and high uncer tainty
      avoidance makes life very difficult and
      stressful; this is why they enjoy frequent
      coffee breaks, and long lunches. They are
      also very passionate, and express it freely
      – both verbally in tone and pitch, and
      through body language!
Hofstede’s Cultural
Dimensions
LTO – Long Term Orietation

 •   The Russians have no score on the
     Confucian Dynamism Cultural Dimension.
     This is due to the fact that G . Hofstede
     did not in fact have the required
     “material” or “test subjects” in order to
     analyse them in this perspective.
 •   The Italians, who have a score of 34/120 
     28.3%, have a shor t-term orientation
     culture, who concentrates on quick
     results, and put a lot of impor tance on
     history.

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Team Diablo

  • 1. TEAM DIABLO Latin American Dancing Camile Taper Federica Memola Nives Zver
  • 2. Team Diablo • Dancing organisation based in Molinella, Italy • Insitutionalised organisation with more than 5000 members • Membership: paying fees, preparations, access to private lessons with specific coaches • Couples dance for their dance club, but broadly are members of Team Diablo
  • 3. Managerial Strategy Main goals: • TO RECRUIT foreign juniors and youth • TO ORGANIZE as much preparations as possible; earn money • TO CREATE as much world champions as possible (by bribing judges) • TO INFORCE their style of dancing (appealing for the crowd; lack of technique) worldwide
  • 4. Managerial Strategy - Marketing • Good marketing; promising help with finding a suitable dance par tner, job prospect, dance education • Promoting on international competitions thourgh adver tising (billboards, flyers) • Only few top couples reach Diablo's goals (the rest of it is paying for that) • Appealing for the crowd; speed and attractive figures
  • 5. Managerial Strategy - Financials • Gaining good results by bribing judges • Organising preparations; 1500€ (normal price: max. 400€) • Coaching couples for a double price (150€ instead max. 60€) • Active in politics; good social networks • Popular among youth, who idealise them and prepared to pay to be „the same“
  • 6. Diablo's Difficult Situation • World Champion 2011; Russian couple (Italian couple 2nd) • World Champion 2012; Italian couple (Russian couple 2nd) • They have managed to get a suitable judging panel for year 2012; through good networking in politics, corruption and bribing the judges
  • 7. Future Predictions • To inforce their style of dancing (creating a show, lack of technique) • To get as much judges as possible on their side • To take over the existing system • To expand their organisation worldwide • + Promoting dancing worldwide
  • 8. Leadership Autocratic • Power in the hands of minority • Monopoly over dancers • Decision-making by leaders • Doesn't allow development of future leaders • Dancers must obey otherwise they are out
  • 11. Hofstede’s Cultural Dimensions 1) PDI – Power Distance Index •) In Russia – where the score for this index is 93/120  77.5%, there is a significant power distance between the “rich” and the “poor”, the “powerful and important” and the more “insignificant”. This indicates the importance of “status symbols”, and the acceptance of power distance, which is obvious between boss and employee.
  • 12. Hofstede’s Cultural Dimensions PDI – Power Distance Index • In Italy – where the score for the index is 50/120  45.8%, Italy sits in the middle; they accept that hierarchy should be respected, and believe that inequalities are tolerable. Age is also an important factor in Italy, this is where the respect or hierarchy ties in – elders should be respected because they have more experience and are hierarchically unequal. Here again, status symbols are important, especially for communication – an italien shows respect by using “lei” instead of “tu”, which is like the French “vous” and “tu”.
  • 13. Hofstede’s Cultural Dimensions IND - Individualism • Russians – who score 39/120  32.5% – are quite collectivist. They see themselves as a group, one big family, tight-knit. They value trust and authenticity in people and use these to communicate effectively and build relationships. Italians – who score 76/120  63.3% – are quite the opposite, they are a very individualistic culture, centred on “me” rather than “us”. Hofstede explains clearly that the route to happiness for the italiens is through personal development and fulfilment. But there is a clear distinction between the nor th of Italy and the South of Italy, where they have warmer attitudes
  • 14. Hofstede’s Cultural Dimensions MAS - Masculinity • Russians, who score 36/120  30%, are thought to be more attached to the quality of life rather than to winning and achieving, with dominating values focused on caring for others and in the end, liking what you do. Italians, scoring 70/120  58.3%, have quite a masculine society; they are highly success oriented and driven. They value competition and always strive to win. This is then por trayed by big fancy cars and houses. Essentially, the highest place for competition is in the workplace.
  • 15. Hofstede’s Cultural Dimensions UAI – Uncer tainty Avoidance Index • The Russians, who score 95/120  79.2%, are generally quite uncomfor table with unknowns, and feel threatened by ambiguous situations. As Hofstede explains, working in teams they like to have detailed planning and frequent debriefings. They value context and background information.
  • 16. Hofstede’s Cultural Dimensions UAI – Uncer tainty Avoidance Index • The Italians, who score 75/120  62.5%, are also rather uncomfor table with unknowns and dislike ambiguous situations. In Italy, the combination of high masculinity and high uncer tainty avoidance makes life very difficult and stressful; this is why they enjoy frequent coffee breaks, and long lunches. They are also very passionate, and express it freely – both verbally in tone and pitch, and through body language!
  • 17. Hofstede’s Cultural Dimensions LTO – Long Term Orietation • The Russians have no score on the Confucian Dynamism Cultural Dimension. This is due to the fact that G . Hofstede did not in fact have the required “material” or “test subjects” in order to analyse them in this perspective. • The Italians, who have a score of 34/120  28.3%, have a shor t-term orientation culture, who concentrates on quick results, and put a lot of impor tance on history.