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2010 Internal Assessment Resource Subject Reference : Visual Art 2.2 Internal assessment resource reference number:  Visual Art/2/2- G version 4  “Identity in Print” Supports internal assessment for: Achievement Standard: 90478 version 2 Title: Generate and develop ideas using drawing processes and procedures in print. Credits: 6 Date version published:  April 2005 Ministry of Education    For use in internal assessment quality assurance status     from 2005   Adapted for use at One Tree Hill College, 2010
Student Instruction Sheet ,[object Object],[object Object],[object Object],[object Object],[object Object]
There are four tasks within this Assessment. ,[object Object],[object Object],[object Object],[object Object],[object Object]
Task 1:  Researching  and Generating Ideas (6 Hours) ,[object Object],[object Object],[object Object],[object Object]
 
Transfer this information to the following: (the statement on the left is in Maori and the statement on the right is the English translation) ,[object Object],[object Object],[object Object],[object Object],[object Object]
 
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Student Work: Sara Stewart  2005
Task 2: Generating and Developing Ideas  (based on artist models) Concepts ,[object Object],[object Object],[object Object],[object Object]
Michel Tuffery was born in 1966 in Wellington, Aotearoa/New Zealand and currently lives and works there. An artist of Samoan, Tahitian and Cook Island descent ,  the artist’s work is a public outlet for the personal exploration of the many dimensions of his cultural background. He has stated "I am using traditional design motifs, stories, dances and songs in a contemporary way."  Tuffery  regularly involves the pacific island communities in his performance works. In small groups, discuss what traditional item this work is based on and the materials it is made of. Make notes on the group ‘dump’ sheet, then transfer them onto this page. Now draw the image in the picture box provided on the right and colour carefully. Pacific Artist Michel Tuffrey Notes about Michel’s work…………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………
John Pule: Born in Niue, a small nation in the Pacific,  John Pule  moved with his family to Auckland, New Zealand at the age of two.  Mythology and history are of specific interest to John as he weaves fish, people and birdlike creatures into a very personal response to the colonisation of the Pacific. In small groups, discuss what traditional item this work is based on and the materials it is made of. Make notes on the group ‘dump’ sheet, then transfer them onto this page. Now draw the image in the picture box provided on the right.  Take care to ‘grid’ your composition and colour carefully. Pacific Artist John Pule Notes about John Pule’s work ………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………..
Contrast &  Compare: Create word banks to illustrate the similarities & differences between the 2 works Similarities  Differences N Brown, Seven Last Words 1, hand coloured lithograph, 335 x 240mm M Tuffrey:  Tianiga, 1989
[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
[object Object],[object Object],[object Object]
Wood or Linocut The Expressionists made prints (mostly woodcuts) as well as paintings.  The woodcut technique helped them to work quickly and directly onto the block.  The images were very dramatic in their contrasts of dark and light and were often printed in stark black and white. The cut lines could be used to exaggerate the forms and planes
 
Task 3: Techniques and Processes of Artist Models (Develop and  clarify  ideas) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
 
 
For textured prints ,[object Object]
 
 
 
 
[object Object],Black areas have not been cut, white areas are the areas that have been cut
 
 
Task 4:  Analysing and Clarifying Ideas ,[object Object],[object Object],[object Object],[object Object],[object Object]
Assessment Schedule:  AS90478  Visual Art/2/2 – G version 4: “Identity in Print” The student is able to: Generate, develop, critically analyse and clarify ideas in a related series of Identity studies drawings and prints based on selected artist model(s) Use drawing and printmaking materials, processes and techniques with understanding and clarity of purpose The student is able to: Generate, develop and clarify ideas in a related series of Identity studies drawings and prints based on selected artist model(s) Use drawing and printmaking materials, processes and techniques with understanding The student is able to: Generate and develop ideas in a related series of Identity studies drawings and prints based on selected artist model(s) Uses drawing and printmaking materials, processes and techniques appropriate to purpose Task 1: 1 x A3 page personal  research 2 x A4 Artist research 1 x A3 Artist comparison  Task 2: 6 x A6 developmental ‘Identity’ studies and 4 x A5 drawings for prints Task 3:  1 x A5 working print (monoprint) Task 4: 1 x A4 print (black on white)  At least 4 single colour prints A4 and  1 x A4 multi-colour print Achievement with Excellence Achievement with Merit Achievement Evidence

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2010 printmaking

  • 1. 2010 Internal Assessment Resource Subject Reference : Visual Art 2.2 Internal assessment resource reference number: Visual Art/2/2- G version 4 “Identity in Print” Supports internal assessment for: Achievement Standard: 90478 version 2 Title: Generate and develop ideas using drawing processes and procedures in print. Credits: 6 Date version published: April 2005 Ministry of Education For use in internal assessment quality assurance status from 2005 Adapted for use at One Tree Hill College, 2010
  • 2.
  • 3.
  • 4.
  • 5.  
  • 6.
  • 7.  
  • 8.
  • 9. Student Work: Sara Stewart 2005
  • 10.
  • 11. Michel Tuffery was born in 1966 in Wellington, Aotearoa/New Zealand and currently lives and works there. An artist of Samoan, Tahitian and Cook Island descent , the artist’s work is a public outlet for the personal exploration of the many dimensions of his cultural background. He has stated "I am using traditional design motifs, stories, dances and songs in a contemporary way."  Tuffery regularly involves the pacific island communities in his performance works. In small groups, discuss what traditional item this work is based on and the materials it is made of. Make notes on the group ‘dump’ sheet, then transfer them onto this page. Now draw the image in the picture box provided on the right and colour carefully. Pacific Artist Michel Tuffrey Notes about Michel’s work…………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………
  • 12. John Pule: Born in Niue, a small nation in the Pacific,  John Pule  moved with his family to Auckland, New Zealand at the age of two.  Mythology and history are of specific interest to John as he weaves fish, people and birdlike creatures into a very personal response to the colonisation of the Pacific. In small groups, discuss what traditional item this work is based on and the materials it is made of. Make notes on the group ‘dump’ sheet, then transfer them onto this page. Now draw the image in the picture box provided on the right. Take care to ‘grid’ your composition and colour carefully. Pacific Artist John Pule Notes about John Pule’s work ………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………..
  • 13. Contrast & Compare: Create word banks to illustrate the similarities & differences between the 2 works Similarities Differences N Brown, Seven Last Words 1, hand coloured lithograph, 335 x 240mm M Tuffrey: Tianiga, 1989
  • 14.
  • 15.
  • 16.  
  • 17.
  • 18. Wood or Linocut The Expressionists made prints (mostly woodcuts) as well as paintings. The woodcut technique helped them to work quickly and directly onto the block. The images were very dramatic in their contrasts of dark and light and were often printed in stark black and white. The cut lines could be used to exaggerate the forms and planes
  • 19.  
  • 20.
  • 21.
  • 22.  
  • 23.  
  • 24.
  • 25.  
  • 26.  
  • 27.  
  • 28.  
  • 29.
  • 30.  
  • 31.  
  • 32.
  • 33. Assessment Schedule: AS90478 Visual Art/2/2 – G version 4: “Identity in Print” The student is able to: Generate, develop, critically analyse and clarify ideas in a related series of Identity studies drawings and prints based on selected artist model(s) Use drawing and printmaking materials, processes and techniques with understanding and clarity of purpose The student is able to: Generate, develop and clarify ideas in a related series of Identity studies drawings and prints based on selected artist model(s) Use drawing and printmaking materials, processes and techniques with understanding The student is able to: Generate and develop ideas in a related series of Identity studies drawings and prints based on selected artist model(s) Uses drawing and printmaking materials, processes and techniques appropriate to purpose Task 1: 1 x A3 page personal research 2 x A4 Artist research 1 x A3 Artist comparison Task 2: 6 x A6 developmental ‘Identity’ studies and 4 x A5 drawings for prints Task 3: 1 x A5 working print (monoprint) Task 4: 1 x A4 print (black on white) At least 4 single colour prints A4 and 1 x A4 multi-colour print Achievement with Excellence Achievement with Merit Achievement Evidence