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-  ‘Technical Overview’ in a Non-techy way

-  ‘Cheater Modes’ and Why I am in love with them

-  Seeing the Light (both natural and ‘ugly’ flash)

-  Cassandra’s Top 10 List

-  Post-Processing for Free and Cheap

- The Scary Reasons to backup your Images

- Get the Dang Images off of Your Laptop Sister!
‘I have this fancy-schmancy camera and shoot in auto all of the
    time with flash. Not very attractive images! I want to have
    control of my camera and all of those freakin’ buttons’
In traditional (film)     In Digital Photography-
photograph- ISO (or       ISO measures the sensitivity
ASA) was the              of the image sensor. The
indication of how         same principles apply as in
sensitive a film was      film photography – the
to light. It was          lower the number the less
measured in numbers       sensitive your camera is to
(you’ve probably          light and the finer the grain.
seen them on films –      Higher ISO settings are
100, 200, 400, 800        generally used in darker
etc). The lower the       situations to get faster
number the lower the      shutter speeds (for example
sensitivity of the film   an indoor sports event when
and the finer the         you want to freeze the
grain in the shots        action in lower light) –
you’re taking.            however the cost is noisier
                          shots.
ISO 1000/Lowlight   ISO 200/Bright Sunlight
  The most basic way to define       The shorter the time left
   shutter speed is the amount of      open the “faster” the
   time the shutter stays open.        shutter speed. (stops
                                       motion..) ex: 1/1000 of a
                                       sec

                                      The longer its stays open
                                       the “slower” the shutter
                                       speed (shows motion) ex:
                                       1/60th of a second
Higher Shutter Speed-        Lower Shutter Speed-
Stop action (1/1000th sec)   Shows motion (1/125th sec)
  The amount of light               The lower the number…the
                                      more light (i.e., “wide
   allowed to pass into the lens      open=2.8)
   (controlled by the
   diaphragm Think pupils of         The bigger the number, the
   your eye!)                         less light (“stopped down”
                                      =16)

                                     Each ‘stop’ is letting in either
                                      twice as much or half as
                                      much light. (i.e., f/2.8 is
                                      twice as much light as f4)
  Aperture determines Depth        The Lower the number…
   of Field                          the more ‘shallow’ the
                                     depth of field. (fuzzy back
                                     ground)
  DOF-the portion of the
   image that is in focus.
   (‘fuzzy’ background vs. tack     The Bigger the number the
   sharp)                            sharp/in focus the
                                     background/image is
Lower Aperture=fuzzy             Higher the f/stop-the more in
background                       focus the background/image




  Lower the f/stop-the more
‘fuzzier’ the background (more
     focus on the subject)
White balance is a camera setting that adjusts for lighting in order to make
white objects appear white in photos (temperature/Calvin scale)
Tungsten Setting   Cloudy Setting
What are they and Why I LOVE
Priority Modes?
 Aperture/Shutter Priority, is
 a setting on some cameras that
 allows the user to choose a
 specific aperture/shutter speed
 value while the camera selects a
 shutter speed/aperture to match.
 The camera will ensure proper
 exposure.
Wide Angle, Telephoto, Fisheye
—Oh My!



Lens Focal Length*      Terminology Typical Photography

21(-) mm       Extreme Wide Angle Architecture
21-35 mm       Wide Angle              Landscape
35-70 mm       Normal                  Street & Documentary
70-135 mm Medium Telephoto             Portraiture
135-300+ mm Telephoto                  Sports, Bird & Wildlife
      TIP: If you can only own one lens- 50mm 1.8, 1.4
What’s In My Bag??
(2) Canon 5D Mark ii
Canon- 50mm 1.4
Canon- 85mm 1.8
Canon- 24-70mm 2.8
Canon- 70-200mm 2.8
Tamron- 90mm 2.8 (macro)

Speedlites:
(2) Canon 580 EX 2
(1)  Canon 480 EX

(2)  Monfroto 12ft. Lightstand
     Med Circular Reflector
     Full Length Reflector

Video Light
        TIP: If you can only own one lens- 50mm 1.8, 1.4
#1: Change Your Perspective!
• Commando Crawl
Change Your Perspective!
• Full Circle
Change Your Perspective!
•  Way Up High
# 2: Its LIGHTS, Camera, Action!
For a Reason (aka: bad light =
sucky image)


 • Facing Directly into Sun=BAD

 • Diffused Light (Natural & Flash)

 • An hour after dawn/hour before dark

 • Open Shade is Your Friend

 • Window Light=aahhhhmazing
# 3: De-Junk Your ‘Studio’
#4: Capture Them Doing What They
L-O-V-E (even if it means annoy big sister)
#5: Details, Details… (the little things that
change too fast!)
#6:No ‘Pickle in Middle’ (aka-thoughtful
composition rocks!)…



 * Rule of Thirds
#6:No ‘Pickle in Middle’ (aka-thoughtful
composition rocks!)…

 * Leading Lines
#7: Get Up In Their Grill
(aka: a long lens can be your bff)
#8: Include Their Environment
#9: Give Them Something to Do (even if
it means messy clean-up )
#10: Get Your Focal Point Right!
Focusing 101:
 1.) Select Your Focal Point In-Camera




2.) Select Your Focal Point For Subject



                        *** Focus and Recompose Method
BONUS: FORGET THE
‘RULES!!!!’ (for a bit)
PICASSA
http://picasa.google.com/

PHOTOFILTRE
http://photofiltre.en.softonic.com/

GIMP
http://www.gimp.org/

PAINT-NET
Download located under DOWNLOAD heading:
http://www.getpaint.net/download.html

ULTIMATE PAINT
2.88 Freeware Addition: http://ultimate-paint.en.softonic.com/
• Costco
• DVD
• Picasa/Shutterfly/Snapfish
• SmugMug
• Removable Hard Drive
•  Annual Family Album

                         Mpix.com

                         Photbookusa.com
•  Canvas Clusters
• Large Canvas
• Child’s Gallery
•    Mamarazzi Site

•  Mamarazzi ‘Model Shoot’

•  Light Factory Courses

•  ‘Understanding Aperture’ Book

•  http://www.digital-photography-school.com/

• Leave the Camera in Site and PRACTICE!
Getting Started with Digital Photography Basics

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Getting Started with Digital Photography Basics

  • 1.
  • 2. -  ‘Technical Overview’ in a Non-techy way -  ‘Cheater Modes’ and Why I am in love with them -  Seeing the Light (both natural and ‘ugly’ flash) -  Cassandra’s Top 10 List -  Post-Processing for Free and Cheap - The Scary Reasons to backup your Images - Get the Dang Images off of Your Laptop Sister!
  • 3. ‘I have this fancy-schmancy camera and shoot in auto all of the time with flash. Not very attractive images! I want to have control of my camera and all of those freakin’ buttons’
  • 4.
  • 5. In traditional (film) In Digital Photography- photograph- ISO (or ISO measures the sensitivity ASA) was the of the image sensor. The indication of how same principles apply as in sensitive a film was film photography – the to light. It was lower the number the less measured in numbers sensitive your camera is to (you’ve probably light and the finer the grain. seen them on films – Higher ISO settings are 100, 200, 400, 800 generally used in darker etc). The lower the situations to get faster number the lower the shutter speeds (for example sensitivity of the film an indoor sports event when and the finer the you want to freeze the grain in the shots action in lower light) – you’re taking. however the cost is noisier shots.
  • 6. ISO 1000/Lowlight ISO 200/Bright Sunlight
  • 7.   The most basic way to define   The shorter the time left shutter speed is the amount of open the “faster” the time the shutter stays open. shutter speed. (stops motion..) ex: 1/1000 of a sec   The longer its stays open the “slower” the shutter speed (shows motion) ex: 1/60th of a second
  • 8. Higher Shutter Speed- Lower Shutter Speed- Stop action (1/1000th sec) Shows motion (1/125th sec)
  • 9.   The amount of light   The lower the number…the more light (i.e., “wide allowed to pass into the lens open=2.8) (controlled by the diaphragm Think pupils of   The bigger the number, the your eye!) less light (“stopped down” =16)   Each ‘stop’ is letting in either twice as much or half as much light. (i.e., f/2.8 is twice as much light as f4)
  • 10.   Aperture determines Depth   The Lower the number… of Field the more ‘shallow’ the depth of field. (fuzzy back ground)   DOF-the portion of the image that is in focus. (‘fuzzy’ background vs. tack   The Bigger the number the sharp) sharp/in focus the background/image is
  • 11. Lower Aperture=fuzzy Higher the f/stop-the more in background focus the background/image Lower the f/stop-the more ‘fuzzier’ the background (more focus on the subject)
  • 12.
  • 13. White balance is a camera setting that adjusts for lighting in order to make white objects appear white in photos (temperature/Calvin scale)
  • 14. Tungsten Setting Cloudy Setting
  • 15.
  • 16. What are they and Why I LOVE Priority Modes? Aperture/Shutter Priority, is a setting on some cameras that allows the user to choose a specific aperture/shutter speed value while the camera selects a shutter speed/aperture to match. The camera will ensure proper exposure.
  • 17. Wide Angle, Telephoto, Fisheye —Oh My! Lens Focal Length* Terminology Typical Photography 21(-) mm Extreme Wide Angle Architecture 21-35 mm Wide Angle Landscape 35-70 mm Normal Street & Documentary 70-135 mm Medium Telephoto Portraiture 135-300+ mm Telephoto Sports, Bird & Wildlife TIP: If you can only own one lens- 50mm 1.8, 1.4
  • 18. What’s In My Bag?? (2) Canon 5D Mark ii Canon- 50mm 1.4 Canon- 85mm 1.8 Canon- 24-70mm 2.8 Canon- 70-200mm 2.8 Tamron- 90mm 2.8 (macro) Speedlites: (2) Canon 580 EX 2 (1)  Canon 480 EX (2)  Monfroto 12ft. Lightstand Med Circular Reflector Full Length Reflector Video Light TIP: If you can only own one lens- 50mm 1.8, 1.4
  • 19.
  • 20. #1: Change Your Perspective! • Commando Crawl
  • 23. # 2: Its LIGHTS, Camera, Action! For a Reason (aka: bad light = sucky image) • Facing Directly into Sun=BAD • Diffused Light (Natural & Flash) • An hour after dawn/hour before dark • Open Shade is Your Friend • Window Light=aahhhhmazing
  • 24. # 3: De-Junk Your ‘Studio’
  • 25. #4: Capture Them Doing What They L-O-V-E (even if it means annoy big sister)
  • 26. #5: Details, Details… (the little things that change too fast!)
  • 27. #6:No ‘Pickle in Middle’ (aka-thoughtful composition rocks!)… * Rule of Thirds
  • 28. #6:No ‘Pickle in Middle’ (aka-thoughtful composition rocks!)… * Leading Lines
  • 29. #7: Get Up In Their Grill (aka: a long lens can be your bff)
  • 30. #8: Include Their Environment
  • 31. #9: Give Them Something to Do (even if it means messy clean-up )
  • 32. #10: Get Your Focal Point Right!
  • 33. Focusing 101: 1.) Select Your Focal Point In-Camera 2.) Select Your Focal Point For Subject *** Focus and Recompose Method
  • 35. PICASSA http://picasa.google.com/ PHOTOFILTRE http://photofiltre.en.softonic.com/ GIMP http://www.gimp.org/ PAINT-NET Download located under DOWNLOAD heading: http://www.getpaint.net/download.html ULTIMATE PAINT 2.88 Freeware Addition: http://ultimate-paint.en.softonic.com/
  • 37. •  Annual Family Album Mpix.com Photbookusa.com
  • 41. •  Mamarazzi Site •  Mamarazzi ‘Model Shoot’ •  Light Factory Courses •  ‘Understanding Aperture’ Book •  http://www.digital-photography-school.com/ • Leave the Camera in Site and PRACTICE!