SlideShare a Scribd company logo
1 of 7
Section C: US Cinema
             Comparative Study
  ROBERT MULLIGAN, 1962                       JOEL SCHUMACHER, 1996




 Two films must be chosen from a specific
genre or dealing with a specific theme. The
    two films should enable sufficient
   comparison and contrast to be made
What does this section of the exam
           paper assess?
• Demonstrate knowledge and understanding of film
  as an audio-visual form of creative expression
  together with its contexts of production and
  reception and of the diversity in filmmaking across
  different historical periods
• Be able to understand and discuss how film
  communicates and create links to circumstances
  surrounding the film production and observe
  differences according to the time when the film was
  made
What does this section of the exam
           paper assess?
• Apply knowledge and understanding, including
  some of the common critical approaches that
  characterise the subject, when exploring and
  analysing films
• Be able to understand and discuss the structure and
  style of film and how that gives meaning, also to be
  able to understand and discuss the ideological
  messages being communicated
Section C: US Cinema Comparative
                 Study
• Candidates are required to answer one question
  from a choice of two. Candidates are required to
  compare and contrast two films either from the
  same genre or dealing with a specific theme. Both
  questions will have an emphasis on the relationship
  between aspects of the films' narrative in relation to
  generic characteristics. The first question will be
  based primarily on narrative study. The second will
  be based on contextual study. Issues of
  representation will be common to both questions.
TWO QUESTIONS TO CHOOSE FROM
        US Cinema                                                         • Narrative Study
                                                                         • Contextual Study
                                                              Issues of representation will be common
     Comparative Study                                                     to both questions
1.    Compare the ways in which key themes in your chosen American films are presented.

2.    With reference to your chosen American films, compare the extent to which their messages and values
      reflect the times in which they were made

3.    How important is place in contributing to key themes in the American films you have studied for this
      topic?

4.    Discuss similarities and differences in the representation of masculinity in your chosen American films.

5.    How far do the American films you have studied for this topic depend on well established narrative
      and/or genre conventions?

6.    How far do the American films you have studied for this topic express similar messages and values to
      one another?

7.    Compare the ways in which narrative is used to create dramatic conflict in the American films you have
      studied for this topic

8.    How far do your chosen American films portray themes and ideas in similar ways?
PAST EXAM QUESTIONS
• When looking at these questions it’s apparent that your knowledge of the
  films must cover:

•   Key themes/ Messages and Values
•   Narrative and Genre Conventions
•   Contextual Knowledge (place and time)
•   Representation
Start comparing

• Who are the main protagonists in each film? Compare and contrast
  them
• What key themes do you think both films share? E.g. Justice & The Law
• How are the themes you have listed communicated to you?
• Where are the films set? Why is this important to what occurs in the
  narrative of each film?
• Films often reflect the time they were made – TKAM was made in 1962
  what was happening in America at this time?
• TKAM was set in the 1930s what was happening in America at this
  time?
• Two big criminal cases in the 1990s involved O.J. Simpson and Rodney
  King – find out about this cases and propose how links can be made to
  ATTK

More Related Content

What's hot

Past Exam Questions Explained
Past Exam Questions ExplainedPast Exam Questions Explained
Past Exam Questions Explainedguest2abb608
 
Section A Audience
Section A AudienceSection A Audience
Section A AudienceNaamah Hill
 
Film Review and Film Criticism
Film Review and Film CriticismFilm Review and Film Criticism
Film Review and Film Criticismsonal baraiya
 
Linking production to investigation
Linking production to investigationLinking production to investigation
Linking production to investigationchristimothy12
 
L16 expository mode
L16   expository modeL16   expository mode
L16 expository modemisshanks
 
Framing the Context: Using Subject Specific Databases to Explore your Topic
Framing the Context:  Using Subject Specific Databases to Explore your TopicFraming the Context:  Using Subject Specific Databases to Explore your Topic
Framing the Context: Using Subject Specific Databases to Explore your TopicNicoleBranch
 
Tie production
Tie productionTie production
Tie productionsssfcmedia
 
Film studies section a lesson 1
Film studies  section a lesson 1Film studies  section a lesson 1
Film studies section a lesson 1tcasman
 
Fm4 (a) – past paper questions
Fm4 (a) – past paper questionsFm4 (a) – past paper questions
Fm4 (a) – past paper questionsreigatemedia
 
UAL Creative Media Production L3 Unit 12 Specialist Study
UAL Creative Media Production L3 Unit 12 Specialist StudyUAL Creative Media Production L3 Unit 12 Specialist Study
UAL Creative Media Production L3 Unit 12 Specialist StudyKBucket
 
Section a media theories
Section a   media theoriesSection a   media theories
Section a media theoriesLiamcwhite
 
Teaching the Documentary NELMS 2015 Presentation
Teaching the Documentary NELMS 2015 PresentationTeaching the Documentary NELMS 2015 Presentation
Teaching the Documentary NELMS 2015 Presentationdjfrazer
 
L26 film reviews
L26   film reviewsL26   film reviews
L26 film reviewsNick Crafts
 

What's hot (17)

Past Exam Questions Explained
Past Exam Questions ExplainedPast Exam Questions Explained
Past Exam Questions Explained
 
Section A Audience
Section A AudienceSection A Audience
Section A Audience
 
Film Review and Film Criticism
Film Review and Film CriticismFilm Review and Film Criticism
Film Review and Film Criticism
 
Introtoworldcinema
IntrotoworldcinemaIntrotoworldcinema
Introtoworldcinema
 
Genre theory A2 MEDIA
Genre theory A2 MEDIAGenre theory A2 MEDIA
Genre theory A2 MEDIA
 
Linking production to investigation
Linking production to investigationLinking production to investigation
Linking production to investigation
 
2
22
2
 
L16 expository mode
L16   expository modeL16   expository mode
L16 expository mode
 
Framing the Context: Using Subject Specific Databases to Explore your Topic
Framing the Context:  Using Subject Specific Databases to Explore your TopicFraming the Context:  Using Subject Specific Databases to Explore your Topic
Framing the Context: Using Subject Specific Databases to Explore your Topic
 
Tie production
Tie productionTie production
Tie production
 
Film studies section a lesson 1
Film studies  section a lesson 1Film studies  section a lesson 1
Film studies section a lesson 1
 
Fm4 (a) – past paper questions
Fm4 (a) – past paper questionsFm4 (a) – past paper questions
Fm4 (a) – past paper questions
 
Genre theory
Genre theoryGenre theory
Genre theory
 
UAL Creative Media Production L3 Unit 12 Specialist Study
UAL Creative Media Production L3 Unit 12 Specialist StudyUAL Creative Media Production L3 Unit 12 Specialist Study
UAL Creative Media Production L3 Unit 12 Specialist Study
 
Section a media theories
Section a   media theoriesSection a   media theories
Section a media theories
 
Teaching the Documentary NELMS 2015 Presentation
Teaching the Documentary NELMS 2015 PresentationTeaching the Documentary NELMS 2015 Presentation
Teaching the Documentary NELMS 2015 Presentation
 
L26 film reviews
L26   film reviewsL26   film reviews
L26 film reviews
 

Viewers also liked (8)

Research on scaling up and institutionalizing cocoa farmer field schools (FFS)
Research on scaling up and institutionalizing cocoa farmer field schools (FFS)Research on scaling up and institutionalizing cocoa farmer field schools (FFS)
Research on scaling up and institutionalizing cocoa farmer field schools (FFS)
 
The Hispanic Consumer & Your Luxury Brand
The Hispanic Consumer & Your Luxury BrandThe Hispanic Consumer & Your Luxury Brand
The Hispanic Consumer & Your Luxury Brand
 
Jaroslaw Sobolewski, Digital technologies, Eastern Europe overview
Jaroslaw Sobolewski, Digital technologies, Eastern Europe overviewJaroslaw Sobolewski, Digital technologies, Eastern Europe overview
Jaroslaw Sobolewski, Digital technologies, Eastern Europe overview
 
Americas New Upscale Segment: Latinos!
Americas New Upscale Segment: Latinos!Americas New Upscale Segment: Latinos!
Americas New Upscale Segment: Latinos!
 
Aflasafe manufacturing, scaling up and commercialisation
Aflasafe manufacturing, scaling up and commercialisationAflasafe manufacturing, scaling up and commercialisation
Aflasafe manufacturing, scaling up and commercialisation
 
Mr. juan pablo barahona future of high speeds
Mr. juan pablo barahona   future of high speedsMr. juan pablo barahona   future of high speeds
Mr. juan pablo barahona future of high speeds
 
Dispelling rumors about_cair
Dispelling rumors about_cairDispelling rumors about_cair
Dispelling rumors about_cair
 
IITA Annual Report 2010
IITA Annual Report 2010IITA Annual Report 2010
IITA Annual Report 2010
 

Similar to Week com 11th march v2

1. Intro 2016 (FM2 (Section C)
1. Intro 2016 (FM2 (Section C)1. Intro 2016 (FM2 (Section C)
1. Intro 2016 (FM2 (Section C)Belinda Raji
 
Us comparison questions
Us comparison questionsUs comparison questions
Us comparison questionssmagdeburg
 
FM2 Booklet Part 1
FM2 Booklet Part 1FM2 Booklet Part 1
FM2 Booklet Part 1Belinda Raji
 
FM2 Booklet Part 1
FM2 Booklet Part 1FM2 Booklet Part 1
FM2 Booklet Part 1Belinda Raji
 
L19 hunger key scenes l1 of 2
L19   hunger key scenes l1 of 2L19   hunger key scenes l1 of 2
L19 hunger key scenes l1 of 2misshanks
 
Question 1 B Genre
Question 1 B   GenreQuestion 1 B   Genre
Question 1 B GenreNaamah Hill
 
Question 1 B Genre
Question 1 B   GenreQuestion 1 B   Genre
Question 1 B GenreNaamah Hill
 
Question1b genre
Question1b genreQuestion1b genre
Question1b genreKStockwell
 
Studies in world cinema
Studies in world cinemaStudies in world cinema
Studies in world cinematdcjackson
 
Fm2 revision task and setting lesson
Fm2 revision task and setting lessonFm2 revision task and setting lesson
Fm2 revision task and setting lessonMrSouthworth
 
Collective identity intro
Collective identity introCollective identity intro
Collective identity introcigdemkalem
 
MOON booklet - a guide, workbook and text book for A-Level film studies for E...
MOON booklet - a guide, workbook and text book for A-Level film studies for E...MOON booklet - a guide, workbook and text book for A-Level film studies for E...
MOON booklet - a guide, workbook and text book for A-Level film studies for E...Ian Moreno-Melgar
 
Soci 220 week 3 (discussion and assignment) Discussion (200 word.docx
Soci 220 week 3 (discussion and assignment) Discussion (200 word.docxSoci 220 week 3 (discussion and assignment) Discussion (200 word.docx
Soci 220 week 3 (discussion and assignment) Discussion (200 word.docxwhitneyleman54422
 
Introduction to Film Studies
Introduction to Film StudiesIntroduction to Film Studies
Introduction to Film Studiesjphibbert
 

Similar to Week com 11th march v2 (20)

1. Intro 2016 (FM2 (Section C)
1. Intro 2016 (FM2 (Section C)1. Intro 2016 (FM2 (Section C)
1. Intro 2016 (FM2 (Section C)
 
Fm2 section c
Fm2 section cFm2 section c
Fm2 section c
 
Us comparison questions
Us comparison questionsUs comparison questions
Us comparison questions
 
Intro to dark knight and batman
Intro to dark knight and batmanIntro to dark knight and batman
Intro to dark knight and batman
 
Horror week 1
Horror week 1Horror week 1
Horror week 1
 
FM2 Booklet Part 1
FM2 Booklet Part 1FM2 Booklet Part 1
FM2 Booklet Part 1
 
FM2 Booklet Part 1
FM2 Booklet Part 1FM2 Booklet Part 1
FM2 Booklet Part 1
 
L19 hunger key scenes l1 of 2
L19   hunger key scenes l1 of 2L19   hunger key scenes l1 of 2
L19 hunger key scenes l1 of 2
 
1. genre
1. genre1. genre
1. genre
 
Essay Feedback
Essay FeedbackEssay Feedback
Essay Feedback
 
Question 1 B Genre
Question 1 B   GenreQuestion 1 B   Genre
Question 1 B Genre
 
Question 1 B Genre
Question 1 B   GenreQuestion 1 B   Genre
Question 1 B Genre
 
Question1b genre
Question1b genreQuestion1b genre
Question1b genre
 
Studies in world cinema
Studies in world cinemaStudies in world cinema
Studies in world cinema
 
Fm2 revision task and setting lesson
Fm2 revision task and setting lessonFm2 revision task and setting lesson
Fm2 revision task and setting lesson
 
Collective identity intro
Collective identity introCollective identity intro
Collective identity intro
 
MOON booklet - a guide, workbook and text book for A-Level film studies for E...
MOON booklet - a guide, workbook and text book for A-Level film studies for E...MOON booklet - a guide, workbook and text book for A-Level film studies for E...
MOON booklet - a guide, workbook and text book for A-Level film studies for E...
 
A Field In England Lesson 2 Genre
A Field In England Lesson 2 GenreA Field In England Lesson 2 Genre
A Field In England Lesson 2 Genre
 
Soci 220 week 3 (discussion and assignment) Discussion (200 word.docx
Soci 220 week 3 (discussion and assignment) Discussion (200 word.docxSoci 220 week 3 (discussion and assignment) Discussion (200 word.docx
Soci 220 week 3 (discussion and assignment) Discussion (200 word.docx
 
Introduction to Film Studies
Introduction to Film StudiesIntroduction to Film Studies
Introduction to Film Studies
 

More from Belinda Raji

Michael Jackson's Black or White
Michael Jackson's Black or WhiteMichael Jackson's Black or White
Michael Jackson's Black or WhiteBelinda Raji
 
Michael Jackson - Black or White analysis
Michael Jackson - Black or White  analysisMichael Jackson - Black or White  analysis
Michael Jackson - Black or White analysisBelinda Raji
 
Half term homework (Yr9)
Half term homework (Yr9)Half term homework (Yr9)
Half term homework (Yr9)Belinda Raji
 
Film FM2 December homework
Film FM2 December homeworkFilm FM2 December homework
Film FM2 December homeworkBelinda Raji
 
Examples of binay opposites
Examples of binay oppositesExamples of binay opposites
Examples of binay oppositesBelinda Raji
 
Unit 8 – assignment 1 task 2
Unit 8 – assignment 1   task 2Unit 8 – assignment 1   task 2
Unit 8 – assignment 1 task 2Belinda Raji
 
The Walt Disney Company
The Walt Disney CompanyThe Walt Disney Company
The Walt Disney CompanyBelinda Raji
 
Unit 8 – assignment 1 task 2
Unit 8 – assignment 1   task 2Unit 8 – assignment 1   task 2
Unit 8 – assignment 1 task 2Belinda Raji
 
Pressure - Contextual
Pressure - ContextualPressure - Contextual
Pressure - ContextualBelinda Raji
 
3. sapphire contextual research
3. sapphire   contextual research3. sapphire   contextual research
3. sapphire contextual researchBelinda Raji
 
Pressure notes and screening questions
Pressure notes and screening questionsPressure notes and screening questions
Pressure notes and screening questionsBelinda Raji
 
Exam lessons 3 (audiences) Section A A2 Media Exam
Exam lessons 3 (audiences) Section A A2 Media Exam Exam lessons 3 (audiences) Section A A2 Media Exam
Exam lessons 3 (audiences) Section A A2 Media Exam Belinda Raji
 
Exam lessons 3 (representation) - Section A A2 Media Exam
Exam lessons 3 (representation) - Section A A2 Media ExamExam lessons 3 (representation) - Section A A2 Media Exam
Exam lessons 3 (representation) - Section A A2 Media ExamBelinda Raji
 
G325 representation (Collective Identities)
G325 representation (Collective Identities)G325 representation (Collective Identities)
G325 representation (Collective Identities)Belinda Raji
 
1. Collective I.D. lessons
1. Collective I.D. lessons1. Collective I.D. lessons
1. Collective I.D. lessonsBelinda Raji
 
A2 G325: Critical Perspectives in the Media (Section A)
A2 G325: Critical Perspectives in the Media (Section A)A2 G325: Critical Perspectives in the Media (Section A)
A2 G325: Critical Perspectives in the Media (Section A)Belinda Raji
 
G325 Section A – past exam questions
G325 Section A – past exam questionsG325 Section A – past exam questions
G325 Section A – past exam questionsBelinda Raji
 
Soap Opera Trailer Pitch
Soap Opera Trailer PitchSoap Opera Trailer Pitch
Soap Opera Trailer PitchBelinda Raji
 

More from Belinda Raji (20)

Michael Jackson's Black or White
Michael Jackson's Black or WhiteMichael Jackson's Black or White
Michael Jackson's Black or White
 
Michael Jackson - Black or White analysis
Michael Jackson - Black or White  analysisMichael Jackson - Black or White  analysis
Michael Jackson - Black or White analysis
 
Half term homework (Yr9)
Half term homework (Yr9)Half term homework (Yr9)
Half term homework (Yr9)
 
Film FM2 December homework
Film FM2 December homeworkFilm FM2 December homework
Film FM2 December homework
 
Film pitch
Film pitch Film pitch
Film pitch
 
Genre elements
Genre elementsGenre elements
Genre elements
 
Examples of binay opposites
Examples of binay oppositesExamples of binay opposites
Examples of binay opposites
 
Unit 8 – assignment 1 task 2
Unit 8 – assignment 1   task 2Unit 8 – assignment 1   task 2
Unit 8 – assignment 1 task 2
 
The Walt Disney Company
The Walt Disney CompanyThe Walt Disney Company
The Walt Disney Company
 
Unit 8 – assignment 1 task 2
Unit 8 – assignment 1   task 2Unit 8 – assignment 1   task 2
Unit 8 – assignment 1 task 2
 
Pressure - Contextual
Pressure - ContextualPressure - Contextual
Pressure - Contextual
 
3. sapphire contextual research
3. sapphire   contextual research3. sapphire   contextual research
3. sapphire contextual research
 
Pressure notes and screening questions
Pressure notes and screening questionsPressure notes and screening questions
Pressure notes and screening questions
 
Exam lessons 3 (audiences) Section A A2 Media Exam
Exam lessons 3 (audiences) Section A A2 Media Exam Exam lessons 3 (audiences) Section A A2 Media Exam
Exam lessons 3 (audiences) Section A A2 Media Exam
 
Exam lessons 3 (representation) - Section A A2 Media Exam
Exam lessons 3 (representation) - Section A A2 Media ExamExam lessons 3 (representation) - Section A A2 Media Exam
Exam lessons 3 (representation) - Section A A2 Media Exam
 
G325 representation (Collective Identities)
G325 representation (Collective Identities)G325 representation (Collective Identities)
G325 representation (Collective Identities)
 
1. Collective I.D. lessons
1. Collective I.D. lessons1. Collective I.D. lessons
1. Collective I.D. lessons
 
A2 G325: Critical Perspectives in the Media (Section A)
A2 G325: Critical Perspectives in the Media (Section A)A2 G325: Critical Perspectives in the Media (Section A)
A2 G325: Critical Perspectives in the Media (Section A)
 
G325 Section A – past exam questions
G325 Section A – past exam questionsG325 Section A – past exam questions
G325 Section A – past exam questions
 
Soap Opera Trailer Pitch
Soap Opera Trailer PitchSoap Opera Trailer Pitch
Soap Opera Trailer Pitch
 

Week com 11th march v2

  • 1. Section C: US Cinema Comparative Study ROBERT MULLIGAN, 1962 JOEL SCHUMACHER, 1996 Two films must be chosen from a specific genre or dealing with a specific theme. The two films should enable sufficient comparison and contrast to be made
  • 2. What does this section of the exam paper assess? • Demonstrate knowledge and understanding of film as an audio-visual form of creative expression together with its contexts of production and reception and of the diversity in filmmaking across different historical periods • Be able to understand and discuss how film communicates and create links to circumstances surrounding the film production and observe differences according to the time when the film was made
  • 3. What does this section of the exam paper assess? • Apply knowledge and understanding, including some of the common critical approaches that characterise the subject, when exploring and analysing films • Be able to understand and discuss the structure and style of film and how that gives meaning, also to be able to understand and discuss the ideological messages being communicated
  • 4. Section C: US Cinema Comparative Study • Candidates are required to answer one question from a choice of two. Candidates are required to compare and contrast two films either from the same genre or dealing with a specific theme. Both questions will have an emphasis on the relationship between aspects of the films' narrative in relation to generic characteristics. The first question will be based primarily on narrative study. The second will be based on contextual study. Issues of representation will be common to both questions.
  • 5. TWO QUESTIONS TO CHOOSE FROM US Cinema • Narrative Study • Contextual Study Issues of representation will be common Comparative Study to both questions 1. Compare the ways in which key themes in your chosen American films are presented. 2. With reference to your chosen American films, compare the extent to which their messages and values reflect the times in which they were made 3. How important is place in contributing to key themes in the American films you have studied for this topic? 4. Discuss similarities and differences in the representation of masculinity in your chosen American films. 5. How far do the American films you have studied for this topic depend on well established narrative and/or genre conventions? 6. How far do the American films you have studied for this topic express similar messages and values to one another? 7. Compare the ways in which narrative is used to create dramatic conflict in the American films you have studied for this topic 8. How far do your chosen American films portray themes and ideas in similar ways?
  • 6. PAST EXAM QUESTIONS • When looking at these questions it’s apparent that your knowledge of the films must cover: • Key themes/ Messages and Values • Narrative and Genre Conventions • Contextual Knowledge (place and time) • Representation
  • 7. Start comparing • Who are the main protagonists in each film? Compare and contrast them • What key themes do you think both films share? E.g. Justice & The Law • How are the themes you have listed communicated to you? • Where are the films set? Why is this important to what occurs in the narrative of each film? • Films often reflect the time they were made – TKAM was made in 1962 what was happening in America at this time? • TKAM was set in the 1930s what was happening in America at this time? • Two big criminal cases in the 1990s involved O.J. Simpson and Rodney King – find out about this cases and propose how links can be made to ATTK

Editor's Notes

  1. 1 mins
  2. Which questions seem similar?
  3. 2mins