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INSLIETTU’ST RIEOCNAPS… AND AUDIENCES 
THE FILM INDUSTRY
CASE STUDIES 
2008 
2010 
2013 
2014 
PDME
CASE STUDIES 
2008 
2010 
2013 
2014 
Big budget Hollywood film (vertical integration) 
Small budget British film (horizontal/independent) 
US/UK co-production (US take care of distribution for 
added chance of success) 
Kickstarter production (new ways of producing film)
THE EXAM 
Section B: Institutions and Audiences 
Candidates should be prepared to understand and discuss the processes of Production, 
Distribution, Marketing and Exchange as they relate to contemporary media institutions, as well as 
the nature of audience consumption and the relationships between audiences and institutions. In 
addition, candidates should be familiar with: 
•the issues raised by media ownership in contemporary media practice; 
•the importance of cross media convergence and synergy in production, distribution and marketing; 
•the technologies that have been introduced in recent years at the levels of production, distribution, 
marketing and exchange; 
•the significance of proliferation in hardware and content for institutions and audiences; 
•the importance of technological convergence for institutions and audiences; 
•the issues raised in the targeting of national and local audiences (specifically, British) by 
international or global institutions; 
•the ways in which the candidates’ own experiences of media consumption illustrate wider patterns 
and trends of audience behaviour. 
This unit should be approached through contemporary examples in the form of case studies based 
upon one of the specified media areas.
SORTING OUT KEY TERMS 
Ownership of institution 
How the way the company is owned effects the type of films it produces. 
Cross Media Convergence 
The use of multiple media forms by a media company to increase the awareness of or possible 
audience for a media product. For example, the BBC show Eastenders on their TV channels, then 
make them available on the internet through BBC iPlayer for a further seven days. A single company 
will often own all of the media forms. 
Synergy 
When two or more institutions promote their products on one media text. Business deals are created 
between institutions who stand to benefit from reaching the same audience at the same time. 
Product placement in films (where for example, James Bond might be denoted wearing an Omega 
watch) and the promotion of stars and their songs through TV advertisements for other products are 
good examples. http://www.youtube.com/watch?v=R22qigXhFjk 
New Media Technology 
The emergence of digital, computerized, or networked information and communication technologies in 
the later part of the 20th century. Most technologies described as "new media" are digital. This is 
simply a quicker, smaller, more efficient and compressed form of data-storage when compared with 
older analogue methods. 
Proliferation of content 
An increase in the number of films being made over the last 30 years
SORTING OUT KEY TERMS 
Technological convergence 
The combination of a variety of different digital technologies into one piece of hardware e.g. a PC 
which can show DVDs, digitally edit, using a camera take video footage and using the internet, 
download films 
Production 
How films are made in terms of appeal to audience, effect of ownership and technologies used 
Distribution 
In the film business, the term "distribution" refers to the marketing and circulation of movies in 
theatres, 
and for home viewing (DVD, Video-On-Demand, Download, Television etc). This will usually be 
through a cinema first and then onto DVD and download, although some films are released straight to 
DVD. 
Marketing 
The process of creating and raising audience awareness of a new film. It is part of the responsibility 
of 
the distributor, along with circulation, after they have acquired a film. The objective of film marketing is 
to stand out in an environment that is competing very fiercely for the audience’s money. This does not 
simply mean against other film campaigns, but the marketing of any other product too. Split into three 
sections – advertising, publicity and promotion. 
Exhibition 
Exhibition is the retail branch of the film industry. It could relate to public cinema exhibition or private 
home exhibition through DVD or downloads.
POSSIBLE QUESTION TOPICS 
The question will be BROAD, allowing you to discuss a 
variety of issues relating to your case study. 
Relationship 
between institution 
and audience in a 
media industry 
Effect of New 
Media Technology 
on institutions and 
audiences in a 
media industry 
OR 
These are the areas that the exam question is most likely to ask you to discuss. 
HOWEVER it is possible that the question may ask you to apply your knowledge 
in a slightly different way, so you must be prepared to adapt your answer to the 
question.
THE FILM PROCESS 
There are three distinct areas of the film industry. 
Each one of these could be viewed as a type of media institution. 
PRODUCTION DISTRIBUTION EXHIBITION 
What happens at each stage?
• Production involves the creation of the media 
product and is the responsibility of the 
PRODUCTION COMPANY 
• This includes all pre-production, production & 
post-production processes. 
• Before that the writer/director/producer must 
find finance for a film – which may come from 
one or many production companies (a co-production) 
Kidulthood had a 
production budget of 
£600,000. This budget 
was mostly provided by 
director Menhaj Huda 
and producer friend 
George Issac 
Why would this film 
have found it difficult to 
get finance from a 
production company? 
Some of this budget was 
funded by the UK Film 
Council 
What criteria did the film 
have to meet to be 
awarded the funds?
•Film distributors are responsible for prints and marketing: 
PRINTS – producing physical copies of a film for cinema/home 
release and finding the exhibitors/retailers to sell the film 
MARKETING – raising audience awareness and anticipation of a 
new release 
•A distributor may: 
-Be a part of the same parent company as the production 
company 
-Have a long term arrangement with a production company and 
provide financial assistance for many of their productions 
-Provide financial assistance for a single film by a production 
company 
-Acquire a film after it has completed production 
•A film will likely have different distributors for: 
-Releases in different countries 
-Cinema Release 
-Home-Video Release 
Revolver Entertainment 
distributed Kidulthood 
Although heavily 
promoted there was 
limited distribution of 
the film, why?
• Exhibition is divided into two sections: 
- Cinema – the distributor is paid by the cinema for a copy 
of the film 
- Home – the distributor is paid by the company who is 
selling the film for a copy 
• A film’s success is often decided on the amount of 
money it makes during it’s cinema release. This is 
known as the Box Office Takings 
• Home Exhibition is becoming an increasing valuable 
and varied source for distributors to increase profits. 
WHAT METHODS OF HOME EXHIBITION CAN WE THINK OF? 
Kidulthood made just 
£454,000 at the cinema 
It was far more 
successful on DVD 
Why would this film be 
more successful on DVD 
than in the cinema?

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Intro to case studies

  • 1. INSLIETTU’ST RIEOCNAPS… AND AUDIENCES THE FILM INDUSTRY
  • 2. CASE STUDIES 2008 2010 2013 2014 PDME
  • 3. CASE STUDIES 2008 2010 2013 2014 Big budget Hollywood film (vertical integration) Small budget British film (horizontal/independent) US/UK co-production (US take care of distribution for added chance of success) Kickstarter production (new ways of producing film)
  • 4. THE EXAM Section B: Institutions and Audiences Candidates should be prepared to understand and discuss the processes of Production, Distribution, Marketing and Exchange as they relate to contemporary media institutions, as well as the nature of audience consumption and the relationships between audiences and institutions. In addition, candidates should be familiar with: •the issues raised by media ownership in contemporary media practice; •the importance of cross media convergence and synergy in production, distribution and marketing; •the technologies that have been introduced in recent years at the levels of production, distribution, marketing and exchange; •the significance of proliferation in hardware and content for institutions and audiences; •the importance of technological convergence for institutions and audiences; •the issues raised in the targeting of national and local audiences (specifically, British) by international or global institutions; •the ways in which the candidates’ own experiences of media consumption illustrate wider patterns and trends of audience behaviour. This unit should be approached through contemporary examples in the form of case studies based upon one of the specified media areas.
  • 5. SORTING OUT KEY TERMS Ownership of institution How the way the company is owned effects the type of films it produces. Cross Media Convergence The use of multiple media forms by a media company to increase the awareness of or possible audience for a media product. For example, the BBC show Eastenders on their TV channels, then make them available on the internet through BBC iPlayer for a further seven days. A single company will often own all of the media forms. Synergy When two or more institutions promote their products on one media text. Business deals are created between institutions who stand to benefit from reaching the same audience at the same time. Product placement in films (where for example, James Bond might be denoted wearing an Omega watch) and the promotion of stars and their songs through TV advertisements for other products are good examples. http://www.youtube.com/watch?v=R22qigXhFjk New Media Technology The emergence of digital, computerized, or networked information and communication technologies in the later part of the 20th century. Most technologies described as "new media" are digital. This is simply a quicker, smaller, more efficient and compressed form of data-storage when compared with older analogue methods. Proliferation of content An increase in the number of films being made over the last 30 years
  • 6. SORTING OUT KEY TERMS Technological convergence The combination of a variety of different digital technologies into one piece of hardware e.g. a PC which can show DVDs, digitally edit, using a camera take video footage and using the internet, download films Production How films are made in terms of appeal to audience, effect of ownership and technologies used Distribution In the film business, the term "distribution" refers to the marketing and circulation of movies in theatres, and for home viewing (DVD, Video-On-Demand, Download, Television etc). This will usually be through a cinema first and then onto DVD and download, although some films are released straight to DVD. Marketing The process of creating and raising audience awareness of a new film. It is part of the responsibility of the distributor, along with circulation, after they have acquired a film. The objective of film marketing is to stand out in an environment that is competing very fiercely for the audience’s money. This does not simply mean against other film campaigns, but the marketing of any other product too. Split into three sections – advertising, publicity and promotion. Exhibition Exhibition is the retail branch of the film industry. It could relate to public cinema exhibition or private home exhibition through DVD or downloads.
  • 7. POSSIBLE QUESTION TOPICS The question will be BROAD, allowing you to discuss a variety of issues relating to your case study. Relationship between institution and audience in a media industry Effect of New Media Technology on institutions and audiences in a media industry OR These are the areas that the exam question is most likely to ask you to discuss. HOWEVER it is possible that the question may ask you to apply your knowledge in a slightly different way, so you must be prepared to adapt your answer to the question.
  • 8. THE FILM PROCESS There are three distinct areas of the film industry. Each one of these could be viewed as a type of media institution. PRODUCTION DISTRIBUTION EXHIBITION What happens at each stage?
  • 9. • Production involves the creation of the media product and is the responsibility of the PRODUCTION COMPANY • This includes all pre-production, production & post-production processes. • Before that the writer/director/producer must find finance for a film – which may come from one or many production companies (a co-production) Kidulthood had a production budget of £600,000. This budget was mostly provided by director Menhaj Huda and producer friend George Issac Why would this film have found it difficult to get finance from a production company? Some of this budget was funded by the UK Film Council What criteria did the film have to meet to be awarded the funds?
  • 10. •Film distributors are responsible for prints and marketing: PRINTS – producing physical copies of a film for cinema/home release and finding the exhibitors/retailers to sell the film MARKETING – raising audience awareness and anticipation of a new release •A distributor may: -Be a part of the same parent company as the production company -Have a long term arrangement with a production company and provide financial assistance for many of their productions -Provide financial assistance for a single film by a production company -Acquire a film after it has completed production •A film will likely have different distributors for: -Releases in different countries -Cinema Release -Home-Video Release Revolver Entertainment distributed Kidulthood Although heavily promoted there was limited distribution of the film, why?
  • 11. • Exhibition is divided into two sections: - Cinema – the distributor is paid by the cinema for a copy of the film - Home – the distributor is paid by the company who is selling the film for a copy • A film’s success is often decided on the amount of money it makes during it’s cinema release. This is known as the Box Office Takings • Home Exhibition is becoming an increasing valuable and varied source for distributors to increase profits. WHAT METHODS OF HOME EXHIBITION CAN WE THINK OF? Kidulthood made just £454,000 at the cinema It was far more successful on DVD Why would this film be more successful on DVD than in the cinema?

Hinweis der Redaktion

  1. Thursday 13th Nov Went through the PowerPoint, sent them to research The Dark Knight, and they must do the word definitions too. Work needs to presented in an PowerPoint or word document and can include links to were information was sourced from