HEROIC
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HEROIC is screenplay written by screenplay-writer " Kashish " studied at Zee Institute of Media Arts and written this screenplay under guidance of noted screenplay writer Dr. Imtiaz Khan at ICOMO ( Andheri West ) screenplay writing workshop in 2005 . My Film Writers Association Mumbai , membership number is F-10258 .
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HEROIC
- 3. Written by KASHISH SYNOPSIS HEROIC During the second world war Japan captured British Indian soldiers. Ajit and Akbar were two prisoners soldiers who too joined INA in the leadership of Subhash Chandra Bose. Ajit and Akbar did not like to join British army but they joined it since their father insisted them to do so . INA entered in Burma and attacked on British Army. While fighting in a battle Ajit & Akbar received bullet injury. There was only one life saving injection left. Without information Ajit, Akbar injected it to him and sacrified his own life for Ajit. Britain won the war. All other soldiers of INA were made prisoner of war. All INA’s soldiers faced trials in Red Fort and they were sentenced to life imprisonment. Seeing outraged public British Government cancelled the execution and soldiers were freed.
- 4. CHARACTERS 1. Ajit Tiwari (26), a soldier in INA. He is very energetic and enthutiastic. He was also a English Soldier captured be Japan. He had joined British Army because he was insisted by his father. He did not like to join British Army. He is Savita’s Husband & son of Ramlagan. 2. Akbar Razzak (24), a soldier in INA. He is unmarried. He is very brave. He was also a English Soldier captured by Japan. He is very emotional man. For collecting some amount of money to spend in sister’s wedding, he joined British Army. 3. Savita (18), year old women. Ajits wife and daughter of Shyam Narayan. 4. Razia (17) year old girl. His father Shaukat Ali Khan is a politician. 5. Netaji Subhash Chandra Bose : We know Rasbihari Bose → An Indian revolutionary working against British Govt. in Japan. He is above 50. Shyam Narayan → A farmer in mid forties and father of Savita. He wears Dhoti & Kurta. Ramlagan → A farmer in Midfifty and father of Ajit. He chews tobacco all the time. He wears Dhoti & Kurta. He appreciates British Govt. Imran Razzak → Imran Razzak is in early forties. He has a long beard. He is lying on his bed and smoking hukka.
- 5. SCENE 01 / INT. CONGRESS OFFICE / DAY CHARACTER : SUBHASH CHANDRA BOSE MAHATMA GANDHI SARDAR PATEL SIX OTHER LEADERS JAN –1 939 Scene opens with S.C. Bose is presiding a meeting of congress S.C. Bose asks other congress leaders for a mass action to throw off the British Government, if Second World War occurs. Gandhiji and other senior leader are discussing and finally they do not agree they differs in their ideologies Netaji wants violence while Gandhiji wants nonviolence. SCENE 02 / EXT. CONGRESS OFFICE / DAY CHARACTERS : SUBHASH CHANDRA BOSE FEW STAFF MEMBERS FEW WEEKS LATER Netaji is heading towards congress office. He enters the office & resignation letter (from presidentship of Congress) to a staff member. Netaji comes out of the office. SCENE 03 / INT. NETAJI’S HOUSE / DAY CHARACTERS :
- 6. SUBHASH CHANDRA BOSE SUBHASH CHANDRA BOSE’S FOLLOWERS Netaji enters in room. Netaji’s followers are sitting beside him on chairs. After lot of discussion Netaji decides to form a party called “Forward Block”. (Thus Netaji Founded Forward block in May 1939) SCENE 04 / EXT. BIG GROUND / DAY CHARACTERS : SUBHASH CHANDRA BOSE PUBLIC MARCH 1940 Netaji is appealing to a crowd. He is insisting on noncooperation with British Government in second world war. He also predicts “That Day Is Not Far Away When They British Govt. Will Be Thrown Away From India” SCENE 05 / INT. NETAJI’S HOUSE / DAY CHARACTERS : SUBHASH CHANDRA BOSE TWO SEPOY VAN DRIVER (SEPOY) SOUND OF KNOCKING OF DOOR Netaji opens the door. Two sepoy appears in front of the door. Netaji asks their intention. One of the repay says that they are ordered to arrest him. Netaji asks the reason. The sepoy replies, “YOU ARE AGITATING PEOPLE AGAINST BRITISH GOVT.” Netaji sits inside police Jeep. Driver drives the Jeep.
- 7. SCENE 06 / INT. JAIL / DAY CHARACTERS : SUBHASH CHANDRA BOSE ALL SEPOYS Netaji (S.C. Bose) is standing behind bars. To force his release Netaji goes on hunger strike. His health deteriorates day by day. SCENE 07A / NETAJI’S HOUSE / DAY CHARACTER : 62 POLICEMAN The Government compelled to release him and puts Netaji under house arrest. 62 policeman are there, all the time, keeping a strict watch on him. SCENE 07B / NETAJI’S HOUSE / DAY 17TH JAN 1941 MORNING One Sepoy shouts “BOSE IS NOT IN HOUSE” SCENE 08 / INT. VARIOUS PRINTING PRESS/ DAY CHARACTER : NEWS PAPER VENDOR
- 8. Printing M/C’s are printing news That “SUBHASH BOSE DISAPPEARED” “SUBHASH CHANDRA BOSE GAYAB” Newspaper vendor shouts “SUBHASH CHANDRA BOSE LAAPATTA” SCENE 09 / INT. ROOM / DAY CHARACTERS : SUBHASH CHANDRA BOSE APRIL 1941 GERMANY, BERLIN, On Azad Hind Radio Netaji is appealing to Indians all over the world to fight against British Govt., with arms and ammunition if they want to free India. SCENE 10 / EXT. MALLAYA (JOHORE STRAIT) / DAY CHARACTERS : ARTHUR PERCIVAL ARMY OF BRITISH INDIAN SOLDIERS SOME BRITISH SOLDIERS 25 Jan, 1942 Arthur percival gives order for a general retreat across the Johore strait to the Island of Singapore, Few days later thirty thousand British soldiers surrender to Japanese Army. All soldiers are putting down their gun. SCENE 11 / INT. OFFICE / DAY CHARACTERS : A JAPANESE LEADER RASBIHARI BOSE DESCRIPTION OTHER BRITISH INDIAN SOLDIERS JAPANESE OFFICERS (CAPTAIN)
- 9. Rasbihari Bose (mid fifties) meets a Japanese leader. Bose persuades the Japanese leader to form INA (Indian National Army) Japanese Govt. agrees to help Indians in their freedom struggle. SCENE 12 / INT. PRISON / DAY CHARACTERS : RASBIHARI BOSE THOUSAND BRITISH INDIAN SOLDIERS Rasbihari Bose asks British Indian Soldiers to form INA. But soldiers are disagree. ONE SOLDIER : Is mein Humein kya milega. OTHER SOLDIER : Humein khamokhaan jaan dene ka shauk nahin hai. THIRD SOLDIER : Ismein British sarkar waalah rutbaa nahin hai. RasBihari Bose appeals to them to form INA by singing a song. SCENE 13 / EXT. GROUND / DAY CHARACTERS : JAPANESE OFFICER RASBIHARI BOSE BRITISH INDIAN SOLDIERS All Indian soldiers are doing exercises according to instruction of Japanese army officer. All soldier are tired. Now they leave the ground. Rasbihari bose is looking at INA’s soldiers with enthusiasm. SCENE 14 / EXT. GROUND (SINGAPORE) / DAY CHARACTERS : AJIT TIWARI AKBAR RAZZAK INDIAN SOLDIERS SAVITA
- 10. Soldier are doing different kind of military exercise like push – up, running, jumping, rope – climbing etc. AJIT TIWARI (26) is a typical HinduBrahmin. He is married. His father forced him to join british army. AKBAR RAZZAK (24) is a muslim. He is fiancé of Razia khan. To get some money for marrying his sister he joined the British Govt. Akbar and Ajit are doing Pushup. When Ajit is lying wife Savita is lying below him on the ground. A whistle blows soldiers are allowed to take rest. Ajit and Akbar are walking with their hands on each others shoulders. While walking Ajit talks to Akbar, both are breathing heavily. AJIT “JAB BHI SAPAAT LAGAATA HOON TO MUJHE SAVITA KI YAAD AATI HAI” AKBAR “TUMHEIN YAAD TO AATI HAI KAM SE KAM. MERI TO SAGAAI HUI THI JALDI HI.” AJIT : AKSHA HAI. MERE LIYE TOH WHO HAMEINSHAA PARESHAAM REHTI HOGI. AKBAR : BADI MOHABBAT KARTEIN HAIN AAP BHABHIJAAN SE. AJIT : BHAGWAN KHEL HI KUCH AISA KHELTA THA. Akbar smiles and slightly nods his head and closes his eyes. Akbar is speaking something to Ajit but it is not audible world. SCENE 15 / EXT. MARRIAGE CEREMONY / NIGHT CHARACTERS : AJIT SAVITA PRIEST BRIDE BRIDEGROOM
- 11. OTHERS LAKHANPUR VILLAGE FLASHBACK BEGINS Younger Ajit of 18 years. Priest is chanting mantra. Ajit & Savita are attending the marriage of their close friends. Priest : KANYA KA HAATH DULHE KE HAATH MEIN DIJIYE. Bride and bridegroom performs the ritual. Ajit is looking at Savita amorously. One of Savita’s friend tells her that Ajit is looking at her amorously Savita is a Sixteen year old girl. She is unmarried she is good looking and talks freely and sometimes indulge herself in altercation. Savita glances at Ajit and suddenly turns away his face. Savita too turns her face with annoyment. Priest is chantering mantra. Again Ajit is looking at Savita. But this time Ajit and Savita exchange glances. Now Ajit bends his head a little. Priest is chanting mantra, Savita is starting at him. Ajit looks at Savita. They exchange glances and Ajit is embarrassed. Savita also smiles. SCENE 16 / INT. BRIDE’S HOUSE / NIGHT CHARACTERS : AJIT SAVITA BRIDE BRIDEGROOM OTHERS Savita and Ajit are accompanying bride and bride groom. There are many girls from Brides sides and few boys from Bridegrooms side. Savita and Ajit exchange glances. A “PARAAT” filled with milk is placed. A ring is dropped in it.
- 13. All girls laugh. All girls along with Savita are going outside the room. Bridegroom along with Ajit is heading towards bedroom. Savita stops. With playful mood and smile on her face Savita asks Ajit. : SAVITA : KYA TUMHEIN BHI ANDER JAANAA HAI All girls laugh and go away. Ajit leaves bridegroom. SCENE 18 / INT. BRIDE’S HOUSE / DAY CHARACTERS : AJIT SAVITA BARATEES OTHERS NEXT DAY All “baratees” are standing outside the house. Ajit is entering in House. Savita is going quickly outside the house. Ajit and Savita collides with each other. SAVITA (rasing her eyerows) : SARAIGRAM KE MARDON KI AANKHEIN FOOTI HAIN KYA (Slight Pause) AJIT : MOTORGADI KI TARAH CHALEINGI AUR DOSH HUMKO DENGI. SAVITA : KAAHEIN NAA DEIN KSHMAA MAANGIYE HUMSE. AJIT : KSHMAA DEVIJI. GALTI HO GAYEE AAP AISE HI TEJI SE CHALIYE HUM SAARE BARAATIYON SE KEH DETEIN HAIN KE JIS SE
- 15. SCENE 21 / INT. SAVITA’S HOUSE / NIGHT CHARACTERS : SAVITA LAKHANPUR VILLAGE Savita is lying on bed. All memories of Ajit are recurring in her mind. Meanwhile Savita turns her side & smiles. SCENE 22 / SAVITA’S HOUSE / DAY CHARACTERS : SAVITA SHYAMNARAYAN Savita is sitting still and sweeping the floor at the same spot from long time. Savita is lost in another world. Shyamnarayan enters the room and looks at Savita. SHYAMNARAYAN (without looking at Savita) : AAJ JHADU LAGAANE MEIN ITNEE DERI KYON LAG RAHI HAI. Savita shudders and smiles. SCENE 23 / EXT. AJIT’S HOUSE / DAY CHARACTERS : SHYAMNARAYAN (SAVITA’S FATHER) RAMLAGAN (AJIT’S FATHER) A BOY (15 YEARS) FEW DAYS LATER
- 16. Shyamnarayan reaches Ajits House. Ramlagan is father of Ajit. He is in mid – fifty. His two daughters are married. He feels that British Govt. is doing a good job. He is a farmer and habituated to chew tobacco. Ramlagan is sitting on bed in veranda, rubbing tobacco in his left hand with thumb of right hand. Shyamnarayan greets Ramlagan. SHYAMNARAYAN : PRANAM MAIN LAKHANPUR KA RAHNEINWALLA HOON A 15 years old boy brings water and gud. After a long conversation. RAMLAGAN : RISHTAA PUKKA Shyamnarayan and Ramlagan hugs each other. SHYAMNARAYAN ACHHA AB CHAL JAAY Shyamnarayan leaves the place while Ramlagan enter in his house. SCENE 24 / INT. AJIT’S HOUSE / DAY CHARACTERS : AJIT SHANTI DEVI
- 17. Ajit enters in his house Her mother Shantidevi is 50 years old. She is well dressed. Shanti Devi greets Ajit with delight. SHANTI DEVI : AJIT TUMHARI SHAADI TAIN HO GAYEE BETA. Ajit has no expression on his face. Shanti devi looks at Ajit and she is going in other room while saying SHANTI DEVI : BAN TO AISE RAHAA HAI JAISE KOI KUSHI HI NAHIN HUI Ajit enters in his room. He is walking in room worriedly. Moments with Savita are recurring in his mind. He sits on bed. Finally Ajit decides he will not meet Savita again. Since he is not knowing that Savita’s father Shyamnarayan had came for engagement. SCENE 25 / INT. SAVITA’S HOUSE / DAY CHARACTERS : SHYAMNARAYAN SAVITA Shyamnarayan enters in his house. He calls Savita. Savita is in Kitchen. SAVITA : AAYEE BABUJI Savita reaches near Shyamnarayan. SHYAMNARAYAN : SAVITA, MAINE TUMHARI SHAADI TAIN KAR DI HAI.
- 18. SAVITA (with disappointment): “ACHHA HI KIYA” Savita goes in her bedroom, lies on bed, and starts crying. Finally she decides that she will never meet Ajit. She thinks that now she will not marry Ajit but somebody else since she don’t know that her father engaged her with Ajit. SCENE 26 / SHAADI’S MANDUP / NIGHT CHARACTERS : SAVITA AJIT PRIEST OTHER BAARAATEES Marriage ceremony is going on. Priest is chanting mantras. Priest asks the Bridegroom to fill “Sindoor” in Brides head. Savita’s face is covered with Ghoonghat (Veil). Ajit fills sindoor without seeing her face properly. Finally they complete “Varmala Ceremony” All Baaraatees are enjoying the ceremony. SCENE 27 / INT. BEDROOM (DECORATED) / NIGHT CHARACTERS : SAVITA AJIT Savita is sitting on bed. Her face is covered with “ghoonghat” (veil) Ajit comes in the room. He is quite hesitating while moving towards bed. He reaches to the bed when he unveils the bride his mouth opens with shock on his face. He thinks that he is so fond of Savita that the bride too seems like Savita. (Ajit is unaware that the girl is Savita). Savita lifts her eyebrows and her face gets a smile. Now Ajit smiles too but hesitatingly. Their smile turns out into a laughter
- 19. AJIT : SAVITA directs her finger towards Ajit with hesitation & surprised. SAVITA : AJIT They hug each other. Ajit reduces the flame of lantern and they starts love making. SCENE 28 / INT. AJIT’S HOUSE / DAY CHARACTERS : POSTMAN AJIT RAMLAGAN
- 20. After few months Ajit hears the knocking of door. Ajit opens the door. Postman handle a letter to Ajit. He opens the letter. He reads. He heads towards another room. Ajit tells Ramlagan. AJIT (fretfully) : PITAJI MAIN YEH BRITISH SARKAR KE NAUKARI NAHIN KAROONGA. RAMLAGAN : YEH NAUKARI TUMHEIN KARNI HOGI. AJIT : YEH GULAMI HAI RAMLAGAN : ISSE JO SAMJHO AJIT : YEH DESH KE HIT MAIN NAHIN HAI. RAMLAGAN : BAND KARO YEH BAKWAS NAUKARI NAHIN KARNI HAI TO PARIWAAR KE SAATH GHAR SE NIKAL JAO. Ajit is sitting on a chair. He is looking annoyed. AJIT (V.O.) : KAISE SAMJHAAON KI YEH BRITISH SARKAR HAMAARE DESH KO KHAA RAHI HAI. INKI FAUZ MEIN AGAR RAHAA BHI TO INHEIN BARBAAD KAROONGA. SCENE 29 / ARMY GROUND / DAY CHARACTERS : BATTALION OF SOLDIER AJIT TRAINING OFFICER
- 21. Ajit is under training of army. Soldiers are shouting, running, jumping, crawling, with gun below fenced wire, climbing rope etc. All soldiers are doing parade. SOUND : LEFT RIGHT LEFT SOUND OF TRUMPET Ajit shoots with gun at target. SCENE 30 / EXT. BATTLEFIELD(MONTAGES) / DAY CHARACTERS : HITLER MUSSOLINI FRANKLIN D. ROOSERVELT WINSTON CHURCHILL POLAND A tank fires. Wings of zooming aeroplanes drop bombs. Guns are roaring. MONTAGES “II World War begins” gets the headline of newspaper all over the world. Great leaders of all over the world are giving speeches 1. Hitler 2. Mussolini 3. Franklin D. Roosevelt 4. Winston Churchil SCENE 31 / EXT. BIG GROUND / DAY CHARACTERS :
- 23. Ajit is lost in another world. AKBAR : LAGTAA HAI YAADON MEIN KHO GAYE HAIN JANAAB Ajit sighs heavily. AJIT : HAAN AUR KYA KAR SAKTEIN HAIN Akbar nods his head with smile. AJIT : AUR AAP APNE BAARE MEIN KUCH NAHIN BATAAYEINGE Akbar smiles. AKBAR : JI KYA BATAAYEIN KISSA BHI TO HONA CHAAHIYE SUNANE KE LIYE AJIT : JOOTH NA BHI BOLIYE INSAAN MOHABBAT KAR NE KE LIYE TO AATA HAI Akbar Blushes. AJIT : JO AAP NA KEH PAAYE WHO AAP KA CHEHRA KEH DIYA Akbar is speechless. AJIT (pause) : TO AAP KISI KO DEKHEIN HAIN ABHI SHAADI NAHIN HUI HAI Akbar’s huge smile turns into mild laugh. AKBAR : HAAN Ajit turns his face at Akbar and smiles. AKBAR (slight pause) : OONKA GUSSAA NAAK PAR TURANT CHADHTAA HAI TURANT OOTARTA HAI Few soldiers are listening to the conversation of Ajit and Akbar from behind. ONE SOLDIER: AREY BHAI HAMEIN BHI BATAAIYE KAISE HAIN
- 26. FUHRER S.C. Bose enter Fuhrer’s office. He greets fuhrer and ask for his help to reach Japan. Fuhrer agree to help S.C. Bose. 8th FEB, 1943 S.C. Bose is going by submarine through Medagascar where he enters in Japanese V.Boat which takes him to Salong (Sumatra) COMMENTRY : Hitler is reluctant to listen S.C.Bose. But when Hitlers European ally & Italian Supremo. Benito Mussolini, agrees to give all help to Netaji and Hitlers own foreign Minister Rebbentrop evinced great devire to help the Indian cause. Hitler gives in. He meets Subhash Chandra Bose after over fourteen months long wait. Hitler wants to improve the position with Netaji’s presence in Japan. Hence takes the decision to transfer him through submarine. SCENE 36 / EXT. AIRPORT (TOKYO) / DAY CHARACTERS : RASBIHARI BOSE S.C. BOSE PUBLIC AT AIRPORT
- 27. A plane lands. Netaji comes out of it. Rasbihari Bose greets Netaji. They hug each other. R.B. BOSE : ACHHA HUA APP AA GAYE MAIN SOCH RAHA THA AAP AYENGE BHI YAA NAHIN S.C. BOSE : JAB EK HINDUSTANI DOOSARE HINDUSTANI KO BOOLAAYEGA TO AANAA HI HAI. GERMANY MEIN BADI GHUTAN SI HO RAHI THI. YAHAAN AA KAR SUKOON MILA HAI. SCENE 37 / EXT. SINGAPORE ARMY GROUND / DAY CHARACTERS : S.C BOSE
- 29. INA soldier are going through helicopter. They are landing in Jungle through rope. SCENE 40 / INT. ARMY CAMP / DAY CHARACTER : ARMY OFFICER (A.O) AKBAR BRIDGADIERS A head officer is presiding a meeting with all brigadiers. He is showing one map of Burma region (near Assam). He is telling about the way to attach. A.O. : Brigadier Akbar AKBAR : Yes. Sir, A.O. : You to Capture peak 391. AKBAR : Yes, Sir. H.O. : Here is a river which you have to cross. You have to make least movement while crossing through river. You have to crawl bridge to cross. A.O. : You have to make this movement at 6.00 P.M. in the evening, Because I Want a surprise attack on British Army. NEXT MORNING. Take initiative as I always told. If you last the initiative changes of loosing the battle will increase. SCENE 41 / EXT. TERRAIN REGION NEAR RIVER / EVENING CHARACTER :
- 30. 10 20 SOLDIERS AKBAR A river is following swiftly between two giantly rocks. Two soldiers are fixing pole at one side. Few soldiers are tying rope around them wooden logs to make bridge. One soldier is going downward from huge rock to land in river. His legs are tied with rope from one end and the other end is tied to big rock at top. He swims across the river. Finally he reaches on another side of river. He looses the rock from his leg. He ties the rope around the rock. Another man is crossing the river but by climbing rope. He is also carrying other tools with him like pole, hammers, etc.. Finally construction of bridge completes. All soldiers face brim with smile. Darkness surrounds the area SCENE 42 / EXT. TERRAIN REGION NEAR RIVER / MORNING CHARACTER : INA SOLDIERS AKBAR BRITISH SOLDIERS. A battalion of soldiers headed by Akbar are passing through the bridge by crawling . All soldiers cross the river. Now soldiers are in terrain region where rocks and trees are occupying most of the place. Soldiers are changing their position cautiously. Akbar is looking through binocular. He spots a British Army Camp. He orders his soldier to take their position and move cautiously. They reach at striking distance of British Camp. They fights with British soldier and win the battle. SCENE 43 / EXT. BURMA JUNGLE / MORNING CHARACTER : INA SOLDIERS AJIT BRITISH SOLDIERS.
- 31. Soldiers are cautiously changing their position. Now Ajit and his battalion is at striking distance of British Camp. Ajit wins the battle and thus they capture mawdoc in Assam by crossing IndoBurma border. One Soldier rubs the soil on his head. Tears glisten from eyes with happiness. SCENE 44 / INT. AJIT’S HOUSE / DAY CHARACTER : SAVITA OTHER WOMEN The news that INA Soldiers intrude in India travel’s to Ajit village. Savita is rinsing cloths in water. Somebody tells Savita that the soldiers captured by Japanese are intruded in India. Savita face brims with joy and her heart starts breathing quickly. She leaves the cloth in bucket. She come closer to the girl. She asks her about Ajit but the girl says that she only has this much information. She starts telling this news to all her friends. SAVITA : MUJHE MALOOM HAI AAP AAYENGE SCENE 45 / EXT. ARMY CAMP / NIGHT CHARACTER : AJIT
- 32. Ajit is lying on a folding led. AJIT (V.O) : AANAA KITNA MUSHKIL HAI TUMHARE PAAS. SOUND : WHISTTING OF CRICKET. SCENE 46 / INT. ARMY CAMP (MOWDOC) / DAY CHARACTER : AJIT A.O (ARMY OFFICER) AKBAR
- 33. Few days later Battallian of Ajit and Akbar unites. An army officers giving instruction to Ajit and Akbar. ARMY OFFICER : HUM APNE WATAN MEIN KADAM RAKH CHUKE HAIN AUR AB LADAAI JYAADA LAMBI NAHIN HAI. EK BAAR HUM CULCUTTA PAHUNCH JAAEIN TO BRITISH SARKAR KO DESH CHOD KE BHAGNA PADEGAA. MAGAR ISSE PEHLE HAMEIN IMPHAL PE KABZA KARNAA HOGA. MUJHE MAALOOM HAI AAP SABHI IS KAAM KO ANJAAM DENE KE LIYE BEKARAAR HAIN. AB HUMEIN KUCH CHOTIYON PE KABZAA KARNA HAI. ARMY OFFICER TUM TO AKBAR A.O. : AKBAR APP KABZAA KAREIGE KAREINGE PEAK NO. 571 & 579 Army officer shows it in map. AKBAR : YES SIR. A.O. : TURNS TO AJIT A.O. : AJIT, AAP CHOTI NUMBER 565 AUR 564 PE KABZA KARENGE. AJIT : YES SIR (in energetic voice) A.O. : USKE BAAD AAPKO APNI BATTALLION MILAANA HAI. AAP DONO EK DOOSARE SE PANCH MILE KI DOORI PE HONGE PHIR AAP DONO KO 561 PEAK PE KABZA KARNA HAI. AJIT & AKBAR (together in energetic voice) YES SIR. SCENE 47 / EXT. ROCK TERRAIN REGION / DAY CHARACTER :
- 34. AJIT AKBAR AJIT’S BATTALLION AKBAR’S BATTALLION Ajit and Akbar are wishing each other for victory and well being. Ajit & Akbar move with their battalion in different direction. SCENE 48 / EXT. TERRAIN REGION / DAY CHARACTER : AJIT BATTALLION Ajit is leading his battalion. He is reminding their soldiers about fighting strategy. They are crossing river. They are passing through terrain region. They lie on rock to take rest. Now Akbar is standing on a big rock. He tooks through binacular. He spots a British Army Camp. SCENE 49 / EXT. TERRAIN REGION / DAY CHARACTER : AJIT BATTALLION
- 35. A binocular magnifies the British Army camp, there are movements in British Camp. Akbar instructs all soldiers to move cautiously by taking hiding positions. Behind rock and trees. Finally they reaches at the striking distance of British Army. Akbar orders to take positions again. SCENE 50 / EXT. BRITISH ARMY CAMP / DAY CHARACTER : BRITISH OFFICERS AKBAR BRITISH BATTALLION A British officer asks soldiers to take position, while British Soldiers are going to take position guns roaring and British soldier are a receiving end. Akbar is throwing bomb. Guns are firing (roaring) INA’s soldiers are changing position. Gun is roaring. SCENE 51 / EXT. PEAK NO. 565 / DAY CHARACTER : AJIT INA BATTALLION BRITISH BATTALLION Gun is roaring. British soldiers and INA’s soldiers are dying. Soldiers are moving here and there, taking positions, firing with gun and throwing handbombs. SCENE 52 / EXT. PEAK NO. 571 / DAY CHARACTER : AKBAR INA BATTALLION BRITISH BATTALLION
- 36. Two British soldier are left. One British soldier dies. Another one is firing. After some time an INA soldier shoots that British soldier. All INA’s soldier and Akbar are expressing their happiness. Some are shouting slogans like “BHARAT MATA KI JAI”. “VANDE MATARAM” “DILLI CHALO” ETC.. Some are dancing and raising their guns. Tears comes out of Akbars eyes. He wipes it with right hand. SCENE 53 / EXT. PEAK NO. 565 / DAY CHARACTER : AJIT INA’s BATTALLION Same atmosphere is here too. INA’s soldiers are shouting, dancing raising their gun, hugging each other. They are also chanting slogans. “BHARAT MATA KI JAI” “DILLI CHALO” “VANDE MATARAM” “HINDUSTAN ZINDABAD PHIRANGI MURDABAD” “VANDE MATARAM” etc.. SCENE 54 / INT. AKBAR’S CAMP / NIGHT CHARACTER : AJIT INA’s BATTALLION
- 37. Akbar is sitting among his battalion. AKBAR : HUM SAB IS CHOTI PAR FATEH PAA LIYE HAI AUR KAL PAU FATTE HI PEAK NO 579 PAR KABZA KARNE KE LIYE RAVAANA HONA HAI. AKBAR (Chants) “DILLI CHALO” All soldiers in chorus shouts “VANDE MATARAM” Everyone salutes Netaji’s Photo hanging inside the camp above Akbar. SCENE 55 / INT. AJITS CAMP / NIGHT CHARACTER : AJIT INA’s BATTALLION Netaji’s framed photo hanging inside the camp over Ajit. Ajit is sitting in front of his battalion. AJIT : AAJ JITNE BAHADURI SE AAP SABHI NE IS CHOTI PE KABZA KIYA HAI ISSE MALOOM HOTA HAI KI WHO DIN JYAADA DOOR NAHIN KI JAB HUM ANGREZI HOOKOOMAT KI EENT SE EENT BAJAA DENGE. HUM SABHI AAJ YAHAAN AARAAM KAREINGE AUR KAL PEAK NO. 564 PE HUMLAA KAREINGE. MUJHE UMEED HAI KI HUM SAB MIL KAR NETAJI KE SAPNEY KO SAAKAR KAREINGE. Ajit chants “DILLI CHALO” “JAI HIND” All soldiers chants it in chorus. Flames of lanterns are reduced. Everybody is sleeping. SOUND : Whistling of Cricket. SCENE 56 / EXT. AJIT’S CAMP / DAY CHARACTER : AJIT INA’S BATTALION
- 38. Sun rises in Vshaped mountain. Soldiers are doing different jobs like cooking, removing tent, etc. AJIT : DIN NIKAL AAYAA HAI AUR BINA DERI KIYE HAMEIN PEAK NO.579 KI TARAF KOONCH KARNA HAI. Soldiers are moving in a row towards peak no. 579. SCENE 57 / EXT. AKBAR’S CAMP / DAY CHARACTER : AKBAR INA’S BATTALION AKBAR : MERE BAHADUR SAINIKON, MERE HUMVATAN AB DIN JYAADA NAHIN REH GAYE. JAB HINDUSTAAN AAZAAD HO JAAYEGA. IN KUCH DINO MEIN AAJ KA BHI DIN SHAAMIL HAI AUR YEH DIN HUMEIN BAHUT YAAD AAYEGA. JIS BAHADURI SE KAL JUNG JEETEIN HAIN USI BAHADURI SE HAMEIN AAZ KI BHI JUNG JEETNI HAI. JAI HIND Akbar shouts the slogan “DILLI CHALO.” Soldiers move towards peak number 564 in a row. SCENE 58 / EXT. PEAK NO. 579 / DAY CHARACTER : AKBAR INA’S BATTALION BRITISH ARMY OFFICER BRITISH SOLDIERS Akbar and his battalion are arrived near peak no. 579 AKBAR (instructs his soldiers) : AB HAMIEIN SAAVDHAANI SE AAGEY BADHNA HAI. DUSHMAN KABHI BHI GOLABARI KAR SAKTAA HAI. SAARE JAWAAN PACHAAS METER KI DOORI TAIN KAR KE APNI APNI POSITION LE LEINGE. BINA JAAN JUNG JEETNI HAI. MERE JAANBAAZ SIPAAHIYOH AAGE BADHO.
- 39. All soldiers move towards peak. They take position. Some are standing behind rocks, some are hiding behind trees. Some are in crouching position. One soldier is camofledged in bush (which he planted on himself) moving on his knees slowly towards British Camp. Akbar orders to start firing. Firing starts. One soldier camofledged in movable bush is killing many British soldiers one by one. Some are playing hide and seek. SCENE 59 / EXT. NEAR PEAK NO.564 / DAY CHARACTER : AJIT INA’S BATTALION RAM PRASAD Ajit’s battalion is moving towards British soldiers already take their position. Before Ajit orders to fire, British soldiers starts firing. Till evening Ajit looses most of his soldiers. He is planicking. Darkness surrounds the region. He asks subedar Ramprasad to meet Akbar for help. Guns are silent. Wind is wispering. A heavy torrential rain occurs. Subedar Ramprasad is going towards peak no. 579. SCENE 60 / INT. AKBAR’S CAMP (PEAK NO. 579) / NIGHT CHARACTER : AKBAR INA’S SOLDIERS RAZIA One of the soldier turn on the radio. Akbar hears the news on radio that Saukat Ali Khan’s daughter Razia is wedded with great politician Mustaq Ansari. Hearing this news Akbar is shocked. Few soldiers are looking at him sympathetically. He is lying on bed but his eyes are wideopen. Razia’s face appears on his mind. His mind flashes back in Dec 1938. Thunder and lightening occur with rain. SCENE 61 / EXT. GARDEN / DAY CHARACTER : AKBAR
- 40. RAZIA Razia and Akbar are sitting in a garden. She is wearing burqua. She removes her vail. RAZIA (to Akbar) : DEKHIYE MAIN APNE ABBUAMMI KI IKLAUTI BETI HOON. MERE ABBU EK SIYAASAT DAAN (POLITICIAN) HAIN. WHO KABHI NAHIN CHAAHEINGE KI EK BRITISH FAUZ KE SIPAAHI SE MERI SHAADI HO. AKBAR (helplessly) : BUS THODE DIN KI BAAT HAI. DEKHO MUJHE BEHAN KI SHAADI KARNI HAI. IS MAHINEY BUS AUR. PHIR LAAT MAAR DOONGA. RAZIA (with annoyment) : YEH NAUKARI CHOD DO YA MUJHE CHOD DO. AKBAR (with anger) : AREY MAIN DONO SE TANG AA GAYAA HOON. Akbar breaths out with sigh. AKBAR (gets serious) : KYA MERI BEHAN KOONWAARI HI RAHEGI. Razia is speechless. SCENE 62 / INT. AKBARS HOUSE / DAY CHARACTER : AKBAR RAZZAK IMRAN RAZZAK AKBAR RAZZAK (fretfully) : ABBU MAIN YEH NAUKARI NAHIN KAROONGA. FIRANGIYON NE HUMEIN HUMEISHA LOOTA HAI. Imran Razzak is in early forties. He has a long beard. He is lying on his bed and smoking hukka. IMRAN RAZZAK (calmly and with confidence) : ANGREZI SARKAR KI NAUKARI NAHIN KAROGE TOH KYA KAROGEY. IMRAN RAZZAK
- 41. (with little emphasis) : LOG TOH ANGREZI NAUKARI KO BAHUT RUTBEYWAALI NAUKARI SAMAJHTEIN HAIN. IMRAAN RAZZAK (looks in Akbars eyes and speaks with more emphasis) : AKSHEY RISHTEY AAYEINGE TUMHARI BEHAN KE LIYE. Akbar listens quietly. SCENE 63 / EXT. PUKKA ROAD / DAY CHARACTER : AKBAR RAZIA TONGAWALLAH TWO PASSENGERS ON TONGA Akbar is going with his luggage on Tonga. Razia is standing at some distance from Tonga. Razia is looking at him. Tears are coming out of her eyes. Akbar smiles at her. Razia’s eyes are hopeful that Akbar will come back. SCENE 64 / EXT. GARDEN / DAY CHARACTER : AKBAR RAZIA FEW MONTHS LATER RAZIA (enthusiastically) : AB TO BEHAN KI SHAADI HO GAYEE. AB KYA IRAADA HAI? AKBAR (pleadingly) : SAARE PAISE BEHAN KI SHAADI MEIN KHARCH HO GAYE. EK MAHINE AUR NAUKARI KAROONGA TO KUCH AUR PAISE AA JAAYEINGE APNI SHAADI KE LIYE. RAZIA (with annoyment) : JO MARJI AAYE WOH KARO. AKBAR (pleading meanwhile understanding Razias annoyment) : JAISE ITNE DIN BEETE VAISE KUCH DIN AUR .
- 42. SCENE 65 / EXT. (MALLYA) JOHORE STRAIT / DAY CHARACTER : AJIT BRITISH INDIAN ARMY World war starts. A tank fires. Akbar and whole British army are putting their guns down. SCENE 66 / INT. AKBARS CAMP PEAK NUMBER 579 / NIGHT CHARACTER : AKBAR INA’S SOLDIERS RAMPRASAD SOUND : Rain is falling. Akbar’s eyes are wide open. Other soldiers guess the reason for Akbar’s disappointment correctly. All soldiers are looking at him smpathetically. Subedar Ramprasad appears near Akbar’s camp. He is fully wet. Due to darkness his face is not very clear in lanterns light which is little far away. He enters inside Akbars camp. He asks for help as he is instructed by Ajit. Akbar and his battalion pack everything and march towards Ajit’s camp inspite of heavy rainfall. SCENE 67 / EXT. NEAR PEAK NO. 564 / NIGHT CHARACTER : AKBAR AJIT AKBAR’S BATTALION AJIT’S BATTALION (10 SOLDIERS) There is pitch darkness. Rain is falling heavily. Akbar and his battalion reaches near peak 564. Light flashes on Akbar’s face. Akbar talks to Ajit. They make plan for next day (in darkness). All soldiers start making movement in night itself. Ajit flashes the torch on his watch and it reads 4:00 A.M.
- 43. SCENE 68/ EXT. PEAK 564 / DAY CHARACTER : AJIT AKBAR INA’S BATTALION BRITISH BATTALION Sun rises. Ajit, Akbar and rest of INA’S soldier already take their positions. Some are behind trees, some are crouching behind rocks and some are camofledged in bushes. Since last night there was a torrential rain British Army is unaware of the situation. INA attacks on British army surprisingly. The battle takes shape of dogfight and skirmish. Meanwhile Ajit gets bullet injury on his leg. Ajit is groaning with pain but he is fighting too. Finally Ajit and Akbar taste victory. All soldiers are shouting various slogans in chores – “Vande Matram” “Bharat Mata Ki Jai” “Dilli Chalo” “Hindustan Zindabad” Darkness surrounds the terrain region of peak 564. SCENE 69/ INT. CAMP (PEAK 564) / NIGHT CHARACTER : AJIT AKBAR INA’S BATTALION Ajit is wounded. Bullet is taken out from his leg. An injection is injected in his thigh by one of the soldier. Ajit is lying on a bed, groaning in very low voice. Ajit turns towards all soldier sitting beside him. AJIT : MAIN PEAK NUMBER 561 PAR NAHIN
- 44. JAAONGAA. MERI HIMMAT JAWAAB DE RAHI HAI. SUBEDAR RAMPRASAD : AAREY AAP NAHIN RAHEINGE TO HAMAARAA OOTSAAH GHAT JAAYEGAA. AKBAR (looking at Ajit) : IMPHAAL JYADAA DOOR NAHIN HAI. AAPKO CHALNAA HI HOGA. Other soldiers in chorus “HAAN HAAN AAPKO CHALNA HI HOGA”. SCENE 70/ EXT. PEAK 564 / DAWN CHARACTER : AJIT AKBAR INA’S BATTALION Nearly thirty INA’S soldiers are marching over a terrain region. Ajit stumbles while going Akbar holds Ajit. After covering long distance. Akbar asks all INA’S soldier to stop. He looks through his binocular. He spots the British Army camp. Sun Rises. SCENE 71/ EXT. PEAK 561 (FOOTHILL) / DAY CHARACTER : AJIT AKBAR INA’S BATTALION (30) Ajit, Akbar and his battalion reach near peak 561. AKBAR : MERE JAWAANO HUM BAHUT JYAADAA LOG NAHIN REH GAYEIN HAI. BRITISH SENA KI TAADAAD JYAADA HAI ISLIYE HAMEIN GORILLA YUDH KARNA PADEGA. AAP SAB LOG APNIAPNI POSITION LE LIJIYE. All soldiers run and take their position behind tree, rock, brushes.
- 45. SCENE 72/ EXT. BRITISH CAMP (PEAK NO. 561) (HIGH ALTITUDE) / DAY CHARACTER : AJIT AKBAR INA’S BATTALION BRITISH SOLDIER BRITISH SOLDIER British officer asks British soldiers to take their position. Guns start roaring. Soldiers are dying. Some are changing their position. Some of them are moving forward. Till evening guns roar. Ajit receives a bullet injury in his arm. Darkness surrounds the area while Akbar receives a bullet injury in his thigh. Only they are left now. Ajit and Akbar are groaning. Now they are at high altitude. They are looking tired. Akbar looks at British Camp and finds British Few soldiers are left now. SCENE 73/ EXT. PEAK NO. 561 (100 FEET DOWN) / NIGHT (EVENING) CHARACTER : AJIT AKBAR RAZIA Whistling of Cricket AJIT (while groaning) : MUJHE BAAJU MEIN GOLI LAG GAYEE HAI. MERE PAAS (ATS) INJECTION NAHIN HAI. MUJHE INJECTION LAGAA DO. AKBAR : ACHHA AJIT : BAHUT DARD HO RAHAA HAI. Akbar takes out the first –aid box from his bag and opens it. [Sound of opening an aluminium box] Akbar injects the injection in Ajit’s thigh. Finally Ajit sleeps on a huge rock. Akbar is also lying on a huge rock but his eyes are wide open. Razia’s face appears on his mind. Moon appears in sky. Akbar looks at the moon. AKBAR : BEWAFA KAHIN KA. AREY JAB JAANAA HI HAI TO AAYA KYON HAI?
- 46. SCENE 74/ EXT. PEAK NO. 561 / NIGHT CHARACTER : AJIT AKBAR BRITISH SOLDIERS Sunlight falls on Ajits face. He wakes up suddenly. He starts looking hear and there to find Akbar but Akbar is nowhere. He sees a rope tied in a tree. Now he is climbing along rope with two bags. He is moving cautiously and timidly reaches at the top of the peak. He finds that many British soldiers are dead and Akbar is lying on bed. Ajit pokes Akbar. But Akbar is still. Now Ajit shakes him with bath both hands and then he realizes that Akbar is dead. Tear glistens from Ajit’s eyes. Ajit is alone on the peak. Ajit mind flashes back. SCENE 75/ EXT. PEAK NO. 561 / NIGHT CHARACTER : AJIT AKBAR Flashbackbegins. Darkness covers the face of Ajit and Akbar. AKBAR (to Ajit) : MERE BAG MEIN EK TIRANGA HAI KAL SUBAH USSE FAHRAANAA HAI. AKBAR (confidence in voice) : BRITISH SIPAAHI AB KUCH HI HAIN. SCENE 76 / EXT. PEAK NO.561 / DAY CHARACTER : AJIT AKBAR BRITISH SOLDIERS Flashback ends. Ajit’s opens Akbar’s bag. Ajit pulls the flag from inside the bag. While pulling the flag first aid box comes out of the bag. The first aid box gets open, since last night Akbar did not closed it properly due to darkness.
- 47. Ajit turns towards the first aid box and he finds out that there is no injection. Ajit’s mind flashes back again . SCENE 77 / EXT. PEAK NO.561 / DAY CHARACTER : AJIT AKBAR Ajit again remembers Akbar’s words. Darkness is covering the face of Ajit and Akbar. AKBAR (groaning) : MERE BAG MEIN EK TIRANGA HAI SUBAH USSE FAHRAA DE……….. AKBAR (pauses) : FAHRAANAA HAI. AKBAR(voice shivers): FAHRAANAA HAI. SCENE 78 / EXT. PEAK NO.561 / DAY CHARACTER : AJIT AKBAR BRITISH SOLDIERS Ajit realises that Akbar sacrificed his life for him. Tears comes out of his eyes. He hoists the flag and salutes Akbar. Rain starts falling heavily. Now he pulls the dead body of Akbar inside the tent. He is lying on bed. He is shivering and suffering from fever and cold. Rainfall takes place through out the day. SCENE 79 / INT. TENT (PEAK NO.561) / NIGHT CHARACTERS : AJIT AKBAR 4 BRITISH SOLDIERS Rainfall stops in night.
- 48. A lantern is producing dim light inside the tent. Ajit is sleeping. Suddenly a touch flashes on his face and four British soldiers captures Ajit forcefully. Ajit hands are in shackle. SCENE 80 / EXT. GROUND / DAY CHARACTER : INA’S SOLDIERS COMMENTRY : Finally remaining INA soldiers surrender to British Army in Burma. All INA’S soldiers are putting down their gun in a row. SCENE 81 / INT. INDIAN PRISON / DAY CHARACTER : AJIT, BRITISH CONSTABLES (POLICE) INA’S SOLDIERS Sound of whipping and groaning coming out of prison. British constables are beating INA’S soldiers. Ajit is also one of them. Soldiers are chanting. “Vande Matram” “Bharat Mata Ki Jai” “Hum Aazaad Ho Ke Raheinge ” BRITISH CONSTABLE : TUMKO AAZAADI KABHI NAHIN MILEGA. ONE INA’S SOLDIER(In Bhojpuri accent): AAZAAD HO GAILEEN TEI TUHEIN DAUDA KE MAARAB The prison echoes with laughter. British officer do not understands what the prisoner said BRITISH OFFICER (going outside the prison) : CRAZY INDIAN !
- 49. SCENE 82 / INT. COURT (RED FORT) / DAY CHARACTER : AJIT FEW OFFICERS OF INA JUDGE BRITISH LAWYERS INDIAN LAWYERS FEW PUBLIC A court is going on. An Indian lawyer is defending. INA prisioners. (indicating his hand towards soldiers & looking at judge) INDIAN LAWYER : SIR, THEY ARE INNOCENT. THEY WERE CAPTURED BY JAPAN SO THEY WERE FORCED TO JOIN INDIAN NATIONAL ARMY. BRITISH LAWYER(looking at judge) : IT’S A CASE OF TREASON MY LORD. NO ONE SHOULD BE SPARED FOR WAGING WAR AGAINST IT’S OWN GOVERNMENT. Finally judge gives his decision. JUDGE : FINALLY, THIS COURT REACHES TO THE CONCLUSION THAT IT’S A SERIOUS CASE OF TREASON SO ALL THE SOLDIERS ARE SENTENCED TO LIFE IMPRISONMENT. SCENE 83 / EXT. PUBLIC PLACE / DAY CHARACTER : COMMON PEOPLE The judgement leads to agitation throughout the nation. People are doing campain against British Government. People are giving antiBritish Government slogan.
- 50. SCENE 84 / INT. OFFICE / DAY CHARACTER : LORD MOUNT BATTEN SOME BRITISH OFFICERS Lord Mount Batten is presiding a meeting with British Police Officers. LORD MOUNT BATTEN [with grim and serious face] : THERE IS AGITATION ALL OVER INDIA SO I DECIDED TO SUSPEND THE LIFE IMPRISONMENT OF SOLDIERS AND TO RELEASE THEM. SCENE 85 / INT. PRISON / DAY CHARACTER : AJIT ALL INA SOLDIERS The prison’s gate opens. Sound of opening of prison gate. All soldiers are coming out happily. ONE SOLDIER (very typical hindu) : SUNA HAI NETAJI CHAL BASEY. ANOTHER SOLDIER (very typical muslim) : UNKO PAKAD PAANE KI AUKAT TOH HAI NAHIN. NAHIN PAKAD PAAYE TO AFWAAH FAILAA DIYE KI MAR GAYE. HUMARI HIMMAT KUM KARNA CHAAHTEIN HAIN YEH PRIRANGI.
- 51. SCENE 86 / INT. AJIT’S HOUSE (KITCHEN) / DAY CHARACTER : SAVITA AJIT OTHER FAMILY MEMBERS Savita is busy in making chatni in kitchen. Ajit peeps from outside the kitchen. Savita is coming out of kitchen with chatni. Ajit holds Savita from behind seeing Ajit, Savita overwhelms with joy. Shantidevi is seeing Savita & Ajit from outside the kitchen. When Savita sees her motherinlaw, she blushes and tries to get away from Ajit but her efforts goes in vain. Finally she smiles while Ajit is unaware. THE END God you are great!