15. ONE MORE DOT – LIGHTER / COLOURED / TEXTURED TENSION EASES DIRECTS THE MOVEMENT OF EYE EYE MOVES FROM BIGGER TO SMALLER
16. DISTRIBUTION OF SPACE IN SYMMETRICAL BALANCE DISTRIBUTION OF SPACE IN ASYMMETRICAL BALANCE
17. FORM INTRUDING IN EMPTY SPACE CARVES INTO A POSITIVE SPACE LEAVING UNOCCUPIED SPACE WHICH WE IDENTIFY AS NEGATIVE SPACE POSITIVE & NEGATIVE SPACES ARE OBVIOUSLY INTERDEPENDENT
18. BLANK SPACE / EMPTY SPACE DOES NOT RESTRICT THE ATTENTION AS SOON AS FIGURE IS PLACED IT ATTRACTS ATTENTION / PROVOKES EYE MOVEMENT PERCEIVING SPACE SQUARE WITH FIGURE RELATED WITHIN HORIZONTAL VERTICAL LINES TO THE OUTER FRAME- DIVISION OF SPACE PERCIEVED AS 2D IF FIGURE IS RELATED TO CORNERS WITH DIAGONAL LINES – PERCIEVED WITH 3D OBSERVE FEELING OF PULL OF VOLUME IN SPACE
19. DIVISION OF SPACE VERTICALLY AND HORIZONTALLY GIVES RELATIVE DEVELOPMENT OF SHAPES AND MASSES. SUCH DIVISIONS BRING CREATIVE ORGANISATION OF SPACE
26. COLUMNS BEAMS RAFTERS EXTERIOR SPACE INERIOR SPACE FLOORS WALLS ROOF EXTERIOR SPACE OPENINGS AROUND OR THEOUGH PLANES SOLID MASS DLOOR WALLS INTERIOR SPACE HOLLOWED FROM SOLID
38. CLOSURE CLOSURE IS THE RENDENCY OF THE VIEWER TO FILL IN THE SPACES IN AN INCOMPLETE VISUAL IMAGE IN ORDER TO MAKE THAT IMAGE VISUALLY COMPREHENSIBLE MENTALLY COMPLETE – USED CONCEPTUALISING SYMBOLS
52. VARIATIONS IN SIMPLE GRID TEND TO MAKE COMPOSITIONS MORE DYNAMIC GRID WITH MORE COMPLEX AREAS A SHIFT OR DROP GRID, SHIFTING ALTERNATIVE RAWS UP OR DOWN OR SIDE TO SIDE
72. GROUPING BY TONE- THE SQUARE OF THE SIMILAR TONE CAN BE SEEN AS BELONGING TO GROUP AS DISTINCT FROM SQUARE OF LIGHTER TONE GROUPING BY SIZE - LARGE SQUARES BELONGING TO GROUP AS DISTINCT FROM SMALLER SQUARES GROUPING BY SHAPES – SIMILAR BELONG TO GROUP
78. HOW COMPOSITION COULD STAND AS A TOTAL PROXIMITY OR CLOSENESS, NEARNESS IS THE MOST BASIC FORM OF SPATIAL ORGANISATION. WHEN OBJECTS ARE TOGETHER VIEWER TENDS TO GROUND THEM.
80. SIMILARITY CONCEPTUALLY SIMPLE IT IS A DESCRIPTIVE QUALITY OF A VISUAL CONNECTED WITH SIZE, SHAPE, COLOUR, ORIENTATION, TEXTURE HERE OPPOSITES REPEL AND SIMILAR ATTRACT AND FORM GROUPING.
81. SIMILAR QUALITIES UNITY WHERE AS DISSIMILAR QUALITIES SEPARATE A COMPOSITION SIMILARLY SOMETIMES MONOTONOUS AND OPPOSITE BECOME CHAOTIC SO BALANCE
82. STRONG FIGURE GROUND RELATIONSHIP CREATES VISUAL EXCITEMENT ATTRACTS ATTENTION VISUAL COMFORT (PSYCHOLOGICAL) WE TEND TO SIMPLIFY WHAT WE SEE
86. STRONG FIGURE GROUND RELATIONSHIP WITH CONTRAST HELP TO COMMUNICATE THE IDENTITY OF CHARACTER PROXIMITY SIMPLEST CONDITION OF ORGANISATION STRENGTHENS THE FORCE OF ATTRACTION BETWEEN PARTS IT EVOKES AND RESULTS IN STABLE -COHERENT - FIGURES
95. GROUPING BY CONTINUITY – TOUCHING SHAPES – PART OF GROUP GROUPING BY PROXIMITY – SHAPES CLOSE – TOGETHER PART OF GROUP THAT EXCLUDES MORE DISTANT ONES GROUPING BY MOTION – THE SHAPES THAT APPEAR TO MOVE ARE GROUPED, AS DISTINCT FROM THOSE SHAPES THAT APPEAR STATIC
96. ORIGINAL SHAPES TYPES OF SHAPES – COMBINATIONS VARIATIONS ON THE SHAPE COMBINATIONS
97. THIS SHOWS A TWIG FULL OF LEAVES WITH CONTOURS FILLED WITH BLACK DRAWING INK. THIS PUTS ON EMPHASIS ON THE SHAPES OF THE SELECTED TWIG. ALSO LOOK AT THE ISOLATED SMALL EQUAL SQUARES TWIG – DRAWING INDICATES PATTERN FINDING POSSIBILITIES. SPACE – FILLING WITH NUMBER OF UNITS WITH SMALLER CHARACTERISTICS IS ONE OF THE WAYS OF ORGANISING SPACE HARMONIOUSLY .
98. PARTHENON COLUMNS WERE DESIGNED TO COMPENSATE FOR THE APPEARENT DISTORTIONS IN STRAIGHT LINES
117. MAJOR AXIS WITHIN FIELD MINOR AXIS WITHIN FIELD APPROXIMATE FIELD BOUNDRIES
118. WITH MOVEMENT THROUGH SPACE THE CLOSENESS OF OBJECTS CAN BE JUDGED. SINGLE TREE MOVE MORE RAPIDLY ACROSS THE OPTIC ARRAY THAN DISTANT OBJETCS – GROUP OF TREES
124. SOME OF THE PARTS IDENTIFYING THE INDIVIDUAL MODULES RELATIONSHIP ESTABLISHED WITH POSITIVE NEGATIVE AREAS WITHIN ONE MODULE. IDENTIFICATION OF EACH MODULE IS DIFFICULT IN a & b. (a) (b)
239. RESUME NAME PROF. OGALE ARUN VINAYAK AGE 65 YEARS PROFESSION ARCHITECT PLANNER, SPACE CONSULTANT ADDRESS 3/C DHAVALGIRI PARK SOCIETY, NEAR PRATIDNYA HALL,KARVE NAGAR, PUNE – 411052 PH: 020-25438578 E-MAIL [email_address] WEBSITE http://www.arunogalebd.blogspot.com QUALIFICATION G.D.ARCH(MAHARASHTRA) EXPERIENCE WORKED WITH THE NATIONAL DESIGN INSTITUDE AT AHMEDBAD WORKED WITH KANVINDE & RAI ARCHITECTS, NEW DELHI