"His Cure" - Storyboards

“ His Cure” Major Project Storyboard By Agatha Gomes

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Scene 1, Cut 1, Medium Long Shot, Panel 1

Scene 1, Cut 2, Extreme Long Shot, Panel 4

Scene 1, Cut 2, Extreme Long Shot, Panel 5

Scene 1, Cut 3, Medium Shot of sign, Panel 6

Scene 1, Cut 4, Medium Shot, Low to High angle, Panel 7

Scene 1, Cut 4, Medium Shot, Low to High angle, Panel 8

Scene 1, Cut 5, Medium Close-up Shot, Panel 9

Scene 1, Cut 6, Medium Close-up Shot, Slightly Higher angle, Panel 10

Scene 1, Cut 7, Medium Close-up Shot, Of mid body/hand, Panel 11

Scene 1, Cut 7, Medium Close-up Shot, Of mid body/hand, Panel 12 NOTE: Door opens abruptly.

Scene 2, Cut 8, Medium Long Shot, Low to High angle, Panel 13 Notes: The camera is low while the aim is high, giving the feeling that the old man is small and that the Dr who suddenly appeared is a huge, imposing, dominant figure.

Scene 2, Cut 9, Medium Close-up Shot, High to low angle, Panel 14 Notes: The camera placement here is high with the aim low, in an over-the-shoulder shot directed towards the old man. Catching his expression of surprise. Take note of the use of framing with the door frame as composition.

Scene 2, Cut 10, Medium Long Shot, Panel 15 Notes: This shot will be a through the wall shot for compositional purposes and to really show off the animation.

Scene 2, Cut 11, Medium Long Shot, Camera low, Panel 18 Notes: The camera will be angled down ever so slightly.

Scene 2, Cut 12, Medium Shot, Panel 19

Scene 2, Cut 13, Medium close Shot, Low to High angle, Panel 20 Notes: Low to high angle but not as extreme. Old man’s head in view.

Scene 2, Cut 13, Medium close Shot, Low to High angle, Panel 21

Scene 2, Cut 16, Medium Shot, Panel 30 Notes: See animtic for full movement reference

Scene 2, Cut 16, Medium Shot, Panel 31 Notes: The camera stays put for all of this cut. The character’s arm is what moves around.

Scene 2, Cut 17, Medium close Shot, Panel 32 Notes: This is a cut to a different shot where the dr’s arm comes into shot.

Scene 2, Cut 17, Medium close Shot, Panel 33 Notes: Pan from 32 to 35

Scene 2, Cut 17, Medium close Shot, Panel 34 Notes: Pan from 32 to 35

Scene 2, Cut 17, Pan to Medium close Shot, Panel 35 Notes: Pan from 32 to 35

Scene 2, Cut 17, Track into Close-up of paper Shot, Panel 36

Scene 2, Cut 17, Track into Extreme Close Shot of paper, Panel 37 Notes: The camera will track down to read the rest of the poster on the wall.

Scene 2, Cut 17, Track down in Extreme Close Shot, Panel 38

Scene 2, Cut 18, Extreme Close Shot, Panel 39

Scene 2, Cut 20, Medium Close Shot, Panel 41

Scene 2, Cut 24, Close up Shot, Panel 45 Notes: Between panel 44 and 45 is a cut, not a track/zoom.

Scene 2, Cut 24, Close up Shot, Panel 46

Scene 2, Cut 25, Extreme Close up Shot, Panel 47 Notes: Cut to a closer shot, not zoom/track.

Scene 2, Cut 27, Close up Cut –in shot of hands, Panel 50

Scene 2, Cut 29, Close up Shot, Panel 53 Notes: The Old Man moves out of shot. Camera stays put.

Scene 2, Cut 30, Long Shot, Panel 55

Scene 2, Cut 32, Long Shot, Panel 58 Notes: Long shot of old man, Medium shot of Doctor.

Scene 2, Cut 33, Close up Shot, Panel 60 Notes: Dr walks off to his right.

Scene 3, Cut 35, Very Long Shot, Panel 63

Scene 3, Cut 35, Very Long Shot, Panel 64 Notes: Crane down to lower angle.

Scene 3, Cut 36, Medium close Shot, Panel 65

Scene 3, Cut 36, Medium close Shot, Panel 66

Scene 3, Cut 37, Medium Long Shot, Panel 67 Notes: Camera on the inside of a house.

Scene 3, Cut 41, Extreme Long Shot, Panel 73 Notes: Stays within the 180 line.

Scene 3, Cut 48, Close up/Cut-in Shot, Panel 83 Notes: This crosses the 180 purposely, to keep the audience guessing. Despite previous clues as to the whereabouts of the Dr.

Scene 3, Cut 51, Extreme Close up Shot, Panel 86

Scene 3, Cut 54, Medium Close up Shot, Panel 89

Scene 3, Cut 55, Medium Close up Shot, Panel 90 Dialogue: “This is the only way I could save you…”

Scene 3, Cut 57, Medium Close up Shot, Panel 92

Scene 3, Cut 58, Long Shot, Panel 93 Notes: Dr pulls out sword and old man falls to the ground. Then fade to black/

Scene 3, Cut 62, POV, Cut-In Shot, Panel 98

Scene 3, Cut 63, Medium Shot, Panel 100 Dialogue: “Now who’s going to save me?”

"His Cure" - Storyboards

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"His Cure" - Storyboards