SlideShare ist ein Scribd-Unternehmen logo
1 von 19
AS Media Studies: MS1
Mock Exam Feedback
MS1 Marking Levels
• A*80>
• A 80
• B 70
• C 60
• D 50
• E 40
• U 39<
Key issues after marking mock exam
• Still using the term suggest instead of signifies or
connote!
• Could use the term lexis instead of language
• Not placing the media text in context, e.g.
comedy, newspaper and how this impact on the
stereotypes or representations
• Not using examples for the texts to conclude
whether the text subverts of reinforces the
stereotype
• Too generalised- case studies are being used
but…
• Not explaining how primary & secondary codes
have an IMPACT on the audience
Q1 Feedback & Guidance
• Strong responses developed a complex &
detailed semiotic analysis of the two texts.
• Key concepts and terms used as basis to
construct a coherent analysis and argument
about the creation of meanings.
• Sophisticated & perceptive grasp of key signifiers
and techniques used. Good grasp of primary &
secondary codes.
• Awareness of polysemic & ideological issues.
Complex issues expressed with confidence and
accuracy. Response: 3-4 sides of A4.
Q1: Main issues
• Make sure you do a PLAN for all questions (bar
the 4 pointer) and cross of points covered as you
go.
• Look at the question (visual codes,
layout/design/language & mode of address) and
base your response around these key terms.
Compare and contrast
• Don’t forget that media texts are polysemic and
will be anchored by cover lines etc.
• Don’t forget about the IMPACT on the audience
Q2 Feedback & Guidance
• Strong responses show a sophisticated
understanding & response to concept of
audience.
• Draws on own knowledge & understanding of
audience response issues & debates using case
studies.
• Engages with relevant theoretical issues e.g.
representation, needs, ideologies & aspirations.
• Response length: 3-4 sides
Q3 Feedback & Guidance
• Strong responses show a sophisticated grasp
of representation.
• Clear links to current and relevant thinking &
theories.
• Confident exploration of media concepts,
issues and debates.
• A wide range of media text examples (at least
2-3) from candidates and Centre. Response: 3-
4 sides.
Feedback on Q3:
Try to get the theories right…
• Dick Hebdige – representation of youths as
fun or trouble
• Graham Burton – problematisation
Overview
• Write as much as you can – preferably 3-4 sides per
question depending on scope and complexity of
question. Create a coherent argument or analysis,
especially for larger questions.
• Show knowledge & understanding through use of
appropriate terms, language and concepts.
• Provide examples, must be quite detailed where
appropriate to your point or argument.
• Good spelling, punctuation and grammar are vital.
• Create an essay plan for each Q even if just a mind
map!
Revision Task
• Create an action plan based on your mock
performance and feedback.
• Identify key areas for improvement and
specific action to improve or address those
areas.
• Create mind maps for revision of all key terms
and concepts.
• Populate mind maps with your own examples.
Group Task
• Representation task – groups to discuss what
makes a good representation essay response.
• Groups will use template to construct an essay
response to representation of ethnicity.
• What you must include in any representation
question introduction….
- What is representation– define it
- What is mediation – show you know what it is?
- What is dominant ideology and how does this
occur?
- What are stereotypes - define?
- Why does the media use stereotypes so often?
- Give an overview of the main stereotypes for that
group/event/issue, e.g. Alvarado 4 types, negative
In groups: Introductions to
representation essay
Q3 Feedback: Remember to introduce
the media text
• For example:
• Four lions (2010) is a controversial British film
directed by Chris Morris that focuses upon
four hopeless Asian suicide bombers (Omar,
Waj, Faisal, Barry and Hassan) living in the
north of England and making plans to bomb
the UK.
Outline the representation within the media text.
At the beginning of the film the four characters appear to fit
one of the traditional stereotypes of Asian men that we
often see in the media – The Terrorist (evil, clever and
calculated, serious and brutal – often very religious.)
However as the film progresses we begin to realise that
Morris’ representation is actually challenging this
stereotype by the use of satire (Comedy genre) and the
characters appear stupid, inept and their plans to bomb the
London Marathon fall apart due to their idiocy. We laugh at
the idea of the stereotype.
Q3: Writing about case studies
• This is where you need to include evidence
(key scenes) from the media text to support
the previous points – don’t forget to use
your VAT codes!
• In the film trailer – there are establishing shots which
set the Location. Mise en scene – clothing, associated
with terrorism, props include guns, cargo nets, bombs.
Religious iconography, e.g. prayer mats,
• Context - comedic elements – visual and lexis
• And… the Impact on the audience
Q3: Prove your point!
Q3: Remember Mediation!
• Mediation: Representations are constructed
through mediation process
• How is each representation formed through
primary and secondary codes? What IMPACT
do these codes have on the audience? What’s
been left out? WHY?
Mediation
Mediation is the process of taking something real (a
person or an event) and changing its form to produce a
media text.
Mediation is achieved through:
• Selection
• Organisation
• Focusing
In life we make our own decisions about what is worth our
attention. Through mediation, the media text tries to decide this
for us. As a result our version of reality is altered
Constructionist Approach:
• Representation is a mixture of:
• The person or group being represented
• The opinions of those encoding (making) the
representation – through use of symbolic, visual,
technical and written codes.
• The reaction of the target audience (decoders)
• The context of the society – how the representation
fits in with certain dominant ideologies
Then finally ( to get the top marks) you need to explore WHY
the producer represented this group this way.
Morris has deliberately aimed to get us to laugh at the
idea ( and our preconceptions) that all young Asian men
are terrorists-trying to get the white British audience to
see the truth!
He does this though the use of Comedy (satire.)
Could link to the issue of Islamaphobia in British
society.

Weitere ähnliche Inhalte

Was ist angesagt?

Section 1b explanation
Section 1b explanationSection 1b explanation
Section 1b explanation
Emma Wilkinson
 
A2 Media: How to Integrate Theory
A2 Media: How to Integrate TheoryA2 Media: How to Integrate Theory
A2 Media: How to Integrate Theory
iangbland
 
As tv drama 3
As tv drama 3As tv drama 3
As tv drama 3
hasnmedia
 
PSY Assignment 1 individual journal
PSY Assignment 1 individual journalPSY Assignment 1 individual journal
PSY Assignment 1 individual journal
Joe Onn Lim
 
ASSIGNMENT A - Special Subject Investigation for Creative Media Prodcution ready
ASSIGNMENT A - Special Subject Investigation for Creative Media Prodcution readyASSIGNMENT A - Special Subject Investigation for Creative Media Prodcution ready
ASSIGNMENT A - Special Subject Investigation for Creative Media Prodcution ready
MilesWeb
 
A guide to the research investigation
A guide to the research investigationA guide to the research investigation
A guide to the research investigation
smagdeburg
 

Was ist angesagt? (20)

Theory Continued
Theory Continued Theory Continued
Theory Continued
 
Mest 4
Mest 4Mest 4
Mest 4
 
Section 1b explanation
Section 1b explanationSection 1b explanation
Section 1b explanation
 
A2 media exam
A2 media examA2 media exam
A2 media exam
 
A2 Media: How to Integrate Theory
A2 Media: How to Integrate TheoryA2 Media: How to Integrate Theory
A2 Media: How to Integrate Theory
 
The Media Reception Theory:
The Media Reception Theory:The Media Reception Theory:
The Media Reception Theory:
 
Representation of Age
Representation of AgeRepresentation of Age
Representation of Age
 
As tv drama 3
As tv drama 3As tv drama 3
As tv drama 3
 
A2representation intro
A2representation introA2representation intro
A2representation intro
 
Reception theory
Reception theoryReception theory
Reception theory
 
Exam feedback
Exam feedbackExam feedback
Exam feedback
 
Reception Theory
Reception TheoryReception Theory
Reception Theory
 
PSY Assignment 1 individual journal
PSY Assignment 1 individual journalPSY Assignment 1 individual journal
PSY Assignment 1 individual journal
 
ASSIGNMENT A - Special Subject Investigation for Creative Media Prodcution ready
ASSIGNMENT A - Special Subject Investigation for Creative Media Prodcution readyASSIGNMENT A - Special Subject Investigation for Creative Media Prodcution ready
ASSIGNMENT A - Special Subject Investigation for Creative Media Prodcution ready
 
G325 sec. b colletive identity l1 blog
G325 sec. b colletive identity l1 blogG325 sec. b colletive identity l1 blog
G325 sec. b colletive identity l1 blog
 
AS Y1 Media Studies 1.1 induction 2020
AS Y1 Media Studies 1.1 induction 2020AS Y1 Media Studies 1.1 induction 2020
AS Y1 Media Studies 1.1 induction 2020
 
GCSE Media Studies - Exam Revision Pack
GCSE Media Studies - Exam Revision PackGCSE Media Studies - Exam Revision Pack
GCSE Media Studies - Exam Revision Pack
 
A guide to the research investigation
A guide to the research investigationA guide to the research investigation
A guide to the research investigation
 
Assignment 2-comic-strip
Assignment 2-comic-stripAssignment 2-comic-strip
Assignment 2-comic-strip
 
Exam guidance ms1
Exam guidance ms1Exam guidance ms1
Exam guidance ms1
 

Ähnlich wie Ms1 exam feedback & guidance 2014

L5 revision guide making
L5 revision guide makingL5 revision guide making
L5 revision guide making
Natasha Newman
 
G325 L1 Introduction to Collective Identity
G325 L1 Introduction to Collective IdentityG325 L1 Introduction to Collective Identity
G325 L1 Introduction to Collective Identity
Stuart Coppard
 
Intro to a2 course g325 critical perspectives in media - question b
Intro to a2 course   g325 critical perspectives in media - question bIntro to a2 course   g325 critical perspectives in media - question b
Intro to a2 course g325 critical perspectives in media - question b
Mr Smith
 
Copy of intro to a2 course g325 critical perspectives in media - question b
Copy of intro to a2 course   g325 critical perspectives in media - question bCopy of intro to a2 course   g325 critical perspectives in media - question b
Copy of intro to a2 course g325 critical perspectives in media - question b
hammonda
 
Personal Study Essay Research Document Pro Forma.pptx
Personal Study Essay Research Document Pro Forma.pptxPersonal Study Essay Research Document Pro Forma.pptx
Personal Study Essay Research Document Pro Forma.pptx
BLACKSTARSHINIGAMI
 
How to answer a media exam question... kind of
How to answer a media exam question... kind ofHow to answer a media exam question... kind of
How to answer a media exam question... kind of
Jack Wentworth-Weedon
 
How to answer a media exam question... kind of
How to answer a media exam question... kind ofHow to answer a media exam question... kind of
How to answer a media exam question... kind of
Jack Wentworth-Weedon
 
How to answer a media exam question... Kind of
How to answer a media exam question... Kind ofHow to answer a media exam question... Kind of
How to answer a media exam question... Kind of
Jack Wentworth-Weedon
 

Ähnlich wie Ms1 exam feedback & guidance 2014 (20)

L5 revision guide making
L5 revision guide makingL5 revision guide making
L5 revision guide making
 
G325 L1 Introduction to Collective Identity
G325 L1 Introduction to Collective IdentityG325 L1 Introduction to Collective Identity
G325 L1 Introduction to Collective Identity
 
Audiencetheory
AudiencetheoryAudiencetheory
Audiencetheory
 
Intro to a2 course g325 critical perspectives in media - question b
Intro to a2 course   g325 critical perspectives in media - question bIntro to a2 course   g325 critical perspectives in media - question b
Intro to a2 course g325 critical perspectives in media - question b
 
Copy of intro to a2 course g325 critical perspectives in media - question b
Copy of intro to a2 course   g325 critical perspectives in media - question bCopy of intro to a2 course   g325 critical perspectives in media - question b
Copy of intro to a2 course g325 critical perspectives in media - question b
 
Personal Study Essay Research Document Pro Forma.pptx
Personal Study Essay Research Document Pro Forma.pptxPersonal Study Essay Research Document Pro Forma.pptx
Personal Study Essay Research Document Pro Forma.pptx
 
AS Media Lesson 1 - Intro representation
AS Media Lesson 1 - Intro representationAS Media Lesson 1 - Intro representation
AS Media Lesson 1 - Intro representation
 
4. audience reception
4. audience reception4. audience reception
4. audience reception
 
Critical perspectives in media
Critical perspectives in mediaCritical perspectives in media
Critical perspectives in media
 
A2 audience gr
A2 audience grA2 audience gr
A2 audience gr
 
Audience Positioning and Media Effects
Audience Positioning and Media EffectsAudience Positioning and Media Effects
Audience Positioning and Media Effects
 
Genre
GenreGenre
Genre
 
Media audience theory
Media audience theoryMedia audience theory
Media audience theory
 
June 2011
June 2011June 2011
June 2011
 
Constructed media
Constructed mediaConstructed media
Constructed media
 
MediaFilmExchange.co.uk Powerpoint
MediaFilmExchange.co.uk PowerpointMediaFilmExchange.co.uk Powerpoint
MediaFilmExchange.co.uk Powerpoint
 
How to answer a media exam question... kind of
How to answer a media exam question... kind ofHow to answer a media exam question... kind of
How to answer a media exam question... kind of
 
How to answer a media exam question... kind of
How to answer a media exam question... kind ofHow to answer a media exam question... kind of
How to answer a media exam question... kind of
 
How to answer a media exam question... Kind of
How to answer a media exam question... Kind ofHow to answer a media exam question... Kind of
How to answer a media exam question... Kind of
 
Lesson
LessonLesson
Lesson
 

Mehr von Amanda Simmons

Summary of case studies 2014 D Group
Summary of case studies 2014 D GroupSummary of case studies 2014 D Group
Summary of case studies 2014 D Group
Amanda Simmons
 
MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014
Amanda Simmons
 
MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014
Amanda Simmons
 
Nme music magazine print deconstruction
Nme music magazine print deconstructionNme music magazine print deconstruction
Nme music magazine print deconstruction
Amanda Simmons
 
Ms1 narrative &genre mags
Ms1 narrative &genre magsMs1 narrative &genre mags
Ms1 narrative &genre mags
Amanda Simmons
 
MS1 ideological theories
MS1 ideological theoriesMS1 ideological theories
MS1 ideological theories
Amanda Simmons
 
MS1 summer 2011 exam exemplar (Q1)
MS1 summer 2011 exam exemplar (Q1)MS1 summer 2011 exam exemplar (Q1)
MS1 summer 2011 exam exemplar (Q1)
Amanda Simmons
 
MS1 practice paper 2014 (2)
MS1 practice paper 2014 (2)MS1 practice paper 2014 (2)
MS1 practice paper 2014 (2)
Amanda Simmons
 
MS1 practice paper 2014
MS1 practice paper 2014MS1 practice paper 2014
MS1 practice paper 2014
Amanda Simmons
 
MS1 terminology revision 2014
MS1 terminology revision 2014MS1 terminology revision 2014
MS1 terminology revision 2014
Amanda Simmons
 
Ms1 2011 candidate 1 level 4
Ms1 2011  candidate 1 level 4Ms1 2011  candidate 1 level 4
Ms1 2011 candidate 1 level 4
Amanda Simmons
 
Wjec AS media studies representation of issues - immigration
Wjec AS media studies representation of issues - immigrationWjec AS media studies representation of issues - immigration
Wjec AS media studies representation of issues - immigration
Amanda Simmons
 
MS1 specimen paper and sample exam response
MS1 specimen paper and sample exam responseMS1 specimen paper and sample exam response
MS1 specimen paper and sample exam response
Amanda Simmons
 
Ms1 jan 2012 resource material
Ms1 jan 2012 resource materialMs1 jan 2012 resource material
Ms1 jan 2012 resource material
Amanda Simmons
 

Mehr von Amanda Simmons (20)

Summary of case studies 2014 D Group
Summary of case studies 2014 D GroupSummary of case studies 2014 D Group
Summary of case studies 2014 D Group
 
MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014
 
MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014MS1 - AS media feedback May 2014
MS1 - AS media feedback May 2014
 
Nme music magazine print deconstruction
Nme music magazine print deconstructionNme music magazine print deconstruction
Nme music magazine print deconstruction
 
Ms1 narrative &genre mags
Ms1 narrative &genre magsMs1 narrative &genre mags
Ms1 narrative &genre mags
 
MS1 masthead conventions
MS1 masthead conventionsMS1 masthead conventions
MS1 masthead conventions
 
MS1 ideological theories
MS1 ideological theoriesMS1 ideological theories
MS1 ideological theories
 
MS1 summer 2011 exam exemplar (Q1)
MS1 summer 2011 exam exemplar (Q1)MS1 summer 2011 exam exemplar (Q1)
MS1 summer 2011 exam exemplar (Q1)
 
MS1 practice paper 2014 (2)
MS1 practice paper 2014 (2)MS1 practice paper 2014 (2)
MS1 practice paper 2014 (2)
 
MS1 practice paper 2014
MS1 practice paper 2014MS1 practice paper 2014
MS1 practice paper 2014
 
MS1 terminology revision 2014
MS1 terminology revision 2014MS1 terminology revision 2014
MS1 terminology revision 2014
 
Ms1 2011 candidate 1 level 4
Ms1 2011  candidate 1 level 4Ms1 2011  candidate 1 level 4
Ms1 2011 candidate 1 level 4
 
MS1 june2013
MS1 june2013MS1 june2013
MS1 june2013
 
MS1 jan 2012
MS1 jan 2012MS1 jan 2012
MS1 jan 2012
 
MS1 jan 2014
MS1 jan 2014MS1 jan 2014
MS1 jan 2014
 
Wjec AS media studies representation of issues - immigration
Wjec AS media studies representation of issues - immigrationWjec AS media studies representation of issues - immigration
Wjec AS media studies representation of issues - immigration
 
MS1 specimen paper and sample exam response
MS1 specimen paper and sample exam responseMS1 specimen paper and sample exam response
MS1 specimen paper and sample exam response
 
MS1 Textual Analysis
MS1 Textual AnalysisMS1 Textual Analysis
MS1 Textual Analysis
 
MS1 key concepts booklet 2014
MS1 key concepts booklet 2014MS1 key concepts booklet 2014
MS1 key concepts booklet 2014
 
Ms1 jan 2012 resource material
Ms1 jan 2012 resource materialMs1 jan 2012 resource material
Ms1 jan 2012 resource material
 

Kürzlich hochgeladen

Spellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please PractiseSpellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please Practise
AnaAcapella
 

Kürzlich hochgeladen (20)

How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17How to Give a Domain for a Field in Odoo 17
How to Give a Domain for a Field in Odoo 17
 
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptxBasic Civil Engineering first year Notes- Chapter 4 Building.pptx
Basic Civil Engineering first year Notes- Chapter 4 Building.pptx
 
Making communications land - Are they received and understood as intended? we...
Making communications land - Are they received and understood as intended? we...Making communications land - Are they received and understood as intended? we...
Making communications land - Are they received and understood as intended? we...
 
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
2024-NATIONAL-LEARNING-CAMP-AND-OTHER.pptx
 
General Principles of Intellectual Property: Concepts of Intellectual Proper...
General Principles of Intellectual Property: Concepts of Intellectual  Proper...General Principles of Intellectual Property: Concepts of Intellectual  Proper...
General Principles of Intellectual Property: Concepts of Intellectual Proper...
 
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
Beyond_Borders_Understanding_Anime_and_Manga_Fandom_A_Comprehensive_Audience_...
 
Spellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please PractiseSpellings Wk 3 English CAPS CARES Please Practise
Spellings Wk 3 English CAPS CARES Please Practise
 
Accessible Digital Futures project (20/03/2024)
Accessible Digital Futures project (20/03/2024)Accessible Digital Futures project (20/03/2024)
Accessible Digital Futures project (20/03/2024)
 
FSB Advising Checklist - Orientation 2024
FSB Advising Checklist - Orientation 2024FSB Advising Checklist - Orientation 2024
FSB Advising Checklist - Orientation 2024
 
SOC 101 Demonstration of Learning Presentation
SOC 101 Demonstration of Learning PresentationSOC 101 Demonstration of Learning Presentation
SOC 101 Demonstration of Learning Presentation
 
Application orientated numerical on hev.ppt
Application orientated numerical on hev.pptApplication orientated numerical on hev.ppt
Application orientated numerical on hev.ppt
 
Towards a code of practice for AI in AT.pptx
Towards a code of practice for AI in AT.pptxTowards a code of practice for AI in AT.pptx
Towards a code of practice for AI in AT.pptx
 
ICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptxICT Role in 21st Century Education & its Challenges.pptx
ICT Role in 21st Century Education & its Challenges.pptx
 
How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17How to Create and Manage Wizard in Odoo 17
How to Create and Manage Wizard in Odoo 17
 
Graduate Outcomes Presentation Slides - English
Graduate Outcomes Presentation Slides - EnglishGraduate Outcomes Presentation Slides - English
Graduate Outcomes Presentation Slides - English
 
Fostering Friendships - Enhancing Social Bonds in the Classroom
Fostering Friendships - Enhancing Social Bonds  in the ClassroomFostering Friendships - Enhancing Social Bonds  in the Classroom
Fostering Friendships - Enhancing Social Bonds in the Classroom
 
Jamworks pilot and AI at Jisc (20/03/2024)
Jamworks pilot and AI at Jisc (20/03/2024)Jamworks pilot and AI at Jisc (20/03/2024)
Jamworks pilot and AI at Jisc (20/03/2024)
 
Kodo Millet PPT made by Ghanshyam bairwa college of Agriculture kumher bhara...
Kodo Millet  PPT made by Ghanshyam bairwa college of Agriculture kumher bhara...Kodo Millet  PPT made by Ghanshyam bairwa college of Agriculture kumher bhara...
Kodo Millet PPT made by Ghanshyam bairwa college of Agriculture kumher bhara...
 
HMCS Vancouver Pre-Deployment Brief - May 2024 (Web Version).pptx
HMCS Vancouver Pre-Deployment Brief - May 2024 (Web Version).pptxHMCS Vancouver Pre-Deployment Brief - May 2024 (Web Version).pptx
HMCS Vancouver Pre-Deployment Brief - May 2024 (Web Version).pptx
 
Single or Multiple melodic lines structure
Single or Multiple melodic lines structureSingle or Multiple melodic lines structure
Single or Multiple melodic lines structure
 

Ms1 exam feedback & guidance 2014

  • 1. AS Media Studies: MS1 Mock Exam Feedback
  • 2. MS1 Marking Levels • A*80> • A 80 • B 70 • C 60 • D 50 • E 40 • U 39<
  • 3. Key issues after marking mock exam • Still using the term suggest instead of signifies or connote! • Could use the term lexis instead of language • Not placing the media text in context, e.g. comedy, newspaper and how this impact on the stereotypes or representations • Not using examples for the texts to conclude whether the text subverts of reinforces the stereotype • Too generalised- case studies are being used but… • Not explaining how primary & secondary codes have an IMPACT on the audience
  • 4. Q1 Feedback & Guidance • Strong responses developed a complex & detailed semiotic analysis of the two texts. • Key concepts and terms used as basis to construct a coherent analysis and argument about the creation of meanings. • Sophisticated & perceptive grasp of key signifiers and techniques used. Good grasp of primary & secondary codes. • Awareness of polysemic & ideological issues. Complex issues expressed with confidence and accuracy. Response: 3-4 sides of A4.
  • 5. Q1: Main issues • Make sure you do a PLAN for all questions (bar the 4 pointer) and cross of points covered as you go. • Look at the question (visual codes, layout/design/language & mode of address) and base your response around these key terms. Compare and contrast • Don’t forget that media texts are polysemic and will be anchored by cover lines etc. • Don’t forget about the IMPACT on the audience
  • 6. Q2 Feedback & Guidance • Strong responses show a sophisticated understanding & response to concept of audience. • Draws on own knowledge & understanding of audience response issues & debates using case studies. • Engages with relevant theoretical issues e.g. representation, needs, ideologies & aspirations. • Response length: 3-4 sides
  • 7. Q3 Feedback & Guidance • Strong responses show a sophisticated grasp of representation. • Clear links to current and relevant thinking & theories. • Confident exploration of media concepts, issues and debates. • A wide range of media text examples (at least 2-3) from candidates and Centre. Response: 3- 4 sides.
  • 8. Feedback on Q3: Try to get the theories right… • Dick Hebdige – representation of youths as fun or trouble • Graham Burton – problematisation
  • 9. Overview • Write as much as you can – preferably 3-4 sides per question depending on scope and complexity of question. Create a coherent argument or analysis, especially for larger questions. • Show knowledge & understanding through use of appropriate terms, language and concepts. • Provide examples, must be quite detailed where appropriate to your point or argument. • Good spelling, punctuation and grammar are vital. • Create an essay plan for each Q even if just a mind map!
  • 10. Revision Task • Create an action plan based on your mock performance and feedback. • Identify key areas for improvement and specific action to improve or address those areas. • Create mind maps for revision of all key terms and concepts. • Populate mind maps with your own examples.
  • 11. Group Task • Representation task – groups to discuss what makes a good representation essay response. • Groups will use template to construct an essay response to representation of ethnicity.
  • 12. • What you must include in any representation question introduction…. - What is representation– define it - What is mediation – show you know what it is? - What is dominant ideology and how does this occur? - What are stereotypes - define? - Why does the media use stereotypes so often? - Give an overview of the main stereotypes for that group/event/issue, e.g. Alvarado 4 types, negative In groups: Introductions to representation essay
  • 13. Q3 Feedback: Remember to introduce the media text • For example: • Four lions (2010) is a controversial British film directed by Chris Morris that focuses upon four hopeless Asian suicide bombers (Omar, Waj, Faisal, Barry and Hassan) living in the north of England and making plans to bomb the UK.
  • 14. Outline the representation within the media text. At the beginning of the film the four characters appear to fit one of the traditional stereotypes of Asian men that we often see in the media – The Terrorist (evil, clever and calculated, serious and brutal – often very religious.) However as the film progresses we begin to realise that Morris’ representation is actually challenging this stereotype by the use of satire (Comedy genre) and the characters appear stupid, inept and their plans to bomb the London Marathon fall apart due to their idiocy. We laugh at the idea of the stereotype. Q3: Writing about case studies
  • 15. • This is where you need to include evidence (key scenes) from the media text to support the previous points – don’t forget to use your VAT codes! • In the film trailer – there are establishing shots which set the Location. Mise en scene – clothing, associated with terrorism, props include guns, cargo nets, bombs. Religious iconography, e.g. prayer mats, • Context - comedic elements – visual and lexis • And… the Impact on the audience Q3: Prove your point!
  • 16. Q3: Remember Mediation! • Mediation: Representations are constructed through mediation process • How is each representation formed through primary and secondary codes? What IMPACT do these codes have on the audience? What’s been left out? WHY?
  • 17. Mediation Mediation is the process of taking something real (a person or an event) and changing its form to produce a media text. Mediation is achieved through: • Selection • Organisation • Focusing In life we make our own decisions about what is worth our attention. Through mediation, the media text tries to decide this for us. As a result our version of reality is altered
  • 18. Constructionist Approach: • Representation is a mixture of: • The person or group being represented • The opinions of those encoding (making) the representation – through use of symbolic, visual, technical and written codes. • The reaction of the target audience (decoders) • The context of the society – how the representation fits in with certain dominant ideologies
  • 19. Then finally ( to get the top marks) you need to explore WHY the producer represented this group this way. Morris has deliberately aimed to get us to laugh at the idea ( and our preconceptions) that all young Asian men are terrorists-trying to get the white British audience to see the truth! He does this though the use of Comedy (satire.) Could link to the issue of Islamaphobia in British society.

Hinweis der Redaktion

  1. To communicate complex information about a character, time period, location etc. as quickly as possible (narrative shortcut) To communicate complex information about a character, time period, location etc. as quickly as possible (narrative shortcut) They are able to do this as, they do not simply create stereotypes, they reflect the stereotypes that already exist within a culture.